Posts Tagged ‘video stream’

La Pochette Surprise / Membran – 18th August 2022

Sitting on the intersection where indie-rock, shoegaze, dreampop and neo-psych all meet, ’Noise Between The Shades’ is the second album by Hamburg-based quintet Melting Palms and a record that deserves to seem them established internationally. The song ‘Aurora’ has just been released as its fifth single.

Watch the video here:

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A collective as much as a group, Melting Palms were founded in 2017 when Mike Krumhorn (vocals, guitar), Teresa Koeberle (vocals, guitar, piano, synth) and Johann Wientjes (drums, sound design) began both musical and romantic entanglements. A debut EP and 2020 album (‘Abyss’) were recorded as a trio while performing concerts and rehearsing endlessly in their basement in a rundown area otherwise comprised of animal shelters and street prostitution, before they eventually recruited Tim Dajan Thiele (guitar) and Lukas Schulz (bass) to complete their current line-up.

Recorded at Clouds Hill Studio in their home city, ‘Noise Between The Shades’ is intoxicating and daring, contains surprising musical and lyrical twists, and emerges as a cascade of euphoria and drama. Boasting a spatial yet highly concentrated sound, it is a stunning combination of guitar-based music, noise and emotion.

Reference points include Melody’s Echo Chamber, Wand, Deerhunter and much earlier reverb/delay-heavy bands such as Sonic Youth, My Bloody Valentine, Ride, Pale Saints and the late ‘80s Creation/4AD guitar aesthetic in general. However, these Kraut-Punks do it all in a box-fresh fashion and ‘Noise Between The Shades’ has the power and ability to reach far beyond the German border.

Melting Palms also have a common non-musical goal, even a socio-political claim: humanism and idealism are a real concern for these five DIY utopians, one that embodies the notable resilience of the Hamburg scene in both attitude and aesthetics. All five group members have also been in or performed with other outfits on the city’s punk scene and their own signature sound has emerged from this special togetherness, a patchwork of many creative energies, the beautiful but also painful noise between the shades that every life guards.

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Industrial / electronic black metal act Psyclon Nine has today unveiled a new video for the song  ‘See You All in Hell’ from the album Less To Heaven, also released today, 19th August.

Watch it here:

The music of Psyclon Nine is not for the faint-hearted. The brainchild of Nero Bellum, the dark, aggressive electronic assault of his group’s 2003 debut album ‘Divine Infekt’ immediately earned them popularity and notoriety worldwide. Its follow-up, ‘INRI’ (2005), displayed a marked evolution with a lyrical focus on religious themes. In the ensuing years, Bellum’s music has taken him down an even darker path, his distinctive whispered-scream vocals guiding us through an idiosyncratic take on modern underground music that has implemented elements of black metal and post-punk influences that, although often featuring haunting melodies, has often had an undercurrent of unbridled menace.

The brand new Psyclon Nine album, ‘Less To Heaven’, is a complex and immersive work that sees Bellum at a creative peak, with concussive, machine-precise drums, hammering guitars, scathing vocals and evil electronics all interplaying seamlessly. It also sees him charting undefined musical territory that bridges elements of metalcore with doom electronics, trip-techno with black metal, and experimental cinematic soundscapes with alternative rock. While many acts have a constant faster-louder approach to industrial-black metal, Bellum is unafraid to use all manner of tempos to build atmosphere.

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Doom metal meets dreampop on ‘Crows, Sparrows and Cats’ by Blacklab, the self-proclaimed ‘Doom Witch Duo from Osaka, Japan’. Featuring a lead vocal by Stereolab’s Laetitia Sadier, the Hawkwind riffs, motorik heavy stomp and fuzz fat guitars coupled with that cool pop vocal is a surprising combination that hits the spot.

Hot on its heels comes a new video, featuring Hanaka the thirteen year old daughter of Blacklab drummer Chia, who creates her own dance routine for the track whilst footage (from their recent stay in London) is projected ‘Liquid Len’ like, for full psychedelic overload.

