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From San Diego, California, Sledges is a four piece Alt-metal/Heavy-shoegaze band that blends genres like grunge, metal, shoegaze, emo/post-hardcore, and alternative to craft songs with catchy hooks and big riffs. The band’s goal is to create emotional/ heavy songs that you can sing along to.

Sledges is Philly Gomez (vocals and guitar), Alex Angulo (bass), Julian Romero (guitar), Mason Haidar (drums).

Sledges’ origin starts in mid 2020 taking place in the area of Chula Vista California. From the boredom and free time during the pandemic Sledges started as a three piece and wasted no time writing original material. During 2020 Sledges recorded and released their first single ‘Melting Lives’ which helped them start playing shows in San Diego and grow a local fan base. The group recorded and released more singles throughout 2021-2023 and added a fourth member to play lead guitar. Some notable singles during that time include ‘Headwinds’ (2022) and ‘Disgusting’ (2023).

In mid 2023 Sledges began to record their EP Losing Pace with Mike Kamoo who engineered, mixed and mastered it at Earthling Studios. Losing Pace is a four track EP that is catchy and ambitious yet heavy. The group took inspiration from bands like The Smashing Pumpkins, Nothing, Sunny Day Real Estate, and Hum with its heavy but lush wall of guitars while adding their own flavor. Sledges experimented with acoustic guitars, melodic choruses, drum samples and My Bloody Valentine-esque leads. The group wanted to simply write strong songs that can stand on their own.

Singer/songwriter Philly Gomez says Losing Pace is about a period when he felt broken from the struggles of balancing life and in the process realizing you are falling apart. With heartfelt lyrics and contagious riffs, Losing Pace was released on May 2nd 2024. With great reception the EP led the band to get signed by the label Quiet Panic and open for larger bands like From Autumn to Ashes, and Ringo Deathstarr.

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Two years on from their sensational debut, Ukrainian ‘Riot Grrrls’ Mariana, Anastasiia and Nataliia, aka Death Pill recently announced that they are back. Locked and loaded with a mighty set of tunes on their highly anticipated second album SOLOGAMY, which is … as they put it. ‘A bold exploration of personal empowerment’.

SOLOGAMY is fierce, heavy and melodic, and is set to land on June 20th, 2025 (New Heavy Sounds). New single ‘Phone Call’ is probably the most accessible Death Pill track to date. Very catchy, with a terrific arrangement, cleverly put together, it’s a brilliant slice of … well … pop.  You might call it ‘pissed off pop’ something Green Day or Foo Fighters wished they’d written … a new genre if ever there was one. The band comment,

"This song is just a real sad love story when no one calls you back. 

When you are waiting for a call from someone you care about, time starts to drag. Every minute feels like an hour, every moment feels like an eternity, and every sound of the phone makes your heart freeze. You check it several times, even though you know the phone is on silent mode. Thoughts fill your mind, “What if he forgot?”, “What if he doesn’t want to talk?”, “What if he has someone else?”.  

These doubts and fears turn into a real game of mind, where you become your own harshest critic. The agony of waiting can be overwhelming. You begin to notice how it affects your daily life: you can’t concentrate at work, you get distracted when talking to your friends, and even simple pleasures seem less significant. Thoughts about the call become annoying, like a fly that won’t leave you alone.  

Every time the phone vibrates or the screen lights up, you hope to see his name, but disappointment comes again and again. Waiting for a phone call is a fragile emotional state that touches the deepest corners of the soul. It requires patience and humility, but it can also teach us to appreciate the moments when the connection does happen. When the long-awaited call finally rings, all the suffering seems worth it – if only for a moment. That moment can be so sweet that all previous agony is forgotten. Waiting for a call is not just an emotional roller coaster; it is a reflection of our vulnerability and desire to be understood. The desire to be needed by someone.

We are opening our hearts, hoping that someone else is also willing to share the journey with us."

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Korean-American singer-songwriter NoSo has today revealed details of their highly anticipated second album When Are You Leaving? (out 10 October via Partisan Records) along with its lead single ‘Sugar’. Listen to ‘Sugar’ here:

When Are You Leaving? is a record for anyone still figuring themselves out, and one that proves NoSo to be one of this generation’s most compelling songwriters. The album follows NoSo’s 2022 debut Stay Proud Of Me which earned rave reviews and praise from NPR’s All Songs Considered, Paste, The Guardian, The Times and Metro, and a stunning performance atTiny Desk. NoSo (real name: Baek Hwong, he/they) says: “My first album mostly comprised of daydreaming about what my life cobuld be like if I embraced my identity. This record is firmly rooted in reality and details my enlightening and tumultuous experiences head on.”

Largely self-produced, When Are You Leaving? sharpens NoSo’s artistry into something at once more expansive and more intimate. It’s an album about the subtle, slow-burning victories that come after walking away from what no longer serves you. Hwong’s music is rich with contrast: thorny lyrics nestled in shimmering arrangements, quiet moments of self-recognition delivered with the confidence of a born storyteller. Across disco grooves, jagged guitars, and spacious ballads, they reflect on fractured relationships, platonic heartbreak, and the complexity of perception.

