Archive for the ‘Recommended Streams and Videos’ Category

Having emerged from an isolated existence during lockdown with debut single Dwarfed, that exposed the tropes within the fairy-tale genre which romanticise abusive behaviour & gender stereotypes, the enigmatic Bizarrefae returns with ‘Happy [Mirtazapine]’ – a song about how the world can appear when under the influence of the prescribed antidepressant.

With an imminent tour supporting ‘riot grrrl’ Delilah Bon to happen in September, Bizarrefae continues to work with Hull’s top electro producer Endoflevelbaddie and inspired by an ideology based around pleasing the ears of the ‘fae’ in the heart of the woods, new single ‘Happy [Mirtazapine]’ is centred around a fairy tale like melody amidst splashes of electro flavours that punctuate the tune throughout.

“On a miserable grey day, I sat down determined to shake off the feeling of numbness my atypical antidepressant had filled me with” explains Bizarrefae, “acknowledging the weather I considered all the actions that bring me peace. However, overwhelmed by the challenge of remembering the good things about the world, the song became a criticism of being forced to medicate in order to function! The idea of taking pills to feel ‘normal’ angers me & in this seeming ‘hellscape’ we live in it’s hard to find our place or purpose. ‘Happy [Mirtazapine]’ is an attack on the word itself, highlighting the ignorance that I feel must be possessed in order to be ‘happy’ despite all that’s going on in the world. It’s like losing the right to your own emotions through the monochromatic lens of antidepressants”.

Listen to ‘Happy’ here:

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Swedish crust/death-metal unit Industrial Puke featuring members of Burst and Rentokiller will release their debut EP  “Where Life Crisis Starts” on September 16 via Suicide Records.

Linus Jägerskog from Burst and Jens Ekelin from Rentokiller started Industrial Puke out of their common love for Disrupt and Dismember, along with a pressing need to make music for imminent affect release.

After a long period of writing, finding band members and recording, the debut single “Mental Taxation” was released in June of 2022. The single spawned a partnership with Suicide Records for the release of their debut EP “Where Life Crisis Starts” in September and a full-length album titled “Born into the Twisting Rope” is already set for release in late spring of 2023.

The EP is a direct bombardment of crust, death metal and hardcore minced down to four relentless songs about failing yourself and the men that fail the world.

Showing the band performing in a field with no audience, which we’ll pas no comment on, you can watch the video for ‘Mental Taxation’ here:

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CRONE are now revealing a lyric visualiser for their new single ‘Abyss Road’ taken from the German dark rockers’ forthcoming album Gotta Light?, which has been slated for release on September 23.

CRONE comment: "The new single, ‘Abyss Road’, is our hymn to shattered dreams and never achieved goals in life", lead guitarist Kevin Olasz explains. "In one way or the other, we can probably all identify with this topic. Some listeners might be surprised about the song’s musical direction as it has an almost punk-ish vibe that is quite a change from our well established mid-tempo dark rock style. ‘Abyss Road’ was the first song, that we wrote for this album. It is also one of the few that we were able to arrange together as a band in our rehearsal room before a weird virus brought the world to a standstill – and with it a part of our plans. Anyway, are you ready to follow us down this road?"

Watch the video here:

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Yuss! It’s been a while since Australian duo Mannequin Death Squad gave us new music, but on the brink of an extensive UK tour, they’ve slammed down another slice of grungy, adrenaline-fuelled pink rock in the shape of ‘Super Mental Psycho.

It’s a corker – but don’t just take our word for it: check it here:

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Private Collection is Karin Park at her purest, rawest and most beautiful essence: an album stripped down to the core of her mesmerizing voice and the haunting sound of the pump organ. An introvert and intimate album that shows her not just as a stellar musician but as a mother, a wife and a humble human being.

Karin Park has been referred to as the Scandinavian Nico for her persona, and dark ambient legend Lustmord called her a “force of nature”. However, despite a Eurovision song contest entry, a year of sold out shows as the lead in Les Miserables in Oslo and performances alongside Lana Del Rey and David Bowie, Karin’s talents have still remained somewhat under-exposed for the really broad public. This might change now, with a stunning new album and an extensive European tour with A.A. Williams this fall.

“This record is very much a journey in solitude that I’ve been longing to make,” Karin tells us about her seventh studio album. Consisting of nine re-recordings – with radically different instrumentation – of classic tracks from her impressive back catalogue, as well as the newly written opener «Traces of Me», Private Collection is the quintessential expression of Karin Park’s artistry.

