Archive for the ‘Previews and Editorial’ Category

First they were Omnibael, then they were Omnibadger, and now Omnibdgr… but under whatever moniker they operate under, they make interesting noise. And for that reason, we’re proud to present ‘The Last Remaining Punk Band’ by Omnibdgr from the forthcoming split release from Omnibdgr and Ye Woodbeast, which you can check out here:

Opening with an atmosphere that feels like a clammy version of the N64 Goldeneye music, Ye Woodbeast and Omnibdgr’s forthcoming split comes with a sense of dread that draws a common thread between the two sides of the 12". Heal Thyself is a murky, dub-inflected pulse that calls out to the dregs of society, and ‘At the Mercy of the Flea’ continues into further depths of nightmarish gloom with voices speaking out from shadowy corners. Track 3, the driving ‘Tony Lazarus’ is a character exploration that straddles psych-rock and desert blues. The textural complexity that Woodbeast fans love is still very much present, but some of the brighter, pop playfulness found on releases like ‘Music to Sink Ships to’ has drifted towards a darker, but tighter, pulse. This works fantastically in tandem with their lyrics which still continue along the band’s "usual obsessions: death, god and all the cunts we hate".

Side 2 is the domain of Omnibdgr. The duo ramps up the dread even more with 4 tracks of drones and gut-punch industrial noise rock. Feverous Earth opens their offering with 3 minutes of subtly textured drone that conjures images of abandoned container ships and space hulks. ‘Heavy Mist Pounded Our Eyes’ is a mechanical array of looping drum-machines, black metal vocals and samples about dopamine – sounding like huge, rusting wheels rotating and grinding. Finally, a discernible human voice (Jase Kester) emerges on ‘The Last Remaining Punk Band’ for a snotty, riff-led assault. The vocals move back into the machine for the final track, which is a relentless wall of drums and murky noise.

If you hadn’t guessed it yet, this is a dark, brooding release that showcases both bands at their bleakest. Within this, though, is a vast array of sonic approaches, smart songwriting and a clever juxtaposition of industrial and human unease. As the release slowly unfurls, the journey remains full of surprises at every turn. Don’t look behind you.

(Words by Nick Potter)

Out on 28th June 2024 via Dead Music Club as a lathe cut 12”.

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Finish purveyors of extreme noise, Vorare, has paired up with Earthflesh to create the abrasive blast of an album which is Rope Tower. We’re on the edge of our seats for the album, and are beyond thrilled to present an exclusive premier of the second track from the album to be unveiled after ‘Seepage’.

On the face of it, a mining disaster in the North of England which occurred way back in 1844 may seem like an unusual choice of subject matter for two artists based in mainland Europe: it’s a pretty niche piece of local history. But it’s also a harrowing historical event that warns of the risk to life the industrial age brought. County Durham had a long mining heritage, and Haswell was one of the county’s largest collieries, employing over 300 men and boys. This single incident – an explosion – caused the deaths of almost a third of the workforce, with the blast itself killing 14, and a further 81 dying by suffocation.

For a moment, just imagine the scene, and the sensation. ‘Haswell’ makes for a fitting soundtrack, with a reflection on not only the how of their deaths, but the why…

Lyrics:

We find ourselves in the mines day in and day out, breaking our bones, shoveling our route to the alluring ore necessary for someone else to thrive off of. The caged canary leads the way deeper and deeper into the uncharted maw of Earth left gaping by bombs built by weak little men far from here. The clangs of pickaxes haunt our dreams while the fetters on our ankles might as well be extensions of our limbs alongside the instruments designed to violate the soil below our homes. As the morning seeps in lightless, we continue our work. Descending to the black hole stretching for miles on end, the explosions seem particularly strong today. We can’t see, but we can hear and feel. The chirp of the canary abates and soon runs out. Is this the smell of profit?

An account of the Haswell Colliery Explosion can be found here.

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4 Way Split, with its ‘does what it says on the tin’ title is the third release from Stoke-on-Trent label & promotion service Anti-Mind, and brings together Worm Hero, Sevenyearwaitinglist, GENDERISTHEBASTARD and Omnibadger.

Stoke-on-Trent may seem an unlikely location for an merging scene of all things noisy and gnarly, spanning grindcore and proto-industrial experimentalism, but you often find that with places a way off the beaten track, scenes evolve and thrive independently of national trends. 4 Way Split is a solid document showcasing the strange and heavy noise now coming from Stoke.

