Posts Tagged ‘New Heavy Sounds’

Cold in Berlin steps back into the spotlight with the second track taken from The Body Is The Wound EP … aptly entitled ‘Spotlight’.

Once more combining the tribal post punk beats of 80s goth with a crushing chorus of doomy fuzz, CiB delivers another gothic anthem for the ages.

The band comment, “’Spotlight is a lullaby about a haunting. We took the metre of a Victorian dirge and added our potent mix of post punk and gothic doom. We knew the visuals would have to feature a dancer and we’re very grateful to Amanda Dufour for her mesmeric performance. (Instagram @mandymakesshapes )

We found the perfect filming location at The Cavendish Arms – South London’s best pub and venue! There we could lean into the retro Music Hall vibes and Twin Peaks colour schemes.”

New Heavy Sounds recently announced a new multi-record project by Cold in Berlin ‘The Wounds’’  Consisting of an EP, The Body is the Wound, and an album, due in 2024, The Wounds is a musical vade mecum of what is to come in a fresh era for the band.  The Body is the Wound EP launches the next chapter in CIB’s journey.

Released on 19th January (New Heavy Sounds), the four tracks cover diverse musical ground, drawing ideas from krautrock, post-punk and doom, but always with the requisite  amount of weight. 

The Body is the Wound EP is the first new material from the band since the lauded 2019 album Rituals of Surrender.

The lyrical themes dance around sex, murder, suicide and broken dreams, brought together in loose storytelling that allows listeners to add their own experiences and bring personal meaning.

“I wanted to loosely tie the lyrics around two ideas,” explains Maya. “Psychology, which tells us the body houses the trauma we experience and carry with us – and Buddhism, which suggests there is no growth unless from pain; we choose to hold on to suffering even though we can learn not to, and so we continue in disillusionment – aware but not aware.”

The Body is the Wound was recorded at Dalston’s Bear Bites Horse studio by Wayne Adams (Green Lung – Woodland Rites) and is an exciting precursor to a new album in 2024.

Watch the video for ‘Spotlight’ here:

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New Heavy Sounds is stoked to announce a new multi-record project by Cold in Berlin The Wounds.

Consisting of an EP, The Body is the Wound, and an album, due in 2024, The Wounds is a musical vade mecum of what is to come in a fresh era for the band.

Vocalist Maya explains: “The Wounds started as an idea about bringing together stories of loss and the idea that wounds can be growth, healing and that slow burn you use to fuel other fires.”

The Body is the Wound EP launches the next chapter in CIB’s journey.

Released on 19th January (New Heavy Sounds), the four tracks cover diverse musical ground, drawing ideas from krautrock, post-punk and doom, but always with the requisite  amount of weight. 

Watch the video for new single ‘Dream One’ here:

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Death Pill, the hardcore punk trio from Ukraine, released their debut album on 24th February, a year to the day that Russia invaded their country.

Tracking started during Covid and was completed in late 2021, only three tracks were mixed before the war hit. However the band and their production team were able to somehow continue and finished everything including the artwork in 5 months whilst the Russian invasion rolled on. A testament to their drive and single mindedness.

The band are currently mid-way through their ‘Over My Dead Body’ European tour, which defiantly began in Kyiv, Ukraine on 20th May. Now the band have shared a new video for ‘Would You Marry Me’ with the bassist Natalya commenting, “This is a song about a rejected wedding proposal. Mariana wrote it after she proposed to her boyfriend and he turned her down. I shot this video when I moved to Barcelona and my best friend came to visit me. She became the main character, and I did the whole production. It took me about 72 hours to finalize the idea, shoot and edit it. I put my pain and suffering into this video, it’s a reflection and experience of personal rejections, dedicated to all the broken hearts.”

Watch the video now:

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DEATH PILL ‘OVER MY DEAD BODY TOUR’


JUNE

2nd – Germany, Bochum, Wageni

3rd – Germany, Ellerdorf, Wilwarin Festival

9th – UK, Bradford, 1 in 12

11th – UK, Manchester, Retro

12th – UK, Bristol, Louisiana

13th – UK,  Brighton, Green Door Store

14th – UK, London, Lexington  w/ Shooting Daggers

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Death Pill by Tementiy Pronov : Slippy Inc.

