Posts Tagged ‘BlackLab’

Doom metal meets dreampop on ‘Crows, Sparrows and Cats’ by Blacklab, the self-proclaimed ‘Doom Witch Duo from Osaka, Japan’. Featuring a lead vocal by Stereolab’s Laetitia Sadier, the Hawkwind riffs, motorik heavy stomp and fuzz fat guitars coupled with that cool pop vocal is a surprising combination that hits the spot.

Hot on its heels comes a new video, featuring Hanaka the thirteen year old daughter of Blacklab drummer Chia, who creates her own dance routine for the track whilst footage (from their recent stay in London) is projected ‘Liquid Len’ like, for full psychedelic overload.

Watch the video now:

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‘Crows, Sparrows and Cats’ is taken from their latest album ‘In A Bizarre Dream’ which is out this Friday (New Heavy Sounds).

Their debut ‘Under the Strawberry Moon 2.0’ saw them taking Sabbath inspired doom, mashing it with a Japanese sensibility and a fuzzed-up groove. It certainly caused a stir, but only hinted at their potential.

Album two ‘Abyss’ added to the mix. A Stooges like squalor to the riffs, dollops of lo-fi hardcore punk and loose riffing, pointing the way towards a signature sound.

So what of the ‘difficult’ third album? Not so difficult at all it seems.  ‘In A Bizarre Dream’ ups the ante considerably, to let rip and define what Blacklab are about.

The combined talents of Jun Morino on production and Wayne Adams (Big Lad, Green Lung, Pet Brick, John, Cold In Berlin) on the mix have conspired to produce a towering beast of a record. A real step forward for the ‘Doom Witch Duo’.

The drums have a humungous ‘Fugazi’ like welly, and the guitars are a boiling maelstrom of fuzz dense riffola and warped psychedelics, with added synth. Yuko’s throat shredding snarls are as mean as a pissed off Satan, and melodious, often within the same song.

This is doom meets hardcore punk, hooky melodies, and killer riffs, all cranked up to the max. Japan has always had a special take on ‘noise’ and ‘heavy’ and with ‘In A Bizarre Dream’ Blacklab add their own spin to that tradition.

Gone is the lo-fi approach, here is Blacklab in full effect.

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Blacklab are back. The self-proclaimed ‘Doom witch, duo from Osaka’ are set to drop their third album ‘In A Bizarre Dream’ this summer. 

Their debut ‘Under the Strawberry Moon 2.0’ saw them taking Sabbath inspired doom, mashing it with a Japanese sensibility and a fuzzed-up groove. It certainly caused a stir, but only hinted at their potential.

Album two ‘Abyss’ added to the mix. A Stooges like squalor to the riffs, dollops of lo-fi hardcore punk and loose riffing, pointing the way towards a signature sound.

So what of the ‘difficult’ third album? Not so difficult at all it seems.  ‘In A Bizarre Dream’ ups the ante considerably, to let rip and define what Blacklab are about.

The combined talents of Jun Morino on production and Wayne Adams (Big Lad, Green Lung, Pet Brick, John, Cold In Berlin) on the mix have conspired to produce a towering beast of a record. A real step forward for the ‘Doom Witch Duo’.

The drums have a humungous ‘Fugazi’ like welly, and the guitars are a boiling maelstrom of fuzz dense riffola and warped psychedelics, with added synth. Yuko’s throat shredding snarls are as mean as a pissed off Satan, and melodious, often within the same song.

This is doom meets hardcore punk, hooky melodies, and killer riffs, all cranked up to the max. Japan has always had a special take on ‘noise’ and ‘heavy’ and with ‘In A Bizarre Dream’ Blacklab add their own spin to that tradition.

Gone is the lo-fi approach, here is Blacklab in full effect.

‘Cold Rain’ and ‘Abyss Woods’ (debuted at their storming set at London’s Desert Fest and appearing here in its full version) are two nuggets of epic fuzz heavy doom with added screamo and a neat and canny grasp of melody at its core. Very much a Blacklab trademark.

‘Dark Clouds’ is D-beat fuelled hardcore, fierce and ferocious, with Chia’s rolling thunder drumming underpinning the distorted guitar. It’s pretty exhilarating stuff that shifts the mood perfectly.

‘Evil I’ is just that, a riff as evil as it gets, morphing into a chugging punk wig out. Then followed by ‘Evil II’ a breather, almost mellow, melancholy, with layers of dark overdrive threatening to explode beneath a sweet yet menacing vocal.