To accompany the release, they’ve unveiled a video of Worm Hero’s furious metal noise, which you can watch here:

The 29-track album will be available on CD and digital formats on the 5th of April from here:

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Totnes-scene post-rock/post-punk band Abrasive Trees, who have become regular features on the pages of Aural Aggravation, have announced the premiere of their latest work, ‘Mill Session’ – a short film featuring new songs, interview material and spellbinding visual art, all filmed within an ancient mill.

The five-piece, which includes Matthew Rochford and Ben Roberts from Bella Union project Silver Moth worked with a team of local professionals and producer Pete Fletcher from the Isle of Lewis to produce the 20-minute video which features two unreleased tracks ‘Star Sapphire’ and ‘Tao To Earth’.

As well as the new music there’s also a live version of the previously released ‘Kali Sends Sunflowers’ and interview material sprinkled through the film – guided by music journalist Andy Hill.

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Visual artist Jess Wooller’s work has also been used throughout to produce a solid document of the band’s current creative direction. Filmed in a centuries-old mill in Totnes, the video was crowd-funded by fans of the band from several countries including Scotland, France, Belgium, and Germany.

Matthew said of the film: “We’d aspired to create this film after meeting earlier this year to discuss what we could and couldn’t do – given our commitments to all of our other creative projects. We had considered going into a recording studio but decided to do something completely different and release some of our new material in this way. Somehow it all came together with the right people at the right time and the right place. We received financial and practical backing from the Abrasive Trees community – so it’s a genuinely crowdfunded project”.

It’s an ambitious project from a musically ambitious band, and you can watch it here:

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SUNN O))) will play a series of live dates in Spring 2024 as part of their Shoshin (初心) Duo tour.

See the Sunn O))) Shoshin (初心) Duo in its original, raw form. Anderson and O’Malley will perform as a pair, immersed in profound valve amplification, spectral harmonics, distortion, and volume. Pure and primeval riffs of temporality, massively heavy structures of sound pressure. 

Support will come from Jesse Sykes with Phil Wandscher & Bill Herzog (Except Nantes and Den Haag).

SUNN O))) Shoshin (初心) Duo tour dates:

25th March 2024 – Dublin, IE, National Concert Hall – tickets

26th March 2024 – Glasgow, UK, SWG3 – tickets

27th March 2024 – Newcastle, UK, Boiler Shop – tickets

28th March 2024 – Manchester, UK, New Century Hall – tickets

30th March 2024 – Bexhill On Sea, UK, De La Warr Pavillion – tickets

31st March 2024 – Bristol, UK, Marble Factory – tickets

1st April 2024 – London, UK, Barbican – tickets

2nd April 2024 – Coventry, UK, Empire – tickets

4th April 2024 – Nantes, FR, Festival Variations – Le Lieu Unique

5th April 2024 – Lorient, FR, Hydrophone – tickets

6th April 2024 – Paris, FR, Elysee Montmartre – tickets

7th April 2024 – Den Haag, NL, Rewire Festival – tickets

Tickets are also on sale now via SunnOfficial – except for London when the general on-sale date is Friday 22nd December at 10am GMT.

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The Kut just re-released her holiday single ‘Waiting For Christmas’ with £1 of every CD, vinyl or download sale & all streaming income going to Music Venue Trust this year.
According to MVT statistics, over 120 grassroots venues have closed in the past 12 months, including the shock closure of the iconic Moles Club, Bath this week.  There are also a further 84 venues in trouble, as grassroots venues continue to struggle despite their huge impact on artist development and the communities they serve.

“We know how important our grassroots music venues are, we live them and breathe them and so are delighted to support MVT in their goal to protect, secure and improve them” explained Maha (AKA The Kut) in her blog announcement this week.

Watch ‘Waiting for Christmas’ here:

The news comes alongside her confirmation as main support for legendary Canadian rocker Danko Jones on his imminent UK tour leg.  Hosted at a number of iconic venues this December, the tour visits Bristol, Glasgow, Nottingham, Manchester and London in a final 2023 showdown for The Kut and her all-star collective.

Initially released in 2020, ‘Waiting For Christmas’ is a melancholy take on the holiday period, highlighting the sombre pressures surrounding it, yet with an uplifting message, completed by orchestral strings and Christmas bells. The single charted in the Top 100 of the Official Single Sales Chart (No.65) and at No.10 in the UK Physical Singles Chart on release, where it has subsequently spent 6 weeks.
Recorded by Jack Ashley (Popes of Chillitown) at Fiction Studios London and mastered at Abbey Road by Frank Arkwright (e.g. Elton John), the accompanying music video was filmed during the recording session and selected for US airplay by MTV, LATV and Music Choice.

DANKO JONES + THE KUT

UK TOUR DATES

12/12 Thekla BRISTOL
13/12 King Tuts GLASGOW
14/12 Rescue Rooms NOTTINGHAM
15/12 Rebellion MANCHESTER
16/12 Garage LONDON

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Following the release of her latest album ’The Cartographer’ last year and European tours with Wardruna, Emma Ruth Rundle and Amenra, internationally acclaimed composer and virtuoso cellist – not to mention Aural Aggravation favourite Jo Quail has announced her first ever headline UK tour for May this year.

Jo comments: “I am so excited to announce that in May I’ll be playing some headline concerts for you! We’ve got some absolutely beautiful venues in here. I’ll be playing a much longer set then most of you will have seen, I’ll bring both cellos, and the thing that excites me the most is the thought of playing some brand new music to you, seeing what you think, letting the pieces take their shape and form in your company. Tickets are now live, it would mean the world to me to have you with me on my first ever headline tour.

I feel a bit emotional truth be told. I’m here because you’ve been with me from the early days, or perhaps we’ve met only recently, but you’ve all stayed, you’ve shared your stories, you’ve been part of all things, and I know this, and I thank you with my whole heart. All blessings to you all my friends.”

Jo Quail – UK Tour dates:

08TH MAY – Southampton, Suburbia

09TH MAY – Bristol, The Gryphon – SOLD OUT

10TH MAY – Nottingham, The Bodega

11TH May – Colchester, Art Centre

12TH MAY – Leeds, Seven Arts

13TH MAY – Manchester, White Hotel

14TH MAY – Glasgow, The Hug and Pint

Jo is also set to perform at London’s Desert Fest on 7th May.

Tickets are on sale now -  https://www.joquail.co.uk/concerts/

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Following the announcement of their monolithic new album nature morte, out February 24th, Canadian trio BIG|BRAVE has announced an extensive European tour for spring 2023. The tour includes performances at Roadburn Festival, Donaufestival and Desertfest, among others. The trio’s first nature morte single "carvers, farriers and knaves" captures the album’s striking balance between expansive atmospherics and direct emotional drive, guitar and vocals twisting atop thundering drums to create one of the most bracing and relentless pieces in the band’s ouvre.

BIG|BRAVE are an elemental trio who harness an earthen heaviness composed of distorted and textural drones, austere bombast, and Wattie’s heart-rending voice. Like recent collaborators The Body, BIG|BRAVE is at the forefront of reconfiguring the landscape of heavy music. The trio brandish sparseness and density like weapons, cast tense atmospheres with languid tempos and mutate feedback into eruptions of enveloping tempests. nature morte sharpens BIG|BRAVE’s ferocity and expansive sound into emotional elegies for the disenfranchised, wringing abstracted textures and pure fervence into songs of unfathomable mass.

Those dates in full:

BIG|BRAVE spring 2023 EU tour dates:

Apr. 9 – Hamburg, DE – Hafenklang
Apr. 10 – Copenhagen, DK – Loppen
Apr. 11 – Malmö, SE – Plan B
Apr. 12 – Oslo, NO Blå
Apr. 14 – Helsinki, FI – Kuudes Linja
Apr. 15 – Tallinn, EE – Sveta Baar
Apr. 16 – Riga, LV – Noass
Apr. 18 – Vilnius, LI – XI20
Apr. 19 – Warsaw, PL – Voodoo
Apr. 20 – Poznań, PL – Dom Tramwajarza
Apr. 21 – Berlin, DE – Urban Spree
Apr. 23 – Tilburg, NL – Roadburn Festival
Apr. 26 – Nurnberg, DE – KANTINE (beim Künstlerhaus)
Apr. 27 – Dresden, DE – Ostpol
Apr. 28 – Krems, AT – Donaufestival
Apr. 29 – Zagreb, HR – Kset
Apr. 30 – Bologna, IT – Circolo Dev
May 2 – Piediripa, IT (MC) Dong
May 4 – Busto Arsizio, IT – Circolo Gagarin
May 5 – Bulle, CH – Ebullition
May 7 – London, UK – Desertfest
May 9 – Manchester, UK – Soup Kitchen
May 10 – Glasgow, UK – Stereo
May 11 – Newcastle, UK – The Lubber Fiend
May 12 – Liverpool, UK – IWF Substation
May 13 – Norwich, UK – Voodoo Daddy
May 14 – Birmingham, UK – The Castle & Falcon
May 15 – Leeds, UK – Brudenell Social Club
May 16 – Bristol, UK – Dareshack
May 17 – Brighton, UK – The Hope & Ruin
May 18 – Brussels, BE – Ancienne Belgique