With touchdown imminent for Cosmic Chronicles: Act 1, The Ascension their debut album on May 12th, Kansas’ cosmic doom crew They Watch Us From The Moon are ready to fire off another track from it.

‘On The Fields Of The Moon’ is the opening number and pretty much nails the band’s unique sound and what they’re about. Cosmic space opera with heavy layered riffs ’n’ textures. Plus the fabulously melodic dual vocal harmonies of Luna Nemesis and Nova 10101001, which really take their sound to another level.

Think ABBA ‘with riffs’. It sums up the scope of their debut perfectly.

The band has this to say about the track.

’On The Fields Of The Moon’ is an epic ditty about the tide of an intergalactic battle turning against our human heroes. A war march with soaring vocal harmonies reminiscent of Alice In Chains/ABBA/OTTN-era Def Leppard.

Plus, there is a trippy and fittingly space age new video to go with it.  50’s sci-fi movies mixed with glam rock and an 80’s vibe in this psychedelic tale of alien abduction. All clashing colours and ‘Liquid Len’ (of Hawkwind fame) lightshow visuals, one can imagine that this lot are quite something to see live.

Watch the video for ‘On The Fields Of The Moon’ here:

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New Heavy Sounds

Christopher Nosnibor

Death Pill most certainly aren’t signed to a major label, aren’t pop-punk, and truly understand adversity. If you want authenticity, then this is the band you need. The Ukrainian all-girl hardcore power trio sell themselves as having a ‘Riot Grrl’ vibe while citing ‘the classic punk of Black Flag, The Distillers and Circle Jerks, to modern outfits like Axe Rash and the thrash metal of Nervosa and Exodus’ as influences.

And fucking hell, do they work with all of those influences and distil them into something raw and powerful! Their self-titled debut contains nine tracks, none of which runs for more than four minutes, and they blast hard.

The fact they are an all-female act is significant and noteworthy. Writing as a white, middle-class male, it hard to write about this without sounding like a patronising patriarchal toerag, so I’ll simply quote singer/guitarist Mariana here:

“Just imagine: You are a 20-year-old girl. Society constantly puts pressure on you: you should find a nice husband, have children and at the same time build a successful career. But no one asks what do you really want? What are exactly your interests and ambitions?

Because maybe you want to be a punk rock star?

Yes, I do and even against it all. I can create a female non-commercial band, play heavy high-quality music, and ignite the crowd. After all, rock is not only about brutal men with curly long hair, right?

Some do it with weapons in their hands, some volunteer and help in any way they can. Hard times, but right now we have a real chance to change lives for the better.”

Death Pill address issues: they address political issues, they address female issues, they address human issues. They do so without fear, without self-censorship, and consequently, deliver an album that rages hard. A couple of the songs have previewed here – ‘Расцарапаю Ебало’ and ‘Miss Revolt, and both showcase the band’s raw metal-infused style perfectly.

The album delivers more of the same, from the whiplash-inducing brutal chug and churn of the opener, ‘Dirty Rotten Youth’ to the closer ‘Would You Marry Me’.

‘Die For Vietnam’ is as frantically-paced full-throttle driving punk-metal you’re going to hear, and Death Pill don’t go easy for a second. ‘It’s a Joke’ may lift from spiky post-punk reference points, but it comes with near-demonic vocals and draws together black metal and goth. ‘Kill The Traitors’ is perhaps the most furious song you’ll hear all year. It goes beyond political and is utterly punishing.

Overall, as an album, Death Pill is fucking gnarly. It’s dominated by driving guitars, thrashing out three or four chords at a hundred miles an hour. It’s proper punk alright.

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20th January 2023 – New Heavy Sounds

Christopher Nosnibor

Back in November, we showcased Death Pill’s ‘Расцарапаю Ебало’ – because it’s a killer tune. And now, ahead of the release of their eponymous debut album, out next month, the Ukrainian all-female trio have served up a second single, ‘Miss Revolt.’

There are three things which are particularly striking about it.

