Posts Tagged ‘BIG | BRAVE’

BIG | BRAVE are pleased to announce European tour dates in April and May 2022 in support of their latest album, VITAL out now on Southern Lord.  Dates and details below.

On their fifth album VITAL, the core trio of Robin Wattie, Mathieu Ball and Tasy Hudson traverse minimalism and instinct, structure/freedom and meticulous timing, elements that have been the cornerstones of BIG | BRAVE’s precise, rhythmical sound. Lyrically the album explores the weight of race and gender, endurance and navigating other people’s behaviours, observation and protest. VITAL was recorded with Seth Manchester at Machines with Magnets.

BIG | BRAVE EUROPEAN TOUR DATES 2022

+ Fågelle

08/04/2022 FR Dunkerque Les 4 Ecluses
09/04/2022 UK Ramsgate Ramsgate Music Hall
10/04/2022 UK Sheffield Record Junkee
11/04/2022 UK Leeds Brudenell Social Club
12/04/2022 UK Newcastle The Cluny2
13/04/2022 UK Norwich Norwich Art Center
15/04/2022 UK Glasgow Broadcast
16/04/2022 UK Manchester The White Hotel
17/04/2022 UK Leicester The Soundhouse
18/04/2022 UK Bristol The Crofters Rights
19/04/2022 UK London Electrowerkz
20/04/2022 BE Antwerp Kavka
22/04/2022 GER Hamburg Hafenklang
24/04/2022 SWE Göteborg Showdown
26/04/2022 NO Oslo Blå
27/04/2022 DK Copenhagen Pumpehuset
28/04/2022 GER Bremen MS-Loretta
29/04/2022 GER Schorndorf Club Manufaktur
30/04/2022 AT Innsbruck pmk *
02/05/2022 AT Linz KAPU
03/05/2022 CZ Prague Bike Jesus
04/05/2022 PL Warsaw Hydrozagadka
05/05/2022 LI Vilnius XI20
06/05/2022 LV Riga Noass
07/05/2022 EST Tallinn Svetaa Baar
09/05/2022 PL Gdynia Desdemona Club
10/05/2022 GER Berlin Kantine Berghain
11/05/2022 GER Dortmund Junkyard
12/05/2022 FR Paris Petit Bain
13/05/2022 FR Pau La Ferronnerie
14/05/2022 ES Oviedo La Salvaje
16/05/2022 PT Lisboa ZDB
17/05/2022 PT Porto Hard Club
18/05/2022 ES Madrid Wurlitzer Ballroom
19/05/2022 ES Barcelona Sala Vol
20/05/2022 FR Toulouse Le Connexion Live
21/05/2022 FR Lyon Sonic
22/05/2022 CH Geneva Cave12
24/05/2022 FR Strasbourg La Maison Bleue
25/05/2022 CH Zürich Rote Fabrik
26/05/2022 FR Metz Young Team Festival 22 
27/05/2022 BE Ghent dunk!Festival
29/05/2022 RU Moscow Bumazhnaya Fabrika
30/05/2022 RU St. Petersburg Lastochka

* no Fågelle, plus Trialogos

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BIG | BRAVE share a video for "Of This Ilk" – taken from their forthcoming album VITAL arriving on CD and Digital formats this Friday via Southern Lord, and with LP to follow in Summer. Pre-orders are now live and available via the Southern Lord store, Southern Lord Europe, Bandcamp and Evil Greed.

About the new song and video, which originally premiered via Roadburn Festival’s digital edition, Roadburn Redux, vocalist Robin Wattie comments, "This video and song is an ode to those that understand this all too well, all too deeply. There is a silent form of suffering that most do not share. It is a private shame that is very public. The percentage of the global population that take these painstaking, costly efforts in whitening, or rather more aptly, bleaching their skin is higher than a lot would understand, let alone, would ever consider. There is a billion dollar industry in injectables and cream-like products containing harsh and even life-threatening chemicals to lighten, clarify, and whiten one’s skin. This video is an ode to my younger self, and to all the other children, teens and adults of the past, present and future that have used bleach in every way possible, that withdrew from the sun, used clothespins on their nose, scraped their skin raw, buying every product available, in trying every means they can think of to achieve this exclusive coveted lightness, whiteness."