Watch the video now:

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‘Crows, Sparrows and Cats’ is taken from their latest album ‘In A Bizarre Dream’ which is out this Friday (New Heavy Sounds).

Their debut ‘Under the Strawberry Moon 2.0’ saw them taking Sabbath inspired doom, mashing it with a Japanese sensibility and a fuzzed-up groove. It certainly caused a stir, but only hinted at their potential.

Album two ‘Abyss’ added to the mix. A Stooges like squalor to the riffs, dollops of lo-fi hardcore punk and loose riffing, pointing the way towards a signature sound.

So what of the ‘difficult’ third album? Not so difficult at all it seems.  ‘In A Bizarre Dream’ ups the ante considerably, to let rip and define what Blacklab are about.

The combined talents of Jun Morino on production and Wayne Adams (Big Lad, Green Lung, Pet Brick, John, Cold In Berlin) on the mix have conspired to produce a towering beast of a record. A real step forward for the ‘Doom Witch Duo’.

The drums have a humungous ‘Fugazi’ like welly, and the guitars are a boiling maelstrom of fuzz dense riffola and warped psychedelics, with added synth. Yuko’s throat shredding snarls are as mean as a pissed off Satan, and melodious, often within the same song.

This is doom meets hardcore punk, hooky melodies, and killer riffs, all cranked up to the max. Japan has always had a special take on ‘noise’ and ‘heavy’ and with ‘In A Bizarre Dream’ Blacklab add their own spin to that tradition.

Gone is the lo-fi approach, here is Blacklab in full effect.

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Edinburgh born Kendall based artist Celestial North has shared ‘Yarrow’, a haunting atmospheric ‘botanical’ soundtrack.  For fans of Nils Frahm, Olafur Arnalds or Sigur Ros, this reflective and meditative piece gently sways with a wash of pianos and sighing melodies. It’s a tantalizing other side of Celestial North’s artistry and a teaser for her album released later this year. 

Watch the video for ‘Yarrow’ here:

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She says of the song:  “I often think in ‘music’. My thoughts are usually awash with colours and sounds. I was sitting trying to meditate, or contemplate, beside the yarrow patch in my garden. I was finding it difficult to articulate how I was feeling and started to feel a bit frustrated. I decided to sit quietly and start again. I realised that I didn’t really have any words to write down as such but I did have a tune playing in my head. I decided to record this tune on my piano and added some other elements that I felt benefitted the song — a bodhran drum, a choir, the rustling of the yarrow patch and the roses recorded from my garden and some simple electronic sounds.  This botanical soundscape is representative of how I felt whilst I was sitting with the yarrow and the tune played on the piano is the tune that was playing in my head whilst sitting with the plant."

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Russian Circles have released their first ever music video for the title track of their forthcoming LP Gnosis, available next week, 19th August, via Sargent House. The centrepiece of the album “Gnosis” begins with a slow-build exercise in krautrock methodologies — drones, guitar arpeggios, cosmic synth, hypnotic drum patterns—that eventually explodes into the wall-of-sound bombardment Russian Circles are known for. The accompanying video, directed/edited by Joe Kell, is full of dark imagery driving towards the actual definition of the word ‘Gnosis.’ The band explains:

“’Gnosis’ is a special song that has grown with us over a number of years. The main theme of the song was re-conceptualised so many times that it provided nearly endless arrangement options. It’s rewarding to see such a minimal song idea evolve into one of our most dynamic and fully-realised songs to date.

When discussing a concept for the video, we agreed we wanted cinematic footage of nature and humanity. Ultimately, we wanted the video to feel fresh and inspiring despite dealing with a dark theme. Similarly, we wanted to compel viewers to re-watch the video and get something new from each viewing. Somehow, editor Joe Kell masterfully made this all happen.”

