Archive for the ‘Recommended Streams and Videos’ Category

Portland, OR noisy metal duo Wizard Rifle who will release their 3rd album on 30th August through Svart Records, are streaming new track ‘Rocket To Hell’.

The band comment, “This sonic stew encompasses all the usual elements of Wizard Rifle: gut-punching, down-tuned sludge punk riffs interwoven with psychedelic overtones and triumphant builds with vocal harmonies and dual yells. Lyrically the song is much like a hangover from a thousand-year orgy of global greed. It deals with the shortcomings of mankind and the individual in the face of the apocalyptic consequences of its self-created extinction. Take the ride; strap in and blast off to this seven-minute rager.”

Stream ‘Rocket to Hell’ here:

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Wizard Rifle emerged from the metal groundswell of Portland Oregon in 2009 bent on annihilating the complacency of genre pigeonholes and throwback tropes. Their elusive sound contorts and leaps from sludgy and psychedelic, to thrash, noise and beyond, accented by vocal harmonies and shouts. On first listen, many scoff at the possibility that such a cacophony could be produced by just two band members, but seeing is believing the force that is Wizard Rifle, and skeptics become Kool-Aid guzzling disciples before the altar. Are you next?

Teaming with Nanotear Booking, Guitarist/Vocalist Max Dameron and Drummer/Vocalist Sam Ford have delivered frenzied live shows extensively across the US and Canada including appearances at SXSW, Psycho Las Vegas, Sabertooth, Hopscotch, Crucial Fest, and Musicfest NW. They have shared bills with the likes of The Melvins, High On Fire, YOB, Lightning Bolt, Nick Turner’s Hawkwind, Danava, and SubRosa, and hit the road with Bongzilla, Buzzov*en, Black Cobra and Church of Misery to name a few. Their two full length releases, 2014’s “Here in the Deadlights” and 2012’s “Speak Loud Say Nothing” have drawn great praise and kept critics and fans on their toes. Their upcoming self-titled LP, due out this summer via Svart, pushes the boundaries even further with the aid of metal mix guru Billy Anderson at the helm of the studio.

Wizard Rifle are preparing to join seminal psych metal band Acid King and rising nightmare grungers Warish for the Busse Woods 20th Anniversary Tour this summer in the U.S.

Acid King Busse Woods 20th Anniversary Tour Dates with Wizard Rifle and Warish

09/20 Portland, OR @ Star Theater – Hesh Fest

09/21 Seattle, WA @ Highline

09/23 Denver, CO @ Marquis Theater 

09/24 Omaha, NE @ Slowdown

09/25 Chicago, IL @ Reggies

09/26 Indianapolis, IN @ Black Circle

09/27 Cleveland, OH @ Grog Shop

09/28 Buffalo, NY @ Mohawk Place

09/29 Boston, MA @ Sonia

09/30 New York, NY @ Knitting Factory 

10/01 Philadelphia, PA @ Johnny Brenda’s

10/02 Richmond, VA @ Richmond Music Hall

10/03 Raleigh, NC @ Kings

10/04 Asheville, NC @ Mothlight

10/05 Atlanta, GA @ The 529

10/06 New Orleans, LA @ One Eye Jack’s

10/07 Dallas, TX @ Gas Monkey

10/09 Albuquerque, NM @ Sister

10/10 Mesa, AZ @ Club Red

10/11 Los Angeles, CA @ Satellite

10/12 San Francisco, CA @ Chapel

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A Primitive Evolution (A.P.E.) is an alternative rock band based in Toronto, Canada. Formed in 2007, they have developed at their own pace, creating a constantly evolving soundtrack utilising their brand of dark industrial rock.

Becoming is the group’s third album and was released in late 2018. Recorded at their own Desolation Studios, it includes collaborations with writer/producer Ian D’Sa (Billy Talent) and engineer Kenny Luong (Metric).

Raw and visceral yet displaying soul and beauty, the 13 tracks that comprise Becoming blur the boundaries between rock, metal and electronica and show off an array of influences that include Nine Inch Nails, The Cure, Tool, The Prodigy, Ministry, Radiohead, Alice In Chains and Guns N’ Roses.

With featured inclusion in films such as ‘Chastity Bites’ and the vampire musical ‘Suck’, A.P.E.’s music has also been used in several TV shows, while locally they have won the ‘Best Rock Band’ gong at the Toronto Independent Music Awards.

‘Close Your Eyes’ is taken from Becoming, and you can watch the video here:

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As we eagerly await the 31st May release of their debut LP Honey, Lungbutter have shared another advance track from the album. “Intrinsic” is a foreboding, slow burn, finding a doomy three-note pattern of guitar crud and slow, caustic vocal lines to build thick tension, before careening towards explosive release punctuated by vocalist Ky Brooks’ most impassioned and full-throated shouts. It’s a tightly-wound, thrilling complement to previously-released Honey track “Flat White”.

