Archive for the ‘Recommended Streams and Videos’ Category

Darkplace is a mysterious new Swedish dark dream pop/post-punk group whose just released debut album, ‘About The End Of The World’, is a conceptual work inspired by the bleak landscape of the Stockholm suburbs that birthed them.

Centred around an alternative reality – or is it just a grim present and future? – the album has been unveiled gradually via a series of videos based on animated digital paintings for several of its tracks.

Four singles have been issued ahead of the album, with the introductory ‘Arken över Hesselby’ (The Ark Over Hesselby) presenting the outskirts of a city haunted by an unknown aerial presence. Its follow-up, ‘Fearmonger’, offered an apocalyptic scenario with sirens wailing and a lone soldier fleeing the prying ‘eye in the sky’ of a mysterious airship. The third, ‘Cars’, was the first to feature vocals and saw the story move on to a man travelling north following cryptic messages written on motorway signs. ‘This Is Loud’ saw the plot thicken and bring the story full circle…back to the beginning and Hesselby…with another stunning visual to accompany it.
A video for the track ‘The End’ has been made available to celebrate the release of the album and can be seen HERE. The band cryptically comment that “when the Monuments switch on you can taste metal and your ears pop. Working from home became vital for people who lived close to them. GPS’ seem slightly off. Is it because of interference from them? My regular walks also seem to differ in distance.”

A 25 minute video for the full album can be seen here:

Although rooted in late 80s/early 90s indie styles, Darkplace incorporate a variety of other genres into their sound. However, for the members of this highly secretive group, it is not just about the music. They perceive themselves as more an art project that happens to be exploring and commenting on the state of the world through their chosen mediums of music and video.

The majority of the tracks on the album are short instrumentals that were written with specific storyboards in mind, with the group revealing that: "We started creating the art before we had the music in most cases, so the tracks were written as soundtracks to the animation.”

The art itself is a multi-layered process that involves photography, sculpting, oil painting, digital editing and animation. Using apps like Nomad Sculpt to create it before exporting scene specific angles and imported into Procreate to be painted, they add: “we use oil paintbrushes and paint over the photo. It is layers upon layers and it gets messy. Exporting gets even messier since we want depth in the scenes and need to export them in layered depths. A few scenes in this project have been animated frame by frame and it has taken almost two years to complete.”

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Portland post-punk alt-rockers SKY LIONS presents ‘Werewolves’, a wild offering from their debut album Inside The Circle. The duo is made up of Radio Sloan and Outer Stace, who over the years have performed with or as a part of Courtney Love’s band, Peaches’ band, Le Tigre, The Need, Time Bitch and Photona.

Sky Lions’ musical collaboration began in childhood, before they were aware of any rules. Outer Stace says, “’Werewolves’, in part, is about the idea of shifting from our outer selves to our inner selves, the fleeting peace that can bring; transformation and adaptation… So, the art direction possibilities were pretty endless. It was a lot of fun to create the different versions of ourselves that we could be.”

Watch the video here:

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“It’s like a metamorphic reality of death and the future. It feels like things we’ve seen,” says Radio Sloan. “Our sound is that of accepting existence for all its flaws. Sky Lions has a darkness that isn’t entirely heavy metal, post-punk or darkwave. Rather, it’s a culmination of who we have been, who we currently are, and how we interpret the world around us. Moving within that world is the core of our musical expression.”

From early days experimenting with instruments to their evolution into Sky Lions, they’ve carved a niche where innovation, music, feminism, Trans/queer identity and horror come together. Sky Lions weaves together the threads of life’s absurdity, unquestionable magic and tragedy. Their trans / queer / feminist lens adds a relatability of lives lived and times to come, creating an immersive sonic journey that challenges the mind and ears. Through genre-blurring compositions and evocative lyrics, they hope to channel their ethos into a call for transformation! They hope that their songs challenge stereotypes, and ignite conversation.

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Two years after Time to Die, French composer Christine Ott returns to Gizeh Records with her fifth album, Éclats (Piano Works), a collection of twelve pieces for solo piano, twelve impressionistic miniatures, instrumental and cinematic fractals celebrating the beauty of life.

‘Étreintes’ is available on all streaming platfroms now and Éclats (Piano Works) is out November 3rd.

Listen to ‘Étreintes’ here:

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New Heavy Sounds is stoked to announce a new multi-record project by Cold in Berlin The Wounds.

Consisting of an EP, The Body is the Wound, and an album, due in 2024, The Wounds is a musical vade mecum of what is to come in a fresh era for the band.

Vocalist Maya explains: “The Wounds started as an idea about bringing together stories of loss and the idea that wounds can be growth, healing and that slow burn you use to fuel other fires.”

