Posts Tagged ‘Stream’

UK death/grindcore act COFFIN MULCH released the new EP In Dub on May 2nd via At War With False Noise. The EP sees Coffin Mulch collaborating with MICK HARRIS – Napalm Death legendary drummer until 1990’s Harmony Corruption album – who remixed two tracks from the British band for the occasion!

They write:

This is kinda neither a death metal record, nor an industrial record, nor a techno record. I don’t know what it is, and that’s what’s cool about it. We live in a world where most folks seem to want to find their niche and exist in that, and it wasn’t sitting right constantly just being thought of as “an HM2 band” I guess. I’d imagine this will probably split a lot of people, but it might gain us some new followers! Honestly, that’s pretty secondary to the thrill of getting to work with one of my heroes and create something that’s turned out to be a really unique, challenging, and DIFFERENT record.

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Brooklyn hardcore outfit Cash Bribe are back with a vengeance, unveiling their third EP Demonomics on June 13, 2025, via Futureless. This marks the band’s debut release with the label, and they’ve never sounded more vicious, precise, or relentless.

The EP’s title track, ‘Demonomics’, is now streaming everywhere—an absolute sonic assault that sets the tone for what’s to come.

Hear it here:

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There are two kinds of heavy bands: the ones that make a lot of noise and the ones that drag you somewhere you didn’t know you needed to go. Cwfen (pronounced ‘Coven’) are the latter, and Sorrows is a record that doesn’t just crush – it haunts long after the final note.

The allure of Cwfen’s sound lies in contrasts: the glacial ferocity of Amenra, with the velvet-and-razor vocals of King Woman, and the rotting grandeur of Type O Negative. It’s as hypnotic as it is harrowing, but somehow even better than the sum of those parts.

Since emerging from Glasgow’s underground just 18 months ago, Cwfen have built a solid reputation, selling out shows and pulling growing audiences into their doom-laden fever dream. Released in October, the band’s debut single ‘Reliks’ was a hit with fans and critics, landing a spot on Kerrang!‘s release of the week playlist. And rightly so. Their sound devours and delights in equal measure. And people are craving more.

Today sees the band share new single ‘Bodies’ with vocalist and rhythm guitarist Agnes Alder stating,

“Bodies was one of the first songs I’d written for Cwfen. I’d gone through a period of significant change in my life and had burned out to the point of caring a lot less about things that had previously been important to me when I was younger. As I was writing, I’d imagined this sort of vast, feminine cosmic horror. Sort of the opposite of what women are supposed to be. And I had this thought: what if, instead of being told to stay small and keep producing, a woman took up the biggest space possible and just… consumed? Almost a black-hole-sized matriarch hoovering up everything until there was nothing left. It was fun to think about this sort of monstrous feminine presence that can’t be stopped. So the song was sort of an exploration of those feelings, a catharsis of sorts. And permission to be terrifying.”

Listen to ‘Bodies’ now:

Upcoming shows including UK tour dates with Faetooth:

21/5  –  Audio, Glasgow – Supporting Castle Rat

22/5 – Legends, Edinburgh – Supporting Castle Rat

13/06 – Glasgow, Hug & Pint w/ Faetooth

14/06 – Huddersfield, Northern Quarter w/ Faetooth

17/06 – London, The Black Heart w/ Faetooth

18/06 – Manchester, Star & Garter w/ Faetooth

19/06 – Norwich, Arts Centre w/ Faetooth

20/06 – Ramsgate, Music Hall w/ Faetooth

Tickets: https://linktr.ee/cwfen

02/08 – Cardross Estate, Stirling – Back Doune the Rabbit Hole Festival

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AZURE EMOTE drop the video clip ‘Feast of Leeches’ as the first single taken from their new full-length Cryptic Aura. The fourth studio album of the American progressive death alchemists has been scheduled for release on July 25, 2025.