‘Sugar’, (co-produced by Wild Nothing’s Jack Tatum), glides along a sleek, nostalgic disco groove, light on its feet but emotionally loaded. Beneath the gleaming surface, Hwong explores the quiet exhaustion of navigating interpersonal dynamics with volatile people, choosing compassion over conflict. Hwong elaborates: "‘Sugar’ is about the delicate dance of interacting with volatile, unwell individuals. It’s a reflection on those experiences, aiming to approach them with sympathy instead of anger. I’ve learned that this is the only way I can move forward—by not feeding those memories and giving them power.”

NoSo - Album announcement _ Sugar - Credit Driely Carter

Credit: Driely Carter

NoSo 2025/2026 tour dates:

15 August – Gunnersbury Park – London, UK (w/ Khruangbin, TV on the Radio)

23 October – The Atlantis – Washington, DC

24 October – Baby’s All Right – Brooklyn, NY

25 October – Johnny Brenda’s – Philadelphia, PA

27 October – L’Escogriffe – Montréal, QC

28 October – The Drake Underground – Toronto, ON

30 October – Lincoln Hall – Chicago, IL

1 November – 7th St Entry – Minneapolis, MN

3 November – Globe Hall – Denver, CO

4 November – Kilby Court – Salt Lake City, UT

6 November – Fox Cabaret – Vancouver, BC

7 November – Madame Lou’s – Seattle, WA

8 November – Mississippi Studios – Portland, OR

10 November – Cafe Du Nord – San Francisco, CA

12 November – Masonic Lodge, Hollywood Forever – Los Angeles, CA

4 February – EKKO – Utrecht, Netherlands

5 February – Rotown – Rotterdam, Netherlands

6 February – Turmzimmer – Hamburg, Germany

7 February – Ideal Bar – Copenhagen, Denmark

9 February – Silent Green – Berlin, Germany

10 February – YUCA – Cologne, Germany

11 February – Rotonde – Brussels, Belgium

12 February – La Bellevilloise – Paris, France

14 February – L’Aéronef – Lille, France

17 February – Islington Assembly Hall – London, UK

18 February – Strange Brew – Bristol, UK

19 February – Band on the Wall – Manchester, UK

20 February – King Tut’s Wah Wah Hut – Glasgow, UK

NYC-based quintet Ecce Shnak (pronounced Eh-kay sh-knock) presents ‘Fight Song’ (Live), a hard-hitting track with a potent message, presenting an ironic take on violence and addressing today’s rampant spread of hate-filled vitriol.

This is the second taste of their Backroom Sessions EP, following the downtempo groove-inducing opus ‘Prayer On Love’ (Live). Recorded at the Backroom Studios in Rockaway, NJ, the EP is out May 22 via Records, Man Records).

Rejecting conventional aesthetics, Ecce Shnak whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut ‘Shadows Grow Fangs’ EP, this new release previews June’s West coast tour with platinum-selling legends Spacehog and EMF.

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

“The hardcore slammer ‘Fight Song’ is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, Letters to German Vasquez Rubio in 2012,” says David Roush.

“We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: ‘Fight for your right to fight!’”

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Darkwave duo, Johnathan|Christian return with ‘Where Do We Go From Here’—a brooding, cinematic post-election anthem that captures the emotional wreckage of a divided nation. The track opens in hushed reflection (90 BPM) and erupts into a 125 BPM pulse of unrest and reluctant clarity. No slogans. Just aftermath.

The video integrates footage from Maya Deren’s At Land—a woman lies on a beach, disoriented yet unbroken, before rising with quiet resolve. What begins in poetic isolation transforms into documentary collapse: flickering headlines, divided families, shuttered classrooms, and hands reaching—but not always finding. It opens with: “We Still Remain.” It ends with: “WE STILL RISE.”

“We didn’t want spectacle—we wanted aftermath,” says the band. “No fire. No fury. Just a reckoning in the ruins.”

Included in the release are: a 125 BPM DJ Edit for live mixing and DJ sets, and remixes by industrial supergroup, The Joy Thieves and Stoneburner’s Steven Archer. Also included is the track, ‘Fall from Grace’ – a short, ghostly instrumental layered with static and decay; a requiem for what was, and a reflection on what remains.

For fans of Peter Murphy, Human Drama, Laibach, New Order, and politically-driven dance stompers.

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Electronic musician and vocalist Mari Kattman is known for her work as part of the electronic duo Helix as well as a solo artist in her own right. ‘Sharp Shooter’ is the second single to be teased from a new album entitled Year Of The Katt, her debut full-length solo release for Metropolis Records (and third overall), which is scheduled for release on 20th June.