The Body is the Wound EP launches the next chapter in CIB’s journey.

Released on 19th January (New Heavy Sounds), the four tracks cover diverse musical ground, drawing ideas from krautrock, post-punk and doom, but always with the requisite  amount of weight. 

Watch the video for new single ‘Dream One’ here:

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Australian death-metal quintet The Plague have just shared a music video for a crushing new song off their second album "Erosion of Gods", which is set to be released on October 27th on vinyl, cd and digital via Brilliant Emperor Records.

Titled ‘Hacked and Butchered’, this new video is now playing here:

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Vocalist Mike says: “I think the title pretty much speaks for itself, I was watching a lot of documentaries and reading articles about cannibalism at the time and thought a song in that vein would be very fitting for the album. I enjoy stories about horror and the macabre so I wrote some words to provoke thoughts about that subject. The song is about hacking and butchering a human being and eating them, an unpleasant occurrence but it happens nonetheless.”

Erosion of Gods follows-up the band’s critically lauded 2021 debut album Within Death, and once again sees The Plague churning out a raw, unadulterated death-metal sound inspired by the forefathers of Swedish death metal such as Dismember and Entombed. This chainsaw-fueled masterpiece features ten brand-new tracks that will leave even the most hardened death metal fanatic reeling in awe. Brace yourselves for an onslaught of biblical proportions.

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Oakland, California-based post-hardcore quartet Ex Everything – formed by current and former members of Kowloon Walled City, Early Graves, Mercy Ties, Blowupnihilist, Less Art, and more – present a video for “Detonation In The Public Sphere”. The song is the second single from the band’s debut album, Slow Change Will Pull Us Apart, which will be released 10th November via Neurot Recordings.

About the video the band says, “We selected ‘Detonation In The Public Sphere’ as our second single off Slow Change Will Pull Us Apart because it’s a fucking banger. Clocking in at ninety-three seconds, the song is a 203bpm sprint from start to finish. The video shoot was a grind for the band (thirty-five full song takes!), but we felt very confident with Bay Area cinematographer Ryan Castaneda behind the camera. With all that great footage, Wendy Leuthold and Andre Sanabria’s edit highlights the band’s explosiveness both live and on the record.

They continue, “’Detonation In The Public Sphere’ is written from the perspective of a person who HAS recognised their place in the machine of capitalist imperialism and the actions needed to change conditions for the better of humanity. We hope this song will move listeners to think about their place in that machine and then hit repeat to play it again.”

The video for ‘Detonation In The Public Sphere’ was directed by Ryan Castaneda with additional filming and DIT by Katie Grubbs, gaffer Tehan Davis, editor/colorist Wendy Leuthold, and editor/producer Andre Sanabria.

Watch it here:

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Photo credit: Scott Evans

After the announcement of their new album ‘Black Mirror’ set for a November 3rd release on Peaceville Records, Mortuary Drape have unveiled the dark and sinister ‘Rattle Breath’.

The video, created by Matthew Vickerstaff pays homage to classic occult imagery seen through a video nasties filter. Musically the song showcases the guitar acrobatics that are a key element to Black Mirror with soaring licks and sweeps that introduce us to the main riff of the song. Flanked with a clanging bass lines as we move throughout the depths of Heavy Metal, the track is the perfect example of what fans will be expecting from the new Mortuary Drape release.

Watch the video here:

Black Mirror is Mortuary Drape’s sixth full-length studio album set for a November 3rd release, and presents a spellbinding, occult-draped journey featuring haunting passages and dark yet melodic vintage metal mastery, bringing to mind acts such as Mercyful Fate with their eerie, classic metal-rooted compositions and atmospherics, expertly crafted and delivered with the band’s own distinguishable injection of wicked intent.

Lyrically the album centers on themes of magical rites, real events and spells that are in a parallel world that bind us to our past lives. We enter into this world of the parallel through the medium of Deja Vu. The phenomenon where images and actions that we seem to have already experienced resurface in our mind. The real mystery is to find out if they really belong to past lives or are, in fact, premonitions of what will happen next…

The album was recorded and mixed and mastered by Federico Pennazzato at TMH Studios in Alessandria, Italy with engineering coming from Pennazzato, DC, and Wildness Perversion and the artwork comes courtesy of Misanthropic Art (www.misanthropic-art.com)

The album will be released on grey vinyl and CD as well as being available digitally. Pre-order here https://mortuarydrape.lnk.to/Black_Mirror

The band will be performing select dates in Autumn this year:

· 27 October – Prague Death Mass IV – Meet Factory – Czech Republic

· 18 November – Florence Metal – Viper – Florence – Italy

· 30 December – Slaughter – Milan – Italy

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Berlin based CARNAL TOMB detonate the massive title track of their forthcoming new album Embalmed in Decay into the death metal hungry ears on this planet. The third full-length of the German old school death dealers is slated for release on November 3, 2023.

