Posts Tagged ‘Video’

On Saturday, June 13 Ellesmere Port noise-punks, Saltwater Injection will release their new anti-anthem, ‘Cuntryfile Part 3’ into the world.

Inspired by Bleach-era Nirvana, and Black Flag, Joe Nuttal (bass) and Paul Soames (drums, vocals) are ready to smash up your expectations of what to expect from a two-piece band.

As the press release puts, it, ‘this is quite frankly, pure and proper balls-to-the-wall heaviness, and we hope you’re ready?!’ and yes, it’s as gnarly as fuck: just the way we like it here at Aural Aggravation.

Recorded at The Vic Studios in Wrexham with Michael Harmina (Def Neon), and produced by Addz Milner (The Ladder), the track is a vehicle for the band’s aggression, and an outlet for their defiant and angry creation. Vocalist Paul Soames comments: "We needed to vent our anger at the terrible actions at the policies that we can see ruining our country, and at the strongly unstable people putting those policies in place."

Formed in 2013, Saltwater Injection have toured with the likes of Baby Godzilla, Blitz Kids and Sham 69.

 

Ironically, this news piece is longer than the song itself, which you can get your soon-to-be-bleeding lugs round here:

 

 

Ok, so Thunderclap is new to us, too. And we thought we knew everything about music promo. It turns out it’s a no-money pledge thing, whereby the only committment on the part of the pledger is to share a link.

While we’re new to Thunderclapping, Salvation Jayne are known to us here at Aural Aggravation, and their single, ‘Burn it Down’, is a belter that deserves to be heard far and wide. You can get involved in making a Thunderclap wave for Salvation Jayne here: https://www.thunderclap.it/projects/56919-burn-it-down. Who knows, this could be the future of music promo.

In advance of the video release, you can get your lugs round ‘Burn it Down’ here:

 

Burn It Down

Nottingham two-piece death-electronica band Bone Cult are set to release their new single, ‘SALT’ on 3rd May, and Aural Aggravation is immensely proud to present a video exclusive of  said video.
Formed by Sam Hartill (bass, production) and Richard Watte (vocals, guitar, production) with a desire to offer a strong alternative to “the regular four guys in jeans and t-shirt look”, the band has since gained high-profile support slots with the likes of The Qemists, Slaves, Sleaford Mods and more.
‘The track SALT, which is an acronym for Such A Long Time, was a step away from our previous releases, showcasing a different side of Bone Cult’s production whilst still reflecting the same emotions explored in their last single ‘Fortune and Sorrow’.
“There are different layers of vocals to portray the same narrative, only from alternative perspectives,” says Sam Hartill.
Championing solid production and strong visuals, ‘SALT’ carries the visceral pulsing energy of 65daysofstatic via the slick, accessible dance vibes of Daft Punk.
Watch the video here (and remember where you saw it first!)
Image result for bone cult

‘Brutalism’ is a brand new compilation album by the British band Cubanate. It covers the years 1992 to 1996 and features 14 songs from their first three albums, including remastered versions of singles such as ‘Oxyacetylene’, ‘Body Burn’ and ‘Joy’.At their peak, Cubanate’s techno-rock crossover was controversial and influential, with their importance still resonating today. They were one of the few UK bands tagged as ‘Industrial’ to cross over to a mainstream audience and were regular fixtures in publications as diverse as Kerrang! and Melody Maker (receiving several Single of the Week accolades in both), as well as on MTV’s Headbanger’s Ball. They also toured with stalwarts such as Front 242, Gary Numan, The Sisters of Mercy and Front Line Assembly. The band later signed to the seminal Wax Trax! Imprint in the USA and their songs have appeared in film, TV and game soundtracks. But, with the demise of their European label Dynamica in 2000, Cubanate’s early work has long been out of print. It’s time for a reassessment.

Brutalism showcases a band that was certainly ahead of its time. These days, when fusion is all the rage, it is hard to understand the fury of rock purists at Cubanate’s pilfering of genres. However, not only were they influential, but they also brought back a genuinely confrontational live approach after the bland, big-hair stylings of the ’80’s.

Britalism is released by Armalyte Industries on 5th May, and Cubanate will play their first shows of the new millennium on the following dates:

28.04.17  GLASGOW  Saint Luke’s

30.04.17  LONDON  O2 Academy Islington

Ahead of the album and th live shows, they’ve unveiled a new promo video for ‘Oxyacetylene’, which you can watch here:

 

Like your experimental noise / black metal to be ulra-dark and heavy with sinister occultism and mystical imagery? The new video from T.O.M.B. (Total Occultic Mechanical Blasphemy) for the track ‘Awake…Darkness’ from Fury Nocturnus should be right up your darkened, blood-slicked alley…

‘Negative Drone’ is one third of a final suite on the record, born out of his own research into the sound of fear and the weaponisation of audio over the past few decades. It is a piece about “recognising that technologies with huge promise tend to fall into particular tropes that are pre-existent and reflect cycles of power and capital interests.” Lawrence continues to describe how his research led him to all manner of surveillance and target acquisition footage from drones and other military craft… “Needless to say it was harrowing viewing, but it very much made me recognise the dynamic shifts erupting just beyond our everyday horizons. We don’t tend to think about these things, what they are used for and what it is they could be used for. We just assume that their uses are somehow prefigured. For most of us these machines and the implications they carry are distant and in some way unthinkable, but for other peoples across the world their sound alone is enough to bring terror and anxiety. I found this a powerful question to explore and the composition grew out of it. In fact the final third of the album grew from this particular line of investigation.”