“These are my favourite songs from 20 years of writing, re-recorded as I hear them now. Many of these versions are how I play them live, alone with my synths, mellotron and organ.” Joining her on some tracks are her husband Kjetil Nernes (Årabrot) on guitars and Andrew Liles (Nurse With Wound) on synths, as well as Benedetta Simeone on cello. Otherwise, Private Collection is indeed a very private affair.

First single ‘Opium’ is a tale of overwhelming passion, the melancholic heaviness of a love that engulfs and consumes. The ambient backdrop is an ocean of longing and the delicate, sparse piano shimmers on the surface above. Parks’ stunning vocals, intimate and sirenic, will carry you to the depths to be crushed. Watch the live video version here:

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Southern Lord continues the label’s prolific output with the release of a new album: Greg Anderson’s debut full-length as The Lord, Forest Nocturne, which we recently reviewed here at Aural Aggro.

Additionally, The Lord has unveiled the Forest Nocturne demo recordings, originally only available on the Daymare Records Japanese CD edition, now available via Bandcamp.

You can get your lugs round the demos here:

Forest Nocturne sees Anderson (guitarist of SUNN O))), Goatsnake & Southern Lord curator) taking cues from legendary film composers: John Carpenter and Bernard Hermann, in order to create cinematic landscapes which are heavy with tension, and offset by the injection of lethal doses of early 90s Scandinavian Death Metal – with Attila Csihar (of notorious Norwegian black metal band Mayhem & frequent SUNN O))) collaborator) lending his putrid vocals to final track "Triumph of the Oak."

For Forest Nocturne, Anderson worked with renowned producer Brad Wood. Dan Seagrave’s epic and fantastical style is instantly recognisable on the album’s startling artwork, something which seems to depict an ancient and unknowable force in the woodlands. Forest Nocturne is described by Anderson as “music of the night,” but inspired by imagery conjured on daytime hikes, and majestic, beautiful trees, which he sees as survivors – perhaps the last known connection that we have to an ancient world, and acting as a connector between past, present and future of the human race and of our time on this planet.

Greg Anderson began making music in the mid-eighties with hardcore bands False Liberty and Brotherhood before refining his musicality during the nineties with the post-hardcore collective Engine Kid. From that point on, the musical direction started shifting, channelling his love of tone, riffs and repetitive sound, vital elements that feed into the meditative cosmos of SUNN O))), and the ‘low and slow’ sounds of Goatsnake, both of whom find different ways to move beyond confines and tropes of their respective sound worlds.

In August and September 2021 respectively, Greg Anderson released two singles under the name The Lord; "Needle Cast" with Robin Wattie (the unmistakably emotive vocalist of BIG|BRAVE) and "We Who Walk In Light" with William Duvall (of Seattle rock legends Alice In Chains and hardcore-punk group Neon Christ). Unintentionally moving in a different direction from those bands within which he found his feet, Anderson was able to take on the mantle of The Lord in a new, pictorial approach to heavy music. Through this process, he found himself moved to collaborate with vocalists he admires.

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A Projection are a post-punk/darkwave act from Stockholm, who signed to Metropolis Records in 2019 for the release of their well received third album, Section. Initially inspired by the dark post-punk/proto-goth of The Cure, Sisters Of Mercy and Joy Division along with the electronica of Depeche Mode, the band are known for their compelling and dynamic live shows.

Following Section, the group released the singles ‘Darwin’s Eden’ and ‘No Control’ that saw them enter a more danceable electronic realm while still embracing their darkwave roots. Their brand new single, ‘Careless’, offers a further example of this sound and provides a taster for a forthcoming album that will be released via Metropolis in late 2022.

Recorded both during and after Covid lockdowns, ‘Careless’ reflects the restlessness and hope of the last two years. Additional recording assistance was provided by fellow musicians that included Henrik Linder of the group Dirty Loops.
The video for ‘Careless’ was made by Ukrainian filmmaker and artist Shorkina Valeri and shot in the band’s home city of Stockholm.

