Posts Tagged ‘video stream’

the Jesus Lizard, who release Rack, their first new album in 26 years, on Friday the 13th of September via Ipecac Recordings, offer a second preview of what has become one of 2024’s most eagerly-awaited albums with today’s arrival of ‘Alexis Feels Sick’.

Inspired by Girls Against Boys/Soulside drummer Alexis Fleisig’s guarded opinion of modern life, the four-and-a-half-minute track is met with an esoteric, David Yow created video.

Yow shares insight into the concept behind the clip: “The ‘Alexis Feels Sick’ video is a disgusting and comically impressionistic portrait of American Late Stage Capitalism… with some doggies.” Duane Denison adds that it’s a “study in greed, gluttony, and… dogs.”

Check it here:

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News of the band’s return came last month via The New York Times, who said the new LP is “a raucous record that recaptures the lunging momentum, stealth nuance and unhinged Yow-isms  of [their] best work.” ‘Hide & Seek’, the first taste from the 11-song album, was described by Yow as “a perky ditty about a witch who can’t behave, and it’s got nearly as many hooks as a Mike Tyson fight.” The video captures the band – Mac McNeilly, David Wm. Sims, Denison and Yow – recording Rack with Producer Paul Allen at Nashville’s Audio Eagle Studio.

the Jesus Lizard reconvened in 2009 for a limited number of shows and have maintained their bond both as friends in close contact with one another, and touring bandmates. “We literally only made the record because we thought it would be fun to make the record,” says Sims. With McNeilly highlighting the strong relationship amongst the musicians: “We are bonded by the music we make, and also by the respect we have for each other.”

Album pre-orders, which include several limited-edition vinyl variants, as well as CD, digital, and cassette offerings, are available here.

The band also recently announced a number of tour dates, stretching into 2025, with recent additions including a performance at Chicago’s Warm Love Cool Dreams festival on Sept. 28, a newly added date in Cincinnati and second shows added in Dublin and Seattle.

September 7  Raleigh, NC  Hopscotch Music Festival
September 26  Cincinnati, OH  Bogart’s
September 28  Chicago, IL  Warm Love Cool Dreams
October 13  Las Vegas, NV  Best Friends Forever Music Festival
October 31  Dallas, TX  Longhorn Ballroom
November 1  Austin, TX  Levitation / The Far Out Lounge
December 9  Pittsburgh, PA  Stage AE
December 11  Brooklyn, NY  Brooklyn Steel
December 12  Boston, MA  Roadrunner
December 13  Philadelphia, PA  Union Transfer
December 14  Washington, DC  Black Cat
December 15  Washington, DC  Black Cat
December 18  Atlanta, GA  Variety Playhouse
January 7  Glasgow, UK  QMU
January 8  Manchester, UK  Academy 2
January 9  Leeds, UK  Brudenell Social Club
January 10  Bristol, UK  The Fleece
January 11  London, UK  Electric Ballroom
January 12  Brighton, UK  Concorde 2
January 14  Belfast, UK  The Limelight
January 15  Dublin, IE  Button Factory
January 16  Dublin, IE  Button Factory
May 2  Solana Beach, CA  Belly Up Tavern
May 3  Los Angeles, CA  The Fonda Theatre
May 5  San Francisco, CA  The Fillmore
May 8  Portland, OR  Revolution Hall
May 10  Seattle, WA  Neptune Theatre
May 11  Seattle, WA  Neptune Theatre

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Photo credit: Joshua Black Wilkins

German electro-industrial band, NEON INSECT has just unveiled their ambitious, & highly-anticipated album, LIBERTY FLOWERS.

LIBERTY FLOWERS sheds some light into different aspects of life in New Moscow, in times where unrest slowly settles in, even though everything is done to oppress its citizens. The ever-recurring concept of NEON INSECT’s music features the only habitable place in North America. It’s a dystopian version of New York in an alternative timeline, serving as a experimental playground for implants, cyborgs and indoctrination.

With this album, NEON INSECT also takes you on a trip sonically, with noises sounding like they’ve been taken straight from a dystopian nightclub, combined with analogue madness. The goal with this record was to rephrase the grit of old-school, early 90s electronic-industrial music, while not shying away to cross some boundaries. LIBERTY FLOWERS is a love letter to this era of music.

LIBERTY FLOWERS is currently available on CD and cassette formats as well as Bandcamp, digitally. It will be available on most major streaming services on August 30th.

Watch the video for ‘There is Beauty in Noise’ here:

NEON INSECT (Nils Sinatsch) is a dystopian storyteller, telling tales from New Moscow – New York in an alternative reality, where the cold war went hot and the soviets won.
As a normal citizen somewhere in Germany by day and a rebel by night, NEON INSECT fetches the stories through the cyber web from his contacts in New Moscow. – he only habitable city in a nuked America, where cyborgs rule the streets, where lower Manhattan is a prison and the last bastion of the local rebellion.

The stories are told in an old-school industrial fashion, the sound of the cold war, enhanced with stutters and glitches, the sound of the cyber web – a soundtrack George Orwell would approve of.

Bring Your Own Gasmask.

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Norway’s Shaving the Werewolf, known for their unique blend of noise rock and mathcore, has just released an animated music video for their single ‘’Sentient Husk,’ which is taken from the band’s most recent release, the God Whisperer EP.

“The video is a septic mess showing a general apartment complex from the future. People are miserable, the living conditions are hostile, enveloping pollution thickens, the wealth is spread unevenly to a perverse extent and power is centralized to one individual who develops a god complex because of it,” says vocalist Ottar about the clip.

He adds, “To withstand existence in such disagreeable conditions, people take to chemical solutions to dampen their symptoms—depression, feelings of alienation, loneliness, suicidal ideation, and general hopelessness. The guy on top is happy to provide whatever keeps the tenants ‘happy’ as long as he doesn’t have to deal with their problems.”

Check it here:

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Since their inception in 2010, Shaving the Werewolf has delivered disagreeable music for disagreeable people, blending power violence, noise rock, and mathcore into an uncanny chimera. Their live shows, described as a slow-motion car crash or an endless head-smashing into a brick wall, have left audiences both gagged and worried.

They have churned up mosh pits at Høstsabbath, competed with metal extremists like Rotten Sound and God Mother, and even mooned Swedish model Vendela Kirsebom. These rat-fink hardcore pioneers are sure to leave a mark on your psyche.

Throughout their journey, Shaving the Werewolf has released several EPs, singles, and a full-length album. Last year, they released a split-tape with Bergen’s hardcore antiheroes Utflod.

Next up is their EP, God Whisperer, inspired by pathological know-it-alls poisoning the world with their selfish and militant ignorance. The band delves deeper into their established sound, offering catchy hooks and jagged edges, all bathed in corrosive dissonance.

God Whisperer was engineered, mixed, and mastered by Jørgen Øiseth Berg, with artwork by Martin Mentzoni. It was released on March 22nd.

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Decline and Fall, a new Dark Wave project from Portugal formed by Armando Teixeira, Hugo Santos and Ricardo S. Amorim, is thrilled to announce the release of the music video for ‘Gloom,’ the haunting title track from their debut EP.

The ‘Gloom’ EP features four evocative tracks, each creating a dense and disturbing atmosphere with glimpses into the darkest corners of the human psyche.
Armando Teixeira, a pioneer of EBM and Industrial in Portugal, brings his vast and award-winning experience to the project. Known for his influential work with Ik Mux, Bizarra Locomotiva, and Balla, among others, Teixeira’s return to his roots in post-punk, new wave, and industrial is marked by a matured artistic vision and evolved technical expertise.

Joining him is Ricardo S. Amorim, author of Culto Eléctrico and Wolves Who Were Men – The History of Moonspell, and Hugo Santos from Process of Guilt, whose exploration of heaviness and rhythmic intensity adds a unique dimension to the project.

Watch the video here:

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‘Paint It All in Blue’ is the second taster from Norwegian band Mayflower Madame’s highly anticipated third album Insight, out on 1st November via Night Cult Records/ Up In Her Room/Icy Cold Records.

Following first single A Foretold Ecstasy’, which refined their signature blend of post-punk, shoegaze and psychedelia into a sharper soundscape, the new offering instantly puts a spell on you with its throbbing bass lines, motorik drums and hypnotic guitars, until it opens up midway, leaving you drifting in a sea of dreamy melancholia.

The emotional intensity is heightened by frontman Trond Fagernes’ deeply reverberating lyrics about addiction and escapism when love is experienced as a drug. Combining the rhythmic grooves of krautrock and post-punk with the dazzling atmospherics of shoegaze and neo-psychedelia, ‘Paint It All in Blue’ is a profoundly dynamic song unfolding layer by layer.

Watch the video here:

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Over the past years, Mayflower Madame have gained a reputation far beyond their hometown of Oslo, Norway. Following the release of their debut album Observed in a Dream in 2016, which received rave reviews and earned them tours across Europe and North America, their 2020 sophomore album Prepared for a Nightmare firmly established their position as one of the continent’s leading purveyors of cinematic psych-gaze swathed in 1980s dark romanticism.  

In 2022, the band returned to touring the UK and Europe, while last year it focused on writing and recording new music and releasing a Deluxe Version of Prepared for a Nightmare containing 5 new bonus tracks.  

Their upcoming album has been mixed and mastered by renowned Italian engineer Maurizio Baggio (The Soft Moon, Boy Harsher, The Vacant Lots). It will be released digitally via their label Night Cult Records (Norway), on vinyl via Up In Her Room (UK) and on CD via Icy Cold Records (France).

Mayflower Madame is Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums). On studio recordings, they are joined by Kenneth Eknes (synths). "Paint It All in Blue" also features Rune Øverby (guitar).

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French atmospheric doom collective IXION has just revealed their latest video for the song ‘The Advent,’ directed by Hugo Le Beller and featuring performances by Raphaël Mars and Irène Bonnot.

The track is off the band’s newest EP ‘Restriction,’ and marks another exciting prelude to their highly anticipated fifth studio album, Evolution, set to be released in late October via Finisterian Dead End/Season of Mist.

“We are so excited to share with you this video for ‘The Advent’!” says the band. “The song is about androids working to replicate emotions, and the first of them to finally experience feelings. We tried to create a short story around this theme, playing with characters and surroundings…”

‘The Advent’ offers a visually stunning and thought-provoking glimpse into a world where androids strive to understand and emulate human emotions. The narrative weaves a short story that aligns perfectly with the overarching concept of their upcoming album, Evolution.

Don’t miss the captivating new video for ‘The Advent’ here:

Following the critically acclaimed L’Adieu aux Etoiles, Evolution is divided into three parts, each delving into different aspects of the human-android relationship. The album is an enthralling blend of progressive metal, melancholic, and atmospheric doom, showcasing IXION’s unique sound.

The first part of the album, ‘Extinction,’ was released on April 16 and explores humanity’s struggle with mortality amidst rapidly advancing android technology. The second part, ‘Restriction,’ released on June 14, takes listeners on a sci-fi, electronic, and ambient doom-metal journey, depicting androids’ quest for emancipation and a closer connection to human emotions.

Originally formed in 2004 as a solo project by main composer and multi-instrumentalist Julien Prat, IXION has established a distinctive presence in the doom metal scene. Their innovative fusion of ambient/electronic music with atmospheric doom metal draws inspiration from science fiction, creating a unique and immersive auditory experience.

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The new single from UK metalheads Orange Goblin’s hugely anticipated new album Science, Not Fiction is out today. The track, titled ‘The Fire at the Centre of the Earth is Mine’, follows ‘(Not) Rocket Science’ and ‘Cemetary Rats’ as the third single to be taken from the album and is accompanied by a new lyric video by Matt Vickerstaff. Watch it here:

Speaking about the new track, singer and lyricist Ben Ward said, “We are very proud to present our new single ‘The Fire at the Centre of the Earth is Mine’. We consider this a very ‘typical’ Orange Goblin song… uptempo, melodic and instantly catchy, with all the ingredients of classic Heavy Metal! it’s the perfect way to kickstart the new Orange Goblin album! Lyrically, it’s about how we can’t change our past, but as the rest of the world is seemingly falling apart, we all have a chance to change our future. We are very excited about adding this banger to the live set at future shows!”

Orange Goblin’s new album Science, Not Fiction is their first since 2018’s The Wolf Bites Back and marks the band’s arrival on legendary metal label Peaceville. The album is inspired by a diverse range of influences, including spirituality, science, religion, and the band’s love for the sci-fi genre – “The title ‘Science, Not Fiction’ to me summarises how the world and everything we know is based on 3 fundamental things: Science, Spirituality and Religion” says Ben Ward. “It’s no secret that the band and I have always had a strong interest in vintage science fiction (particularly the dystopian kind!) and cosmic horror, whether that is movies, literature or just plain old imagery”.

For the last 30 years, Orange Goblin, London-based hard rock lifers, have tirelessly flown the flag for all out heavy metal and maximum rock ‘n’ roll. Driven by passion, persistence and heartfelt love for metal’s dark magic, Orange Goblin have always been a vital force and a risk-free bet. But while some may be content to trade on past glories, Orange Goblin view heavy metal as a lifelong pursuit. In 2024, they open a new chapter in their heroic saga, marking it with the release of their tenth studio album: Science, Not Fiction.

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Photo by Tina Korhonen, astrophotography courtesy of Giancarlo Erra

UPCOMING LIVE SHOWS

28 Jun – Tons of Rock 2024 Oslo, Norway

12 Jul – Loungefest 2024 Noordwijkerhout, Netherlands

18 Jul – Signature Brew Blackhorse Road London, United Kingdom

(Album launch show in conjunction with Rough Trade)

19 Jul – Brudenell Social Club Leeds, United Kingdom

(Album launch show in conjunction with Crash Records)

25 Jul – Rock im Wald 2024 Michelau In Oberfranken, Germany

26 Jul – Blue Moon Festival 2024 Cottbus, Germany

02 Aug – Krach Am Bach festival 2024 Beelen, Germany

09 Aug – Alcatraz Festival 2024 Kortrijk, Belgium

24 Aug – furiosfest 2024 Saint-flour, France

03 Oct – The Drill Lincoln, United Kingdom

04 Oct – Opium Dublin, Ireland

05 Oct – Limelight Belfast, United Kingdom

06 Oct – King Tuts Wah Wah Hut Glasgow, United Kingdom

08 Oct – Gorilla Manchester, United Kingdom

09 Oct – KK’s Steel Mill Wolverhampton, United Kingdom

10 Oct – The Fleece Bristol, United Kingdom

11 Oct – The 1865 Southampton, United Kingdom

12 Oct – The Dome London, United Kingdom

26 Oct – Margate Rock Festival 2024, United Kingdom

London-based musician/composer Ian Williams has released a new single entitled ‘Chronopolis’ today. Taking its title from a J.G. Ballard short story, it is an edited version of a track from his current album, Slow-Motion Apocalypse.

An accompanying video was shot in Canary Wharf in London. It highlights the clock-watching and surveillance of the workforce (facial recognition, keystroke logging and anything else they can think of) that makes the vast multinational corporations located in this financial heart of the beast untaxed billions, leaving crumbs that the average worker is supposed to feel grateful for.