Musically, ‘Negative Drone’, featuring Norman Westberg and Thor Harris of Swans, Werner Defeldecker and The Australian Voices, was one of the final pieces to come be completed on the record. It is also one of a number of pieces in which Lawrence plays pipe organ, recorded on what was once the largest organ in Queensland, the state he resides in.

Expanding investigations into the politics of perception, and exploring the possibilities of new recording processes, technologies, locations and relationships, as well as conveying different sonic textures, Cruel Optimism is ultimately a record that considers power (present and absent). It meditates on how power consumes, augments and ultimately shapes two subsequent human conditions: obsession and fragility.

We’re big fans of Lawrence English and Room40 here at AA (as our many reviews of the label’s output attest) and the indications are that this could be one of his strongest works yet. Check out ’Negative Drone’ here:

 

https://player.vimeo.com/video/194648555

 

The Pop Group have collaborated with one of Bristol’s most forward thinking and distinctive visual artists, Max Kelan Pearce, for  the video of their first single Zipperface, taken from their forthcoming new album Honeymoon On Mars. You can watch it below… and yes, we very strongly recommend it.

Le Butcherettes, who are in the midst of a European tour, have unveiled the Omar Rodriguez-Lopez directed video for “My Mallely”, which appeared on their 2015 album, A Raw Youth (Ipecac Recordings).

The video was filmed in the contrasting locations of New York City and the ruins of Juárez Mexico, in a neighbourhood and cinema that was a casualty of the 2008-2013 war. Teri Gender Bender offers context to the video: "The juxtaposition of the video’s setting, place and time is a roller coaster of emotional history. Juárez. A lost city re-emerging. New York City. Feeling lost in a city that has been emerging. The duality is a constant in every feeling and way. No matter where you are, one absorbs their surroundings and grows within the chaotic element. That to me is the beauty of survivalism."

Watch the video here. Full list of tour dates below.

 

 

LE BUTCHERETTES TOUR DATES:
October 7  Zurich, Switzerland  Dynamo
October 8  Milan, Italy  Tunnel
October 10  Valencia, Spain  Loco Club
October 11  Madrid, Spain  El Sol
October 12  Barcelona, Spain  Sidecare
October 14  London, UK The Black Heart (appearance at Rough Trade East @ 1pm)
October 15  Coventry, UK  Kasbah
October 16  Birmingham, UK  Hare & Hounds
October 17  Cardiff, UK  CLWB ifor Bach
October 19  Dublin, Ireland The Workman’s Club
October 20  Belfast, UK  Black Box
October 21  Glasgow, UK  King Tut’s
October 22  Manchester, UK  Night & Day

James Wells

There must be something in the air. Or the water. Or maybe it’s climate change. Or perhaps it’s simply how things go with the passage of time: Courtney Love becoming uncool has slipped off the radar, and there’s a whole new generation discovering Live Through This and albums by L7 tucked away in their parents’ CD collections. This is certainly the most rational explanation for the current rash of female-fronted grunge-orientated bands. It makes sense: look at the contemporary female role models. Outside the mainstream, proliferated by slick, overproduced r’n’b and anodyne pop and as promulgated by the likes of Beyoncé, Rihanna, and Miley, strong contemporary female role models ae few and far between: even the likes of Amy Lee and Hayley Williams – a front-woman who spawned infinite clones by virtue of being practically alone in her field – are inching towards moving beyond the position of well-established toward establishment. Besides, they never stood out quite as strong as the old guard: neither of them had the guts of Courtney in her prime, or Lydia Lunch, ever.

Weekend Recovery are a Kent-based band, who cite the likes of Paramore, Green Day and Jimmy Eat World amongst others as their influences, and they’re pretty self-evident in their debut single, ‘Focus’, which sees them go for what they describe as ‘a straight up catchy pop punk number’. It’s also precisely what they deliver.

But make no mistake, this is a band with ambition, grit and drive, not to mention some songs with aggression and edge, and here’s no question that Lorin Forster is a strong vocalist and front woman. Cliché as it is, with some high-profile support slots booked, they’re ones to watch.

Having already guaranteed themselves a slot in the AA best albums of 2016 list, Mayflower Madame are offering up a video to accompany the track ‘Upside Down (the death loop)’. The psych/goth act enlisted Norwegian art collective Born For Burning to direct the video: "We wanted to make the impression that the video consists of two different found tapes. Inspired by the gloominess of the song we sought to make the images of the video disturbing and shot with a lo-fi camera. Some key ideas were trafficking and crime scene footage, partly inspired by the movie Lilya 4-ever by Lukas Moodysson."

Watch the video here: