Circus Of Horrors #3: Little Death Machine / Bone Cult / Saltwater Injection / Pak40 – The Fulford Arms, York, 13th July 2018

Posted: 14 July 2018 in Live
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Christopher Nosnibor

The 13th of July is a Friday. It seems like an appropriate date for a show hosted by The Trembling Hellish Infernal Nightmare Generator. And besides, an event that involves standing in a dark pub venue being aurally assaulted by four noisy bands in sweltering heat represents the perfectly antithetical alternative to the populism of a city swarming with racegoers.

It might not exactly be packed for Pak40, who begin their set with a claxon and bass hum, before thumping in with some tom-heavy drumming and thunderous, super-low bass growl that comes on like early Earth, only with percussion. While the duo’s focus is firmly on the creation of maximum noise, the stylistic manifestations are varied, with classic rock elements churned through a cement mixer and a vocal style characterised by elongated vowels that range from pysch-tinged prog to something closer to Bong. The final track is sludgy as hell, but ups the pace considerably, inviting comparisons to Fudge Tunnel.

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Pak40

Saltwater Injection are another drum / bass combo. As last year’s debut single, ‘Vinegar / Cuntryfile Part 3’ revealed, they’re noisy, too, cranking out a mesh of grindcore noise interspersed and overlaid with trebly, distorted samples from films and whatnot. It’s not about innovation, but execution, and after a lengthy intro, the bass feedback howls and they go full-throttle to deliver a set of high-octane aggression. It’s stick-twirling drummer Paul Soames who provides the vocals – predominantly guttural barks to their frenetic attacks. There are flickers of pop, but they’re transmogrified into roaring slabs of rage that go off like a clusterbomb.

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Saltwater Injection

Nottingham’s Bone Cult have been on my radar for a while, and I’ve been quite taken with their brand of hard-edged technoindustrial crossover music. Visually, they’re on a whole other level: with dense smoke, neon skull-masks, a crisp, clinical sound, and laser lighting shooting every which way, they transform the 120-capacity pub venue with a stage a foot high into an academy-type gig experience. They’re so slick, so tight, so immense. For all the intensity and aggression, they do seem a shade lightweight in context, mining more the Pretty Hate Machine era sound of Nine Inch Nails and aping the electro end of the Wax Trax! roster circa 1988. Still, in terms of entertainment, they’re hard to fault.

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Bone Cult

The same is true of headliners, London three-piece Little Death Machine. They neither look nor sound like a band on the lower rungs of the circuit. They’re mechanoid tight, and have a set packed with killer tunes, delivered with nuance, passion, emotion, and panache. A spot of research suggests that this is a new lineup, and while I lack the reference to compare to the old one, they seem to have gelled well. Yes, they do sound a lot like Placebo. A LOT like Placebo. But old Placebo, which is A Good Thing. It’s a punchy set, packed out with songs with massive drive and killer hooks and crackling energy. It’s also the perfect climax to an exciting night.

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Little Death Machine

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Comments
  1. […] practically creamed my pants over Pak40’s live show in York, just up the road from my house, a few months back. I didn’t exactly know what to make of them, […]

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