Archive for November, 2017

8th November 2018

Christopher Nosnibor

Salvation Jayne’s latest offering, which follows the summer release of ‘Moves that Make the Record Skip’ which got our thumbs up, marks a substantial step both forwards and upwards.

With a nagging clean guitar in the verse and a thunderous overdrive propelling the riffy chorus, all underpinned by a chunky bass, ‘Juno’ is a savvy, sassy rock tune. Chess Smith’s in fine voice, and there’s a vintage post-punk twist in the execution of the song’s grunge dynamics.

And really, what more do you need to know? It’s got guts and is as catchy as hell, and in terms of achieving everything it’s intended to, it’s pretty much impossible to fault. Did I say Salvation Jayne are a band to watch for 2018? No? I did now.

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Salvation Jayne - Juno

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Psychedelic, occult rockers Jess and The Ancient Ones have shared the second track from their brand new album The Horse and Other Weird Tales  which is released on 1st December via Svart Records. You can take a listen to ‘Return to Hallucinate’ here:

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4Jess and the Ancient Ones

French industrial-goth metal band Porn have just released their third album, The Ogre Inside, from which the song ‘You Will Be The Death Of Me’ is taken.

Porn leader Philippe Deschemin describes the song as being about "life, death and love and the fact that love is like humans – mortal. I am obsessed by death, which I see everywhere. Everything ends, everything dies. And sometimes, maybe always, being in a relationship means to kill the previous version of yourself. You change, and in a way you die, to be reborn as another you. The new video is a metaphor for death, a ‘mise à mort’, and I wanted to place the female protagonist in the dominant position."

Do people still use ‘NSFW’ these days? If so, this meets the criteria. If you’re not at work, or work in Westminster, you can watch the video here:

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Porn - Ogre

Ici d’ailleurs – 15th September 2017

Christopher Nosnibor

The gathering together of Aidan Baker (guitar), Gaspar Claus (cello), Franck Laurino (drums) and Maxime Tisserand (clarinets) was engineered by Stephane Gregoire, Ici d’ailleurs’ artistic director for the purpose of simply seeing what would happen. The four were selected because of their musical dissimilarities, and the fact they did not know one another personally or musically. As such, the element of chance was one of the leading factors in the emergence of the pieces which make up the album. All of this makes Serendipity an appropriate addition to the ‘Mind Travels Series’ releases, of which it is the eighth.

Serendipity brings its share of unexpected twists and turns, sudden changes in tone and direction, but what’s more remarkable is just how smoothly it flows. And while there are expansive ambient passages, it’s certainly not an ambient record.

‘A day staring at eternity’ part 1 begins with an elongated, broad sweeping drone before strolling percussion and a wandering bass brings a sense of structure and more linear movement on ‘part 2.’ Through disconsolate, minimal jazz – horns lost in a wilderness of sighing drones – to a funereal darkness and eventually racing, urgently towards…what? eternity is not fixed, but stretching out across myriad horizons, all of which are uncertain.

‘Drawn with the wind,’ also in four parts, works a seam of expansive space-age prog with ambient undercurrents. A motoric swell of urgent percussion propels the composition relentlessly forwards, before stepping back in tempo and position to forge a distant thunder amidst eddying drones. The fourth part blossoms into a spectacular sonic sunburst, a slow groove at its heart. The performance and production coalesce to create a spellbinding moment.

The twenty-one-minute ‘After all the sun is awakening’ is immense in every sense, a widescreen krautrock drone that sways and swirls hypnotically. Strings drift and drape over rumbling sonic abstraction which envelop the listener.

The last two pieces, ‘We host you’ and ‘Fructification’ stand somewhat apart from the rest of the release. Shorter, more linear and overtly psychedelic, the former is a nifty noodlesome nugget, while the latter somehow represents the culmination of Orchard’s objective, incorporating as it does all elements of the album with condense concision, weaving around a paired-back yet insistent groove.

As a whole, Serendipity is an impressive work which demonstrates the power of collaboration when the right people come together – making Orchard a fruitful collaboration indeed.

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Bearsuit Records – 23rd September 2017

James Wells

Multi-instrumentalist Hayato Takeuchi hails from Japan. Beyond that, I know nothing in terms of biography. No that it matters. It’s all about the music, and the music on this EP is… different. Different from what? Pretty much everything. Yes, it’s a typical Bearsuit Records release.

The five tracks on offer here are dizzying, bewildering, multitonal works which play with time signatures and textures at the same time. There are all shades of oddness here, from the whistling loop over wonky synths and a sparse beat on the piano-led ‘Usan Kosao No Usoushiki’, and the playful theatrical noodles of ‘Mr Henderson No Ai To Replica’ is a fairground waltz that skips lightly through a space that revels in experimentalism. Weird and woozy, dramatic and quirky are Takeuchi’s key themes here. The final track, ‘Anata To Watashi No Kyoukaisen’ sides gracefully into crystalline, cloudlike ambience which tapers and turns subtly in a space of its own creation.

There’s no way of putting a tag on this that’s in any way informative, and to pick it apart is to destroy its intrigue. Weird and special, and special in its weirdness.

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Hayato Takeuchi

Black Rebel Motorcycle Club have revealed their first video for single “Little Thing Gone Wild” via their Facebook.  The band recently announced their forthcoming album Wrong Creatures, produced by Nick Launay (Nick Cave, Arcade Fire), out on January 12th, 2018.

Watch the visceral, live video directed by Brian T Lauzon here:

Industrial metal pioneers Godflesh will release their new album Post Self on November 17th via Justin K. Broadrick’s Avalanche Recordings on CD, digital and LP formats, with a cassette version incoming on Hospital Productions.  Over two years in the making, Post Self explores a different side of Godflesh, taking in their formative influences to conjure something informed by late 70’s/early 80’s post-punk and industrial music. The album deals with themes of anxiety, depression, fear, mortality, and paternal/maternal relationships.

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Godflesh