Posts Tagged ‘stadium’

1st July 2022

James Wellls

Third Lung have been kicking out singles at a remarkable pace over the last year or so, and continue their forward trajectory with ‘Lo Hi’, a song that’s cut from the core of emotional turmoil that’s likely relatable to many. ‘Lo-Hi’ is about how people can find themselves ‘alone not knowing how to move forward. Until, they find the courage to ask and faith in their friends and loved ones to utter the 3 most beautiful words, I Need Help.’

That those words are beautiful, I might question, and would probably disagree with – they’re clunky, awkward, and to many of us, embarrassing, uncomfortable, desperate, a last resort, an admission of failure. But, as the band say, ‘One of life’s most encouraging yet hardest lessons to learn is to trust the people closest to you, with you’.

There’s nothing clunky, awkward, embarrassing, or uncomfortable about the song, though. ‘Lo-Hi’ straddles influences from U2 to The Associates; it’s another big-hitter with arena potential, and surely it’s only a matter of time before they achieve it.

Third Lung Artwork

Yr Wyddfa Records – 25th March 2022

Christopher Nosnibor

The latest offering from Holy Coves (who hail from Holy Island, Anglesey, renowned for its long historical links with pirates) is a bold, mid-tempo stroller. Infused with psychedelic and stoner rock, above anything, it’s got arena-friendly anthem stamped all over it – although I don’t mean that as the insult it could be taken. Not everything has to be edgy to be any cop.

Popular doesn’t have to mean weak, watered-down, lowest common denominator, and sometimes artists are popular because they’re good, rather than in spite of the fact. And there was, after all, a time when U2 and Simple Minds both made decent music, and they were packing out immense venues long before they became pompous, overblown parodies of themselves. It from this seam of 80s upscaled sound that ‘The Hurt Within’ is mined: everything about it feels huge, effortlessly amalgamating The Cult and Bruce Springsteen and coating it in a smooth reverbiness.

Holy Codes may or may not have aspirations to be immense, but their sound most definitely is, and it’s got that big, spacious feel; there’s probably an equation that involves ambition plus songwriting and production somewhere, and if there isn’t, then someone should map the co-ordinates of ‘The Hurt Within’ and take it as a blueprint.

New enough to grab anyone with ears, nostalgic enough to appeal to the forty-somethings and perhaps even older, and solid enough to stand up in its own right, it’s hard to fault from where I’m sitting.

AA

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