Montréal trio Lungbutter serves up an exhilarating and relentless barrage of astringent noise-punk, at times refracted variously through sludge rock and slowcore. Kaity Zozula’s tri-amped guitar squall occupies a huge tonal space from low-end bass to paint-peeling treble, redolent of blown-out Melvins/Flipper fuzz and indebted to the frenetic dissonance of Keiji Haino or Merzbow. Song structures coalesce around guitar riffs of shifting tempos and the backbone of Joni Sadler’s muscular, deliberate drums, while Ky Brooks’ wry phenomenological sing-speak vocals – at once mantric and declarative – deconstruct one brilliant lyrical theme after another, dancing along the knife-edge of dispassionate acerbic examination and wide-eyed cathartic revelation.

Listen to ‘Intrinsic’ here:

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Lungbutter - Intrinsic

Finalists in Belgian’s magazine Humo’s Rock Rally 2016 and winners of broadcaster Studio Brussel’s ‘De Nieuwe Lichting’ 2018, their packed festival summer and completely sold out club tour took them all over Belgium in 2018. Portland creates dreamy, everlasting storytelling songs.

The band’s debut single ‘Pouring Rain’ gained more than a million streams on Spotify, under their own management. Their subtle rework (upon request of Studio Brussel) of alt-J’s ‘Matilda’ gained popularity faster than expected and was released as a successful second single.

Their rise in popularity didn’t go unnoticed and last summer Portland proudly teamed up with [PIAS]. The first result of this partnership was ‘Lucky Clover’, an emotional, dreamy and subtle piece of harmonic prose, whose greatest strength is the harmonies and interaction between front duo Jente Pironet and Sarah Pepels. The single got picked up on radio in Flanders, club shows sold out quickly and an invitation to play this year’s Rock Werchter and Pukkelpop festivals followed.

Gearing up to release their debut full length album after the summer, Portland now proudly presents their new single ‘Expectations’. An epic and cathartic love song using lush strings, chimes, timpani, electronics and electric guitars to counter Jente and Sarah’s remarkable voices. “‘Expectations’ is about high hopes, deep disappointments and very abstract interactions between attractions, rejections, doubts and certainties,” Jente explains. It’s a bold move and a step up from their previous output, still retaining the same otherworldly, dreamlike quality.

Watch the video here:

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The press release describes the video for the latest cut lifted from Whispering Sons as ‘apocalyptic’ – so of course if got our attention. And the the ‘Best Belgian Band’ don’t disappoint: the bleak visuals are the perfect accompaniment to the tense goth-hued drama, Fenne Kuppens’ voice conveys a blend of fear and loathing against a backdrop of sinewy, tripwire guitars and a meaty backbone of drums and growling bass.

‘The end-of-days feeling of the track is illustrated in the remarkable video. No demonic four horseman, no bloodthirsty robots or aliens to exterminate humanity, but a serene and peaceful kind of doom… We see youngsters assemble at the tree of life in a desolate desert-like setting. Their trancelike gaze aimed high at the sky that’s about to fall… Death from above… Parting ways together… determined, undaunted, unconcerned… “I’ve been afraid too long, I’ve been afraid too long…”’

The band are also at The Great Escape Festival in Brighton this year.

Watch ‘Hollow’ here:

Hull Doom merchants, The Parasitic Twins have released a live video to accompany their latest single; a lo-fi heavy cover of the 90s classic ‘Spaceman’ by Babylon Zoo, which was released on April 5th. All proceeds of the sale are going to The Campaign Against Living Miserably (CALM). The single is taken from a split EP with York-based hardcore punks, The Carnival Rejects (released via Bandcamp on May 31st in association with Man Demolish Records).

Watch the video here:

Of the decision to record the cover, drummer Dom Smith comments: "Man, we love Babylon Zoo. This is a classic track that was way ahead of its time, and we just wanted to mess with it, and we’ll probably stress a lot of people out, but use it as a way to bring attention to an incredible cause in CALM."

Of CALM’s importance on a national scale, Dom adds: "Male mental health is becoming more spotlighted every day, and myself and Max [guitars and vocals] want to offer any support we can to spread the word."

Those interested in donating to CALM can do so here.

The Parasitic Twins will also head out to Europe and across the UK for a run of shows this April with grindcore mates, Boycott The Baptist and Clunge Destroyer:

APRIL TOUR DATES

19th – The Morgue, Leeuwarden – Holland

20th – Muggefug EV, Cottbus – Germany

23 – Bird’s Nest, London – UK

24 – The Parish, Huddersfield- UK

25 – Paradiddles, Worcester- UK

26 – The Bobbin, Lancaster- UK

27 – The Old England, Bristol- UK

28 – Secret Show, Carlisle- UK

Continuing to stoke the anticipation revolving around their mighty return to the studio and stage, legendary duo Earth have shared another snapshot of their forthcoming LP Full Upon Her Burning Lips. Coupled with a stark black-and-white visualiser, the five-and-a-half minute dirge ‘The Colour Of Poison’ is packed with Earth’s thematically meditative, sonically immense hallmarks and marks a return to heavier territories.

Immerse yourself in ‘The Colour of Poison’ here:

Their ninth studio album, Full Upon Her Burning Lips, is due out May 24th on Sargent House.

