Posts Tagged ‘video stream’

Almost 30 years since their inception, the members of Engine Kid got together a few months ago to hang out and record new music. The result of which arrives by way of the Special Olympics EP flexi-disc/digital EP which was released on December 3rd via Southern Lord.

Some fans may recognise the song ‘Special Olympics’ which, like others on this release, are re-workings of old material which were never recorded. The music represents the sonic direction that the band were heading before they disbanded. With this EP, Engine Kid commemorate the joy of playing music together for the first time in 26 years, and pick up where they left off. As Jade Devitt comments, "The musical commitment and connection that we forged in the 90’s has held like a magnet, finally pulling us together after 26 years! The newly recorded songs were dusted off blueprints from our very last practice tapes from the summer of ’95. Now enhanced with experience & age and new arrangements. The Kid flies again."

Earlier this year, the 90’s post-hardcore collective featuring Greg Anderson (Southern Lord label owner, also in Sunn O))), Goatsnake & Thorr’s Hammer) released a 6-LP box set of their career-spanning recordings on colour vinyl LP’s for the first time titled Everything Left Inside (find out more about that here) Engine Kid’s Brian Kraft adds, "Greg, Jade and I spent the summer and fall of 2020 gathering old photos, flyers, artwork and audio rehearsals /remixes/remasters for the Everything Left Inside box set. This remote reunion of the Kid made me realise how important Greg, Jade and Engine Kid was and is in my life. The reconnection led to recording some new material. It felt as if we were continuing right where we left off.”

Engine Kid’s first new material since 1995, the Special Olympics EP’s cover art is a symbolic metaphor about living one’s best life, and with extravagant swagger. The songs themselves continue the band’s “take on the world” attitude with restless, wild energy.

Engine Kid’s new EP is out now on flexi-disc and on digital format via Bandcamp.

Watch the official video for ‘Burban on Bladez’ here:

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Photo Credit: Vaga Bond

Canadian industrial act, DI AUGER has just unleashed their new video, a commentary on world-wide geopolitical issues called ‘Brave New World’. The concept for the ‘Brave New World’ video was designed to capture the literal content of the song.

The  message in the song is this: We are one people, one race and we exist to perpetually destroy ourselves and erase our existence from this planet. The song closes with the sarcastic view of our new collective mindfulness. Prove me and the next generation wrong.
Fighting racism, climate change, pollution, overpopulation, human rights. Where has it gotten us?  We are reliving the past here and now. The ideology is the same as are the reactions and the emotions.

Now we live in this brave new world; one with its promises for salvation under a unified umbrella as long as YOU stay in line and do what the government tells you. OBEY and don’t criticize, or comment, make a fuss or subjectively analyze. 
‘Brave New World’ appears on the album, Under The Skin Of The World and is available digitally NOW.

Watch the video here:

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Last month, A Place To Bury Strangers announced their sixth studio album, See Through You, out 4th February 2022 on Dedstrange, and shared its lead single ‘Let’s See Each Other’. Today, they return with ‘Hold On Tight’, a noise-pop ripper bursting with chaotic delirium.

The accompanying video, directed by Meriel O’Connell, sees bandleader Oliver Ackermann moonlighting as the concierge of New York’s most eccentric hotel. When a candlelit dinner suddenly turns into a lovers’ quarrel, Ackermann joins a mysterious lone patron (drummer Sandra Fedowitz) and maître d’ (bassist John Fedowitz) to bring the noise. “When the getting’s good, I hold on tight. Sometimes I forget to enjoy where I am and the people around me. It is critical to be thankful and enjoy existence and have fun. Having a bad night? Reflect and kick yourself into gear,” says Ackermann.

Watch the video here:

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Photo by Ebru Yildiz

Constellation is honoured to welcome Montréal producer Kee Avil to the label. Her hybrid songcraft of postpunk, electroacoustic and electronics gets inside our heads and under our skins in the best way. She’s celebrating by sharing a song and video. Details of her first and phenomenal full-length album to follow in early 2022.

‘See, my shadow’ is a kinetic assemblage of tension and release with chiselled guitar lines, plucked and pounding prepared piano, scraping metal, electroacoustic micro-samples and alternating blasts of crisp drum programming, all galvanised by Kee Avil’s intimate, inscrutable, insistent vocal.

