Posts Tagged ‘Stream’

Society is in a shambles, fascism is in fashion, and the Ultra Heavy Beat remains resolute and resolved to rise up and rip the system! 42 years of conceptual continuity and distinction through diversity, KMFDM are back, declaring themselves the ‘ENEMY’ with their 24th album! It is out on 6th February 2026, two weeks before the band begins a previously announced and almost sold-out European tour.

‘OUBLIETTE’ is out today (12th December) as the first single from ENEMY. From the French word ‘oublier’, meaning ‘to forget’, an oubliette is a dungeon with the only access being via a trapdoor in its ceiling. Perfect constructed from a captor’s perspective, detection and escape are more or less impossible. “A place to be forgotten,” the band simply state. “What nobody sees, nobody knows.”

Kommanded by the songwriting and vocal power of Sascha ‘Käpt’n K’ Konietzko and Lucia Cifarelli, and backed by the percussive onslaught of Andy Selway, KMFDM is now joined by London six-string slinger Tidor Nieddu bringing his own bold and vivid guitar flavours. Having hypnotised audiences on the band’s 40th anniversary tour with her rendition of ‘Professional Killer’, Annabella Konietzko also appears with her own hit-list on the explosive ‘YOÜ’, marking her songwriting debut with the group.

Never a band to take the easy path, ENEMY delivers some of KMFDM’s most stylistically challenging and politically scathing material yet; from the dance/rock melodicism of ‘OUBLIETTE’ to the darkened grooves of ‘CATCH & KILL’, the satirical brute force thrash of ‘OUTERNATIONAL INTERVENTION’ to the vicious and hyperbolic industrial metal of ‘L’ETAT’, and the funky throb of ‘VAMPYR’ to the cheeky dub of ‘STRAY BULLET 2.0’.

KMFDM keeps moving, dancing on the blood-dimmed tide, roaring as a rough beast to make noise against a world that demands the silence of ignorance. Join the Ultra Heavy Beat and make yourself the ENEMY of hypocrisy, discrimination and injustice!

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Foetus has unveiled the first material from the forthcoming final album. When JG Thirlwell told us at Aural Agravation  it was going to be ‘epic’, he wasn’t kidding. AS if we ever thought he might have been.

‘Succulence’ is featured on the imminent new Foetus album HALT. All instruments on this track played by JG Thirlwell except drums, which are played by Brian Chase of Yeah Yeah Yeahs. Play it LOUD!

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German-born, Ireland-based musician DAMIEN CAIN returns this winter with Standarte, an atmospheric, emotionally charged alt-rock album available from today December 12th on the main digital streaming services. Now living in Co. Laois, the artist describes the record as “the most honest and personal work I’ve ever made,” a project shaped as much by his three decades in music as by the new creative grounding he found in Ireland.

In order to celebrate his new effort, DAMIEN CAIN released the music videos for the songs ‘Fascinating Face’ and the title-track. A dark, emotional fusion of nu-metal and emo rock, ‘Fascinating Face’ the song explores the feeling of being trapped between denial and desire, telling yourself you’re not in love anymore, while every memory still pulls you back in. The video reflects this tension: a stream of hyper-real faces emerging from darkness, each one holding a different emotion: longing, fear, hope, desire, regret. Behind them, subtly woven into the shadows, DAMIEN CAIN appears singing the song, as if haunting their memories… or being haunted by his own. It creates an unintended, but powerful illusion: as though the story plays out inside the minds of the people on screen, and inside the places we hide our unsaid feelings. ‘Fascinating Face’ is about the intimacy we try to forget, the seconds we sealed inside us, the scent, the skin, the breath – the pieces of someone we carry even when we insist we’ve moved on.

The title-track goes back to ‘Wallenstein’, a song from the early ’90s. DAMIEN CAIN explained that “the original ‘Wallenstein’ was inspired by Salvador Dalí’s Christ of Saint John of the Cross. It was my protest song against war, power, and blind faith – written when I was twenty and full of rage and questions. The new song continues that thread, but from a different angle. It’s still a protest, but now it’s also a reflection. I’m angry about the same things, but I’ve learned to turn that anger into poetry instead of noise.”