The first is context: the press release explains how ‘The band’s album was recorded before the war started but the majority of it was mixed while the invasion was going on and the band are also now all spread out with Mariana staying in Kyiv, while the other two are in Spain in Australia.’ This doesn’t just show a dogged determination on their part, but also highlights just how media coverage and representations of the war in Ukraine fail to convey so much of the reality of life – and how despite it all, life goes on. In the face of such adversity, and now geographical dispersement, it may seem to some that pressing on with releasing music is insane. But it makes perfect sense. Creativity for some is the only way to cling on to life and sanity. And the album is set for release on the 24th February 2023, perhaps fittingly a year to the day that Russia invaded Ukraine.

The second is content. Yes, it was recorded prior to the invasion, but ‘Miss Revolt’ is nevertheless an angry song about social rejection and the difficulties of peer groups and growing up. It’s real and it’s relatable and while I’m past that stage in my life – mostly now – thee pain of those formative years never truly leaves you, and as such, it speaks to adolescents present and past.

The third is that it’s a blistering guitar-driven punk racket absolutely popping with energy and ferocity. It’s loud, it’s abrasive, and it’s all over in under a minute and a half. It’s a raw-throated blast of roaring fury with churning guitars and drumming so fast as to cause whiplash. Hard and heavy, it’s fast, fiery, ferocious, and absolutely killer.

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New Heavy Sounds is stoked to announce their first release of 2023, and what a beast it is. The self-titled debut album by Death Pill, an all-female hardcore punk power trio of considerable muscle, combining metalcore, punk rock and (like labelmates ‘Shooting Daggers’) oodles of ‘Riot Grrl’ vibe.

It’s significant how many female punk bands are using the stance and attitude of the ‘Riot Grrl’ movement as a touchstone for what they are about, but it doesn’t end there. From the classic punk of Black Flag, The Distillers and Circle Jerks, to modern outfits like Axe Rash and the thrash metal of Nervosa and Exodus, there’s a nod to all of this in Death Pill’s visceral sound. Full on and fully formed.

That aside, what makes this release even more pertinent for us, and the fact that it is happening at all, is that Mariana, Anastasiya and Nataliya are from the Ukraine, who’s troubles are well known to all of course, but naturally enough have hit the band very hard.

Singer/guitarist Mariana tells the story so far.

Just imagine: You are a 20-year-old girl. Society constantly puts pressure on you: you should find a nice husband, have children and at the same time build a successful career. But no one asks what do you really want? What are exactly your interests and ambitions?

Because maybe you want to be a punk rock star?

Yes, I do and even against it all. I can create a female non-commercial band, play heavy high-quality music, and ignite the crowd. After all, rock is not only about brutal men with curly long hair, right?

Nafa (Anastasiya), the drummer, also got sick of this idea. Together we created an all-female punk rock band Death Pill (2017), just like we wanted to! Before COVID started we played a lot of gigs at the main underground festivals in Ukraine (“Back to Youth”, “Burn the Scene for Fun”). We also released EP (2018). We had a lot of success in front of our audience, which led to the creation of more female bands.

We did have trouble with bass players. They changed one after another and we were looking for someone who would be “on the same vibe” with us …

There is a strong and super friendly community of people in Ukraine. It’s a big family of true music lovers, people who live by creating the Ukrainian underground scene. This is also how we met Nataliia. After our first practice with her, we realized that this is a real perfect match, and the problem was solved. We started recording our first full album, filming music clips etc.

Until the war comes… In February fucking Russia started a full-scale invasion of Ukraine. It really changed our plans, dreams, and attitude. So now we are spread out, Mariana stays in Kyiv, Nafa is in Spain, Nataliia is in Australia. We try to stay in touch online, we keep working on the album and support our defenders. Like all in our Ukrainian scene.

Some do it with weapons in their hands, some volunteer and help in any way they can to bring our victory closer. Hard times, but right now we have a real chance to change lives for the better.

Victory will be ours; we are sure of it.

P.S. It is soon, and we have already decided to make the most hot, amazing and gig ever!

Watch out.

Watch ‘Расцарапаю Ебало’ here:

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You could say that feminist/queercore punk trio Shooting Daggers have been ‘nailing it’ since the release of their first single ‘Manic Pixie Dream Girl’ last year.

