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Atlanta, Georgia – based darkwave act, NOW AFTER NOTHING has unveiled their latest video for the single, ‘Entangled’.

‘Entangled’, the final track on the band’s latest release, Artificial Ambivalence, is a song about the reality of being completely enveloped in those people (or things) that do little more than stir massive amounts of chaos and anguish into our worlds. Lyrically, the song represents a moment of clarity as the protagonist begins to physically and emotionally struggle with trying to separate themselves from the situation.

The concept behind the video was to reimagine the lyrics through a sequence of hazy and mostly dreamlike scenarios as if to echo memories, feelings, and a general flood of emotions.

A highly unorthodox song to release as a single with its near two-minute long, dreamy instrumental introduction and unique song structure, ‘Entangled’ is a favorite of NOW AFTER NOTHING founder, Matt Spatial: “It’s one of my most favored songs that I’ve ever written. I felt very strongly about wanting to bring a visual dimension to it.  From the soothing intro through to the climactic cacophony of multiple, intermingling voices (representing the chaos and intensity of emotions) it is certainly the most ambitious song I’ve ever written and recorded.”

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Atlanta indie darkwave duo, NOW AFTER NOTHING strikes with a thrum and thrill. Songwriter Matt Spatial is a multi-instrumentalist with a flair for the fierce, joining forces with drummer Michael Allen. Together, they twist classic roots into modern reverberations, sparking a sound that’s as sinuous as it is savage. There’s My Bloody Valentine’s lush lilt and Sonic Youth’s fierce, unfiltered power.

Spatial melds these influences into something electric and exhilarating—goth-glam grooves slick with sweat, raw enough to leave a mark. Fans have called it “S&M disco,” a sinister shimmer of punk, industrial grind, and nocturnal new wave.

“Starting this band was a return to music for me, and more so a reclaiming of my identity, after a relatively difficult time in my life,” Spatial reflects. “I had become lost and depressed without a creative outlet with which to express myself…”

NOW AFTER NOTHING released their first single, ‘Sick Fix’ in January, 2023, and the road leading toward the album’s release in September, 2024 was a bruising one: pain, self-reckoning, and restless nights shaped each song. That agony bore fruit, however, landing the band a #15 spot-on the Deutsche Alternative Charts just a month later.

True to their namesake, Matt Spatial’s lyrics stitch together themes that bite and burn—social, political, personal truths—into instrumentals layered with darkness. Each of the six tracks on Artificial Ambivalence tells a tale: sometimes blunt, sometimes blurred, about lives twisted in familiar binds, a story born from someone’s raw reality. At its core, Artificial Ambivalence lays bare toxic ties—to others, to addictions, to the churning echo chambers of social media, news, and power.

Artificial Ambivalence, as a concept, to me represents the state of feeling lost and/or the ‘shutting down’ from the negativity and toxicity around each of us,”  -  Matt Spatial

The album was mixed by Carl Glanville (U2, Joan Jett) and mastered by John Davis and Felix Davis. Additional guitar work from Mark Gemini Thwaite (Peter Murphy, Gary Numan, Mission UK) can be heard on ‘Sick Fix’ and ‘Dare’.

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LA-based indie rock outfit Tombstones In Their Eyes presents ‘Alive and Well’, a beautifully raucous psychedelic rock revival hymn, following the brooding lead track Under Dark Skies. This unexpectedly fierce and defiant declaration of strength is the second taste of their Under Dark Skies album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). This 2-track offering also includes the radio edit.

This song is dedicated to TITE guitarist Paul Boutin, who recently lost his battle with cancer. As Paul Lovecraft, he was a prolific musician, releasing music even after an operation nicked his vocal chords. Having met Tombstones’ main-man John Treanor at Kitten Robot Studios about 10 years ago while working on his own projects, they fell into the same orbital realms until Paul eventually joined the band.

The song features John Treanor on vocals and guitar, Paul Boutin on guitar, Nic Nifoussi on bass, Paul Roessler on keyboards, Stephen Striegel on drums and percussion), and Courtney Davies, Clea Cullen and Joel Wasko on backing vocals,

“When our beloved friend and guitar player lost his life on 10/18/25, we were shocked, confused and incredibly saddened. Paul was so kind, generous, intelligent and always optimistic. Being in TITE was a source of pride and joy for Paul. He was so easy to be around and was dedicated, driving many hours for practices and shows, always bringing his cheerfulness and optimism. We miss him greatly and are glad he is all over this record,” says John Treanor.