Watch the video here:

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Led by Montréal producer Vicky Mettler, Kee Avil combines guitar, voice, electroacoustics and electronic production to create song assemblages that teeter on the edge of collapse while oozing forward, like sticky resin picking up and shedding disparate elements along the way. Kee Avil evolved from playing guitar with broken cymbals and drumsticks to forging askew tempos and templates glued together by samples of screws dropped into crystal bowls. Her self-titled debut EP, released in 2018 on Black Bough Records, harnessed her improvised music and prepared guitar background toward a newfound structural sensibility and arresting vocal / lyrical experimentation; she has been immersed in the exploration of distinctive compositional architectures ever since, expanding her sonic palette with increasing and intensive detail, where twitchy, finely wrought postpunk electro-industrial avant-pop songs are meticulously assembled to resemble disassembly.

Honed through pre-pandemic tours in North America and Europe (sharing stages with Marc Ribot, Pere Ubu, Bill Orcutt and Fly Pan Am, among others), Kee Avil’s emerging body of work signals a vital, viscous, virtuosic new voice in experimental songcraft – where touchstones include Juana Molina, Scott Walker, Fiona Apple, and Eartheater; where PJ Harvey meets Pan Daijing or Grouper melds with Autechre.

Kee Avil will be presenting a new and definitive collection of studio recordings in early 2022.

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Teasing their forthcoming self-titled debut album, Manchester’s most uplifting cacophonous craftsmen Chew Magna, are serving up their own alt-rock antidote to lifelessness in the modern age with the ironically titled new single ‘Listless’ – complete with an unsettling self-made David Lynch inspired video.

“Listless is mostly about wasting an abundance of potential,” guitarist and vocalist Laurie says, alluding to the track’s thundering chorus as it sharpshoots, “I’d kill for what you’ve got” to a motoring Krautrock groove. Recorded at Salford’s The White Hotel with SWAYS producer Martin Hurley, it is a restless and incendiary re-introduction to a band who have been busy cranking up the dial on their unyielding attack of guitar squall. “For this track we melded two songs together; you can hear the jam the main part came from,” Laurie reveals.

‘Listless’, the first track to be unleashed (and the last to be written) from the four-piece’s upcoming debut album, is unrelenting in its anthemic riff, symphonic vocal, guitar and bass flirtations, crashing drums and overall wall of enduring sound.

The accompanying ‘Listless’ video was created and filmed by the band in a single day, in a cleared-out spare bedroom on zero budget. Each Magna members’ eyes covered as their senses are heightened, slide projections and shadows dance across their turtlenecks and barefoot stance which culminates in the strangest but most addictive of calisthenics style dance routines since ‘Watch Me (Whip/Nae Nae)’.

“The end result is delightfully odd,” says guitarist Simon who, alongside partner Annie, took the directorial lead. “The angles are quite Lynchian, driven by us using lighting in unusual ways to enhance the confines of the small space. It was a case of setting each scene with the things we had in the house and the dance adds a surreal, claustrophobic feel to the song’s already uncanny theme.”

A further foray into Chew Magna’s poetic and philosophical world, ‘Listless’ is the first earful of the band’s eagerly-anticipated debut album arriving Spring 2022 – a record they say, sees them “emerging from Covid’s sleep.” An onslaught of decibel-destroying fuzz and rising tension, Chew Magna explores the angst felt of wasting one’s potential, freedom’s plight, apocalyptic cautionary tales, inverse worlds, the passing of youth, conspiracy theories and life’s countless frustrations.

Watch the video here:

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Having recently unveiled the video to the killer lead song from their forthcoming EP, No Guts All the Glory, Weekend Recovery have announced they’re celebrating an EP launch in two of their favourite cities, namely  London and Leeds, at The Grace and Headrow House respectively, in early February of 2022.

Weekend Recovery recently debuted a new lineup as a three-piece, and a new sound that harder, rockier, and more direct, and these dates will provide an opportunity tom witness the emerging next stage of the band’s evolution, and they’ve got some cracking supports lined up, too.

