Archive for the ‘Recommended Streams and Videos’ Category

Following in the wake of their North America Tour 2024, Synth pop trio BEBORN BETON drop the second single ‘My Monstrosity (EMMON Remix)’, taken from the forthcoming new EP To the Stars, which has been scheduled for release on November 22, 2024.

BEBORN BETON comment: “When searching for artists to remix a track from ‘Darkness Falls Again’, we had one goal in mind: to collaborate with incredible female producers and performers whose work we admire", vocalist Stefan Netschio explains on behalf of the band. " While some were unavailable or tied up with other projects, we were thrilled to be able to collaborate with two of our favourite artists. One of whom is the immensely talented Swedish artist Emma Nylén, known as EMMON. She has re-imagined our track ‘My Monstrosity’ with her unique artistry, breathing new life into it with her beautiful and energetic remix. We could hardly wait for you to hear it, and here it is!”

Listen here:

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‘Crippled Crow’ is the final single by Norwegian band Mayflower Madame’s much anticipated upcoming album Insight, out on 1st November via Night Cult Records/ Up In Her Room/Icy Cold Records.

Compared to the album’s previous singles, this newest track expands on their distinctive fusion of edgy post-punk and dreamy shoegaze, incorporating aspects of noise-rock and darkwave. Driven by a driving bass line and dynamic drumming, the song leads you on a captivating journey – from the haunting verse melodies to the intense guitar passages in the choruses, culminating in a powerful ending. It evokes feelings of longing and remorse amidst the wintry streets of Oslo, intertwined with a burning desire for transformation and catharsis.

Check the video here:

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Mayflower Madame return to the UK and Europe for a tour in November. Tickets are available here.

FULL DATES

Sat 2 November – Goldie – Oslo, Norway – Tickets

Wed 13 November – The Moon – Cardiff, UK – Tickets

Thu 14 November – Daltons – Brighton, UK – Tickets

Fri 15 November – The Strongroom Bar – London, UK – Tickets

Sat 16 November – Hot Box, Chelmsford, UK – Tickets

Thu 28 November – Noch Besser Leben – Leipzig, Germany

Fri 29 November – Kulturhaus Insel – Berlin, Germany – Tickets

Sat 30 November – Chmury – Warsaw, Poland

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Greek stoner rock trio Tidal Shock has recently premiered their latest single, ‘Umbra Planetae’. The track is the first offering from their forthcoming album Riffs of Ha, and it marks a defining moment in the band’s creative journey.

The band comments: “This song marks the beginning of our creative journey for this LP, encapsulating the essence of our instrumental stoner rock style. With a perfect blend of crushing riffs and hypnotic, intricate passages, it pushes the boundaries of psychedelic instrumental music. Designed for the live stage, this track immerses listeners in a dynamic sonic landscape, creating a visceral experience that demands attention. It’s not just a song—it’s an invitation to explore new realms of sound, and it sets the tone for the energy we bring to every live performance.”

Check it here:

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Formed in 2018 on the island of Crete, Tidal Shock consists of Alex (guitar), Beppe (bass), and George (drums). Born from their shared passion for loud, fuzzy rock ‘n’ roll, the band quickly built a solid reputation in Greece, touring with local legends such as Nightstalker, Naxatras, and Automaton.

During the pandemic, the trio relocated to Luxembourg, where they refined their sound and began working on Riffs of Ha, their upcoming full-length album. The new record promises a dynamic mix of heavy, stoner-infused rock with progressive twists, marking an exciting evolution in their sound.

Tidal Shock’s debut EP Black Hole Genesis was well-received in the local scene, and their live performances, including festival appearances alongside 1000Mods, have solidified their status as a rising force in the stoner/doom/groove rock world.

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“I never intended to pick up with The Gates of Slumber ever again in 2014. While I did start the band and wrote most of the first album it was never intended to be a one man show.” -Karl Simon, 2024

Indiana’s True Doom Metal legends The Gates of Slumber return with a new album out on Svart Records on November 29th. The self-titled album is the band’s first full length offering since The Wretch from 2011. Check out the official video for the new single ‘Embrace the Lie’, an ode to the lying news media and political talking heads, from Svart’s YouTube page now:

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The Gates of Slumber was formed by Karl Simon in 1998. Various people were in and out of the group between 1998 and 2001, when the Blood Encrusted Deth Axe demo was recorded with Jamie Walters aka Dr. Phibes/Athenar (Boulder, Midnight) on drums and bass. In 2003 Jason McCash took over the bass duties and was a long-time member of the band until his untimely demise in 2014, after which Simon decided it was time to call it quits. That was until 2019 when the renowned metal festival Hell Over Hammaburg wanted to bring the band back on stage to perform at the festival’s 2020 edition. Simon reformed the band with its original member Chuck Brown on drums and Steve Janiak on bass and got back to work. “We’d been asked several times to play Hell Over Hammaburg. But there was no “we” to play. The germ of the idea started. We started re-learning songs from the first LP. It wasn’t too long into the rehearsals that we started coming up with new songs.”, states Simon.