“We were initially going to scrap ‘Alive and Well’ as a single after Paul’s passing (for obvious reasons), but because it was one of Paul’s favorites and a song on which he played guitar, we are going ahead with the release. The lyrics are about rising out of desperate circumstances with newfound strength – something Paul himself experienced, having dragged himself out of his own difficulties to ultimately rebuild a life full of joy and purpose. While not planned that way, ‘Alive and Well’ ended up being a statement of intent – a story of a journey from despair to strength.”

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The accompanying video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM’s Collin Hegna), British bard Philip Parfitt, The Dandy Warhols’ Peter G. Holmström a.k.a. Pete International Airport and Slowdive’s Rachel Goswell.

A year on from their Asylum Harbour album, this record emerged during a year of intense personal change, before finally moving into a place of light and gratitude. Recorded and engineered by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

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Puget Sound’s progressive sludge-metal collective Mother Crone have shared another glimpse of their long-awaited second album Embrace the Death, set for release in early 2026.

After revealing of the title track, the band now present their brand-new single ‘Fever Stone’. A bold and foreboding taste of what’s to come, ‘Fever Stone’ marks Mother Crone’s return in towering form – a storm of crushing groove and progressive textures that announces a powerful new chapter for the band.

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Formed in the Puget Sound area of Washington in 2013, Mother Crone are a band forged from diverse musical backgrounds, converging to create a sound that is as heavy as it is dynamic. Drawing on influences that stretch from the psychedelic depths of Pink Floyd, the classic heaviness of Black Sabbath, and the groove-driven attack of Pantera, to the progressive and atmospheric worlds of Bison B.C., Alcest, and Shrinebuilder, the band weave a progressive/post-metal tapestry that shifts seamlessly between doom, thrash, and groove.

The band introduced themselves with their debut album Awakening in 2015, followed by two years of extensive touring across the region. Life’s demands eventually forced the group to slow down, but Mother Crone have now returned revitalized and refocused, ready to deliver their most ambitious material yet.

With their forthcoming sophomore record Embrace the Death, Mother Crone push their sound to new extremes, heavier, darker, and more expansive. Backed by a refreshed lineup featuring Preston Wilson (bass), Charlie Romano (drums), Edoardo Curatolo (guitar), and Joe Frothingham (guitar/vocals), the band aim to raise the standards of energy and execution in the Seattle scene and beyond.

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Italy-based melancholic ambient artist ATMAEN has released the song ‘Your Eyes Are Mirrors For The Stars,’ taken from the artist’s new EP Lullabies From The Dark Ether out on December 12th via Inertial Music.

The song is inspired by (and dedicated to) someone who’s dear to the artist who has “eyes made of stars.” Someone who can look beyond and deeper, who can give shape and color to invisible energies and fantasy worlds. It’s also an invitation to follow our own inner vision, trusting our intuition and heart to navigate the unknown and still feel that we are a part of the whole.

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ATMAEN is a project created by Valentina Buroni. She’s a singer, a songwriter, and a researcher in the field of sacred ritualistic chanting and of self-transformation through sound and music. Her songs are prayers, invocations to the spirits of nature, sacred chants to connect with the spiritual dimension, medicine chants, sonic journeys and meditations to expand the consciousness. She creates dreamlike, magical, otherworldly atmospheres in her songs. She is influenced by Celtic music, folk music from Western Europe, ritualistic chants of contemporary indigenous cultures, electronic music, ambient music and movie soundtracks.

Valentina is trained in early music singing, modern singing, Irish traditional singing, overtone singing, Gregorian chant singing. She also plays the frame drum. She is a dance therapist and a professional holistic operator with more than 20 years of experience in the use of voice and singing for personal growth and well-being.

She has released 7 full-length albums with different music projects (Dragonheart Records, Standing Stone Records, Inertial Music) ranging from heavy metal, to electro-acoustic ambient, to world folk music. She has played big festivals like Triskell Celtic Festival, Nomad Dance Fest, and Wave Gotik Treffen.

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ATMAEN Photo 2 by Roberta Lo Schiavo(1)

As we approach winter and the solstice draws closer, Texas-based electronic composer Paris Music Corp. a.k.a. John Andrew Paris presents two new tracks – ‘Midnight Pad’ and ‘Sun Halos’ – that juxtapose light with dark, similar to how night turns to day and to night once again.