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Damian Cain by Peter Smallwood

You’re being watched… Los Angeles rockers CRYMWAV have unleashed new single ‘Speak No Evil’ ft. Roman Jugg (The Damned), and it’s accompanied by a video directed by Joe Cardamone, formerly of The Icarus Line.

‘Speak No Evil’ is about creeping fascism, big tech, and the sense that you’re always being watched, so watch what you say… The mood is dark, but the music and message hit hard, stamped with CRYMWAV’s signature twist on the classic rock sound. New drummer Pat Muzingo (Junkyard) kicks things off with a Jerry Nolan–esque drum intro, while a gothic piano/harpsichord break courtesy of former Damned guitarist/keyboardist Roman Jugg injects the haunting spirit of Phantasmagoria.

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Formed in Los Angeles in 2022 from the ashes of glam rockers Smash Fashion, CRYMWAV (pronounced Crimewave) is the brainchild of lead singer/songwriter Roger Deering. With roots in the American hardcore scene of the 1980s and influences spanning punk, post-punk, goth, NWOBHM, Thin Lizzy, UFO, and The Ruts, Deering recalls how the project first sparked, “I was staying in London about four years ago when a songwriting spree hit me. I wanted to channel the spirit of bands from that area—Hawkwind, The Clash, Killing Joke, Motörhead. I came back to LA with a fistful of songs, and CRYMWAV was born.”

That vision led to CRYMWAV’s self-released 2023 six-song EP 24/7, which drew rave reviews. Now, Speak No Evil—alongside the acclaimed earlier singles Contagious and Sense of Adventure, offers a glimpse of the band’s forthcoming full-length album, due spring 2026.

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Not so long ago, and not for the first time I got quite excited about WENCH! when they made the journey to York and performed an absolutely killer set.

Well, now the feisty riot grrrl punks have joined forces with electro party punk Jodie Langford to produce this stomping new single ‘You’ve Got Male!’ – a playful tune that mocks the stupid things heard coming out of men’s mouths when talking about women – and the single’s a taste of what’s to come from the upcoming album collaboration, released by the Hull based Warren Youth Project’s label Warren Records.

Recorded at The Warren’s in-house studio & produced by local indie maestro Adam Pattrick, ‘You’ve Got Male!’ is about misogynistic mole-rats who hold women at an unattainably high standard due to their perception of femininity being affected by unrealistic media imagery.

Excited to try out new ways of working, Jodie says “it’s not often I want to collaborate, so to get the opportunity to spend time in the studio with WENCH!, a band whose message & ethos I strongly agree with, was a real treat! I’ve gotten used to working with a producer of late, so it was eye-opening to see how a band form their ideas & structure a song” – as for WENCH!: “We loved working with Jodie as it’s not every day you get the opportunity to work with the queen of poetic party punk! She’s the perfect person for us to work with as we all fit together so well, like an unconventional punk family!”

Jodie Langford is well established on Hull’s local music scene & in recent years has become a festival showstopper, dominating stages across the UK with her unique blend of spoken word / electro party punk & visceral vocal deliveries – to boot, WENCH! are a powerful all-female, all-queer punk trio fuelled by female rage who’ve already made a strong impact on their local scene since forming in 2023! Both Jodie & WENCH! have individually performed at Reading & Leeds as well as other festivals across the UK in recent years.

Click on image to listen – we’re having site issues with embedding it right now.

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Portion Control are a highly influential British electronic group who formed in London in 1979. Their early, innovative use of drum machines and samplers on classic albums such as I Staggered Mentally (1982) and Step Forward (1984) inspired a subsequent generation of acts that included Skinny Puppy, Nitzer Ebb, Front Line Assembly and Nine Inch Nails.

True forefathers of scenes such as electro-punk, Industrial and EBM, they continue to excite and inspire, regularly releasing new material promoted with bursts of hi-octane live energy, vocalist Dean Piavani prowling the stage as audiences are assailed by a deluge of electronic sounds aligned to a barrage of visuals.

Following decades of staunch independence, Portion Control have just signed to Artoffact Records with the intention of providing a much deserved broader platform from which to promote their work. Alongside new material, the label will curate and reissue the group’s back catalogue, allowing their work to be fully appreciated at last.