AZURE EMOTE comment: “The first single ‘Feast of Leeches’ is a frantic release of anger and madness”, mastermind Mike Hrubovcak writes. “For far too long have we suffered the pressure of outside vultures feeding off our personal energies. It’s fitting that this video was created by ‘Drain Hope’, because it visually expresses the frustration of being surrounded by leeches and parasites that are sucking on our lifeblood, while leaving us ultimately drained and lethargic. It’s like suffocating under dirt but still crawling through the mud in hopes of getting out. We are all waiting to breathe, but always holding our breath, and continually striving to be, while awaiting our death.”

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Gothenburg’s metallic hardcore crew Obstruktion have just dropped a brand-new music video for their latest single, ‘Touched by the Void’ and it hits with the force of a collapsing world.

Taken from the band’s highly anticipated second album The End Takes Form, which is set to be released on May 30 via Suicide Records, this track shows Obstruktion at their most intense, merging pummeling hardcore grooves, death metal heaviness, and raw emotional catharsis.

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The band comments: “In many ways, ‘Touched by the Void’ feels like a full-circle moment for us on this album. Much like ‘Death Comes Near’ it draws heavily from our roots in Swedish death metal, but we wanted to expand on that with a hardcore intensity that reflects the urgency of the themes we’re exploring,"

"Lyrically, the song wrestles with two interconnected ideas: the personal struggle to confront our own mortality and the broader, collective destruction we perpetuate as a culture. It’s raw, heavy, and deeply reflective — a snapshot of both individual and societal chaos. This track embodies the duality that defines the album: unrelenting power paired with introspective vulnerability.”

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Jakko M. Jakszyk, perhaps most recently known as lead singer and second guitarist in King Crimson, is proud to announce his new solo album Son Of Glen – set for release on the 27th June 2025. The record is a companion piece of sorts to his acclaimed memoir ‘Who’s The Boy With The Lovely Hair’, that was released in October 2024, and explores many of the themes and the subjects that the book touches upon.

To coincide with this announcement, you can now hear the stunning 10-minute long title track here:

A specially commissioned video for Son Of Glen, will be premiered on the 2nd May. Look out for more information on that soon.

Jakko comments: “A romantic fantasy narrative based on what I discovered about my real father after decades of fruitless searching for him.

Glen Tripp was a US airman based in the UK who fell for a dark-haired Irish singer. And here I was many, many years later repeating what he had done by falling for another. What if he had been watching me and guiding me from ‘afar’?”

Jakko’s remarkable songcraft is evident on ‘Son Of Glen’, as his elegiac lyric muses on our fixation with nostalgia and the human condition, and yet where great songwriting, pathos and poetry would be enough to satiate most listeners, let us not forget that Jakko is (somewhat enviably) also a phenomenal guitarist, exceptional singer and multi-instrumentalist, whose precision production and skill for crafting glorious spatial soundscapes takes his arsenal of talents and skills, to a place where it’s more than justified to say, there is no one else quite like Jakko, doing everything that he does, with the proficiency he does it.

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Belgium’s harbingers of doom and despair, Growing Horns, have just unleashed a music video for ‘Godvergeten’, the latest single from their crushing debut album The Essence of Suffering, set to be released on May 3rd.

With riffs that crash like falling cathedral walls and vocals that echo like the wails of the damned, ‘Godvergeten’ is a sludge-soaked sermon of pure sonic punishment. Filmed in stark black and white, the video captures the primal energy and unfiltered bleakness that defines Growing Horns sound.

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Formed in 2015 in the shadow-cloaked depths of Kortrijk, Belgium, Growing Horns didn’t emerge as just another sludge band—they rose as a séance. A slow-burning, punishing invocation of pain, fury, and existential dread. Their sound isn’t forged—it’s exorcised.

Their 2019 debut EP, The Nobility of Pain, landed like a blow to the chest. A raw, unrelenting outpouring of emotion that critics called relentless and fans called home. It wasn’t just music—it was a wound. Pulsing. Festering. Unrepentantly real.

Now, the Belgian collective returns with The Essence of Suffering—an album that doesn’t simply gaze into the abyss, but sets up camp, builds an altar, and lights black candles in its honor. Heavier, darker, and more immersive than anything before, this new chapter digs even deeper into their signature sound: a harrowing fusion of sludge, doom, and stoner-infused despair.