After a reunion tour was finished, Covid kicked in to slow down the process. Half of the album was already written but the remaining half took its time, and the songs were left to stew in their juices. With bastard heavy songs honoring the Doom Metal greats Saint Vitus and Penance, straight forward bangers, lyrics inspired by the Black Death and John Carpenter’s The Fog, The Gates of Slumber is a truly crushing album and a must listen to any Doom Metal fanatic.

Having toured with Pentagram, Reverend Bizarre, Cathedral, Slough Feg, Earthride, and Weedeater in addition to getting praised by Decibel Magazine such as “The Gates of Slumber have quietly gone about the business of becoming one of the best heavy metal bands in the world.”, it’s safe to say The Gates of Slumber play some of the heaviest metal on this planet.

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Former LORDS OF ACID vocalist, Mea Fisher is back unleashing the inner demon with her new single featuring En Esch (Slick Idiot, <PIG>, Pigface, ex-KMFDM). ‘Devil Inside’ is a twisted and delicious siren-like song where distorted guitar riffs, metallic percussion, and dystopian synth bring deep, dark fantasies to life. Written originally by Mea and strictly made for Lords of Acid, she has refined and transformed the song into a creation that is distinctively hers. Its heavy metal elements fused with a trance-inducing dance beat truly sell the feeling of traversing through the underworld’s hottest night out. Méa easily takes charge—her spellbinding vocals whispering temptation and commanding attention in the same breath. “There’s a hunger that lies,” she admits, “and you hold the key.”

Mesmerizingly, Méa calls fans to follow her and “take a bite of forbidden.” En Esch’s guttural, gruff backing vocals light the whole thing aflame. Danny Lohner (Nine Inch Nails) also lends his guitars to the track.  The seductive, Luciferian qualities of ‘Devil Inside’ compel listeners to close their eyes, lose themselves to the beat, and indulge in their deepest desires.

Check the video here:

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Buñuel share the frenetic new single "Class" from their fourth full-length album Mansuetude, a co-release between SKiN GRAFT and Overdrive, arriving 25th October 2024.

About the track Eugene S. Robinson comments, “America is schizophrenic about class and class attributes. On the one hand we claim it doesn’t exist here, on the other hand like Paul Fussell lays out in his book on class it works its way through every aspect of American life and living. The song itself eviscerates the notion by placing it where it most needs to be placed: in the iD fuelled underworld.”

Listen to ‘Class’ here:

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BUÑUEL boasts the singular vocals and razor sharp lyrics of Eugene S. Robinson (ex-Oxbow) and a powerhouse Italian trio comprised of guitarist Xabier Iriondo (Afterhours, A Short Apnea), bassist Andrea Lombardini (The Framers) and drummer Franz Valente (Il Teatro Degli Orrori). Mansuetude was produced by Timo Ellis, and features guests including Jacob Bannon (lead singer of Converge), guitarist Duane Denison (the Jesus Lizard, Tomahawk,The Denison Kimball Trio), vocalist Megan Osztrosits (Couch Slut), cellist Andrea Beninati and David Binney on alto saxophone and vocals.

The title, Mansuetude – meaning “meekness” or “gentleness” – might seem like a juxtaposition when listening to the record that is, in Eugene’s words, “extreme but articulate”, however the record aims to convey a balancing of different forces and shades of being which make up the human experience. Throughout Mansuetude, Buñuel take every given opportunity to stretch out their musical tendrils towards discomfort, surrealism, and the deconstruction of tradition, as they reach absolute abandon. They go well beyond the realm of noise rock, encompassing many moods from post-hardcore to avant-noise, hard-blues to post-industrial, symphonic to trash metal and even free-jazz.

Drummer Franz comments that “Buñuel is a name that embodies a certain cultural and literary reference, which evokes an entire world. Like his films, our Buñuel is surrealism. We take the listeners into a place that’s suspended between dream and reality.”

“What we’re doing with Buñuel is to carve out a very specific glimpse… partly into hearts of darkness, but more specifically into the depth of our secrets,” says Eugene. “Secrets we keep from each other, ourselves and whatever futures we’ve imagined for ourselves. We are ultimately trying to communicate something direct and deadly about the human condition.”

Buñuel makes music for those of us willing to take a closer, unflinching look at the depths of human instinct, and on Mansuetude the band extend their reach farther than before, creating an album that is akin to a powerful impulse, or perhaps even an exorcism.

Mansuetude is a double album with three sides. A balancing act performed for and by the unbalanced.