Marking the announcement of this exciting new partnership is the release today (5th December) of a fully remastered and expanded version of SEED EP3, first issued in 2021 as a set of short and long-form pieces. Expertly overseen by Paul Lavigne at Kontrast Mastering, SEED EP3.1 boasts an additional three new tracks that include ‘Possessed’ video. Now containing 16 electronic songs and instrumentals, with a total duration of almost 64 minutes, SEED EP3.1 acts as both a starting point to discover Portion Control as well as providing an enthralling revisit for existing fans.

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Finnish industrial band, THE FAIR ATTEMPTS welcomes the coming year with a haunting new single, ‘Anniversary of Our Destruction’. Diverging from their usual bombastic fusion of industrial rock and metal, THE FAIR ATTEMPTS founder, Timo Haakana along his wife & lyricist, Starwing step boldly into the realm of gothic dance music, drenched in deep emotion.

’Anniversary Of Our Destruction’ has a very personal story attached to it. As founding member, Timo Haakana explains, “One year, our wedding anniversary was a lovely, romantic day with a twist. So many things broke that day. Together, we laughed about the destruction the day left behind, and thus, that special day became the ‘Anniversary of Our Destruction’”.

The song was also inspired by Timo’s personal trials and the struggle that we all often walk through. Amid disease and hardship, The Fair Attempts found beauty and elegance in how we’ve always held our dignity even during our darkest hours.

The message of ‘Anniversary Of Destruction’ is this; We live through our ruin and walk this path collectively – all of us. It’s dark times. As Timo states, “If I could share a New Year’s message and piece of inspiration in the fashion of The Fair Attempts, it would be this song.”

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There’s a very good reason not to compile ‘best of the year’ lists until after the year is finished. There are always late contenders, and this is a prime candidate by way of a late entry for one of the singles of 2025.

‘Bound’ is the new single and collaboration from the past and the present of the femme, gender queer, punk scene, featuring Pettybone, Shooting Daggers and Petrol Girls. 2 and 1/2 years in the making, this is the first new music from Pettybone since their split in 2012.

Pettybone formed in 2010 after being drawn together through the individual struggles they had encountered in their lives, with the desire to speak up about their experiences. Their debut album From Desperate Times Come Radical Minds followed in 2011 and by 2012 the band split, but their impact and influence is still felt to this day, with both Petrol Girls and Shooting Daggers being inspired by them.

The same year that Pettybone split up, raging feminist, post hardcore band Petrol Girls were formed. Most recently they released their 3rd album Baby in 2022 (Hassle Records). While queercore punk band Shooting Daggers formed in 2019, going on to release their debut album in 2024.

The punk scene is small, in the femme, gender queer scene it is even smaller. All 3 bands know each other – Zel (Pettybone) taught Raquel (Shooting Daggers) to play drums way back in the day, and Zel also filled in on drums for Petrol Girls a couple of times. Raquel from Shooting Daggers comments, “We’re all friends as well as having massive respect for each others bands. So, what better than do a collab that spans the Globe?!”

Pettybone guitarist Ivona first had a guitar riff and sent it to Zel in Aotearoa to get some drum ideas, then sent it onto Lianna (Pettybone) in London for the bass. They met up in London early late 2024 to lay down the instrumental track with Sam Thredder in London (who also recorded the Pettybone’s debut album). The instrumental was sent to in Petrol Girls vocalist Ren in Austria to come up with some lyric ideas. At the time she replied: “I have something brewing! Something against white liberal feminism and liberation for everyone. It’s about discomfort not being the same as unsafe.”

Shooting Daggers vocalist Sal worked on melody and there was some back and forth on the lyrics and vocal lines with Petrol Girls’ Ren and Pettybone’s Ivona.

Unfortunately, Pettybone singer Amy was unavailable to take part in the project, and Ren also couldn’t do it from Austria, so Sal from Shooting Daggers stepped in and smashed out the vocal at Holy Mountain studio. The track was then mixed and mastered by Casper Maxwell in Naarm/Melbourne.