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New label Dead Music Club, which specialises in limited-edition cassettes, today announced its first three releases to showcase what they described as their ‘fledgling catalogue’.

The Stoke-based label, which is pushing the parameters not only of music, but of underground by shunning social media and making news of its releases available via mailing list subscription, is kicking off with a compilation of ‘Stoke weirdness’, which features Aural Aggravation faves Omnibadger, as well as the debut EP from ramshackle punks Dog Train on 10” vinyl, and an EP of mangled noise courtesy of one Christopher Nosnibor in his Noisenibor guise:

DMC-001 ‘DeadMusicClub’ cassette – a collection of Stoke weirdness £5
DMC-002 ‘Extractions EP’ cassette – Chris Nosnibor documents extractor fans £5
DMC-003 ‘Dog Train EP’ – Dog Train’s first EP on 10” vinyl £20

To subscribe, and for order details, go here.

There will be a launch event at Captain’s Bar, Stoke, at 8pm on December 30th.

1. THE DWARVES play music that crosses all rock genres including hardcore, garage, punk, surf, noise, death metal, experimental, industrial, hip/hop, grunge and good old-fashioned pop. Even their modesty is legendary.

2. THE DWARVES first tour in 1988 covered over 6,000 miles and highlights were featured in the Village Voice. The tour consisted of 3 cities, 4 shows and $165 dollars cash. The band slept in a cargo van and booked gigs on stolen telephone cards.

3. THE DWARVES began in the 1980’s as an Illinois punk garage band, covering everything from the Seeds and Moving Sidewalks to Gang of Four and Devo. They still have skinny ties and tight pants to prove it.

4. THE DWARVES have recorded for visionary independent labels including Sympathy For The Record Industry, Epitaph, Fat Wreck Chords, Sub Pop, Bomp!, Amphetamine Reptile, Man’s Ruin, Recess, Theologian, Glitterhouse, Burning Heart, White Jazz, High Voltage, No Balls, Zodiac Killer, MVD, Midnight, Reptilian, Riotstyle, Burger and Greedy Worldwide. Some of them even paid royalties.

5. THE DWARVES have been stabbed, bludgeoned, swarmed, arrested, shut down, sabotaged and even fellated onstage and much of it is available on video, like the compilations FEFU, Fuck You Up & Get Live and Salt Lake City.

6. THE DWARVES were one of the first hardcore bands to regularly use samples, drum loops and found sounds, even on their earliest recordings where they used cassette tapes to generate them.

7. THE DWARVES teamed up with Top Ten producer Eric Valentine (Third Eye Blind, All American Rejects, Slash) to make their last 5 studio albums. He even showed up to some of the sessions! Valentine and Blag Dahlia helped write songs for Smashmouth and Skye Sweetnam.

8. THE DWARVES were kicked off tour with a UK metal band for sleeping with the girls the headliners had hired to hang out backstage. They were banned from venerable punk dive CBGBs for breaking a table and bleeding on the floor making the venue cleaner and improving its décor.

9. THE DWARVES played with the Minutemen weeks before D. Boon died, visited GG Allin in prison and did coke with the Lemonheads in a seedy hotel room. And that was all in one day! Their list of collaborators on records is vast, including the ones they can contractually mention like Dexter Holland, Josh Freese, San Quinn, Nash Kato, Gary Owens, Stacey Dee, DJ Marz and Spike Slawson.

10. THE DWARVES music has been featured on television shows like Viva La Bam, Nash Bridges, Rob and Big, Laguna Beach, 16 and Pregnant, Homewrecker, Jackass and dozens more. They appeared naked on Monster Garage and Playboy After Dark, where HeWhoCanNotBeNamed mated with a pumpkin.

11. THE DWARVES are the very best looking band in show business. They’ve shared bills with the Cramps, the Offspring, Vandals, TSOL, JFA & countless more!

