Posts Tagged ‘Zu’

Ici, D’ailleurs – 22nd June 2018

I find myself increasingly drawn to album covers that evoke a sense of desertion, emptiness, and which are oddly plain, bald. French avant-garde specialists Ici, D’ailleurs are particularly good in housing albums in covers of this type, with their ‘Mind Travels’ series, of which this is number eleven, being particularly noteworthy (and the tri-fold cover with a thick spine is especially nice). On the one hand, the cover art gives nothing away. On the other, it created a certain sense of emptiness and foreboding, which perfectly describes the music it houses.

Mysterium Coniunctionis – the product of a collaboration between Thighpaulsandra (who featured on many Coil albums) and Massimo Pupillo (who built his reputation as bassist with Zu, and has continued to expand it working with Eugene Robinson and as part of Triple Sun) – is dark and foreboding, and more.

The press blurb explains the album’s purpose neatly, so I shall quote: ‘Mysterium Coniunctionis makes direct reference to the eponymous and testamentary work of the psychiatrist Carl Jung, subtitled An Inquiry into the Separation and Synthesis of Psychiatric Opposites in Alchemy. It clearly reflect the duo’s intention to create particularly immersive and meaningful music from supposedly opposing materials’.

Mysterium Coniunctionis contains two tracks, each around the twenty-minute mark in terms of running time, and corresponding with one side of an album apiece. Halfway through the first, ‘Sagyria’, my wife wandered into my office and said she was worried there was something up with the motor on the dehumidifier before realising the uncomfortable humming was emanating from my speakers. Humming, throbbing, deep and resonant tones dominate both compositions.

There’s minimal movement across the album as a whole, and listening digitally the tracks bleed together to form an extended, expansive soundscape that pushes discomfort, a sense of disquiet and tension. Always tension. Some fourteen minutes into the second track, ‘Solve et Coagula’, the sounds reaches a shivering, spine-tingling level of intensity and density. It’s all in the frequencies, as the midrange and treble loom to the fore and get uncomfortable – really uncomfortable.

The ‘opposing materials’ which form the fabric of Mysterium Coniunctionis are the digital and analogue: in combination, they forge a dense and unsettling sound that eddies and whirls and tunnels into the inner regions by stealth.

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House Of Mythology – 6th July 2018

Christopher Nosnibor

In expressing my lack of enthusiasm for David Tibet’s collaboration with Youth under the moniker of Hypnopazūzu, I seemingly gave rise to mirth with my reference to ‘pseudomystical bullshit’. Tibet can laugh it off, but after so long churning out material that veers between the indulgent and the vapidly whimsical, I’m not convinced it’s a laughing matter.

Now, I’ll admit, I’ve never really got to grips with Current 93 – their catalogue was beyond overwhelming long before I even discovered music beyond the mainstream, and their output exists s far beyond the mainstream that I had to pass through Throbbing Gristle, Whitehouse and a slew of others having spent my early teenage years mining the seam of goth and (what was then) contemporary industrial and real indie to even learn of their existence. Context counts, and however influential Tibet has been in ultraniche, cult circles, it doesn’t alter the fact that some of his art and affiliations over the course of his career have been questionable.

ZU93 is the effectively named new collaboration between David Tibet and the ever-changing Italian group Zu, centered around Massimo Pupillo and Luca Mai. Mirror Emperor operates around a concept or theme that’s never really rendered with any clarity. All of the song titles reference the titular Mirror Emperor, but they who, what, and wherefores are absent, and there’s little guidance in the lyrics, which are fragmentary, hallucinatory, abstract and non-linear. This in itself is no problem: life is fragmentary, hallucinatory, abstract and non-linear, and we’re all accustomed to postmodern art and its fragmentary, hallucinatory, abstract and non-linear representations of the life experience.

Musically, it’s sparse but powerful. In terms of composition and arrangement, Mirror Emperor is widely varied, but very much leans toward the dark and ominous. There are brooding strings that soar and sway, drift and drag. There are moments of deep resonance and thick sonic density. Far from being a skippy, trippy, easy ride, it’s often difficult and challenging. ‘Confirming the Mirror Emperor’ is built around a dense, murky bass that booms and surges over a slow, heavy beat, before layers creep over and lift it somewhere altogether different.

Tibet’s delivery is the stumbling block. Every word is delivered with the same sense of immense portent, as if each phrase is a revelation of cosmic proportions. Which it isn’t. ‘And quickly…. A knuckle cracks… into space… Opens up her… and feels…’ he gasps with breathless wonder. I’m more breathless with wonder as to how he can still pull this shit off.

Tibet’s despondency at the emptiness of contemporary culture is something to which I can relate: his wide-eyed mysticism, more of a throwback to 60s hippiedom than the escape routes available now, I can’t. It feels oddly disjointed and out of place. While his fans’ belief in his visionary prowess and the potency of his lyricism, convinces that posterity will see him aligned with Dylan and Cohen, I’m looking at the Mirror Emperor to check out his threads, and I’m seeing none.

It does get easier with exposure: Tibet slowly diminishes into the background as the music intensifies as the album progresses. ‘The Heart of the Mirror Emperor’ is forged from woozy electronic pulsations which glitch and glow. Ignore the breathy, triptastic babble about the sun and moon and it’s pretty good.

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ZU93 – Mirror Emperor

ZU93 is the effectively named new collaboration between David Tibet and the ever changing Italian group Zu, centred around Massimo Pupillo and Luca Mai. House of Mythology are proud to release their debut album Mirror Emperor on the 6th July.

“The album is the closing of a long circle for me,” comments Massimo Pupillo…“I’ve been following David’s work since the early days and count Current 93 as one of the main inspirations behind my work with Zu. For me his poetry and music is like a light in the depths of human experience, a soundtrack for one’s personal descent into the unconscious fields”. Tibet says of their union,  “Zu made something very beautiful and very powerful for me to skip into. I love this album,”  Mirror Emperor adds another chapter in Tibet’s ever expanding oblique vision, personal, dense and hallucinatory. A voice through a cloud, indeed.

On Mirror Emperor, the demiurge of our demise hides in the cracks of a broken world, beneath stones and moss, among the comets, in tears and things and on BloodBoats, as if a “cosmic melancholy” (Ligotti) is being articulated. More mourning than light. Tibet explains: "We all carry different faces, different masks, and all of them will be taken from us. We were born free, and fell through the Mirror into a UnWorld, a Mirror Empire. In this Mirror Empire we are under the Mirror Emperor, and there are MANY Bad Moons Rising. At the final curtain there is scant applause."

Ahead of the album, they’re streaming ‘The Absence of the Mirror Emperor’ as a taster. Get your lugs round it here:

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