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ASTARI NITE has just announced the release of their new single, ‘Miss Rain On My Parade’ courtesy of Negative Gain Productions. The highly-anticipated single follows the recently successful, ‘Unisex Games’.

Vocalist Mychael states: “Validation is not love, and some people are confused by the two. It’s unfortunate how many live their lives, yearning for that certain approval by others. This world can be very dishonest if you allow it to be and the longer you continue to dive into someone else’s sea of lies, you’ll always be alone, with your telephone, and all four walls of the room.”

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ASTARI NITE is an alternative rock band that has made a significant mark in the dark wave music scene. Originating from Miami, Fl, their music blends elements of alternative, post-punk and new wave, resulting in a distinctive dark glam sound.

ASTARI NITE’s style is reminiscent of classic alternative bands like Clan of Xymox and Placebo, yet their modern production and unique lyrical content give them a contemporary edge. ASTARI NITE have supported notable acts such as Peter Murphy, The Damned, Black Rebel Motorcycle Club, Cold Cave, Peter Hook and The Light, Psychedelic Furs, Modern English, Midge Ure (UltraVox) as well as newer acts on the scene: Actors, Twin Tribes, Then Comes Silence, Rosegarden Funeral Party and Bestial Mouths.

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IMHA TARIKAT premiere the intense new video clip ‘The Day I Died (Reborn into Flames)’ as the next single taken from the forthcoming album Confessing Darkness. The fourth full-length from the German black metal band has been slated for release on June 20, 2025.

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Imha Tarikat comment: “With the song ‘The Day I Died’ I am publicly sharing my past contemplation of suicide for the first time and reflect on a dark time in my life”, mastermind Kerem Yilmaz reveals. “At the time, I was clinically depressed and saw no hope in my future. Suddenly, something ignited inside of me, and I began fighting my way back into life. Through tears, violence, grief, and anxiety, I finally found my place by rising above the voices that tried to pull me down and by focusing upon that one whisper that told me to fight. That voice grew louder and louder. Since then, I have not looked back. Reborn into the flames, I set everything ablaze with passion upon the path that I walk now.”

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Italian post-punk duo Kill Your Boyfriend has recently announced the release of their new EP Disco Kills on 9 May via Sister 9 Recordings.

Today they share new track ‘Discretion’. The song explores how the absence of truth can cause the downfall of a power structure that should be devoid of secrets. The sound captures the sense of a suffocating atmosphere through a series of echoes and reverberations. Right from the start, Kill Your Boyfriend immerses you in a vibrant, dark dance floor, creating a liberating universe.

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The video, shot by Alice Lorenzon, takes up the idea of ​​a claustrophobic and frenetic dancefloor, where we can give vent to our most sincere ‘self’ free of secrets and that mask we are forced to wear in everyday life.

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Disco Kills was created from the band’s desire to explore the hopes, obsessions, illusions, and disappointments of the many young people who frequent clubs and meeting places during the so-called ‘growth’ years, at a point when everyone is still searching for their true selves.

The EP sees Kill Your Boyfriend experimenting with new sounds that lean towards electronic music, creating a more rarefied space for the guitars while maintaining the dark atmospheres that distinguish them. It features 6 songs drawing inspiration from past greats such as Kraftwerk, Moroder, and New Order, while also keeping an eye on artists like the Chemical Brothers, Daft Punk, and Paul Kalkbrenner.

Kill Your Boyfriend have confirmed a series of European live dates in May and September this year, with more to be announced soon.

Thu 08 May – Cemento – Cosenza, Italy

Fri 09 May – La Gramaccia – Macerata, Italy

Fri 30 May -  PMK – Innsbruck, Austria w./ New Candys

Sat 31 May -  Rockhaus – Salzburg, Austria w./ New Candys

Fri 12 Sept – Kampus Hybernska – Prague, Czech Republic

Sat 13 Sept – UV Klub – Lodz, Poland

Sun 14 Sept – Chmury – Warsaw, Poland

Wed 17 Sept – Kult 41 – Bonn, Germany

Fri 19 Sept – Parkside Studios – Offenbach, Germany

Sat 20 Sept – Kradhalle – Ulm, Germany