The epic soundtrack to this scenario perfectly encapsulates the colossal architecture and human hive of activity, with hyperactive sequencer lines agitating under soaring lead synths as towering piano chords and immense drumbeats propel the whole machine along.

Ian Williams began his music career in Edinburgh in the mid 1980s as a founder of Beautiful Pea Green Boat, whose ethereal, atmospheric sound pre-dated the vogue for dream pop by at least twenty years. Several collaborations with Lebanese choreographer Joumana Mourad and her contemporary dance company Ijad saw him fuse Arabic/classical/techno/ambient styles, following which he changed tack to work with singer Claudia Barton as Gamine, releasing two albums of dark, piano-led torch songs and lullabies.

Williams’ own releases include THE DREAM EXTORTIONISTS (2019), a debut solo album of dark piano and electronics; LES BLESSURES INVISIBLES (2019), an eclectic electronic soundtrack to a documentary film by French director Eric Michel, and ALL BECOMES DESERT (2021), an album of minimalist ambiences and warm analogue soundscapes.

Williams has also composed the soundtrack to Michel’s new WW2 spy documentary, LE MYSTÈRE LUCIE (Code Name Lucy), which will be released in July. Further details will follow in due course.

Watch ‘Chronopolis’   here:

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Raymond Watts aka PIG has just announced a mammoth ‘Heroin For The Damned’ US tour in the autumn. The 40 date itinerary follows a headlining set at Cold Waves XII in Chicago on 28th September. The announcement coincides with a video for ‘Dum Dum Bullet’, a standout track from his just released new album ‘Red Room’ (Metropolis Records). The song features a choir of notable guests that include Emily Kavanaugh (Night Club), Chris Hall (Stabbing Westward), Burton C Bell (Fear Factory, Ascension of the Watchers), I Ya Toyah, Chris Connelly (Revolting Cocks, Ministry), En Esch (KMFDM) and Marc Heal (Cubanate).

Check the video for ‘Dum Dum Bullet’ here:

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Beak> surprise released their first album in six years, aptly titled >>>> out on all formats via Invada and Temporary Residence Ltd from 28th May, and received a massive thumbs up from us here at Aural Aggravation.  They’ve now shared the music video for ‘The Seal’, directed by Tom Geens.

"I fell in love with the house when I first laid eyes on it. It was falling apart but in a really beautiful way. It was begging for something to be shot there, but as it was going to get demolished soon, I had to act fast. The last time I worked with Beak> was about 10 years ago on the exquisite soundtrack for my film COUPLE IN A HOLE and I felt their sound and the house were somehow a great match.” – Tom Geens

Watch it here:

Beak> on tour: 

Wed 30 October – UK Cardiff, Clwb Ifor Bach
Fri 01 November – UK London, The O2 Forum Kentish Town
Sat 02 November – UK Brighton, Concorde 2
Wed 06 November – UK Manchester, New Century Hall
Thu 07 November – UK Glasgow, Saint Luke’s
Fri 08 November – UK Leeds, Brudenell Social Club
Mon 11 November – FR Lorient, L’Hydrophone
Wed 13 November – FR Paris, Élysée Montmartre
Fri 15 November – FR Lyon, L’Epicerie Moderne
Sat 16 November – FR Nantes, Le Lieu Unique
Sun 17 November – FR Tourcoing, Le Grand Mix
Tue 19 November – BE Brussels, Orangerie, Botanique
Wed 20 November – NL Amsterdam, Melkweg – Oude Zaal
Thu 21 November – NL Nijmegen, Doornroosje
Sat 23 November – CH Winterthur, Salzhaus
Mon 25 November – DE Munich, Hansa 39
Wed 27 November – DE Berlin, Gretchen
Fri 29 November – DK Copenhagen, Pumpehuset
Thu 12 December – IE Dublin, The Button Factory
Sat 14 December – UK Bristol, SWX

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