CARNAL TOMB comment: “I wrote the title track of our new album, Embalmed in Decay, shortly after our first album Rotten Remains was released", guitarist and singer Cryptic Tormentor lets on and continues; "It is a classic death metal song in the sense that it was heavily inspired by old bands that we all know and love. The track comes with fast and furious heavy riffing and a catchy melody in the chorus. The lyrics were inspired by the movie Tombs of the Blind Dead, which was also the main influence for the cover artwork. It took us some time to decide which track should become the title of the new album. We finally settled for ‘Embalmed in Decay’ because it features everything that should be in an old school death metal song: It is a straight forward and hard hitting song which to me are the very qualities that the eponymous song of an album should have.”

Listen to ‘Embalmed in Decay’ here:

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Pic: Marc Strobel

Glasgow-based duo HANGING FREUD join hands with the Belgian label Spleen+ (division of Alfa Matrix) for the release of Worship, their most personal and emotive full length ever.

On this 7th studio album, Paula Borges and Jonathan Skinner continue refining their unique sound identity that nobody managed so far to narrow down to one specific music style, often evoking influences and elements of post punk, ethereal, synthgaze, cold wave, ambient pop or yet experimental electronica.

With the heartbeat of a drum machine as metronome, Paula’s vocals are dark, haunting, almost glacial, her enunciation is both plaintive and full of echoing fragile grace. While the cinematic music warps them all in a melancholic ethereal cocoon made of mechanical funeral melodies, icy minimal sequences and suffocating synth atmospheres. The overall ambience is dense, lingering, almost claustrophobic, but so poignant and uplifting that it takes you by the throat and touches you at the deepest end of your soul.

The 10 songs featured on this album literally come from a place of contradiction hanging somewhere between courageous vulnerability and fearful resilience, and deal with themes such as collective distress and loss, finding beauty in tragedy or yet questioning about what makes us human in the symbolic contrasts of life and death.
It’s no surprise to hear that this “less is more” introspective ode to melancholia was written in particular claustrophobic circumstances during the pandemic lockdown. “Because of what was going on, we were essentially stuck in temporary accommodation in Scotland, away from our studio and forced into a period unexperienced before. The songs that came out therefore come from a different place. Everything was done within a laptop and is proudly 100% digital. It was recorded and mixed while literally sitting on the side of a bed in a mouse infested apartment…” explains Paula Borges.

Strong from their somewhat nomadic past with multicultural backgrounds of coming from Sao Paulo (Brazil) and London (UK), HANGING FREUD sign here a timeless chef d’oeuvre full of beautifully dark simplicity, an emotional body of work that is uncompromising and genre defying at the same time. If you missed HANGING FREUD so far, the moment has come to fall under their freezing spell and addictively hit the play-button again and again.

As a taster of the album, out in December, they’ve unveiled a video for ‘A Hand to Hold the Gun’, which you can see here:

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Cirkeln, the black-metal project of the Stockholm-based underground musician known as Våndarr recently unveiled another from track his third album The Primitive Covenant, which is set to be released on November 3rd via True Cult Records.

“Writing this song was probably the most fun I’ve ever had writing for Cirkeln”, says Våndarr. “Usually, the process is quite laborious and takes a long time. There´s rarely a spark of inspiration that then flow naturally into the recording process. But, with the Witch Bell I knew I wanted to take a rawer approach to writing and recording. At that point I knew the mission of the record was to strip away and get down to the basics. I set up the recording as close to a live scenario as I possibly could in my living room-based studio. This meant that the drums were laid down first and then I tracked all the guitars and all the bass in one take for each instrument. There was no editing or refining of the recordings after the fact. There were rarely even second takes. I think this gives the song a sense of unapologetic ugliness and momentum. There was no click track, so the pace of the instruments is entirely dictated by listening to the drums. It’s not the tightest Cirkeln track – but to me it’s the one that sounds the most alive. I also wanted to experiment with incorporating a different vocal technique and style on this album – and the Witch Bell is one of the best examples of this. To me, this is the point where Cirkeln doesn´t allow itself to be confined by one idea of what Black Metal is. There’s more than one shade to darkness.”

On the follow-up to his critically second album A Song To Sorrow, Våndarr is once paying homage to the forefathers of black-metal, yet this time The Primitive Covenant sees the Swedish musician incorporating more elements of old-school thrash-metal, primeval death-metal and even punk.

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