Amongst a clutch of rave reviews of the single, they have become a ‘must see’ on the grass roots punk circuit, on top of that the band were invited to support Amyl and the Sniffers at their recent London shows and also asked to play Desertfest 2022. Their upward trajectory seems inevitable.

Perhaps it’s because they are ‘the real deal’.  Shit kicking UKHC full of youthful fury and shorn of vacuous posturing. Fierce and committed in what they believe in, as how they play. Case in point being their latest track ‘Liar’. The band says …

‘Liar is a song about breaking the silence over abusers, a song that calls them out for who they really are with no more excuses. This is a really important song to us and we would like to spread this message, to not only the victims of rape and abuse, but also to the entire community, encouraging people to not engage with abusers and to stop trying to justify their rapist friends’

The video that goes with it (created by guerrilla filmmakers Punkvert TV) echoes that sentiment.

A furious cut up of images, by turns visceral and edgy, and definitely not for the faint hearted. Watch the video now:

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‘Liar’ is taken from Athames the band’s debut EP set to be released on 20th May by New Heavy Sounds. Landing on 7” eco mix coloured vinyl with an 8 page lyric booklet and full download included. Limited to 500 copies. The ep will also get a limited edition CD and audio cassette release as well as being available on digital platforms.

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New Heavy Sounds – 29th October 2021

Christopher Nosnibor

Back in the early 90s, when riot grrrl emerged as a thing, the UK inkies were all over it, just as they were all over anything that looked like being the next movement (who remembers The New Wave of New Wave, or The Scene that Celebrates Itself?) and sometimes, when there wasn’t anything, then they’d sometime just shoehorn some random bands into a bracket and give it a name and see if it would stick (Romo, anyone?). At that time, the music press proselytised hard, gushing about the way that hearing bands was like an epiphany – and every other band, apart from the shit ones, all of whom were call really fucking shit, were a complete revelation, as expressed by means of a smorgasbord of extravagant similes and extended metaphors.

Of course, what goes around comes around, and riot grrrl has been making a return for a while now. It’s fitting for the times when issues of gender identity and the difficulties women face every day in society are at the forefront of discussion. It’s the real grrrl power, it’s about liberation, and a reminder to those who need reminding – which is seemingly half the planet – that women can rock just as hard and kick just as much arse as guys, if not more so.

So it’s fair to say that in being transported some way back in time, Shooting Daggers’ debut release for New Heavy Sounds – a 7” flexi no less, that comes with a fold out insert, A4 poster, sticker and badge in a poly bag in a limited run of 250 – does yield a rush that’s tinged with nostalgia (although back in the 90s you’d be legging it round your local record shops to see if you could score a copy. According to their PR, ‘Sal, Bea and Raquel are a visceral amalgam of hardcore punk, riot grrrl and metalcore. They describe themselves as a feminist punk/queercore outfit who cite their influences as bands like Gouge Away, G.L.O.S.S, Turnstile and Gel.’

‘Manic Pixie Dream Girl’ is a minute and fifty-one seconds of guitar driven shouty punk fury ‘It’s all about you!!’ Salomé Pellegrin snarls over the fuzzed-out thrash. There’s no subtext here: this is as direct and angry as it gets.

As if the point needs making any more explicitly, they double down on the vitriol on the B-side. ‘You look so sexy tonight, you make me want to dismantle the patriarchy’ – so starts ‘Missandra’ before a thick, lumbering grunge riff grinds in. Is it right to respond to hate with more hate? Perhaps not but misandry at this point in history is understandable, and it’s beyond time that men need to collectively own the centuries of shit perpetrated against women. No buts, no excuses. And it’s a corking song, too. They pack a hell of a lot into a fraction over three minutes here, switching the tempo up to go full hardcore punk, and yes, it’s a no-messing and much-deserved knee in the balls, the likes of which deserves to dismantle the patriarchy, one by one.

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Sky Valley Mistress who released their debut album Faithless Rituals on New Heavy Sounds last year, just as the UK went into lockdown, are finally heading out to play some live shows to support the new record. To coincide with these dates the band have also shared a new video for ’She Is So’ which you can check out now.

Watch the video here:

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