Posts Tagged ‘Led Zeppelin’

6th May 2022

Christopher Nosnibor

The second ‘The Beyond’ begins to rumble from the speakers (I always prefer speakers; earphones and headphones are fine for in transit, but if you’re going to sit back and listen to music, turning it up and letting it breathe and fill your space by listening through speakers, can’t be beat) you’re slapped with solid straight-up 70s vintage. If the comparisons and parallels with the inevitable nods to Sabbath and Led Zep seem predictable, don’t for a second think that that’s all there is here.

The guitar is dense and the bass is chunky, and there’s a deep psychedelic twist to this monster slab of ball-busting stoner blues steeped in reverb… and then you backtrack and realise they’re a duo, with one guitar, drums, and vocals. What? Really? Yep.

White Stripes may have started the rock duo trend, but it’s taken a while to really become truly accepted and widespread, and you could probably contend that while the likes of Blood Red Shoes, DZ Deathrays, Yur Mum, and Lovely Eggs (who are finally gaining the recognition they richly deserve) have been doing it and doing it well for absolutely ages on the grassroots circuit, it was Royal Blood who broke the doors down contemporaneously. But since Royal Blood went off the boil after just one album, there’s an abundant space for quality duos to show that it’s possible to achieve a full band sound without a full band.

As ‘The Beyond’ showcases, This Summit Fever show how by cranking it up and playing hard, two can achieve the sound of four, and what’s more, they’ve got tunes to back it up. And this is a tune, alright.



May 15th 2022 – The Asylum 2, Birmingham

June 10th 2022 – The Black Heart, London

October 22nd 2022 – Tap ’n’ Tumbler, Nottingham

thumbnail_This Summit Fever

Fast & Bulbous – 14th November 2021

Christopher Nosnibor

Perhaps the best known Hazy Jane right now is Brewdog’s unfiltered IPA, which has by far eclipsed the profile of the Idlewild-associated Dundee indie pop act The Hazey Janes. But that could be about to change with the ascending star of this two-piece blues-rock act, hailing from Halifax with their third single showcasing their talent for authentic, gritty blues tunes.

‘I Find it Hard’ is a mid-tempo song that takes a very traditional template chord sequence, and a lot more stripped back than ‘Yellow Belly Blues’, released in February. That’s a good thing: less a lift of early Royal Blood, it sees the band go back to the basics of the genre. Sure, there are still the rockist leanings of Led Zep on display, but then the glory of blues is that those same chords are universal, and cranking those chords through an overdrive pedal is similarly something that’s for anyone and everyone. In short, when it comes to playing the blues, there’s no ripping off one act or another: it simply comes down to how it’s done: it ain’t what you do, it’s the way that you do it.

One benefit of being a duo is that is doesn’t require the co-ordination of a whole bunch of people all juggling jobs and different personal schedules, and if lockdown has had one benefit (and it’s one of maybe two, the other being working from home), it’s rendering distance less of an object and pushing people to overcome geographical barriers to collaboration. ‘I Find it Hard’ bears testament to this. From lyrics and vocal lines, to drum parts and song structure, the entire track was composed through a back-and-forth of 60 second voice notes from throughout lockdown.

You’d never know: this sounds and feels live, like they’re playing in a small venue right in front of your face. The guitar is chunky, the drums are beefy, and it’s a solid tune. Nailed it.


The Hazy Janes Artwork