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Following the announcement of new album The Crying Out of Things, out November 8th, The Body have shared the heavyweight single ‘Removal.’ Digging deep into the duo’s eclectic influences and truly omnivorous taste, ‘Removal’ smelts industrial noise and earth-shattering dub pressure down into a mutant rhythm track. The track unfolds from hypnotic coils of chest-rattling drums and hazy vocal samples echoing out through the dancehall before descending into room-razing, coruscating noise driven by guest vocalist Ben Eberle’s caustic howls.

From The Body’s origins, incorporating unorthodox methods to achieve an oppressive atmosphere has been essential to their alchemy. Full choirs, unexpected sound samples, 70s-inspired horn lines, dub drum beats and diverse guest performances have speckled their varied and eclectic repertoire, the common thread being a complex webs of distortion and noise. The Crying Out of Things harnesses elements from their ground breaking catalogue: the expansive ecstatic distortion and live energy of I’ve Seen All I Need To See, the ambitious layering and arrangements on I Have Fought Against It, But I Can’t Any Longer, and the corroded pop edge of No One Deserves Happiness into one compact work. Guest performances include vocalist Ben Eberle, horn player Dan Blacksburg, and recent collaborator Felicia Chen add essential textural range. The Crying Out Of Things makes clear The Body’s distinct power to convey a dark range of emotions, thought inventive arrangements, dynamics, and sound selections.

Listen to ‘Removal’ here:

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‘Woke Frasier’ is the third and final single from the Leeds band’s upcoming second album I Have A Physical Body That Can Be Harmed, out on November 8th via Big Scary Monsters.

They write: “You can think of this as a sort of sequel to the ‘Torture Cube’ video, also by George Chadwick. Who can say whether or not Rodney Fipplecash will make further appearances within the Thank cinematic universe? Only time will tell.”

Check it here. It’s woke gone mad, I tell you!

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Swansea Alternative band ‘Baby Schillaci’ today have shared a blistering new track ‘The Flatliners’ as a thank you to everyone who has supported the band as release date for highly anticipated furious debut album ‘The Soundtrack’ draws closer on the 2nd October 2024

This debut album promises to expand their sonic horizons while retaining the raw, confrontational edge that has become their hallmark.The albums raw and unflinching approach has alerted the attention of National Radio with KEXP, BBC 6 MUSIC, RTE2, BBC RADIO WALES and has provoked positive reviews with Backseat Mafia, God Is In The TV, Listen With Monger, Amplify The Noise, Fame Magazine, Niche Music, Aux Magazine, No Transmission and many many more…..

Hitting the scene in 2023, Baby Schillaci are swiftly carving out their position in the alternative Welsh music scene with their raw, unfiltered sound. Rooted in post-punk and noise, the band’s aggressive yet intricately layered compositions evoke comparisons to seminal acts like Mclusky, At the Drive-In, and Fugazi. Their music is a relentless assault on the senses that challenges and captivates in equal measure.

Baby Schillaci’s reputation has been forged from their ferocious live shows with echoes of Nirvana, Public image & the Manics mixed with their own unhinged, visceral style. The intensity and unpredictability of their shows have drawn a devoted following.

Known for their relentless energy and erratic performances, Baby Schillaci continue to push the boundaries of the craft with an LP that encapsulates their unfiltered essence.

Hear ‘The Flatliners’ here:

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The long-awaited new album from Prague gothic cowboys, CATHEDRAL IN FLAMES titled Count To Nine, has finally been unveiled on the Musicraft label! The themes of the songs cover contemporary psychological problems and addictions, Lovecraftian mysticism and magical sexual practices.

The title, ‘Count To Nine’ refers to both the number of songs and the mystical number 9. Nine is the number of fulfilment, closure and completion. It also symbolizes the coming of age and the connection between dimensions and worlds on all levels.

The nine tracks were mixed by the legendary John Fryer (Fields of the Nephilim, Nine Inch Nails, Depeche Mode, Paradise Lost, Cradle Of Filth and more). The band has significantly tightened up their dark gothic rock on their third album, from the hypnotic and gothic rock purist track, ‘Dreaming In The Witch House’ to the cowboy shuffle of ‘Pale Rider’ to the dark pop of ‘Summertime.’ 

Vocalist Phil Lee Fall says of the album, “On Count To Nine we tried to cross boundaries. We ventured further and deeper than ever before. Musically, lyrically and sonically. It took us almost three years, but we are extremely happy with the result. Dark, mystical and monumental gothic rock for the 21st century.”

Gatsby adds: “Each track is heavily influenced by the mood and situations in which it was created. That’s why I make music, to get the emotion out. So the fact that it’s dark is probably natural. In a way, it’s a catharsis of the disgust and confusion we live in.”

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