Watch the video here:

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Southern Lord – 23rd April 2021

Christopher Nosnibor

Canadian trio BIG | BRAVE return bolder, heavier, and more intense than ever on Vital. But when to start?

I seem to recall an essay by William Burroughs which contained the advice for writers that narrative had to be visual in order to work – meaning that writing about a ‘indescribable monster’ just wouldn’t cut it: readers need to be able to visualise the monster in order for it to be scary. Writing about music may be a slightly different discipline, but the challenge is always to convey not only what the music sounds like – the objective bit – but how and why it makes you feel the way it does – the subjective, critical bit. After all, you’re not a music critic without providing any critique. And yet the first – and for some time, only – word that comes to mind to ‘describe’ the experience of listening to Vital is ‘overwhelming’.

The crushing power chords crash in after just a matter of seconds on the first mammoth track, ‘Abating the Incarnation of Matter’. But it’s the jolting, juddering stop / start percussion that hits so hard that really dominates. There’s so much space – and time – between each beat, that it feels as if time is hanging in suspension, and you catch your breath and hold it, waiting, on tenterhooks. And it’s this, the sound of a tectonic collision, juxtaposed with Robin Wattie’s commanding yet incredibly delicate, fragile vocal that makes it such an intriguing and powerful experience. As the song progresses, the anguished calling becomes a ragged, hoarse-throated holler and you feel the emotion tearing at her vocal chords, ‘dissolving each layer until there is little matter left’.

The yawning throb of feedback that fills the first minute and a half of single ‘Half Life’ sounds like a jet preparing for takeoff. And when it stops, it’s the hush that’s deafening and uncomfortable. The lyrics are actually an excerpt from the 2018 essay collection How to Write an Autobiographical Novel, by Alexander Chee. And when the music ends, leaving nothing but Watties’s acapella vocal, they’ve never sounded more stark and intense. Once you become adjusted to noise, there is little more shocking to the system than its absence. And so it is in life: we’ve become accustomed to traffic, to bustle, to busy shops and offices, to streaming media – and when it stops, we struggle to know what to do.

And so it is that the dynamics of Vital are so integral to its impact. ‘Wilted, Still and All…’ is different again. The album’s shortest track is still of a dense tonality and substantial volume but manifests as a billowing cloud of grumbling ambience, and it provides a certain respite ahead of the punishing ‘Of This Ilk’ – nine and a half minutes of slow, deliberate, and absolutely brutal punishment, a bludgeoning assault on a part with Cop-­era Swans. The drums and bass operate as one, a skull-crushing slab of abrasion that hits like battering ram, while the guitars provide texture as strains of feedback howl and whine. The false ending halfway through only accentuates the force ahead of the extended crescendo which follows. It’s the repetition that really batters the brain, though: bludgeoning away at the same chord for what feels like an eternity is somehow both torturous and comforting. The third and final movement is rather more tranquil, but nevertheless always carries the threat of another wave of noise, which doesn’t arrive until the title track, a nine-minute finale that grinds out a dolorous drone, a crawling dirge where a single chord and crashing beat rings out, echoes and decays for what feels like an eternity.

‘Timeless’ is a word that’s so often used and misused in describing music, but with Vital, I mean it to be understood rather more literally, in that time stalls and everything – time, perception, and the world itself – hangs, frozen in suspension. While listening to Vital, nothing exists outside this moment, and everything is sucked into the vacuum of its making. You can barely breathe or swallow, and for the time it’s playing, there is nothing else but this.

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Minimalism and instinct, structure/freedom and meticulous timing form the cornerstones of BIG | BRAVE’s precise, rhythmical sound.

