Posts Tagged ‘Saltwater Injection’

Christopher Nosnibor

The 13th of July is a Friday. It seems like an appropriate date for a show hosted by The Trembling Hellish Infernal Nightmare Generator. And besides, an event that involves standing in a dark pub venue being aurally assaulted by four noisy bands in sweltering heat represents the perfectly antithetical alternative to the populism of a city swarming with racegoers.

It might not exactly be packed for Pak40, who begin their set with a claxon and bass hum, before thumping in with some tom-heavy drumming and thunderous, super-low bass growl that comes on like early Earth, only with percussion. While the duo’s focus is firmly on the creation of maximum noise, the stylistic manifestations are varied, with classic rock elements churned through a cement mixer and a vocal style characterised by elongated vowels that range from pysch-tinged prog to something closer to Bong. The final track is sludgy as hell, but ups the pace considerably, inviting comparisons to Fudge Tunnel.

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Pak40

Saltwater Injection are another drum / bass combo. As last year’s debut single, ‘Vinegar / Cuntryfile Part 3’ revealed, they’re noisy, too, cranking out a mesh of grindcore noise interspersed and overlaid with trebly, distorted samples from films and whatnot. It’s not about innovation, but execution, and after a lengthy intro, the bass feedback howls and they go full-throttle to deliver a set of high-octane aggression. It’s stick-twirling drummer Paul Soames who provides the vocals – predominantly guttural barks to their frenetic attacks. There are flickers of pop, but they’re transmogrified into roaring slabs of rage that go off like a clusterbomb.

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Saltwater Injection

Nottingham’s Bone Cult have been on my radar for a while, and I’ve been quite taken with their brand of hard-edged technoindustrial crossover music. Visually, they’re on a whole other level: with dense smoke, neon skull-masks, a crisp, clinical sound, and laser lighting shooting every which way, they transform the 120-capacity pub venue with a stage a foot high into an academy-type gig experience. They’re so slick, so tight, so immense. For all the intensity and aggression, they do seem a shade lightweight in context, mining more the Pretty Hate Machine era sound of Nine Inch Nails and aping the electro end of the Wax Trax! roster circa 1988. Still, in terms of entertainment, they’re hard to fault.

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Bone Cult

The same is true of headliners, London three-piece Little Death Machine. They neither look nor sound like a band on the lower rungs of the circuit. They’re mechanoid tight, and have a set packed with killer tunes, delivered with nuance, passion, emotion, and panache. A spot of research suggests that this is a new lineup, and while I lack the reference to compare to the old one, they seem to have gelled well. Yes, they do sound a lot like Placebo. A LOT like Placebo. But old Placebo, which is A Good Thing. It’s a punchy set, packed out with songs with massive drive and killer hooks and crackling energy. It’s also the perfect climax to an exciting night.

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Little Death Machine

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On Saturday, June 13 Ellesmere Port noise-punks, Saltwater Injection will release their new anti-anthem, ‘Cuntryfile Part 3’ into the world.

Inspired by Bleach-era Nirvana, and Black Flag, Joe Nuttal (bass) and Paul Soames (drums, vocals) are ready to smash up your expectations of what to expect from a two-piece band.

As the press release puts, it, ‘this is quite frankly, pure and proper balls-to-the-wall heaviness, and we hope you’re ready?!’ and yes, it’s as gnarly as fuck: just the way we like it here at Aural Aggravation.

Recorded at The Vic Studios in Wrexham with Michael Harmina (Def Neon), and produced by Addz Milner (The Ladder), the track is a vehicle for the band’s aggression, and an outlet for their defiant and angry creation. Vocalist Paul Soames comments: "We needed to vent our anger at the terrible actions at the policies that we can see ruining our country, and at the strongly unstable people putting those policies in place."

Formed in 2013, Saltwater Injection have toured with the likes of Baby Godzilla, Blitz Kids and Sham 69.

 

Ironically, this news piece is longer than the song itself, which you can get your soon-to-be-bleeding lugs round here: