Lifted from their recent AA-approved Slowburn EP, Dissonance have released a lyric video to accompany the Smoke and Mirrors Mix courtesy of James Reyna, aka Melodywhore.
It’s a slowburn indeed, and you can watch it here:
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Lifted from their recent AA-approved Slowburn EP, Dissonance have released a lyric video to accompany the Smoke and Mirrors Mix courtesy of James Reyna, aka Melodywhore.
It’s a slowburn indeed, and you can watch it here:
AA
On their debut album Unsoothing Interior, Stockholm’s Vero reflect the nature of life itself. Their songs prioritise feeling over perfectionism – what feels, or sounds, best – creating a record that tumbles through its contents with a sense of unpredictability, excitement and curiosity. “We don’t want to be super musicians; we want to write the best fucking songs and just have the best energy and show people that we’re having fun,” explains singer and bassist Julia Boman. “We don’t want to be a perfect band, in that sense.”
Fun has always been at the heart of Vero’s story, which began when guitarist Clara Gyökeres walked up to Boman and asked if she wanted to start a club night together. With the bassist’s school friend Amanda Eddestål, also now on guitar, they started DJing as a trio before eventually deciding it would be more enjoyable to play their own music rather than other artists’ and formed the band. “We DJed old disco music, but all three of us were going to rock concerts and loved rock music,” Boman says. “We were like, ‘We’ve all made music in some way before so we should start playing together instead’.”
Voracious music lovers, at first they struggled to settle on one sound, purely because they wanted to try their hand at “every genre possible”. But during the making of their 2020 EP ‘Heaven On Earth’, they shifted from synthesised sounds to using guitars and real drums, and had an epiphany.
“Synthesisers are so controlled,” Boman explains. “You have to really be like, ‘Oh, that’s not the right tune’, but when you’re playing the guitar, it can sound pretty chaotic. When we write now, we don’t have much control. We’re not very picky about it.”
Ahead of the album, they’ve released the single ‘Cupid’. Listen to it here:
Dark alternative innovators GGGOLDDD have revealed an impactful new single from their upcoming release album This Shame Should Not Be Mine. Entitled ‘Invisible’, the track is about feeling alone and unseen after experiencing sexual assault. It’s about keeping it all to yourself. Which makes it impossible to process the trauma. This makes you feel isolated and alone – as is laid bare in the filming of the video, which features vocalist Milena Eva positioned in an isolated frame of nothing but black.
Milena elaborates: “I’ve struggled to say out loud that I was hurting. You can hear this vulnerability in the super intimate electronic parts. And you can hear the overwhelming effect of such trauma in the huge, bombastic choruses… The assault happened to me years ago and I kept it a secret out of shame and guilt. Every time I met somebody new or if I felt insecure I got really paranoid. I was so scared people could tell from my face I wasn’t doing alright. I tried to keep it all together. Faking my way through everything. Now I know that this was really toxic for my mind and body. It literally made me sick. The shame and the fear really take their toll. I think we should all take a good look at ourselves. How can we make sure that the assault doesn’t happen any more? But also how do we evolve into a world where people can live without shame?"
Watch ‘Invisible’ here:
The band’s most ambitious and masterful work to date, This Shame Should Not Be Mine was conceived in the silence of 2020’s pandemic lockdown, partly as a way for GGGOLDDD lead singer Milena Eva to confront parts of her past and partly in response to the Roadburn Festival’s invitation to propose a commissioned piece for its 2021 online edition.
This Shame Should Not Be Mine is out on April 1st via Artoffact Records.
Fredrik Croona whose projects have included the likes of MENSCHDEFEKT, CROONA & CYNICAL EXISTENCE has announced a new project, AGAINST I and debut single, ‘Scum.’
“‘Scum’ is a dedication to all the lowlifes who treat other people like shit and care for nothing but themselves. People who are so full of themselves that they don’t see or care about anything else. This is the first song that opens the door into a carnival of the obscene, deranged & faulty people and to the darkness of human psyche.” – Fredrik Croona
Watch ‘Scum’ here:
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Fresh off their first UK tour since the days before Covid, The Kut has released a brand new single ‘Satellite’. Emotive, powerful and featuring a guitar solo straight out of a Clapton ‘How To’ school, the track released on Valentine’s Day as the second single from her forthcoming sophomore album. And now there’s a video to accompany it, which you can watch here:
Announced a Double Award Winner in UK Songwriting Contest this week, winning both the UKSC Rock Award and UKSC Music Video Award, The Kut (PhD) is a rising rock multi-instrumentalist who performs and records alongside a collective of women in music.
The award winning ‘ANIMO’ (meaning courage or spirit) was released in November as the first single from the forthcoming long player. The single charted at No.8 in the UK Physical Singles Chart and No.35 in the UK Sales Chart.
