Archive for the ‘Recommended Streams and Videos’ Category

San Diego’s Wild Wild Wets are gearing up for the release of their just-announced new album Love Always.

The band has launched album pre-orders/pre-saves and is debuting the first single ‘Say So’ which is now streaming here:

Co-frontman Mike Turi (along with bandmate Taejon Romanik ) says of the track and companion music video, "Our good friend and producer, JeanCarlo Mendez, not only made the album happen, he has gone out of his mind putting together this wild visual video for "Say So" using old-school analog video techniques from the 80’s. His style and sensibility is obviously very much our vibe and he and his teammate Brandon Mosquera nailed the edit on this project."

Mendez adds, ‘Say So’ was immediately one of my favorite tracks. For the video I wanted to make an early MTV Era meets early 2000’s Ipod commercial… But on Acid. We used late 80’s era video switchers to create the feedback, and old CRT monitors to create the banding and scan-lines you see in the video. "Say So" is a fun psych-pop track with infectious energy, yet Sparks-esque, in its fermented dreariness (case in point the lyric: "I never met someone who could make me feel so high and not care if I’m alive" and references to ‘Formaldehyde Perfume’).

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Pagan synth duo, Esoterik have unveiled their new full-length LP, Alchemy.

The concept of Alchemy has many different forms and interpretations but the analogy holds true for any artist in that we take elements or ingredients, which on their own have a certain character and then take on a transformation into something that didn’t exist before.

Is it magick or is something more tangible? Who’s to say? But there’s no denying that words have power and music in itself has the ability to illicit a variety of emotions that time stamp our journey throughout life.

About the album, Alchemy, the band says the following, "We took a different approach with this album than we have in the past with a clear vision from the start thematically of what we wanted to achieve and then crafted each track around that."

As a taster, they’ve delivered a video for ‘Tria Prima’ which you can watch here:

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Swedish black metallers Grafvitnir are back from the shadows with their eighth opus, titled Tunes of Sitra Ahra.

Venomous incantations accompanied by haunting riffs and eerie melodies with a touch of Nordic melancholy and coldness.

Eight tracks capturing the ferocious wrath of a people betrayed and the essence of the dark liberator of illumination.

Album is scheduled for its CD and digital releases on 29 April 2022 via Carnal Records.

Listen to the album’s first track, ‘Demon Wolf’ here:

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Dark alternative act GGGOLDDD have revealed a poignant new video for ‘Spring’ from their album, This Shame Should Not Be Mine, which is out today. Despite the name and the flowers that surround vocalist Milena Eva in the video, ‘Spring’ is one of the darkest tracks on the album.

Milena Eva comments: ”This song describes the moment I realized what happened to me after I was raped. I was confused. I froze. I don’t remember if it took hours or days or months. I felt empty and alone. And outside winter was turning into spring, like nothing had happened.”

Watch the video now:

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Pure Reason Revolution recently announced their fifth studio album Above Cirrus will be released on 6th May 2022 via InsideOutMusic. The is the follow-up to 2020’s Eupnea, which was the band’s first record since reuniting in 2019. This time around, Jon Courtney, Chloë Alper & Greg Jong (who returns as a full-time member for the first time since the ‘Cautionary Tales For The Brave’ EP) find themselves adapting to a world that is radically changing before their eyes, and on this new record, exorcising the isolation and uncertainty in search of something greater.

Today the band are launching a brand new single titled ‘Phantoms’. Watch the video, once again created by Thomas Hicks, here:

The band are also about to head out on a European tour alongside Gazpacho in April 2022. Find the full list of dates below:

8th April – Club Cann, Stuttgart, Germany

9th April – Colos-Saal, Aschaffenburg, Germany

10th April – Columbia Theater, Berlin, Germany

11th April – Die Kantine, Cologne, Germany

13th April – Mezz, Breda, Netherlands

14th April – Hedon, Zwolle, Netherlands

16th April – Petit Bain, Paris, France

17th April – Earth Theatre, London, UK

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Jonestown, Texas-based proto-metal/heavy psych bringers PETH have shared ‘Abolish the Overseer’ single off their upcoming debut, Merchant of Death, which is set for release on 27 May 2022 via Electric Valley Records (digital and vinyl – multiple variants) and The Cosmic Peddler (vinyl – US Editions).

According to PETH: “‘Abolish The Overseer’ is a new age proto-metal song dedicated to the trashing of any form of oppression in modern society.”

Listen here:

Central Texas is well known for its underground heavy rock ‘n’ roll from the late ‘60s,’70s, and ‘80s: — a series of sounds different than any other place on earth have been originated and evolved from here time and time again. Fast forward some 50 years later and there are still the same hell-raisin, beer-drinking, guitar-slinging rock ‘n’ cowboys makin some noise in the Lone Star! Hence, it’s no surprise that in the 21st century, a band like PETH come along and start making some big ‘70s Texas noise!

Born in the middle of the 2020 pandemic, these four native Texans have been doing all the maniacal and lawless exploits with a wild mix of early ‘70s proto-metal and heavy psych/occult rock soundscapes matched to that of early Black Sabbath, Scorpions, Medusa, Venom, Blue Cheer, Pentagram, ZZ Top, and the likes. Conjuring evil guitarmonies (what they call guitar harmonies), explosive trucking bass and drum section, and two knock-out vocalists, PETH truly help preserve the spirit of Texas’s old way of life while helping usher in this new era of rock ‘n’ roll for generations to follow.

