Archive for the ‘Recommended Streams and Videos’ Category

Alternative pop artist Celeste Corsano has unveiled the video for her latest single ‘Stuck’, the third in a trilogy of singles the Pennsylvania-based artist has released this year, following ‘Nightbird’ and ‘Sunlight Gazing’. With hues of Kate Bush and Tori Amos, Corsano is the latest artist to join the talented roster of blossoming Montclair, NJ-based indie label Magic Door Record Label.

This song features famed guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale), drummer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) and keyboardist-bassist David Nagler (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash, Yo La Tengo).

A tender composition that explores being caught in the inescapable grip of an emotional impasse, Corsano masterfully conveys the struggle of a mind wrestling with an unyielding heart, creating an intimate space where raw emotion takes center-stage. The animated video reflects this perfectly through the journey of a ball cutting loose from his existing reality and his loss of direction to find a new path.

“I’m really excited to have a video for this song – the first video created for my music. This artist, known as Brother JT, is an incredible musician, artist and animator. So happy to share it with everyone. It’s fantastic and gives me goosebumps. Lots of humor and wisdom here and very well thought-out,” says Celeste Corsano. “’Stuck’ is a “little” song with a big meaning.  The lyrics come from a tender place that needed simplicity and not a big vocal sound.  Actually, any time I tried to sing it any differently, the vocals still came out simplistic and childlike."

A gentle but potent counterpoint to the noisy world we live in, Corsano forfeits flashy gestures in favor of the quiet sacred space, offering an raw peek into the most fragile parts of our hearts. With a simple unassuming style, there’s a disarming honesty in her work that feels deeply personal, yet speaks to something we all feel. Revealing a vulnerability that is both deeply personal and strikingly relatable, her sparse, almost childlike vocals amplify its impact.

Corsano’s music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range — from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth.

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Continuing with their nature-inspired theme, ‘Cwlwm Cariad’ refers to a type of moth, the ‘True Lover’s Knot’ in English. This is the second in a run of singles by singer-songwriters Eve Goodman and SERA from their upcoming collaborative album, Natur, due for release in the Autumn of 2025. It follows their first single ‘Blodyn Gwyllt’ which was released in July.

Where Blodyn Gwyllt was a celebration of freedom and the summer, Cwlwm Cariad is quite different. There are no guitars and percussion here, only one piano and 2 live voices almost until the end. It is delicate and it sings of the peril often tied up in the complexities of love and relationships, the passion, the self-destruction and flying too close to the flame. The delicate moth and the human heart connected in this way.

The track was recorded on an upright piano and the duo’s voices weave together in harmony once again.  Recorded at Wild End Studio near Llanrwst, North Wales, with co-producer Colin Bass. (member of Camel and also producer of the Tincian album from 9 Bach which won ‘Best Album’ at the BBC Radio 2 Folk Award in 2015)

The single is out on 15th August. Watch the video here.

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US dark-pop duo Magic Wands have released a double single today (1st August) that couples the brand new song ‘Across The Water’ with a remix by Stargods of their ‘Hide’ single issued exactly a year ago. The latter is accompanied by a new video that can be seen here:

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They describe ‘Across The Water’ as “setting the tone for a sonic journey through time, transporting us to a 16th-century French European landscape and evoking the essence of a bygone era. Its repetition invites interpretation, allowing listeners to weave their own narrative and connect with the music on a deeper level.”

‘Across The Water’ is the opening track on a brand new album by the duo entitled Cascades, which is set for release on 24th October via Metropolis Records. It also includes the original single version of ‘Hide’, plus the previously issued ‘Armour’ and ‘Moonshadow’. The album will be promoted with an appearance at the Substance 2025 festival in Los Angeles on 7th November, with further shows to be arranged.

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We haven’t been keeping up. The last time we featured break_fold, the solo musical vehicle of Tim Hann, former front man with Leeds’ finest, i concur, was in the Spring of 2023.

He’s slipped out a couple of releases since then, and is threatening a few more in the near future. This flurry is spearheaded with the release of the single ‘The Bairns’, of wioch he writes, “’The Bairns’ is a song that I wrote about my younger cousins, who are brothers, and were toddlers at the time. I remember them bounding around my parent’s house chasing each other and playing games – the song is supposed to represent the sound of the two boys causing havoc!”

Hear it here:

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COVENANT announce the release of the new Andreas EP. The EP is dedicated to the memory of Swedish band’s former member Andreas Catjar-Danielsson (March 3, 1973 – July 29, 2024) who sadly passed away from cancer on this day one year ago. All proceeds of Andreas EP will go to charity in benefit of his wife and children.

Dependent Records will waive all proceeds from the vinyl EP in contribution to this important charity.