Nature and cycles are themes explored on his new Ecotone album as he takes us on an electronic odyssey that is both deeply personal and geographically-inspired. This record is rooted in the artist’s relocation to his childhood home in Brownsville, South Texas, just miles from the border and the coast. Paris wrote, recorded, mixed and mastered this at Tarantula Studios over the past two years.

“’Midnight Pad’ was another late-night writing excursion using some mind expansion influence. Another piece that started with my phone and ended up with hardware synths and drum machines in the studio one it was built. And ‘Sun Halos’? Creating a song just happens sometimes. Brian Eno always talked about his main theory in that “music just happens”. It’s really like a magic trick sometimes when what you turn out is an earworm of a piece that is memorable,” says John Andrew Paris.

Originally from Austin, John Andrew Paris has spent decades creating music and collaborating with artists, including Arthur Brown (The Crazy World of Arthur Brown, perhaps best known for his hit single ‘Fire’), as well as DJ Rev Kathy Russell, DJ Lucas Ray, Catastrophe Ballet, Le Reve, Life’s Eyes, Beast of Eden, OBOYO and Don Wigwam.

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“The Ecotone album made sense to me because you have a transitional zone, where two different ecological communities or ecosystems meet and intermingle, often resulting in high biodiversity. I feel a lot closer to nature.. Some of my song titles reflect where I am. I actually lived in this area as a child and have come back to my roots,” says John Andrew Paris.

“A lot of these pieces were started on a phone app called Ableton Note. With this application you are able to scratch-pad a lot of cool ideas and then import them into you music workstation and finish them out. When I first moved to my new place I didn’t have a spacious studio setup and I wrote a lot just sitting up all hours of the night writing ideas on Ableton Note.”

Known for his cinematic and ethereal music, on this album, Paris Music Corp.’s music also shows its dark underbelly and futuristic imagination. Often with elements of 80’s darkwave and ambient soundscapes, his trademark sound includes heavily processed guitar and bass instruments locked into layered loops and further manipulated using software. Also employing live hand percussion, these dense soundscapes take the listener on a sonic journey to otherworldly places.

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Paris Music

VRÎMUOT present the lovingly illustrated lyric video of the balladesque song ‘Vom Traum zur Pflicht’ ("From Dream to Duty") taken from the forthcoming new album Lupus Viridis ("The Green Wolf").

The German dark folk innovators’ second full-length has been chalked up for release on December 5, 2025.

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VRÎMUOT comment: “The song ‘Vom Traum zur Pflicht’ is a musical journey through the fog-shrouded realm of my own soul”, mastermind Lupus Viridis reveals. “Only those who are willing to descend into the depths of their own existence may embark on a path of knowledge and seek the light of truth. Only those who are willing to make sacrifices may overcome the glass mountain and triumph over themselves.”

“Solve et coagula”! For death is the path to reverence … and to love.

This song is dedicated to my wife and son.

“Aus den schwarzen Schleiern heraus,
wurde ein weißer Stern geboren
und feuerrot brennt die Seele in mir!"”

“From the black veils,
a white star was born,
and the soul burns fiery red within me!”

Lupus Viridis

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Seattle turbowave duo, DUAL ANALOG return with ‘Pale Visage,’ a new single and video that signals the dawn of their next era. With the video directed by Skye Wardenm, the clip and song explore transformation and self-recognition through a stark yet ultimately empowering lens.

“It wasn’t really a self-correction so much as it was a survival tactic,” says Chip Roberts of DUAL ANALOG. “We wanted the liberty to explore the expansive soundscapes that make us who we are.”

Reintroducing the world percussion, cinematic guitars, and progressive flourishes that defined DUAL ANALOG’s early sound, "Pale Visage" bridges bleak beauty with renewed color – both visually and sonically. It marks yet another glimpse of the band’s forthcoming 2026 album, Primal Grill, and is a bold declaration that all are welcome in the Temple of DUAL ANALOG.

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From the rain-soaked streets of Seattle’s Chinatown, DUAL ANALOG channels desire and distortion into a singular force—turbowave—a fusion of new wave, metal, industrial, and world rhythms. Formed in 2019 by vocalist-guitarist Chip Roberts and multi-instrumentalist Kurtis Skinner, the duo blends sleek futurism with raw emotion, crafting immersive performances where sound and atmosphere collide. Each ritual is a sensory experience—sweat, light, and pulse converging in devotion to rhythm and release. Their 2022 debut, Lust, Worship, and Desire unveiled a lush yet crushing sound—sexy, anthemic, and unapologetically heavy. 2024’s The Wheel descended into colder textures and brooding tones, anchored by extended-range guitars and nihilistic lyricism. Now shaping their third album, Primal Grill, DUAL ANALOG expands the boundaries of turbowave through a series of singles—’Kontrol’, ‘Sacred Sin’, ‘Save Me’, and the latest one, ‘Pale Visage’—each revealing a new facet of the band’s evolution between the sacred and the primal.

