Posts Tagged ‘Black Sabbath’

Ripple Music – 19th January 2018

James Wells

Maybe it’s just me – and it’s quite possible – but many of the current crop of so-called doom-metal bands are pretty tame, and are little more than Sabbath-inspired hard rock bands lacking in inspiration and keen to jump on the metal zeitgeist of circa 2015.

I’m not intentionally singling out female-fronted doom acts, but I was recently appalled by Jess and the Ancient Ones for reasons which really ought to be apparent, and those reasons aren’t a million miles away from the anguish on being presented with Witchcryer’s latest offering.

Cry Witch is better, less cliché and less Jeffersone Airplane meets The Doors, which is a relief. A major fucking relief. But it’s still so steeped in cliché and heritage as so be not so much so last year and so ersatz retro bullshit and to be deeply uncomfortable. And it’s not especially doomy.

There are some ok riffs and the thumping bass embarks on some neat little runs, and the title track, which is also the opener makes for a strong enough start, and sonically, stylistically, it’s representative of the album as a whole. So what’s the problem? Actually, that’s precisely the problem. Against, say, Black Moth, who are also of a similar ilk Witchcryer sound tame, and while there’s not much different in the two band’s approaches, the lack of real bite could be forgiven if the hooks were sharper. But the preoccupation with mining the vintage seam has apparently eclipsed any quest to forge their own identity.

AAA

Witchcryer – Cry Witch

Advertisements

Having recently announced that their new album Anatomical Venus will be released early next year, Black Moth have shared the first single from the record in the form of the psychedelic video for ‘Moonbow’, directed by Ben Foley (Foley previously worked with BM on their spectacularly kinky ‘Looner’ clip, 2015).

Vocalist Harriet Hyde comments:

‘It is an ode and an offering to the moon herself, in the hope that she will shine her silver blessings on Mothic ventures to follow. Ben Foley’s directorial work with us has gone from Looner to Lunar. His deft creative touch on ‘Moonbow’ drags the viewer with us through a psychedelic neon dreamscape – an intoxicating experience of lunar worship’

While their first 2 albums were released by New Heavy Sounds, Black Moth will have their latest / third studio album issued worldwide via Candlelight Records on February 23rd 2018, the result of an alliance between Candlelight and NHS.

Produced by Andy Hawkins (Hawk Eyes, Maximo Park) with Russ Russell (Napalm Death, Dimmu Borgir) handling the mix, this 10-track affair sees the Leeds / London outfit – vocalist Harriet Hyde, guitarists Jim Swainston & Federica Gialanze’, bassist Dave Vachon and drummer Dom McCready –  further honing the various elements of their sound to make the hooks more barbed and the focus more collective.

Lead single ‘Moonbow’ provides the first taste of things to come, successfully combining wide-eyed wonder with true metallic weight, the whole thing supported by the aforementioned clip that delivers from the off in both intensity and colour. Watch the video here:

AAA

20170616_Black-Moth_Promos_Gobinder-Jhitta_2017 (27 of 28)

Uniform are old friends Ben Greenberg (ex-The Men, Hubble, and the producer/engineer responsible for much of the Sacred Bones catalog) and Michael Berdan (ex Drunkdriver, York Factory Complaint) and formed in New York City in 2013.

To coincide with the 28th October release of their Ghosthouse EP (which has scored Aural Aggravation’s vote), they’ve unveiled their cover of Black Sabbath’s ‘Symptom of the Universe’.

Get your lugs round it here…