In further news, COVENANT present the track ‘Winter Kills’, a cover of legendary British synth-pop duo YAZOO, as an advance single taken from the Andreas EP. You can hear it here:

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Cowabunga! BONGINATOR are back with a vengeance! The New England death metal posse is steaming full weed ahead with their sophomore full-length Retrodeath, which will be out on October 24, 2025. As an obvious sign of insanity, with ’80s synthwave added to death metal brutality, the video single Pizza Time featuring their vocalist buddy Vinny Castellano (BELUSHI SPEED BALL) is now being unleashed onto an unsuspecting metal world that will never be the same!

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BONGINATOR comment: “Cowabunga, bitch!”, audio torture tortoise Erik Thorstenn states matter of fact. “This is our righteous new banger best enjoyed with Bonginator’s favorite meal, pizza! Remember – chicks love dudes who eat out! On this one, our metalocity is off the charts! This is a bodacious rager for doing bong rips and stage diving. Just don’t tell Master Splinter about the primo kush that we got, yeah? Anyway, go stream this one, and if someone doesn’t dig it… what the shell?”

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UK mathcore outfit Wolves have announced their long-awaited debut full-length, Self Titled, set to be released on September 5th on Ripcord Records. Alongside the announcement comes the explosive new single ‘Reformed (Try Love)’.

“The ‘Stop The Boats’ narrative was a last gasp effort to hold onto power by fear-mongering to appeal further to the right,” says Mark Howes. “The song is a tirade against what I and my fellow Wolves believe to be an ignorant and vile ideology, foisted upon people by others who are exploiting fear for personal gain. Try having some dignity, or compassion, or courage, or some basic fucking empathy. Or heart, or respect, or honour, or wisdom… or love? Try love.”

Formed in 2016, Wolves is the culmination of over a decade of chaotic riffs, bloodied stages, and shared history. Born from bands like Bludger, Finish Him!, EFK, and Ashes of Maybelle, and featuring members who’ve played with Hundred Year Old Man, Conjurer, The Grey and more, Wolves emerged as a full-force unit shaped by scars, trust, and unfinished business.

Their debut EP, Gone Are The White Flags, captured their raw energy, leading to wild live shows alongside Sectioned, LLNN, Renounced, and others. After pandemic delays, Wolves regrouped in 2021 to create Self Titled, a ten-track blast of Every Time I Die swagger, post-metal atmosphere, and Dillinger-grade chaos.

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Recently signed to Peaceville, Scorpion Milk have shared their first new music today, alongside news of the debut album Slime Of The Times (out 19th September). The new single ‘Another Day Another Abyss’ arrives with a brand-new video, revealing Scorpion Milk’s darkly imaginative universe for the first time.

“It is about trying to stay upright under the daily flood of catastrophe, the headlines, the numbness, the helplessness. But there’s a double edge to it: the only way to get through the abyss is to become it. To move through the darkness, you have to carry some of it inside you.” – Mat McNerney

Watch the video here:

“I used AI to create the video because we’re living inside the very dystopia we fear the most. The song deals with the psychological weight of modern catastrophe, and AI as both a tool and a threat, mirrors that perfectly. A mirror can be humorous but also diabolical. It’s an aesthetic artistic choice, but also a commentary: our nightmares are now automated.” – Mat McNerney

Scorpion Milk is the new project from Mat McNerney; the founding creator of Beastmilk’s highly-revered Climax album and the subsequent three Grave Pleasures albums. Infused with elements of Beastmilk’s original DNA, debut album Slime of the Times marks the most direct, raw, and explosive evolution of his self-defined genre: Apocalyptic Post-Punk. An eclectic artist in his own right, McNerney’s roots are also firmly in the black metal underground of Finland and Norway, and continues to work in that genre (having formerly featured as vocalist for Dødheimsgard, among others), plus is also currently active with his band, Hexvessel.

Continuing the lineage of Mat’s cult post-punk and goth-metal hybrid music, Scorpion Milk draws from the decaying spiritual core of UK anarcho-punk and 80s post-punk with an opus ideal for fans of Killing Joke, Godflesh, Crass, Flux Of Pink Indians, Crisis, The Fall, and early Sisters of Mercy, yet also set to resonate with contemporary audiences into Health, Drab Majesty, Soft Kill, High Vis, Molchat Doma, Creeper, and Uniform.

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Photo: Andy Ford

Between the Buried and Me offer fans a second preview of the prog-metal titans’ upcoming album, The Blue Nowhere (Sept. 12, InsideOutMusic) with the release of the new track, ‘Absent Thereafter’.