12. THE DWARVES did a live one-hour performance on Japan’s prestigious NHK network. At the dinner afterward, they literally ate a horse. This turned out to be better than all of the food in Indianapolis.

13. THE DWARVES inspired a current popular catch phrase with their bestselling 2013 self-help book Make the Dwarves Good Again.

14. THE DWARVES played Berkeley’s punk collective 924 Gilman Street the first month it opened and appeared there with the likes of Green Day, NOFX and the Didjits. They were later banned for beating a spectator, but don’t worry, he was a fan of some other group.

15. THE DWARVES are a true independent band with no outside management or record deal, DIY forever. They leave no remains when they die, only footprints in the snow.

16. THE DWARVES bassist Rex Everything has been tased while committing battery and resisting arrest. He loves kittens, puppies and long walks on the beach. Guitarists HeWhoCanNotBeNamed and The Fresh Prince of Darkness teach and counsel troubled teens when not ingesting cocaine and masturbating to hardcore pornography.

17. THE DWARVES have been members of groups like KMFDM, Gnarls Barkley, Mondo Generator, Kyuss, Motochrist, Penetration Moon, The Queers, Scream, Bloodclot, Decent Criminal and The Uncontrollable. Don’t hold it against them.

18. THE DWARVES are OG’s (Original Grunge) appearing with Nirvana, Mudhoney, L7, Supersuckers, Rev. Horton Heat and the Fluid. They appeared in the film Kurt and Courtney where they were described as “one of the more violent bands.”

19. THE DWARVES were attacked by a disturbed person enraged over the band’s lyrics. The first rock ‘n’ roll battle record, ‘Massacre’ proved the old adage that the truth hurts, but so does being assaulted.

20. THE DWARVES could be saluted by groups as disparate as the National Organization for Women, the Vatican and the Daughters of the American Revolution for promoting greater gender understanding.

21. THE DWARVES are snotty bastards who live in California. Their notorious ‘Blood Guts & Pussy’ album cover, depicting a dwarf clad only in dead rabbit and blood spattered Amazons, led to widespread banning and protests at gigs for years to come.

22. THE DWARVES guitarist HeWhoCanNotBeNamed died in 1993 as reported in SPIN (100 sleaziest moments in Rock #79), Alternative Press, SF Weekly and Harper’s, among others. Being denied entrance to Hell, he returned to mortal form, commenting later, “that which kills me makes me stronger.”

23. THE DWARVES music has been featured in films like Ghostworld, Hostel, Observe and Report and Me, Myself and Irene, where Jim Carrey crooned ‘Motherfucker’ while having a nervous breakdown in a car. In the hardcore porno ‘Rocksuckers,’ genitals collide to a ballsy Dwarves soundtrack. Lloyd Nickell’s video for ‘Stop Me’ contains content deemed harmful by the FBI, FCC and Mothers Against Intercourse.

24. THE DWARVES are mostly a cat band, but enjoy a good doggy now and again.

25. THE DWARVES singer Blag the Ripper sang the novelty hit ‘Do the Sponge’ on the cartoon series Spongebob Squarepants. Dwarf Sgt. Saltpeter has written and performed over 20 musical pieces featured since the show began. That’s Balls, Folks!

26. THE DWARVES have been active for over 40 years and Blag has published three novels of transgressive fiction, Armed to the Teeth With Lipstick, Nina, and Highland Falls.

27. THE DWARVES performed onstage with Turbonegro at the Leeds Festival, UK and have toured Europe 12 times, performing at Reading, Pukkelpop, Goteborg Gallopp, Download Donnington, Groezrock and Rebellion Fest to name just a few. Please don’t ruin a perfectly good gram of hash with tobacco.

28. THE DWARVES website was hacked by Islamic jihadists (http://tcat.tc/1bWYQPX). Peace be upon you!

29. THE DWARVES have an average penis size of nine inches, but most of that is Nick Oliveri.

30. THE DWARVES’ singer Blag co-hosted an advice show with Bay Area radio DJ NoName called We Got Issues. His former podcast Radio Like You Want spread the gospel of bad music and intrusive interviews with accomplice Mike Routhier. Now he croons lounge country style as Ralph Champagne

31. THE DWARVES have just had a slew of their classic back catalogue albums, including Blood, Guts and Pussy, and Come Clean, reissued on vinyl with new (still awful) artwork with infinite gratuitous nudity and bonus tracks, . You can get them all via MVDB online, here.

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Photo: James Farrell