Dates are:

Leeds, 3rd Feb with support from Salvation Jayne & Helle @ Headrow House. Tickets: www.weekendrecoveryofficial.bandcamp.com/merch/leeds-ep-launch

London 4th Feb with support from Dirty Orange @ The Grace. Tickets: www.ticketweb.uk/event/weekend-recovery-ep-launch-show-the-grace-tickets/11537935

No Guts’ is a corker and it’s already been getting early radio play, a sign that this is a band continuing their upward trajectory. Chances are they won’t be playing venues this size much longer. Exciting times.

See you down the front!

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Rotherham based three-piece, sludge band Swamp Coffin have shared the video for new single ‘Your Problem’, taken from their upcoming album Noose Almighty set for release on 26th November (APF Records). Vocalist/guitarist Jon Rhodes comments,

"We were close to finishing writing the album but knew that we needed something huge and pissed off to open the record with, to really set our stall out for what was coming. “Your Problem” was one of those songs that just came together really quickly. I went in to rehearsal with the verse and chorus riffs and by the end of the session we’d got what you hear on the album. Lyrically it’s about those people that have followers instead of friends who are never seen to do any wrong but are ultimately only out for themselves and will happily stab you in the back without ever letting the mask slip. It’s about revenge after a betrayal and we wanted to play off that with the video and make it as claustrophobic a viewing experience as possible.”

Watch the video now:

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Dreams are one of the guiding inspirations on the new album from Norwegian collective Lindy-Fay Hella (Wardruna) & Dei Farne and today they share the imaginative new video/track ‘The Lake’ from their forthcoming album Hildring (By Norse, 26th November).

About the meaning of the song, Lindy-Fay comments, “The Lyrics for ‘The Lake’ are taken from one of my cousin Roy’s dreams. We have been discussing the dreamworld for many years already. So, to my big surprise, I discovered that [director] Gaui’s story for the video also was directly taken from a dream. When eating breakfast at his and Marita’s cozy home in Faroe Islands, I asked: "The story for the video is very beautiful, how did you come up with that?” Gaui replied: “ Oh well, I dreamt about it. It is just taken from a dream.”

This kind of charming synchronicity is very befitting to Lindy-Fay Hella & Dei Farne, who have created a record which celebrates the power of all of our senses and encourages listeners to seek the magic in our surroundings, awakening curiosity and our sense of wonder.

Check out the official video for ‘The Lake’ below:

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Photo Credit: Raina Vlaskovska

A Place To Bury Strangers announce the release of their sixth album See Through You on 4th February 2022. It’s not just a return to form for the band, but also a return to their fiercely independent, DIY roots on their own label, Dedstrange.

Outpacing even their own firmly blazed path of audio annihilation, this 13-track album repeatedly delivers the massive walls of chaos and noise that A Place To Bury Strangers are renowned for. It’s an explosive journey that explores the listener’s limits of mind-bending madness, while simultaneously offering the catchiest batch of songs in the band’s discography. It’s a nod to the art school ethos of the band’s origins, while forging a new and clear direction forward.

The first single ‘Let’s See Each Other’ is an intimate and disarming love song from a forgotten future. Syncopated memories and deconstructed fantasies of lovers lost in a city that doesn’t know their names. The accompanying video, directed by David Pelletier, features the band destroying the song while imploring people to reunite.

Watch the video here:

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Photo by Ebru Yildiz

In late October 2019, following a successful UK tour ending in a sold-out concert at the mythical Roundhouse in London, SUNN O))) entered studio 4 of the BBC Maida Vale on invitation to record a live session for Mary Anne Hobbs to be broadcast on Samhain via her excellent radio show on BBC6. To enter the legendary John Peel studios was to enter a temple of music and experimentation, liberty in ideas and sound.

The brilliant Anna Von Hausswolff and her band had accompanied SUNN O))) on the UK tour, and Anna joined SUNN O))) in the BBC studio on synths and with her tremendous voice on the Pyroclasts pieces.  Today, SUNN O))) premieres an excerpt from the remarkable “Pyroclasts F” track ahead of the November 26th CD/Digital release date.

Check the visuals that accompany the pre-release excerpt here:

 

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Artist photo by: Ronald K. Dick.