Lyrically, the new album VITAL explores the weight of race and gender, endurance and navigating other people’s behaviours, observation and protest. The band further commented “this album involves what it means navigating the outside world in a racialized body and what it does to the psyche as a whole while exploring individual worth within this reality.”

Our first glimpse of the album arrives today in the form of a video for the track "Half Breed", consisting of a single shot of a single performative action that can be read as the representation of the damage an external force can have on someone or something without ever having to bear any responsibility and consequence.  BIG | BRAVE adds "The action of shovelling dirt onto the person, also acts a way to discredit, shame and discriminate the individual. With the victim (on screen), being painfully covered with dirt by the perpetrator (off screen), all we have to witness is the damage done and left behind. We are aware of what is happening, what has happened, but the source is kept anonymous and can easily be missed and overlooked."

VITAL features the core trio Robin Wattie, Mathieu Ball and Tasy Hudson, for their most collaborative record they’ve made so far. The band say “having cut our teeth in very different musical backgrounds respectively, our intuitions vary, which has an interesting effect on our individual approaches and ears.”
For this record, BIG | BRAVE once again made the trek down to Rhode Island to record with Seth Manchester at Machines with Magnets. They remark “we fully trust his instinct as an engineer and his creative output, getting to experiment with textures, concepts, layers, and with pretty much every single recorded sound, the process of making records with Seth is an absolute journey in sonic exploration".

Watch the video here:

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Photo by Mathieu Ball

Southern Lord – 10th May 2019

Christopher Nosnibor

BIG | BRAVE continue their journey by revisiting their roots – as much in terms of principles as sonically. Consequently, A Gaze Among Them is exploratory and dynamic above all else, and herein lies both its strength and appeal: it’s the work of a band pushing themselves, in all aspects of the creative process. and the band pushing themselves pushes the listener, too, leading them through the sweeping vistas imbued with a significant emotional heft. Of course, that’s difficult to quantify, because it’s about the individual. And yet… BIG | BRAVE commutate immediately, transcendentally, and on the basis of their own agenda

Apparently, the album’s creation began with the question “How do we take very little and make something bigger than what we actually have?” Vocalist and guitarist Robin Wattie explains further, “the biggest challenge was to not do what is easiest. i.e. what we knew worked for the last albums or what is, for us, easy to write. With A Gaze Among Them, Mathieu and I put ourselves through the ringer [sic]– I did not want to do what seemed to me to be a ‘logical next step’ in what we could do musically. I wanted to go back to our original concepts and work from there – space, tension, minimalism and voice (finding melody and musicality in pieces that consist of one note for longer than ten minutes, for example) were the primary concentrations I wanted to push.”

The result is – as anyone familiar with their work to date would expect – immense. The emotional power is every bit as impactful as the crushing power chords, which are but punctuation to expansive passages deep in atmosphere.

There is much space and tension to be found both binding and pushing apart the sonic elements that make up the album’s five immense tracks as the drums pound into infinity while the overdriven low-end yawns and surges into peaks and troughs on a scale of a galactic tide.

The nine-minute opener, ‘Muted Shifting of Space’ has all the hallmarks of post-punk melded with shoegaze but performed with the density of hefty sludge, and the raging tempest that explodes in a blistering crescendo at the mid-point of ‘Holding Pattern’ is sublime.

‘Monolithic’ is one of those words that’s slipped into overuse when critiquing music in this field, but it’s apposite in context of the toweringly immense, dense sonic sculptures BIG | BRAVE forge and which cast long, looming shadows into the psyche. There are passages when they sound like a bad, but mostly they sound like something else, something so much greater than the parts. Wattie’s voice is the key defining feature, simultaneously forceful and fragile, calling to mind Cranes’ Alison Shaw as she ambulates and fills the ever-shifting space. It’s a sound that’s haunted, lost, detached, frantic, and other-worldly.

‘Body Individual ’expands that territory, starting sparsely with little more than Wattie; voice ringing out and wrought with an array of conflicting emotions, before a churning mess of noise that builds like latter-day Swans. But the build knows no end: the sound builds, and builds, until it’s all consuming, all-encompassing. It’s something else, and then something else again.

