Foetus has unveiled the first material from the forthcoming final album. When JG Thirlwell told us at Aural Agravation it was going to be ‘epic’, he wasn’t kidding. AS if we ever thought he might have been.
‘Succulence’ is featured on the imminent new Foetus album HALT. All instruments on this track played by JG Thirlwell except drums, which are played by Brian Chase of Yeah Yeah Yeahs. Play it LOUD!
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VRÎMUOT present the lovingly illustrated lyric video of the balladesque song ‘Vom Traum zur Pflicht’ ("From Dream to Duty") taken from the forthcoming new album Lupus Viridis ("The Green Wolf").
The German dark folk innovators’ second full-length has been chalked up for release on December 5, 2025.
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VRÎMUOT comment: “The song ‘Vom Traum zur Pflicht’ is a musical journey through the fog-shrouded realm of my own soul”, mastermind Lupus Viridis reveals. “Only those who are willing to descend into the depths of their own existence may embark on a path of knowledge and seek the light of truth. Only those who are willing to make sacrifices may overcome the glass mountain and triumph over themselves.”
“Solve et coagula”! For death is the path to reverence … and to love.
This song is dedicated to my wife and son.
“Aus den schwarzen Schleiern heraus,
wurde ein weißer Stern geboren
und feuerrot brennt die Seele in mir!"”
“From the black veils,
a white star was born,
and the soul burns fiery red within me!”
Lupus Viridis
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AZURE EMOTE drop a new lyric video for the track ‘Into Abysmal Oblivion’ that features guest solos by James Murphy and Andy La Rocque. The song is taken from the current full-length Cryptic Aura, which was released on July 25, 2025. Cryptic Aura is the fourth studio album of the American progressive death alchemists.
AZURE EMOTE comment: “This song is about the ghosts of past generations that came before us, scrambling to navigate this labyrinth called life, all while tumbling towards the same forgotten oblivion we face today”, mastermind Mike Hrubovcak states. “Eventually, all the memories of anything we hold onto so passionately will be erased and forgotten to the abyss of time.”
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KHNVM drop the visually lush lyric video ‘Purgatorial Pyre’ as the final advance single taken from their forthcoming new full-length Cosmocrator. The fourth album of the German death metal act with Bangladeshi roots has been chalked up for release on August 29, 2025.
KHNVM comment: “A celestial masquerade collapses into ash as mortals kneel, deceived, their cries devoured by a silent, indifferent deity”, singer and guitarist Obliterator oracles. “The album’s opening track ‘Purgatorial Pyre’ does not sing of redemption, but of the cruel theater that mankind mistakes for grace – where each prayer drips with despair and the divine remains an elusive phantom.”
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The forthcoming full-length from Los Angeles–based band Agriculture, The Spiritual Sound, traces a narrative arc through extremes. The album is largely a fusing of the visions of its two principal songwriters: Dan Meyer and Leah Levinson. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression.
Dan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Levinson leads the charge on the album’s latest single ‘The Weight’ of which she comments:
“’The Weight’ is part of a series of songs on the album that bears witness to queer life. It was written reflecting on a particular month last year when so much seemed heightened. It seemed like many of my friends were being harassed in public—both verbally and physically—for being trans, for being queer, and/or for being women (it’s not always clear which). This was also a time when I was feeling a lot of love and a lot of community. I wanted this song and the songs around it to honestly reflect both these elements. I wanted to write about transness but didn’t want to rely on political aphorisms and indulgent images of suffering. I wanted to paint a holistic portrait of queer life.” – Leah Levinson
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Photo credit: Olivia Crumm
AGRICULTURE LIVE DATES 2025:
Sep 3 Bristol, UK — The Exchange
Sep 4 Brighton, UK — Dust
Sep 5 London, UK — Oslo
Sep 6 Manchester, UK — White Hotel
Sep 7 Newcastle, UK — The Cluny 2
Sep 9 Leeds, UK — Brudenell Social Club
Sep 11 Dublin, IE — Workman’s Club
Sep 12 Cork, IE — Nudes
Sep 13 Belfast, NIR — Voodoo
Sep 14 Glasgow, SC — CORE. Festival
Sep 16 Paris, FR — Point Ephemere
Sep 17 Kortrijk, BE — Wilde Westen
Sep 18 Haarlem, NL — Patronaat
Oct 8 Brooklyn, NY — Union Pool (Record Release Show)
Oct 27 San Antonio, TX — Paper Tiger $
Oct 28 Austin, TX — Mohawk $
Oct 30 Atlanta, GA — Masquerade $
Oct 31 Saxapahaw, NC — Haw River Ballroom $
Nov 01 Silver Spring, MD — The Fillmore $
Nov 02 Philadelphia, PA — Union Transfer $
Nov 04 Louisville, KY — Zanzabar
Nov 06 Oklahoma City, OK — 89th Street
Nov 08 Albuquerque, NM — Launchpad
Nov 09 Phoenix, AZ — Valley Bar
Nov 11 Denver, CO — Hi-Dive
Nov 13 Salt Lake City, UT — The State Room
Nov 14 Boise, ID — Neurolux
Nov 16 Seattle, WA — Madame Lou’s
Nov 18 Vancouver, BC — Fox Cabaret
Nov 19 Portland, OR — Mississippi Studios
Nov 21 Sacramento, CA — Cafe Colonial
Nov 22 San Francisco, CA — The Chapel
Dec 04 San Diego, CA — Soda Bar
Dec 05 Los Angeles, CA — Lodge Room
$ with Boris
METAMORPH’s Harlot EP arrives to set the Summer Solstice ablaze—six banger tracks of goth pop-rock indulgence, dripping with fire, rhythm, and rebellion. Margot Day’s voice stuns. Her melodies seduce. She conjures pure fire. pure craving. pure power: “Dance, Harlot, rebel, whore… It’s my body, my fire, my flame.”
Produced by METAMORPH’s sonic alchemist Erik Gustafson, the Harlot EP includes the original title track, a high-voltage METAMORPH Dance Mix, and wickedly reimagined remixes from Spankthenun, IIOIOIOII, and Allie Frost—plus an instrumental for DJs to conjure their own dark glamour.
Witchy, seductive, and made for long nights and black-lacedays, Harlot doesn’t just celebrate the Solstice—it turns the Wheel of the Year in true witchcraft style. Each METAMORPH drop is a ritual, a spell, a seasonal shift in sound and power.This is your summer soundtrack—sweat, stilettos, and seduction.
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Industrial Sludge Metal Band WORST ONES Unleashes New EP Cold Case Against Institutions Carrying Out Cruelty.
Philadelphia’s industrial sludge metallers WORST ONES are ready to come back with a new EP, after releasing the single ‘Vex’ in March this year. The new effort is called ‘Cold Case’ and it is composed by the title-track and a remix version of the same.
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‘Cold Case’ is a searing indictment of power, complicity, and the violence hidden in plain sight. Built on punishing industrial grooves, a 303 bassline, and layers of moody textures and noise scorched guitars, the track hits with a menacing, high energy momentum that channels the raw intensity of Twitch era Ministry and Skinny Puppy, the gritty pulse of Die Warzau, and the impactful aggression of The Prodigy.
Lyrically, it exposes how institutions carry out cruelty with precision while society turns away, pretending not to see the blood on its hands. The phrase “just another cold case” becomes a symbol of willful ignorance, where injustice is not buried because it is unsolvable, but because it is inconvenient. The chorusʼ imagery – “up against the wall / going in for the kill” – evokes violent repression and execution, while the line “every sick and nightmare reason comes to life” suggests how dark motives are brought to the surface and acted upon. Even in the face of horror, the masses “rally in their fervor,” a reference to mob mentality and blind nationalism. Violence is not just permitted; it is ritualized. Power is the culture, and the aftermath is “a feast for vultures.”
But at its heart, ‘Cold Case’ is a protest. It ends not just in defiance with “I wonʼt fall in fear,” but with a warning: “Now you’re sick, their eyes can see it.” The mask has slipped. Itʼs a refusal to be complicit and a demand to confront the truth, even when it burns.
‘Cold Case’ was written and recorded by Drew Ew. Mixed and mastered by Jared Birdseye. Promo Photography by Luz Karolina Sanchez. Live photography by Vinny Barreras. Cover and logo by Drew Ew except “deathmetallogo” by Darren Adcock. Music Video by Drew Ew.
