Posts Tagged ‘Duke Garwood’

Six of the Best with Emmaleen Tangleweed

Posted: 8 June 2026 in Interviews, Previews and Editorial
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Ahead of new album The Weaving, out via Cruel Nature at the end of July, dark-folk singer/songwriter Emmaleen Tangleweed takes us through five influential albums and one curveball – in other words their ‘Six of the Best’!

Engine of Hell by Emma Ruth Rundle. The emotional vulnerability and sense of catharsis on this live record breathes in a way that really gets me in the guts. It’s inspired me to embrace having an unusual voice and to go deeper lyrically.

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Black Pudding by Mark Lanegan and Duke Garwood. Hypnotic, long–distance driving music. There’s an archetypal timelessness feel in this record I really love.

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Mule Variations by Tom Waits. The songs on this record have lived and grown with me for a very long time. Waits offers such a sense of atmosphere and place with universal themes that take you on an inner journey. “Movies for the ears,” as he describes it. My songwriting style is very much a product of my parents playing Tom Waits to me as a young child.

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The Lady and Mr Johnson, a tribute to Robert Johnson by Rory Block. Block’s slide playing is so raw and immediate, I’m reminded how much can be done with a single instrument and a voice that tells the truth.

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The Mysterious Tale of how I Shouted Wrong-eyed Jesus! by Jim White. This record goes down its own weird path of Appalachian outlaw country blues. It’s another record that’s tattooed itself under my skin.

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The Road by DakhaBrakha. Ukrainian quartet featuring tribal rhythms with chant like vocals calling straight from the heart of their motherland. I love the unique choice of instrumentation and simple yet unexpected arrangements. One of my favourite records, even though I don’t understand the lyrics it’s definitely influenced how I approach vocalizing and treating instruments in new ways.

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Find The Weaving here and follow Emmaleen on Insta here.

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Lunar Twin – Night Tides

Posted: 28 March 2017 in Singles and EPs
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Moon Sounds Records – 17th March 2017

Christopher Nosnibor

It’s been almost two whole years since dreampop duo Lunar Twin released a remixed version of their debut EP ‘Champagne’. ‘Night Tides’ offers more mellow, drifting soundscapes over the course of six tracks, which finds supple, rolling synths wash around the grizzled vocals of Bryce Boudreau, which have heavy echoes of Mark Lanegan and Duke Garwood.

If the wooden tones of the percussion which holds the first track, ‘Waves’ in places suggest Jools Holland world music smugness, the heavy patina of Boudreau’s blues tones bring a resonant, resinous counterpoint. ‘Coral Sea’ brings the glacial synths of New Order’s Movement and the coldwave aesthetic and pairs it with a shuffling, understated beat, and again it’s the contrast of the warm, well-worn Cohenesque croon which makes it stand apart from the myriad laid-back electro acts in circulation right now.

‘Birds of Paradise’ pivots on an undulating synthetic 80s disco groove, while ‘Prayers of Smoke’ introduces a more Krautrock element to its spacious, synthy, dub-tinged verses, before breaking into a straight, slow and low, late-night blues chorus.

The title track provides the finale, and despite the absence of beats, it’s a magnificently-realised summary of the EP as a whole: hunting, sparse, yet rich and resonant. Drifting swirls intertwine subtly to create a delicate atmosphere, while Boudreau’s voice drips like treacle. And darkly pleasurable it is, too.

 

Lunar Twin - Night Tides