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The pioneering UK industrial music act Test Dept have issued a 1983 John Peel Session version of one of their earliest tracks, ‘State Of Affairs’, as a digital single. It is taken from Industrial Overture. Studio & Live Recordings 1982-1985, the first in a series of planned box sets that will chronicle the group’s career.

“We went into the BBC studios in Maida Vale [West London] to record our first John Peel session in 1983 and devised much of the material right there as we liked to explore spontaneity and experimentation in the studio environment,” the band explain. “’State Of Affairs’ started from a collection of sound source material we had gathered and brought in to work with and we then developed that into a live piece and recorded it. Its theme of burning books seems once again relevant to the times we are living through.”

Out on 5th December via the Artoffact label, Industrial Overture. Studio & Live Recordings 1982-1985 consists of 42 tracks across 4 CDs and will also be available digitally. 26 tracks are new to CD and digital formats, of which 12 have never been previously available at all. All contents have been compiled by Test Dept and are newly remastered by Paul Lavigne (Kontrast Mastering).

The box set includes a first ever reissue of the group’s 1983 cassette-only debut album Strength Of Metal In Motion, the classic Ecstasy Under Duress and Atonal & Hamburg albums (both of which have been unavailable for over three decades), plus a disc of hitherto unreleased studio recordings that incorporate two full sessions recorded for the John Peel show on BBC Radio 1.

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Seattle-based industrial/goth/post-punk artist MORTAL REALM is proud to release the new single ‘With A Heavy Heart’ via Negative Gain Productions, following the album Stab In The Dark released last year with the same label.

‘With A Heavy Heart’ is accompanied by a visualizer video that you can stream here:

 

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MORTAL REALM is the multi-genre, industrial-driven project of Adam V. Jones, known for his work in Haex and Sterling Silicon. Following the debut album Stab In The Dark, the project expands on Jones’s blend of heavy electronics, melodic textures, and esoteric atmospheres.

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Mortal Realm Photo by Motornerve Photography

Glazyhaze return with ‘Romeo’, the final single and B-side from their acclaimed album SONIC.

Following the release of their acclaimed album SONIC earlier this year, Italian alternative band Glazyhaze shares ‘Romeo’, the final single and B-side just before their EU/UK tour kicks off.

At its core, ‘Romeo’ blends raw rock energy with dreamy, atmospheric textures. The track carries the spirit of the ’90s, where distorted guitars and floating reverbs meet a subtle tension between anger, sweetness, and nostalgia. Built on shimmering guitars and driving rhythms, ‘Romeo’ captures the feeling of powerlessness that comes with loving someone who cannot love themselves or change. It’s a song for those who hide behind pride, who destroy everything rather than show vulnerability, for those who live through control yet burn inside and will never admit it. ‘ROMEO’ is a farewell to the illusion that you can save someone who doesn’t want to be saved.

Recorded and mixed by Paolo Canaglia and mastered by Maurizio Baggio,‘Romeo’ marks an emotional and sonic conclusion to the SONIC era, reaffirming Glazyhaze’s ability to fuse intensity and atmosphere into something deeply human.

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After being nominated for the Music Moves Europe Award and announced for ESNS 2026, Glazyhaze will embark on a tour across the EU/UK in November and December.

Tue 11 Nov – Kranhalle – Munich, Germany 

Wed 12 Nov – Isc Club – Bern, Switzerland

Sat 15 Nov – Nová Cvernovka – Bratislava, Slovakia

Mon 17 Nov – Badehaus – Berlin, Germany

Tue 18 Nov – Helios 37 – Koln, Germany

Wed 19 Nov – Patronaat – Haarlem, Netherlands

Thu 20 Nov – Supersonic – Paris, France

Sat 22 Nov – The George Tavern – London, UK

Sun 23 Nov – The Croft – Bristol, UK

Tue 25 Nov – The Prince Alberto – Brighton, UK

Wed 26 Nov – Voodoo Daddys – Norwich, UK

Sun 14 Dec – Bronson, Ravenna, Italy

Sat 20 Dec – Arci Bellezza, Milano, Italy

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