“‘Sharp Shooter’ explores the theme of an intelligent soul that navigates to painful circumstances for the chance to grow. No shots missed”, states Kattman. The song follows the recent ‘Anemia’ STREAM, which drew a parallel between vampiric exploitation and the weakness often suffered by those living with the condition.

Of the new album as a whole, she explains that “finishing it was a truly herculean effort. It was an album completely recorded, composed and produced by myself, so there were a lot of learning curves and things I needed to sort out before I was truly happy with the end product. I feel relief and enormously proud that I got it done.”
One of the most captivating artists on today’s electronic music scene, Kattman has been writing, recording, producing and performing since 2012. She has collaborated with the likes of Assemblage 23, Mesh, Ivardensphere, Jean-Marc Lederman, Psy’Aviah, Aesthetiche, Neuroticfish, BlackCarBurning, Cassetter, This Morn Omina, Solitary Experiments, Mephisto Walz, Aiboforcen, Interface, Comaduster and more.

Kattman’s impressive resumé of vocal contributions for these acts bely her own talents as a songwriter and producer. Singles such as ‘Fever Shakes’, ‘URGOD.AI’ and ‘Swallow’ have already demonstrated her prowess in crafting hook-laden, irresistibly catchy electronic songs tailor-made for the dance floor, where elements of Trap, Hip Hop, Electro, Ambient, EBM and Industrial music interplay with her powerfully distinctive voice.

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Southern Italy’s riff-wielding power trio King Potenaz have officially signed to Majestic Mountain Records for the release of their highly anticipated sophomore album Arcane Desert Rituals Vol. 1, due out June 27th, 2025 on both vinyl and digital formats.

To mark the occasion, the band has just unleashed their blistering new single and video for ‘Rivers of Death’, a 10-minute descent into fuzzy doom, psychedelic dread, and scorched-earth riff worship.

“We’re back with a vengeance, unleashing our long-awaited second album, Arcane Desert Rituals Vol. 1! Says the band. "This is our heaviest, most intense work yet — a sonic onslaught that’ll blow your mind. We can’t wait for you to crank it up and dive into the chaos!”

With a sound steeped in the grimy tradition of Electric Wizard, Sleep, and Monster Magnet, King Potenaz blend occult doom, stoner fuzz, and eerie psychedelia into a swirling ritual of sound. “Rivers of Death” is the perfect first taste of what’s to come: hypnotic, devastating, and weird in all the right ways.

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After the announcement and pre-order start of their sophomore album Waving at the Sky and the release of their first single ‘The Malevolent’ featuring Ross Jennings from Haken, Norwegian prog rockers AVKRVST reveal their second offering – ‘The Trauma’.

Simon Bergseth, vocalist, shares about ‘The Trauma’:

“‘The Trauma’ is the heart of the story— the origin of everything. A harrowing act triggered a wound that never should have been inflicted. This is where it all begins.“

The single comes with a brand-new music video in established AVKRVST aesthetics – a continuation of the story of the lonely, bleak soul in the cabin. Watch the video here:

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Credit: Kristian Rangnes

Greek-Finnish doom metal collective Aeonian Sorrow has unveiled the official video for ‘Harbinger of Ruin’, taken from their brand-new EP From The Shadows, out now on all platforms.

‘Harbinger of Ruin’ puts the band’s signature blend of sorrowful doom and enchanting melodies on full display, a slow-burning, emotionally devastating track that channels themes of isolation and grief.

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Released in late March, ‘From The Shadows’ marks Aeonian Sorrow’s latest chapter, following their acclaimed debut album Into The Eternity A Moment We Are (2018) and the A Life Without EP (2020). After touring with Swallow the Sun and Oceans of Slumber, and navigating lineup changes, the band returned with renewed purpose, delivering one of their most intimate and emotionally raw works to date.

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To coincide with the release of Disco Kills via Sister 9 Recordings, Italian post-punk duo Kill Your Boyfriend have unveiled ‘Youth’.

We raved about the EP here. Hear the track here:

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The EP sees Kill Your Boyfriend experimenting with new sounds that lean towards electronic music, creating a more rarefied space for the guitars while maintaining the dark atmospheres that distinguish them. It features 6 songs drawing inspiration from past greats such as Kraftwerk, Moroder, and New Order, while also keeping an eye on artists like the Chemical Brothers, Daft Punk, and Paul Kalkbrenner.

Kill Your Boyfriend have confirmed a series of European live dates in May and September this year, with more to be announced soon.

Fri 30 May -  PMK – Innsbruck, Austria w./ New Candys

Sat 31 May -  Rockhaus – Salzburg, Austria w./ New Candys

Fri 12 Sept – Kampus Hybernska – Prague, Czech Republic

Sat 13 Sept – UV Klub – Lodz, Poland

Sun 14 Sept – Chmury – Warsaw, Poland

Wed 17 Sept – Kult 41 – Bonn, Germany

Fri 19 Sept – Parkside Studios – Offenbach, Germany

Sat 20 Sept – Kradhalle – Ulm, Germany

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Photo credit: Alice Lorenzon