‘This Deafening Verity’ is but an interlude, three minutes of atmospheric organ drone punctuated by distant rumbles of thunder. Robin mewls plaintively, the words unintelligible. It matters not: it conveys so much on its own, inviting the listener to place themselves into the blank spaces, before ‘Sibling’, which prefaced the album’s release grinds its way to the close, a monotonous distorted pulse providing a rhythmic core around which the layers swell from stark to swirling, erupting in dense clouds of nebulous noise around the mid-point. Descriptions and comparisons fall to futility when presented with something this enormous this powerful, particularly when that power stems from a place that’s invisible and impossible to pinpoint.

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BIG | BRAVE share the first full track ‘Sibling’ from their incoming album, A Gaze Among Them (Southern Lord, 10th May) by way of a brilliant video by Mathieu Ball & Robin Wattie.

Since their inception in 2012, BIG|BRAVE have explored terrains of experimental rock with a clear focus on the key principles; space, volume, and raw emotion. The essence of BIG | BRAVE’s magic has always been the way they balance these dynamics, and particularly how much sheer power comes from the beautifully quiet moments.

The same principles are the starting point for the new album, only the approach is different, beginning with the question "How do we take very little and make something bigger than what we actually have?" vocalist and guitarist Robin Wattie explains further "the biggest challenge was to not do what is easiest. i.e. what we knew worked for the last albums or what is, for us, easy to write. With A Gaze Among Them, Mathieu and I put ourselves through the ringer – I did not want to do what seemed to me to be a ‘logical next step’ in what we could do musically. I wanted to go back to our original concepts and work from there – space, tension, minimalism and voice (finding melody and musicality in pieces that consist of one note for longer than ten minutes, for example) were the primary concentrations I wanted to push."

In the process of revisiting their early intentions, BIG | BRAVE have boldly evolved, emerging with a thrilling new body of work that is all at once refreshingly new, explosively heavy, dynamically loud, beautifully minimal, carefully repetitive, and totally and utterly cathartic. 

A Gaze Among Them features Robin Wattie (vocals, electric guitar, guitar amp, bass amp), Mathieu Ball (electric guitar, guitar amps) and Loel Campbell (drums) with guest appearances from Thierry Amar (Godspeed You! Black Emperor, Thee Silver Mt Zion) on Contrabass and Seth Manchester‘s synth overdubs. The album was recorded with Seth Manchester at Machine with Magnets in Pawtucket Rhode Island.

The beautiful image adorning the cover (created by Robin Wattie) further demonstrates that BIG | BRAVE have blossomed. The trio sound rejuvenated and confident, and A Gaze Among Them is the sound of a band truly honing their craft, and feeling totally satisfied with it.  Compelling. Necessary. Important.

Watch the video here:

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BIG | BRAVE LIVE DATES WITH MYDISCO:

16/05 DE Nurnberg Kantine *venue change

17/05 DE Berlin Urban Spree

18/05 PL Poznan LAS

19/05 CZ Prague Altenburg 1964

21/05 NL Haarlem Patronaat

22/05 BE Antwerp Kavka

23/05 FR Lille La Bulle Café

24/05 UK Bristol Rough Trade

25/05 UK London Raw Power

26/05 UK Glasgow Stereo *new addition

27/05 UK Newcastle The Cluny

28/05 UK Brighton East Street Tap *new addition

29/05 FR Paris Instants Chavirés

30/05 BE Brussels Magasin 4

31/05 DE Mannheim JUZ *new addition

01/06 CH Winterthur Gaswerk

03/06 DE Wurzburg Cairo

04/06 DE Hamburg Schute

05/06 SWE Malmo Plan B *new addition

07/06 SWE Gothenborg Skjul Fyra Sex *new addition

08/06 SWE Stockholm Slaktkyrkan *new addition

Details of US tour dates with Dreadnought & Primitive Man can be found here.

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