Archive for the ‘Recommended Streams and Videos’ Category

Industrial glam kingpin Raymond Watts aka PIG will reissue a remastered and expanded version of his 1996 album Wrecked via Metropolis Records on 7th March. His fifth full-length record, the remastering has been made by Tom Hall at Abbey Road, while its reappearance coincides with UK live dates to promote the 2024 studio album ‘Red Room’. The PIG live band currently includes En Esch (ex-KMFDM, Pigface) and Jim Davies, formerly of Pitchshifter but best known for his acidic and acerbic guitar lines on several chart hits by The Prodigy. Davies co-wrote many of the songs on ‘Red Room’.

Whereas the recently reissued Sinsation (1995) had originally been released on Nothing Records (the label established by Trent Reznor of Nine Inch Nails), its follow-up saw a switch to Wax Trax!, the leading ‘90s exponents of industrial rock.

“Revisiting Wrecked for remastering was a sobering experience that left me shaken,” states Watts. “I recalled a period when I was stirred to a creative frenzy of crisis and desperation while searching for beauty. Although I can still hear glimpses of it, the bonfire of my hope was more an expression that was savage and twisted.”
Following the desperate burning that had resulted in Sinsation, Watts considers it more “a yearning, grinding plea for liberation that manifested in ‘Wrecked’, a tomb I had built for myself and my troubles that only the very bravest would dare enter.”

The original press release for Wrecked had described the album as “a nihilistic slash and burn, a scrapbook of manifestos and suicide notes written in dried blood.” In the cold light of day almost three decades later that description still holds true.

Wrecked features contributions from former KMFDM members Günter Schulz and Steve White, as well as Julian Beeston (ex-Nitzer Ebb, Cubanate).

Ahead of the expanded remastered reissue, they’ve released a video for ‘Everything’, which you can see here:

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Dilettante return with their second album Life of the Party, Pidgeon’s first totally self-produced record and her most personal one yet. Made in the confines of a converted freight container, the album is an outpouring of frustration towards societal pressures and the acceptance of realising she sees the world differently to others. “I went to see Poor Things and I really felt like Emma Stone’s character made sense to me,” explains Francesca. “She’s really literal and sort of just looks at the way polite society always does things and says, ‘why are we doing that? That doesn’t make sense, let’s do it this way’.”

Life Of The Party covers a range of topics, from turning thirty and feeling the pressure to start a family, to feeling constrained within monogamous relationships as well as the more weighty matter of speaking out about sexual assault and dealing with the associated repercussions.

Sonically, the album maintains Dilettante’s signature art pop sound and impressive loop pedal skills whilst also diving into a more synth heavy realm. In parts, the record also sees Pidgeon exploring a gentler sound, reverting back to a more traditional and raw songwriting “I’d been listening to Andy Shauf and Harry Nilsson a lot and I was trying to actually write from the piano”. Life of the Party sees Dilettante continue to push boundaries, “This record is, at times, the weirdest stuff I’ve ever put out and at times the poppiest,” she adds.

To coincide with the release, Dilettante have released a video for the title track. Watch it here:

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Dark electronic trio, PAWN PAWN has just unveiled their latest EP, Halloween. The EP delivers a darkly electrifying journey through a spectrum of synth-driven styles, each track a study in emotional and sonic extremes. The Halloween EP is both a love letter to synthpop’s past and a step into its future. While inspired by film director, John Carpenter, the EP is named in honor of a holiday many dark hearts celebrate every day, Halloween’s trajectory goes through the brooding, pulsing opening track, ‘Trick Or Treat’ to the seductive, shadowy anthem, ‘Tell You With My Eyes’, then closing with ‘Jealousy Looks Good On Me’, a high-octane fusion of ’90s industrial-pop that balances chaotic aggression with razor-sharp melodic hooks.

They’ve produced a video to accompany the closer, which you can watch here:

The EP’s themes, like Halloween, are about embracing darkness and emotional extremes: vengeance, obsessive attraction & jealousy. They also represent tales of liminal spaces; the spaces between thinking about revenge and actively seeking it, or the space between obsessing over someone and actually making a move.

The EP also addresses the lines between passion and destruction, the idea being that an emotion like jealousy can theoretically make us more passionate and wanting to be the very best version of ourselves. Meanwhile that eternal desire competes in a battle that can never be won and is ultimately self-destructive.

Says vocalist, Liz Owens Boltz, the music on the EP is “about exploring synthpop and industrial-pop…this is really our first official foray into these genres. So our creative journey has brought us here, trying on a darker and more aggressive sound, and having fun with it.”

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We’ve been bigging up York’s mighty riffmongers JUKU since their debut gig in the summer of 2023, because they’re simply fucking awesome, a real force to be reckoned with. Punky, new-wavey, but noisy, full-on, a sonic powerhouse.

Now, you don’t just have to take our word for it if you can’t see them live, as they’ve unveiled a video for ‘What?’ It encapsulates the band, and their sound, perfectly.

They write, ‘As a band, we sit in the place where creativity meets raw chaos. In our world, noise is harnessed as a form of expression. We channel frustration into sound. We take our discontent and transform it into energy. We outright challenge the notion of what it means to be seen and heard in the music industry, which often silences dissent… This track is a prime example of the things that motivate us to do what we do. Question everything and everyone, and do not allow your voice to be pushed into the obscurity of the background.’

Check it here:

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Leatherette are back with brand new single ‘Itchy’ to mark the start of their recently announced EU/UK tour. The tour includes a show at London’s The Shacklewell Arms on 13th February.

After testing the song live during their second album Small Talk tour last year, they decided to record it themselves at home in a completely spontaneous manner, in messy rooms and using cheap instruments (including unlikely ones such as mandolin and bouzouki).”Being eternally dissatisfied, but also tireless explorers, we decided to return to our origins, seeking the expressive freedom that can be found in DIY”. The result was then entrusted for mixing to the usual collaborator Chris Fullard (Idles, Boris), and for mastering to Maurizio Baggio (The Soft Moon, Boy Harsher).

‘Itchy’ is a cathartic breakup song, blending the raw energy of post-punk with the angular charm of new wave. Written from the perspective of an inept and creepy protagonist, the track navigates the emotional chaos of a crumbling relationship, where frustration, anger, and reluctant self-realization collide. The song channels a blend of influences—from The Smiths’ melancholy to the frenzied urgency of The Pixies and the romantic nihilism of Tears for Fears. It’s a feverish exploration of love’s end, wrapped in an infectious, almost grotesque sonic landscape. Finally, it all resolves with a delicate, haunting arpeggio—like the quiet after the storm, offering a fleeting sense of clarity amid the wreckage.

Cool.

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EU/UK TOUR – FEBRUARY 2025

Thu 06 – Radio Rasa – Schaffhausen, Switzerland

Fri 07 – Le Rockerill – Charleroi, Beglium

Sat 08 – Zero Degree Est – Les Roches-L’Eveque, France

Sun 09 – Le Joker’s Pub – Angers, France

Mon 10 – Le Pop Up du Label – Paris, France

Tue 11 – Le 3 Pieces Muzik’ Club – Rouen, France

Wed 12 – Peniche Celestine – Amiens, France

Thu 13 – The Shaklewell Arms – London, UK

Fri 14 – Big Hands – Manchester, UK

Sat 15 – Saltbox – Nottingham, UK

Mon 17 – Chaff – Bruxelles, Belgium

Tue 18 – Utopiastadt – Wuppertal, Germany

Wed 19 – Schokoladen – Berlin, Germany

Thu 20 – Noch Besser Leben – Leipzig, Germany

Sat 22 – Humbug Club – Basel, Switzerland

Sun 23 – Freakout Club – Bologna, Italy

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Robert Poss vs. Opollo is a new collaboration between Jarek Leskiewicz and Robert Poss (Band of Susans).

OTAGO is an expansive, textured, semi-ambient guitar work with some bold sounds and brooding atmospheres.

It’s available to stream or download via Bandcamp on a ‘pay what you feel’ basis. Check it here, along with the visual accompaniment to ‘Destroyed Wild Bird’:

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UK Progressive Rock group Frost* is pleased to share a new stand-alone single titled ‘Western Atmosphere.’ This song was originally featured as a Japanese-only bonus track on the album ‘Life in the Wires,’ and sees band leader Jem Godfrey joined by Randy McStine (Steven Wilson, Porcupine Tree – live guitarist), Mike Keneally (Devin Townsend) & Nick D’Virgilio (Big Big Train).

Godfrey says this about the track: “I sometimes wonder what would have happened had I stayed in bed 10 minutes longer than I did on Monday 11th of January 2010. Perhaps my life would have gone in a completely different direction and Frost* would have ended up with the lineup of myself on keys, vocals and bass, Mike Keneally on guitar, Nick D’Virgilio on drums and Randy McStine on guitar and vocals. We’ll never know, I guess.”

You can check out “Western Atmosphere here:

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Photo credit: Will Ireland

“Golem Mecanique touch[es] upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery, and most of all—poetry.”  – Stephen O’Malley

The last words that poet and visionary film director Pier Paolo Pasolini said in his final interview were “Siamo tutti in pericolo”; translated: we are all in danger. Pasolini was then brutally murdered on a beach in Italy, a case which is still cold today.

On this album, named after the man’s final public words, Golem Mecanique loses herself on that same Italian beach alongside his body and translates her observations and mourning into a devastating musical landscape. Siamo tutti in pericolo will be released via Stephen O’Malley’s Ideologic Organ label on 14th March.

Siamo tutti in pericolo is dangerous, conveying the darkness and uneasy nature of both the art Pasolini created when he was alive and the circumstances of his murder.  In her early teens, Golem taped the Pasolini film Accatone when it was shown on television and watched it the next day after school. In her words, “it was an earthquake!”,

Immediately leaving a great impression on her as it was unlike anything she had ever seen before. She describes the feeling she has when watching a Pasolini film as “silent violence” – a cold and radical response which calls into question her beliefs about the behaviour of people and lies and truth. She hopes to evoke this feeling with her music – a melding of beauty and dread.

Today, she shares the track ‘La Notte’ from the album…

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One of Aural Aggro’s favourite bands of recent years, Pound Land have kicked off 2025 with a live album recorded late last year, available at the bargain basement price of Pay What You Like and free to stream.

Their third live release, it captures them almost a year and a half on from Live at New River Studios, which featured an altogether different – and one off – iteration of the band, and on storming form, a mess of feedback, thunderous percussion and dingy bass. The majority of the set is lifted from Mugged, with a full-on rendition of ‘Pistol Shrimp’ and the trudging grind of ‘Power to the People’ bringing the pace to a mid-set crawl. It also provides the first live airing of new song ‘Cunt Do It’, which comes on like The Anti-Nowhere League’s Animal fronting Swans as they tackle a Hawkwind cover.

It’s pretty bloody brutal, and absolutely bloody brilliant.

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