Ren (Petrol Girls) comments on the lyrics for the new single,

“’Bound up in our liberation we are bound’ comes from the Lilla Watson quote in the context of the aboriginal liberation movement in Australia, but its so well known because it expresses such a vital idea. I was really touched to be invited to write lyrics for this feminist collaboration and wanted to express faith in liberation and collectivity, which are the core of any meaningful feminism. The lyrics are mostly a response to arguments I was having at the time with people around me where I live in Austria about the genocide in Palestine, but I think they can apply pretty widely. We need feminist solidarity across borders. We need anti-racist feminism, abolition feminism, anti-colonial feminism, anti-fascist feminism. And we need each other.”

‘Bound’ will be self-released by Petttybone via their Bandcamp on the 5th Dec 2025.

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Big Big Train, the award-winning, progressive rock band, will issue their 16th studio album via InsideOutMusic on 6th February 2026. Woodcut is a landmark release for the group, whose line-up draws together members from England, Scotland, Italy, the USA, Sweden and Norway, in that it marks their first ever full-length conceptual piece – quite a statement given the musical depth and storytelling qualities of a band formed in Bournemouth way back in 1990. Woodcut is a continuous narrative exploring creativity, sacrifice and the thin line between inspiration and madness and featuring a character called The Artist.

Today they launch a second single from the album, titled ‘The Sharpest Blade’, a track that sees violinist Clare Lindley sharing lead vocals with the band’s frontman – and Woodcut producer – Alberto Bravin.

Lindley, who also wrote the lyrics for ‘The Sharpest Blade’, explains: “Having gone for a walk in the woods and happened upon an amazing piece of heartwood, lit by a natural beam of sunlight, the Artist has taken it home. In the song ‘The Sharpest Blade’, he begins to carve the heartwood. Although he still has doubts and dark inner thoughts, he finds himself carving a wonderful scene. It’s so good that he feels it is perhaps not of his own hand…”

Watch the video for The Sharpest Blade, once again created by Crystal Spotlight, here:

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Additionally the band have just announced a UK/European headline tour for September/October 2026, including their biggest headline show to date at London’s O2 Shepherd’s Bush Empire. Find the full list of dates below:

BIG BIG TRAIN – THE WOODCUT & OTHER STORIES TOUR

Friday 25th September – The Stables, Milton Keynes, UK

Saturday 26th September – The Asylum, Birmingham, UK

Sunday 27th September – Komedia, Bath, UK

Monday 28th September – The Apex, Bury St Edmunds, UK

Wednesday 30th September – The Spirit Of 66, Verviers, Belgium

Thursday 1st October – Colos-Saal, Aschaffenburg, Germany

Friday 2nd October – Poppodium Boerderij, Zoetermeer, Netherlands

Saturday 3rd October – De Pul, Uden, Netherlands

Sunday 4th October – TBA, France

Tuesday 6th October – La Sala, Madrid, Spain

Wednesday 7th October – Razzmatazz 2, Barcelona, Spain

Friday 9th October – Teatro Astra, Schio, Italy

Saturday 10th October – Phenomenon, Fontaneto d’Agogna, Italy

Sunday 11th October – Z7, Pratteln, Switzerland

Tuesday 13th October – RNCM Theatre, Manchester, UK

Wednesday 14th October – Playhouse, Whitley Bay, UK

Thursday 15th October – Slay, Glasgow, UK

Saturday 17th October – O2 Shepherd’s Bush Empire, London, UK

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Photo credit: Cécile Lopes

Puerto Rican trio Ender announces their upcoming EP, Ender II: In Silent Throne, scheduled for 20 February 2026 via Praetorian Records. As the first preview from the EP, the San Juan group is now streaming “The Obelisk,” a track that deviates from their progressive doom foundation by embracing a sharper, tech-death-leaning intensity. Exploring themes of sorrow, defiance, and personal struggle, the EP represents not only their growth as musicians but also their commitment to pushing the boundaries of progressive doom and giving back to the metal scene that continues to inspire them.

Of the track, Ender states: “‘The Obelisk’ is a song about the collapse of faith, confronting what happens when something once sacred becomes corrupted. It reflects the tension between devotion and disillusionment, a theme that runs through the core of our forthcoming EP, In Silent Throne. Musically, it captures who Ender is at this moment: heavy, emotional, and unafraid to explore darkness through sound. This track marks the first step into the atmosphere and intensity that define the new era of the band.”

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Ender band photo by Christian Reyes