Posts Tagged ‘Single’

Noisepicker share the remarkable video for ‘Chew’ ahead of the release of their second record, The Earth Will Swallow The Sun, out 21st March 2025 via Exile on Mainstream.

The band says:

"7/8 groove and a mountain of fat chugs. Splattered with disgust at the human form displayed in the mirrors. ‘Chewed up and spat out’ as the chorus declares. The result of generations of human failure through self interest. ‘So sick and tired of that stupid grin’. The only logical solution: destroy it."

…and further about the video itself: "The two of us live on opposite sides of the country, which makes getting together tricky at times. To the point where we never rehearse. Apart from two songs, we had only played the entire new album together when we entered the studio to record it. And those two tracks were only ever played during soundcheck, an hour before we played them live. Which probably explains a lot! This means we need to be ‘inventive’ when thinking about videos, basically making sure that we are not the main focus of them. We grab footage of each other when we can and store it up in case it’s needed. That’s where the puppet idea came from. I couldn’t get us both in the same room, so I had to improvise. I think it actually makes for a better video! The song is about hating what you’ve become after chasing the expectations of an unfulfilling society, and only realising you’ve been had when it’s far too late. You’ve been played. Like a puppet on a string. Enjoy!"

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Photo credit:  Jerry Deeney

20th December 2024

Christopher Nosnibor

Here we are on the cusp of the second week of January and still mopping up releases from December. And that’s ok. I don’t get why everyone is so hung up on the end of year / new year thing anyway, and I certainly don’t get why so many end of year lists are published in November. It made sense when we were tied to print media, and monthly magazines went to print a good month in advance, meaning the December editions were being written in October to hit the shelves at the end of November, but in the age of the Internet? Nah. And the sheer volume of music being releases means that things often have a slower diffusion, in contrast to the 80s and 90s when people raced to buy 7” and CD singles on the week of release after a big advance push which was essential for that chart placing, which meant Radio 1 Top 40 airplay on a Sunday afternoon and the possibility of being on Top of the Pops.

So, my somewhat belated coverage of this new single by Kent-based alternative act Karobela is anything but an afterthought. Boom.

The song is, they say, ‘a kick back, in your face retaliation to everyone who thought they could just kick you to the curb’. Many of us have been there: left out forgotten, excluded – not necessarily by design, but because ‘oops’. Well, you can tag along if you like, why don’t you? Out of sight, out of mind as the phrase goes.

The band have clearly put plenty of thought into this tune that’s structured around a low-slung bass groove and builds to climactic, impassioned choruses. It does teeter perilously close to classic rock / indie funk in places, but the energy and raw sincerity carry it through, and they sound like a band who will really grab certain demographics in a live setting, while the relatable content of ‘Afterthought’ is also likely to be a winner.

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Dark electronic music producer, MISS FD has just released her latest bewitching cinematic gothic music video for her song, ‘Curse Breaker’.

‘Curse Breaker’ is a liberating dark piano piece with laid bare female vocals that channel raw emotion, empowerment, and mystique.  A spell unbinding transformative song about overcoming and letting go.

The music video, directed by long-time collaborator and friend Tas Limur, was filmed in a Victorian mansion in Historic Old Louisville, KY.

The video follows MISS FD through a curse-breaking séance which releases her from a haunting apparition, symbolizing freeing oneself from the binds and limitations of the past.

Watch it here:

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Former LORDS OF ACID vocalist, Mea Fisher (aka DJ Mea) and her solo project, ME AND MY NIGHTMARE just unveiled the heartfelt & poignant new single and video, ‘Don’t Forget Me’. The single features En Esch (Slick Idiot, <PIG>, Pigface, Ex-KMFDM) on keyboards.

‘Don’t Forget Me’ is Mea’s tribute to her mother, Patricia who tragically passed away after a battle with Alzheimer’s disease at the age of 84.

A common occurrence during the stages of Alzheimer’s disease is when the patient loses their memory. Mea states, “As her only child, the fear of being told that someday my mother might forget me terrified me to the core.  I feared it everyday but it didn’t happen. She always remembered her ‘little baby girl’ all the way to the very end. Never once did she forget me. It was a gift, even though I lost her.”