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Earth — On Tour w/ Helms Alee:

May 24 Seattle, WA @ Neumos

May 25 Portland, OR @ Doug Fir Lounge

May 28 San Francisco, CA @ Great American

May 29 Los Angeles, CA @ The Echo

May 31 Los Angeles, CA @ The Echo

June 1 Phoenix, AZ @ Rebel Lounge

June 2 Albuquerque, NM @ Sister

June 4 Austin, TX @ Barracuda

June 5 Dallas, TX @ Club Dada

June 7 Houston, TX @ The Secret Group

June 8 Baton Rouge, LA @ Spanish Moon

June 10 Orlando, FL @ Wills Pub

June 11 Atlanta, GA @ The Masquerade

June 12 Carrboro, NC @ Cat’s Cradle

June 14 Richmond, VA @ Gallery 5

June 15 Baltimore, MD @ Otto-bar

June 16 Philadelphia, PA @ Johnny Brenda’s

June 18 Somerville, MA @ ONCE Ballroom

June 19 New York, NY @ Le Poisson Rouge

June 21 Pittsburgh, PA @ Spirit Hall

June 22 Detroit, MI @ El Club

June 23 Chicago, IL @ The Empty Bottle

June 24 Minneapolis, MN @ 7th St. Entry

June 27 Denver, CO @ Marquis Theatre

June 28 Salt Lake City, UT @ Urban Lounge

June 29 Boise, ID @ Neurolux

Sub Pop has signed Trupa Trupa from Gdańsk, Poland for a worldwide deal, and will release new music from the group in 2019. While we await details of that release, the band have delivered an official video for ‘Dream About’,  a new song that features a honeyed falsetto that totters over a menacing bassline, and the frisson between them so hypnotic it renders the title phrase as an existential mantra, a lifeline.

Director Benjamin Finger had this to say of the ‘Dream About’ visual: “The video was shot on Super 8, a format I am strongly connected to, and I think it fits the music of Trupa Trupa. There is something poetic about the music, and I think it matches the images in a good way. The “Dream About” video is also about seeing the world through the eyes of the child. The video features footage shot on location in Vancouver, Paris and Buenos Aires.”

Watch the video here:

Trupa Trupa will tour the world in 2019, beginning with appearances at SXSW in Austin, Texas (March 14th-16th), and Slovakia and Poland (April 25th-27th). Additional shows will be announced soon.

Mar. 14 – Austin, TX – SXSW / Hotel Vegas / LEVITATION SXSW presented by CREEM Magazine (12:20 am)
Mar. 15 – Austin, TX – SXSW / Austin Convention Center / Flatstock Stage (3:30 pm)
Mar. 16 – Austin, TX – SXSW / Venue TBC
Apr. 25 -  Gdańsk, PL – Ziemia
Apr. 26 – Poznań, PL – Spring Break Festival
Apr. 27 – Bratislava, SK – Sharpe Festival

Reunited NYC noise-rock royalty Live Skull have revealed new song "Up Against the Wall" – the song was written and recorded under the alias New Old Skull, as part of the "BC35" project honouring the legacy of producer Martin Bisi and his Brooklyn studio, BC Studio.

Stream the song here:

‘Up Against the Wall’ appears on BC35: Volume Two, the second instalment in the "BC35" series, due out April 19th on Bronson Recordings. In addition to New Old Skull (Live Skull), the album contains live performances of songs (some written, some improvised) by current and former members of Sonic Youth, Swans, Cop Shoot Cop, Blind Idiot God, Alice Donut, Lubricated Goat, and more.

Pre-order: https://bc35anniversary.bandcamp.com/album/bc35-volume-two-the-35-year-anniversary-of-bc-studio

Of the first "BC35" album, released last year, Pitchfork wrote: “The credits read like a who’s who of New York’s experimental underground… It’s a sonic embodiment of risk-taking, rule-breaking, and antithesis that celebrates the endurance of a man and a space tied directly to New York’s noise, art-rock, punk, free jazz, hip-hop, and alternative movements…”

With the release of "BC35: Volume Two" coming up, celebrating BC Studio and the ethic it represents, the future of the studio where Bisi has operated since the early 1980’s is unknown. A new rezoning proposal seeks to reshape the Gowanus neighborhood of Brooklyn, incentivizing residential development and tall buildings. Meanwhile, a grassroots push to landmark certain historic buildings, including the former factory where BC Studio is located, is in motion.

Bisi gave this statement to BrooklynVegan: “The looming rezoning feels like floodgates are about to burst. The City estimates 18,000 new residents, 8,200 new units. Their premise goes beyond the need for affordable housing, it’s based on the expectation of tens of thousands of jobs coming to NYC, and those people needing housing. It’s a vision similar to when the City wooed Amazon. Gentrification begets more gentrification. So the net shift will be grossly unaffordable. In carving out space for the arts in Gowanus, the rezoning encourages my building to expand, potentially up to 17 stories, to accommodate about 1,000 artists. My space was established at a time when I could utilize a large space, and I do, and depend on it. My fear is that I’m in the way of all this – that I could be sacrificed in the interest of a higher number of incoming artists, likely fairly affluent – and the character of the arts themselves gentrifying.”

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