Posts Tagged ‘Parasitic Twins’

James Wells

Having toured together, Parasitic Twins and The Carnival Rejects release a split EP. It makes sense, really: why not having shared a stage and an audience?

This is a bit of a mix, and rrrrrrrrrrrrrrrrrrrrrrrrraw. That’s no criticism: both bands espouse a credible punk ethic, and while so many contemporary punk acts preach it, they bot keep it real, with The Carnival Rejects’ three songs going in hard and fast and favouring energy over technical prowess. And yes, they may be a bit standard fare in some respects, with their three-chord thrashabouts and terrace-chant choruses, but that’s their thing, and there’s a substantia audience for three-chord thrashabouts with terrace-chant choruses delivered with passion.

Parasitic Twins, Max Watt and Dom Smith are altogether gnarlier, nastier, and more abrasive. Their grind/thrash/metal cover of Babylon Zoo’s ‘Spaceman’ is killer: gritty as hell and with full-weight chug and raw-throated vocals, it’s utterly brutal and barely recognisable for the most part. But from amidst the rabid racket emerges a rendition of that chorus that’s worthy of Napalm Death

‘Feel Nothing’ is even more explosively raw, a snarking mess of distortion with drums and vocals and mangled as the guitars, the chords indistinguishable in a tempest of raging overdrive that sounds like it was recorded in a garage on a phone. And it wouldn’t work if done differently: it’s not pretty music, and it wouldn’t be right to pretty it up. Instead, putting its ugly, blunt force to the fore, it hits hard like a punch to the gut.

The two bands spin different sides of the punk coin, and jointly deliver something powerful, pure, and above all, strong.

PR EP

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Hull Pair Head Out For Debut European Tour

Hull hardcore duo Parasitic Twins are set to hit the road later this month with the monstrous Boycott The Baptist! The band, who released their visceral debut EP, “All That’s Left To Do Now Is Sleep With Each Other”, on October 26th, are set to appear in Germany and Holland with BTB! Remaining dates see support from Clunge Destroyer. Full dates for the tour below:

November 30th – Thav – Hildesheim, Germany (w/ Parasitic Twins)

December 1st – The Morgue – Leeuwarden, Belgium (w/ Parasitic Twins)

December 2nd – Crowley’s – Hastings (w/ Clunge Destroyer)

December 4th – Birds Nest – London (w/ Clunge Destroyer)

December 5th – North Bar – Rhyl, Wales (w/ Clunge Destroyer)

December 6th– Paradiddles Music Café – Worcester (w/ Clunge Destroyer)

December 7th – Lounge 41 – Workington (w/ Clunge Destroyer)

December 8th – The Westgarth Social Club – Middlesbrough (w/ Clunge Destroyer)

Ripping a page from the Killing Joke school of lo-fi noise, then setting it on fire via the way of Today Is The Day and Godflesh, Hull’s scariest kids, Parasitic Twins are riding high following the release of their debut EP. Recorded live and raw, at Melrose Yard Studios in York, the hardcore duo, made up by guitarist/vocalist Max Watt (Rotting Monarchs) and drummer Dom Smith (Mary and The Ram), have performed together previously as part of Seep Away was born of a desire to create the most abrasive sound they could.

Discussing their debut single, “Massive”, Watt had this to say: “It’s about that mental sense of abandon that comes once in a while and turns our lives into ash. Temporarily, of course. Everyone’s been in that place where long term plans and prospects just become irrelevant and all you can focus on is immediate day to day shit, and one day you wake up and think “Goddamn, what was all that noise about?” At the time it’s huge but with time just becomes a notch in your past, then you gotta make the reparations, and push all that negative shit to the back.”

Hammered into the raw aggression like a nail into splintered wood is a youthful rage desperate to be heard. Taking comfortable influence from the late 90s sludge scene, the track “Flipswitch” borrows from the Raging Speedhorn school of duel vocal ferocity while “End” wraps a chain around the Biohazard-esque bouncy hardcore and throws it on the heap. Making “ATLTDNISWEO” a white-hot blast of crusty oblivion, perfect for fans of low end, aggro-punk. Listen to at wielding volume.

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