Tommy Rogers describes how the song captures the spirit of the upcoming album: “To me, ‘Absent Thereafter’ feels like the quintessential BTBAM song – fun, intense, spacy, and still fucking heavy. I like to think it takes the listener on an unexpected journey, with ear candy waiting around every corner. It’s a deeper dive into all of the dynamic places you’re taken within The Blue Nowhere!”

Dan Briggs elaborates on the musicality of the single: “This song moves arrangement-wise in two parts divided by a key change and tonal shift of the chorus, but is ultimately the big fun time bombastic energy of a Van Halen shuffle with Huey Lewis and the News horns going through variations that are sometimes heavily syncopated, sometimes lost in space, and sometimes inspiring you to break out into a do-si-do. Grab your washboard and let’s go!”

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Tour dates:

July 30  Istanbul, TR  IF Performance Hall

July 31  Râşnov, RO  Rockstadt Extreme Fest

August 1  Budapest, HU  Monolit Festival 2025

August 2  Wien, AT  Szene *

August 3  München, DE  Free & Easy Festival

August 4  Berlin, DE  Hole44

August 5  Katowice, PL  Miçdzynarodowe Centrum Kongresowe

August 6 – 7  Jaroměř, CZ  Brutal Assault 2025

August 9  Kortrijk, BE  Alcatraz Metal Festival

August 10  Utrecht, NL  Pandora

August 11  Tilburg, NL  013 Next Stage

August 12  Köln, DE  Luxor

August 14  Dinkelsbühl, DE  Summer Breeze

August 15 – 16  Compton Martin, UK  ArcTanGent

August 17  Carhaix-Plouguer, FR  Festival Motocultor

September 14  Philadelphia, PA  Union Transfer

September 15  Boston, MA  Royale

September 16  Ottawa, ON  Bronson Centre

September 18  Toronto, ON  Danforth Music Hall

September 19  Montreal, QC  Théâtre Beanfield

September 20  Portland, ME  Aura

September 21  Albany, NY  Empire Live

September 22  New York, NY  Warsaw

September 23  Sayreville, NJ  Starland Ballroom

September 25  Raleigh, NC  The Ritz

September 26  Charleston, SC  Music Farm

September 27  Atlanta, GA  The Masquerade

September 29  Ft. Lauderdale, FL  Culture Room

September 30  Orlando, FL  House of Blues

October 1  New Orleans, LA  The Joy Theater

October 2  Houston, TX  Warehouse Live

October 3  San Antonio, TX  Kill Iconic Fest

October 4  Dallas, TX  Granada Theater

October 7  Phoenix, AZ  The Nile Theater

October 8  Riverside, CA  Riverside Municipal Auditorium

October 9  Las Vegas, NV  24 Oxford

October 10  San Francisco, CA  August Hall

October 12  Portland, OR  Revolution Hall

October 13  Seattle, WA  The Crocodile

October 14  Vancouver, BC  The Pearl

October 16  Edmonton, AB  Union Hall

October 17  Calgary, AB  MacEwan Hall

October 19  Spokane, WA  Knitting Factory

October 20  Boise, ID  Knitting Factory

October 21  Bozeman, MT  The ELM

October 22  Missoula, MT  The Wilma

October 24  Denver, CO  Summit Music Hall

October 25  Wichita, KS  TempleLive

October 26  Des Moines, IA  Wooly’s

October 27  Chicago, IL  The Vic Theatre

October 28  Columbus, OH  Newport Music Hall

October 29  Nashville, TN  Brooklyn Bowl

October 30  Charlotte, NC  The Fillmore

July 30 – August 17: Performing Colors in its entirety

September 27-October 30: Co-headlining dates with Hail The Sun

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US electronic musician and vocalist Mari Kattman has issued a video for ‘Typical Girl’, the opening song on her new album Year Of The Katt, released in late June by Metropolis Records. The clip was shot in downtown Providence (Rhode Island) by Mark Allison of @401FilmsPVD.

“Typical girl. People say it constantly, so much so it feels almost criminal to be female by birth,” Kattman states when explaining the meaning of the song. “Like it’s vulgar or something to carry characteristics that are even remotely female. That it makes you difficult, unlovable or crazy when it’s not packaged up and tied with a pretty bow or something. There are so many misunderstandings about what it is to be a woman.”

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Kattman has recently announced a UK tour in October 2025 as the special guest of Assemblage 23, the electronic act founded in 1988 by Tom Shear, who is Kattman’s collaborator in the electronic duo Helix and her husband. Dates are as follows:

15th October  BRISTOL Exchange
16th October  MANCHESTER Rebellion
17th October  GLASGOW Ivory Blacks
18th October  SHEFFIELD Corporation
19th October  LONDON The Dome (downstairs)