Premiered by Johnny Doom at Kerrang! Radio, the record received playlist support from Janice Long, BBC Radio Wales, Planet Rock, BBC Introducing, Amazing Radio, Total Rock, Primordial Radio, Hard Rock Hell and upwards of 1500 plays worldwide. US Radio is well represented too, with FM playlising in 20+ US States including at 91X, San Diego, The New Music Foodtruck, WVUR, Chicago, WOOL, Burlington, WCSF, Chicago, KXT, Dallas, KXUA, Fayetteville, KFCF, Fresno, KXFM, Laguna Beach, WVZA, Marion, KBRE, Merced, KFAI, Minneapolis, KZMU, Moab, WODU, Norfolk, WRKC, Philadelphia, Radio Phoenix, KMUD, Redway,KAMP, Tucson, WQRR, Tuscaloosa, WERA, Washington, KPCA, California, KUPR, New Mexico, WDWN, New York, WNIA, North Carolina and WVUR, Virginia. The music video has now also been playlisted on LATV, adding to previous US support from MTV, MTV-U AXS TV and Music Choice.
On release the record featured at No.12 in the US NMD NACC Top Singles ‘Heatseeker’ Chart, and subsequently made its debut in the US Submodern Singles (Airplay) Top 100. Funded by Arts Council England, the award sees in the release of ‘Satellite’ as a second video single from the forthcoming album, alongside touring and documentation from behind the scenes at rehearsals, at the studio and on set.
“Every single release we are challenging ourselves to grow and level up!” The Kut shared in a post from East End Studios, London. The new music video for ‘Satellite’ is directed by Mike Gripz of Smith Town Studios, and expected for release next week. Featuring Diana Bartmann (drums), Alison Wood (keys / bvs), Jennifer Sanin (bass / bvs) alongside The Kut (vocals / guitar), the single’s powerful message is expected to pull some heartstrings this Valentine’s. Dedicate to ‘everyone who’s had my back when I needed it most’ the single is produced by James LeRock Loughrey and was recorded at Axe & Trap Studios, Wells. It releases at all digital retailers, with CDs via the Criminal Records store.
Performing as late headliner on The River Stage, Isle of Wight Festival in September, The Kut has recently taken part in the Music Venue Trust x The National Lottery #ReviveLive Tour, with one rescheduled tour date remaining. The multi-venue event features a series of special shows in grassroots venues with the aim of kick starting the return to live gigs and featuring performances from Enter Shikari, Feeder, Becky Hill and many more.
In 2018, The Kut’s debut album ‘Valley Of Thorns’ reached No. 7 in the UK Rock Albums Chart and No. 18 in the UK Independent Albums Chart. The record was released on Criminal Records, now home to a host of rising artists including Weekend Recovery, The Last Siren, LORI, Mike Walsh, Argonaut, Calaveras and most recently music critic Everett True.
A Place to Bury Strangers find tenderness in the unlikeliest of places with ‘Love Reaches Out’, the fifth single and new music video from their critically acclaimed sixth album, See Through You, out now (digitally) and on March 11th (vinyl) on Dedstrange.
“’Love Reaches Out’ is the hope at the end of the tunnel that concludes this album,” says Oliver Ackermann. “I went through such a traumatic experience writing this record and yet people were there to help me, so this song is about appreciating and thanking them.” With its triumphant marching snare and a hooky bassline, ‘Love Reaches Out’ concludes See Through You on a warm and fuzzy note—though not the guitar kind. No circuit can contain the electrifying joy of two souls united. “Moments like this highlight how much [Ackermann has] grown as a singer,” writes Heather Phares at AllMusic. In her review of See Through You, she praises ‘Love Reaches Out’ as “Ackermann and company’s most empathetic song to date.”
In the music video directed by horror auteur Gabriel Carrier (For The Sake Of Vicious, The Demolisher), the third in a series of horror movie directors the band reached out to, a woman unexpectedly encounters and reaches out to a shapeshifting entity in the most unlikely manner. This entity befriends her after it was left for dead and gives her the support needed to help battle her own anxiety and inner demons. “It reminds us not to turn a blind eye to the small things and that friendships can manifest in the most unlikely ways,” says Carrier.
Watch the video here:
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The Neuro Farm recently unveiled their new release, the goth-rock Vampyre.
Vampyrism is a curse dating back to biblical times. Our titular heroine, lured by the promise of immortality, is given this curse by the egomaniacal leader of a vampyric cult. But within the cult there is a growing sense of disillusion, and she builds her own following.
Eventually, she spurns her maker, rebelling against him and his decaying institution. She says a final farewell to her mortal husband, turning away from humanity and embracing her new nature. She slays her former master in the “midnight massacre” and declares herself queen.
They’ve produced a lyric video for one of the tracks, the dramatic, operatic dark electro ‘Confession’, which you can watch here:
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