Then, the mid-point of the album drops a real surprise. Yuko has said before that the band’s name is a combination of her two favourite bands, Black Sabbath and Stereolab. Odd bedfellows to be sure, but if you want to know what that combination might sound like … here it is.

‘Crows, Sparrows and Cats’ actually features Laetitia Sadier of Stereolab, no less, providing the lead vocal, adding a layer of cool over Blacklab’s Hawkwind meets krautrock sludge. Listen now:

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Blacklab

BlackLab, ‘the dark witch doom duo from Osaka, Japan’ are poised to return with their new long playing record Abyss.

Recorded under a full moon over three intense days, the album has the ‘off the leash’ abandon of ‘Fun House’ era ‘Stooges’ and is marked by a fat dose of doom meets slowed down hardcore punk; filled with loud, ultra distorted guitar, and yet, a surprising amount of melody as well.

In fact, Yuko has said that the band’s name is a combination of Black Sabbath and Stereolab, well here on Abyss is where that strange mix begins to make musical sense.

The band haven’t lost their love of lo-fi or ‘Riot Grrrl’ attitude.

The guitars are loud and heavily gnarled to the point of chaos.

Vocals go from shoegaze melodic to hardcore screams (in fact rarely has a vocalist in this genre screamed so musically as Yuko does) and underneath all this, Chia batters the skins, all rolling and tumbling thunder amidst the riffs.

Yes there is a smattering of ‘Sabbathy Wizarding’ of course, but submerged within dark, deep fuzz and punk rock crank and grind.

In truth the vibe is closer to both the arty heaviness of early Boris, and the sweet savagery of My Bloody Valentine, than any kind of ‘doom’ tropes. And in many ways, Blacklab are continuing the long tradition of Japanese experimental noise that bands like Melt Banana and Bordeoms exemplify. Ultimately though, it’s a sound that is undoubtedly BlackLab’s own.

So over 8 tracks, clocking in at around 42 mins, you get the current Blacklab world view.

‘Abyss’ is an album that is as raw and alive as it gets.

It’s refreshingly free of artifice, and it doesn’t arse around. What more can you want.

Say hello to the Osaka underground and watch the video for new single ‘Insanity’ now.

New Heavy Sounds – 20th July 2018

Originally released independently in February, Under The Strawberry Moon 2.0 sees Blacklab’s debut receive a vinyl release, wider distribution, and augmented by an additional track. It sounds like we’re arriving halfway through a song at the start of the album’s opener, ‘Black Moon’. It’s a slow, hefty riff that grinds out of the speakers at high volume. Yes, it’s loud and mastered even louder. Then the pace picks up the drums really get cracking and everything just throbs.

Yuko’s vocals are astonishing, switching between full-on gutsy hard rock, and witchy ethereal, and snarling deep and demonic. And they’re not afraid to send the needles into red, everything cracking with a fuzzy edge of overloading distortion. It’s this in-yer-face production that really makes Under The Strawberry Moon 2.0 the album it is. You don’t just listen to it: you feel it. You visualise the speaker cones on a massive rig vibrating, can almost feel the air being displaced.

‘Warm Death’ takes the face down and exploits the classic quiet / loud dynamic thing, and against a tidal wave of overdriven guitar the banshee howl vocals are nothing short of terrifying. Closer ‘Big Muff’ goes all the way for maximum downtuned sluge, with enough low-end to give rise to an uncomfortable sensation in the bowels. And it does so for ten whole minutes, in an audaciously excessive workout worthy of Melvins.

Coming on at times like Boris at their best, it’s hard to conceive that Blacklab are just two in number. Because this is some dense noise, gritty, driving and raw. There’s chug and grind, and there’s thunderous powerchords in abundance. In fact, there’s no let up – and no filler. And they could only ever have come from Japan: while we’ve seen a number of female-fronted stoner/doom/heavy bands emerging recently, Blacklab stand out as one of the fiercest, most intense and most-far out. They promise ‘Fuzz, fuzz, fuzz, doom, stoner, more fuzz,’ and they deliver it with the knobs all turned to eleven.

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Blacklab-Under-The-Strawberry-Moon-2.0

Following recent albums from Grave Lines and Limb, London label New Heavy Sounds have signed self described ‘dark witch, doom duo’ BlackLab who hail from Osaka Japan. They will release ’Under the Strawberry Moon 2.0′ on 20th July. Ahead of that, they’re streaming ‘Black Moon’ as a taster of their ‘fuzz, fuzz, fuzz, doom, stoner, more fuzz’ sound. It packs some heavy trudge riffery. You can get your lugs round it here:

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Blacklab - album cover_preview