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A homage to Speilberg’s seventies masterpiece Close Encounters, masterfully recreated by Dave Meyer.

ASTARI NITE unveils ‘Double Feature Matinee’ – the fourth music video off the Resolution of Happiness album! It now joins ‘Ashtray Ballet’, ‘Bowie in Daydreams’ and ‘Tongue Tied Galore’ in short music films.

Says ASTARI NITE vocalist, Mychael, “We had a few songs that we were very pleased with and wanted to share this year, so we released our Resolution of Happiness record a few months back, in the summer of June… This one song in particular, ‘Double Feature Matinee’ was quite playful! It is a real delight to play out at concerts, a song that I am not ashamed to admit is honestly about me.

“So, we set out to create a music video with a little help from our friends! Snippets, if you will, were taken from a few special days and nights of our lives while traveling and playing in my new shoes.

Honestly, at this stage in my life, I find it to be healing, surrounded by individuals that simply enjoy being alive and are accompanied by a vibrant and cheerful personality.
The word “fun” kind of drives me mad, though I’m finding that it’s okay to have some whenever needed. I personally can’t be gloomy all the time; you know what I mean? I would rather smile the most instead.

Happy Holidays and I wish everyone a lot of love going into the start of the new year.”

2025 will hear the release of two new singles by the band titled, ‘Ms. Rain on My Parade’ and ‘Unisex Games’.

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It’s been another incredible year for Benefits, and one which has seen them evolve – and drop a single with Pete Doherty ahead of their second album, Constant Noise, due on 21 March 2025 via Invada Records.

And what a treat for Christmas eve – a new tune which is, again, more ambient than noisy, but which pitches a low-key and quite menacing-sounding spoken-word assessment of the state of things as war rages around the world and death tolls continue to increase as do tensions as the West bankrolls mass destruction and civilian slaughter.

New Benefits may not be quite as in-yer-face sonically, but don’t think for a second that they’ve gone soft.

Check ‘Missiles’ here:

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After three years of silence, Pântano return in full force with their new single, "Inferno." The band, whose name translates to “swamp,” delivers a raw, sludgy southern rock sound with a touch of classic Alice in Chains seamlessly woven into the mix.

Staying true to their dark and melancholic essence, the band unveils a new lineup and an even more refined, mature sound on this latest track.

With Nuno Rodrigues (WAKO) on vocals and Arlindo Cardoso (Low Torque) on drums, Pântano now features Aires Pereira (Moonspell) on bass and Paulo Basílio (Ex-Votos) alongside João Arroja (Low Torque) on guitars.

"Inferno," mixed and mastered by the renowned Daniel Cardoso (Anathema, Anneke…), marks the natural evolution of the band, blending a melancholic and dark atmosphere with heavy, slow riffs imbued with a strong emotional weight.

The single is accompanied by an impressive music video, directed by Beatriz Mariano, which masterfully captures the intensity and introspection of this new chapter for Pântano.

Watch the video here:

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10th December 2024

Christopher Nosnibor

Less than a fortnight after Yorkshire-based collective Papillon de Nuit unveiled their first track, ‘Scarlet’, they present to the world the second fruits of their recent recording sessions, mastered by none other than Tom Woodhead, formerly of ¡Forward Russia! at Hippocratic Mastering. While ‘Amber’ continues the colour-themed song titles, they promised something different, and, indeed, that’s precisely what they’ve given us.

‘Scarlet’ was a somewhat folk-infused tune with a rolling rhythm: in contrast, ‘Amber’ sits more in neoclassical territory, in terms of composition and arrangement, with a lone piano providing the primary instrumentation; around the sung segments are spoken-word poetical passages. Again, Stephen Kennedy leads, but there is a counterpoint in words composed and spoken by Edinburgh-based polyartist Monica Wolfe, and the interaction between the voices and modes of delivery is engaging. This is not rock, or pop, or folk, but unashamedly music as art, and as compelling as it is beautiful.

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