Posts Tagged ‘Holy Coves’

North Wales Psychedelic rock band Holy Coves announce brand new ‘Druids And Bards’ 24-date UK Tour and are set to release brand new ‘Desert Storm’ single which  on Friday 29th of April via prolific North Wales Label Yr Wyddfa Records.

Dropping swiftly into the slip-stream and following on from the successful ‘The Hurt Within’ which was released last month, ‘Desert Storm’ sets the psych mood with droney riffs, hazy vocals on an epic musical landscape.

Lead by Welsh Singer-Songwriter Scott Marsden, Holy Coves find themselves crossing an unseen threshold on a fantastical new journey where new psych-hazed material spells an exciting new era for the collective.

Through long time friend and Producer David Wrench, Holy Coves were put in touch with Texan Producer Erik Wofford (The Black Angels / Explosions In The Sky) and have built quite a magical working relationship, one where Wofford found himself on Mixing and Mastering duties for the material and certainly contributes to their new sound.

Listen to ‘Desert Storm’ here:

Tour dates are below:

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Yr Wyddfa Records – 25th March 2022

Christopher Nosnibor

The latest offering from Holy Coves (who hail from Holy Island, Anglesey, renowned for its long historical links with pirates) is a bold, mid-tempo stroller. Infused with psychedelic and stoner rock, above anything, it’s got arena-friendly anthem stamped all over it – although I don’t mean that as the insult it could be taken. Not everything has to be edgy to be any cop.

Popular doesn’t have to mean weak, watered-down, lowest common denominator, and sometimes artists are popular because they’re good, rather than in spite of the fact. And there was, after all, a time when U2 and Simple Minds both made decent music, and they were packing out immense venues long before they became pompous, overblown parodies of themselves. It from this seam of 80s upscaled sound that ‘The Hurt Within’ is mined: everything about it feels huge, effortlessly amalgamating The Cult and Bruce Springsteen and coating it in a smooth reverbiness.

Holy Codes may or may not have aspirations to be immense, but their sound most definitely is, and it’s got that big, spacious feel; there’s probably an equation that involves ambition plus songwriting and production somewhere, and if there isn’t, then someone should map the co-ordinates of ‘The Hurt Within’ and take it as a blueprint.

New enough to grab anyone with ears, nostalgic enough to appeal to the forty-somethings and perhaps even older, and solid enough to stand up in its own right, it’s hard to fault from where I’m sitting.

AA

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