PETH’s debut LP, Merchant of Death, is a hidden gem of the ‘70s/’80s metal invasion, but got discovered in the 21st century. The album in part brings menacing aggressions, in part brings breathtaking rhythms, but steers clear of the modern, lustrous sonic aesthetics. Roll out the red carpet for Merchant of Death and revel in the wilderness.

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When negative childhood experiences leave the soul scarred, some angry feelings remain even in adult live and may result in strong words or evoke black-and-white images in the head akin to an old crime thriller. The second single from St. Michael Front’s sophomore full-length Schuld & Sühne (‘Crime and Punishment’) is loosely based on such memories that have been turned into this song’s bold title ‘Knochen & Blut’ (‘bones and blood’), which has been visually cast into a video-clip.

The Hamburgian ‘Chanson Noire’ duo formed by guitarist Bruder Matthias and singer Bruder Sascha will release Schuld & Sühne on Friday, 13th of May.

Watch the video for ‘Knochen und Blut’ here:

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Avalyn formed in late 2021 after long-time friends Andy Power (Guitar & Vocals) and Ben Croft (Lead Guitar) decided to start writing together due to them both being dissatisfied with their previous musical efforts. Soon joined by Cain Garcia (Drums) and Emily Turnbull (Bass & Vocals), the band appeared all over their local music scene in 2021, including playing their first gig supporting Junodream alongside Lime Garden at The Shipping Forecast in Liverpool, as well as going into Whitewood Recording Studio with Robert Whiteley to record their latest offering.

Influenced by the great punk powerhouses, Avalyn takes their cues from the likes of My Bloody Valentine, Slowdive and Lush. What emerges is the ferociously uplifting sound that can be heard on the group’s latest track; ‘When We Were Nothing’, out 24th March. Featuring mastering work from the Lead Singer & Guitarist of the seminal 90s Shoegazing band RIDE, Mark Gardener, the track melds brooding experimentalism, with an unshakeable punk sound. Thrashing guitars play under Power’s haunting vocals, as he sings about the euphoric uncertainty that comes with youth, and the always present, uncertain future.

“When We Were Nothing was the second song we ever wrote together as a band,” says Power. “Our guitarist Ben brought in the main riff and I could tell from the beginning it was going to be great, so I wrote a verse for it and then we wrote the lyrics together.  Everything really came to life once we brought it into the practice room with the addition of Cain’s drum part and Emily’s bass and vocal Recording with Rob Whiteley was a lot of fun as we felt like he was able to help give us the freedom to experiment with the sounds we wanted as well as being able to put all our ideas together into a cohesive mix. The mastering job from Mark Gardener was the final touch that has taken the song to another level and we’re excited to continue working with him going forward.”

Listen here:

 

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Kety Fusco: ‘Music To Make A Dream Come True’ is the new soundtrack by the harpist and sound researcher, out 4 March 2022 on Floating Notes Records.

Kety Fusco transports us to a new era, one of music to make dreams come true and the subversive sounds generated by her harp sound research. ‘Music To Make A Dream Come True’ is an imaginary soundtrack composed by the Italian-Swiss harpist, to be released on all digital platforms on 4 March 2022 on the international label Floating Notes Records. This soundtrack is the result of a sampling of sounds from Fusco’s harp, collected in a digital sound library named Beyond the Harp, Extreme Extended Experimental, available for artists, producers and art lovers on the musician’s official website.

Fusco destabilises the usual perception of the harp, moving away from the arpeggios and sound carpets that the instrument can easily call to mind, thus entering a universe that no listener would ever think belongs to a harp. Fusco has dedicated herself to transforming the sound of the harp, an instrument rich in sonic possibilities, and wishes to make its innovations available to everyone, not just harpists: "For me, thanks to my technique as a harpist learnt during my academic studies, it would be easy to produce arpeggios and soundscapes, but I don’t like playing easy. Instead, I’m interested in the harp being freed from any taken-for-granted connotations and for any kind of musician to explore it with a more punk approach".

In 3 minutes and 47 seconds of experimental music, ‘Music To Make A Dream Come True’ fuses noise, drones and screams with a magical aura. You can hear the cascades of nails on the strings, followed by vocal resonances emitted inside the harp’s sound box. Nicknamed ‘The Queen of the Electric Harp’, Fusco made exclusive use of the classical harp this time. ‘Music To Make A Dream Come True’ conveys to the world for the first time ever a new sound timbre given by the oldest instrument in the world, the harp, which Fusco has completely revolutionised in style.

The highly esoteric video clip accompanying the track was shot by Francesca Reverito and Riccardo Bernasconi of Studio Asparagus, amidst woods, harps suspended in the air like heretical-mystical instruments, evocations and dances in the grip of possession: "Kety Fusco’s sound research is very evocative and immediately triggers dreamlike images, spirits and presences, sometimes disturbing. We have always been attracted to Genre and Fairytale, which is why ‘Music To Make A Dream Come True ‘immediately ‘spoke’ to us". Fusco confirms the creepy mood of the film: "My dream? To make the soundtrack for a horror film!".

Watch the video here:

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LA-based noise duo GHXST has announced the release of their debut full-length album Admire, out on April 22.

They have now shared ‘Pls, You Must Be A Dream’, the first single taken from the upcoming record. The song adds a surf goth element to the duo’s signature metal-inflected sound and "is an ode to the obsessions that haunt you, like a half-remembered scene from an arthouse film. As Shelley X coldly intones “You’re the only one” over a menacing surf riff, it’s not clear whether it’s for a lost love or a memory of times past. As always, the allure is in the unknown".

The single is accompanied by a video directed and edited by GHXST’s very own Shelley X. Watch it here:

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Photo courtesy of the artist