WORST ONES is:
Drew Ew – Vocals, Guitar, Programming
Doppleganga – Drums, Programming
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Punk legends Leftöver Crack have released their new single, ‘White Guilt Atrocity Quilt’ along with the B-side, ‘Brad Sabbath’.
The band says, “The new song by Leftöver Crack is about the history of white self-proclaimed Americans and the injustice, displacement, genocide, rape, disease, enslavement, human commodification and trafficking, cruelty, brutality, exploitation, broken promises, and vilification of the native Indigenous population, as well as the populations of African countries, for the benefit of the privileged class and rich “elite” whites—who behave no differently than the Europeans that forced them to seek a new world where they could live in peace, practice their religions freely, and avoid paying financial tribute to British royalty, only to demand that the subjugated peoples of this country fatten their own oligarchic coffers and bow down to their own demented dynasties, all while presenting a facade of caring about those destroyed in their scorched wake. ‘Brad Sabbath’ is about the mistakes inherent in following gods and the minced words used to justify so much grisly atrocity.”
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Based in Minsk, Belarus, two previous albums by alternative metal act Mission Jupiter have hinted at their potential to be one of the few bands from that territory to achieve lift-off worldwide. Having recruited powerhouse singer Kate Varsak prior to writing and recording their upcoming third album, Aftermath, the result is a set of dramatic, epic songs with modern production values that should see them soar.
‘Crippled Country’ is out today as the latest single to be teased from the album, with the band explaining that the song is about “hoping for the best in dark times. When the going gets tough, the tough get going. In times of darkness, do you fight or flee?”
‘Crippled Country’ follows three previously issued singles, with Prog magazine praising ‘Sometimes It Hurts’ as “a soaring slice of uplifting and dramatic melodic prog” and stating that ‘Human Nature’ “displays the far-reaching appeal of a band who mix atmospheric prog, the darker undercurrents of Cocteau Twins and up-tempo alternative metal.” Metal Talk described the same song as being “swamped by wonderful moods and melodies, all wrapped around a stunning female voice.” These initial efforts were followed by ‘Self-Destruction’, the heaviest and punchiest song by Mission Jupiter to date.
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Returning with their first release since their debut album Faithless Rituals, Sky Valley Mistress have launched back into the sonic stratosphere with their brand new single ‘Too Many Ghosts’.
Recorded at The Nave Studios, Leeds with engineer Danny Blackburn (Adult DVD), it’s clear that the sound of the desert still fuels this band wherever they go as their latest cut is cactus needle sharp. From the moment the track picks up, Sky Valley Mistress drive you beyond the horizon and leave you hanging by the hook of the chorus ready to ride again. Or as the band explain:
“This song is meant for the open highway. Somewhere you have the freedom to put your foot down and still feel like you’re cruising”.
Watch the lyric video for ‘Too Many Ghosts’ now:
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Now streamlined and stripped back to the two original members, refusing to conform to conventions, on the record Sky Valley Mistress have doubled down their studio sound and present themselves as a four-piece band. How the hearse rollin’, flare strollin’, speaker ‘splodin’ outfit recreate this in the flesh as a Duel-Drumming Duo however, has to be seen to be believed. Lead vocalist Kayley “Hell Kitten” Davies picks up the sticks and play one half of a drum kit, with former drummer Maxwell Harvey William Newsome III taking on the electric guitar and keeping one foot on the kick drum. No samples. No backing tracks. No click tracks.
No one is playing rock and roll the way that these two do.
With a new album recorded and ready to be released September 2025 on cult indie label New Heavy Sounds, just like an adrenaline shot in the hands of Vincent Vega in Pulp Fiction, this band is ready to hit unsuspecting fans in the chest with a sound that will make them feel electrified, spiritualised and give them the overwhelming urge to stand in front of a mirror, grab their butt cheeks and exclaim, “ I AM ALIVE!”
TOUR DATES:
Sat 29th March – The Ferret, Preston
Fri 4th April – Our Black Heart, London w/ Bear Bones
More TBA
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Aural Aggravation 