Watch the video here:

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Dark heavy psych/doom group Lucid Grave has unleashed the “Old Spirit” music video, made by Dóri Halldórsson and Amanda Jensen. “Old Spirit” serves as the second song from the Copenhagen quintet’s debut album, Cosmic Mountain, which came out on 15 July via Electric Valley Records digitally and on four versions of vinyl (Test Press, Solid Yellow, Transparent Red Splatter Black Vinyl, Ultra LTD “Cosmic Edition”).

Lucid Grave Informs: “‘Old Spirit’ is a heavy psych rock song with influence from the early ’80s punk. The song is about a fast spacy universe in-between two worlds. The song is inspired by the lead singer’s days in the high desert in California. The desert heat is hard on everything and everyone. And the wind still tells stories of the Native Americans, the legends of desert rock, and the military base in the unforgiven sun.”

Watch the video here:

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Lucid Grave is a dark heavy psychedelic band with stoner-doomy tendencies from Copenhagen, Denmark. Sonically, Lucid Grave is a boiling pot of heavy fuzz rock like Black Sabbath/Coven/Hawkwind and ‘80s punk like Black Flag/The Nuns/The Gun Club, all wrapped up in a nice blanket of modern heavy stoner rock and doom. Honoring the howling occult cinema of the ‘80s, Lucid Grave finds inspiration in everything that’s heavy, filthy, and free!

They emerged from the underground communal house and punk venue Ungdomshuset in the dying days of 2017. A few months later, in 2018, they released a self-titled demo and spent the next few years playing shows around Denmark with bands such as High Priestess, Cities of Mars, The Gates of Slumber, and Heathe, while making more materials as well. In 2020 Copenhagen label Virkelighedsfjern released Lucid Grave’s EP called Goddess of Misery, a venture seriously disrupted by the coronavirus outbreak — which meant no shows for a while. That time was instead spent on writing materials for their first full-length album. In 2021 they released a single called “Surfer Bat,” an upbeat ‘70s heavy Rock song with a twist of gothic punk vibes and a dash of Latin music. It caught the attention of the Italian heavy psych label Electric Valley Records.

Cosmic Mountain, the debut LP of Lucid Grave, is a journey through your favorite drugs of life, the highs, and the lows, being chased through the desert and fighting a haze of demons. The album was recorded live and over-dubbed in just three days at the beginning of 2022. As it was with the previous single, “Surfer Bat,” Patrick Fragtrup was again behind the mixing board for the session, and it is clear that there has developed an understanding between him and the band as this record sounds both huge and fierce without losing any clarity or energy from the group. The project was finished by Shane Trimble of High Reeper at his California studio.

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GOSPELHEIM have released a sinister video exorcism that illustrates the first single ‘Praise Be’ and is taken from the British dark rockers’ forthcoming new album Ritual & Repetition, which has been slated for release on October 21.

The video ‘Praise Be’ in the style of an early Boris Karloff horror movie.

See the video here:

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GOSPELHEIM comment on ‘Praise Be’: “This dark ballad teases the listener with erotic undertones and speaks about the inner revolution of moral value”, singer and guitarist Ricardo explains. “The lyrics of ‘Praise Be’ reflect on the very fabric of spirituality, and the connections between the human mind, body, and soul.”

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GOSPELHEIM were formed by singer and guitarist Ricardo and bass-player and vocalist Coco in Manchester back in the dark days of 2020 while the world came to a grinding standstill. The core duo took inspiration from the morality of the human condition, silent era horror movies, and the transformation of existential concepts such as good and evil.

In early November 2020, GOSPELHEIM recorded their debut album Ritual & Repetition at No Studio in Manchester with Joe "Doctor" Clayton. A video single of the track ‘Into Smithereens’ was filmed, self-released, and well received by critics and fans alike. Despite the known adverse circumstances, the band managed to perform a first live show at Factory 251 in Manchester in September 2021 and has every intention to perform live as much and as soon as possible. The line-up was later completed with the addition of second guitarist Jordan and Rob on drums.

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Experimental metal group Imperial Triumphant release a visualiser video for the track, ‘Metrovertigo’ which appears on their newest album Spirit Of Ecstasy, which we recently reviewed.

"Plutocratic myths exist in the shadows of the divine. Placed upon the middle sector as shackles of the unknown. A giant wave pool claims the livelihoods of many, while still many wilfully hand it to the Plutocratic gods as unrealised gains. Bow down and eat dirt. Welcome to a new era. Welcome home"; says Imperial Triumphant about ‘Metrovertiogo’.

Watch it here:

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Photo Credit: Alex Krauss