‘Gnosis’ eschews the varied terrain of the band’s past works by employing a new songwriting technique. Rather than crafting songs out of fragmented ideas in the practice room, full songs were written and recorded independently before being shared with other members, so that their initial vision was retained. While these demos spanned the full breadth of the band’s varied styles, the more cinematic compositions were ultimately excised in favor of the physically cathartic pieces.

Watch the video here:

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Russian Circles will be touring extensively in support of the album. Dates are as follows:

RUSSIAN CIRCLES N. AMERICA TOUR 2022:

Sep 15 Minneapolis, MN – Fine Line

Sep 17 Denver, CO – Gothic

Sep 18 Salt Lake City, UT – Urban Lounge

Sep 20 Seattle, WA – Croc Showroom

Sep 21 Portland, OR – Revolution Hall

Sep 23 San Francisco, CA – Great American Music Hall

Sep 24 Felton, CA – Felton Music Hall

Sep 25 Los Angeles, CA – The Regent

Sep 26 Phoenix, AZ – Crescent Ballroom

Sep 29 Austin, TX – Empire Garage

Sep 30 Dallas, TX – Amplified Live

Oct 01 Memphis, TN – Growlers

Oct 27 St. Louis, MO – Delmar Hall

Oct 28 Louisville, KY – Headliner’s

Oct 29 Atlanta, GA – Terminal West

Oct 30 Orlando, FL – The Social

Nov 01 Asheville, NC – Grey Eagle

Nov 02 Carrboro, NC – Cat’s Cradle

Nov 04 Washington, DC – 9:30 Club

Nov 05 Philadelphia, PA – World Cafe Live

Nov 06 Brooklyn, NY – Warsaw

Nov 08 Boston, MA – The Sinclair

Nov 09 Montreal, QC – Theatre Fairmount

Nov 10 Toronto, ON – Opera

Nov 11 Detroit, MI – El Club

Nov 12 Chicago, IL – Metro

RUSSIAN CIRCLES EU TOUR 2023 (Co Headline w/ Cult Of Luna):

March 17 Copenhagen, DK – Store Vega

March 18 Berlin, DE – Huxleys

March 19 Wiesbaden, DE – Schlachthof

March 20 Utrecht, NL – Tivoli Ronda

March 21 Brussels, BE – AB

March 22 Paris, FR – Olympia

March 23 Stuttgart, DE – Wizemann

March 24 Lausanne, CH – Les Docks

March 25 Ljubljana, SI – Kino Siska

March 27 Vienna, AT – Arena

March 28 Munich, DE – Muffathalle

March 29 Prague, CZ – Roxy

March 30 Krakow, PL – Studio

March 31 Warsaw, PL – Progresja

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Photo Credit: William Lacalmontie

Following the announcement of Shiki, their new studio album, on 26th August through Peaceville, the cult Japanese black metal legends Sigh have released a video for the track ‘Satsui’.

Sigh mainman Mirai Kawashima explains the track – somewhat cryptically – “The album Shiki is mostly about my personal fear of getting old and my fear of death, but some of the songs are a bit off topic and ‘Satsui’ is one of them. ‘Satsui’ means ‘Intent to Kill’ and it is my personal view on the death penalty. You often hear people say ‘The criminal penalty is not meant to be for revenge’ or ‘we all live in a country governed by law’, but I do not think things are that simple; but of course everybody has the right to have their own opinions though. I guess the song is one of the most straightforward ones on the album.”

Watch ‘Satsu’ here:

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He goes on to explain the full album version of the song – “Satsui – Geshi No Ato” – “On the other hand, ‘Geshi no Ato’ is a completely different song. I composed that as an outro to ‘Satsui’, and the lyrical concept followed. The title means ‘After Summer Solstice’’, which is a metaphor saying that your heyday is gone. I played all the guitars on this and Mike Heller banged chairs, pieces of wood, boxes, water bottles, etc to create the beat!”

The full version of the song, “Satsui – Geshi No Ato” will be released as a digital single on all streaming platforms on Thursday 10th August.

Sigh’s forthcoming opus, ‘Shiki’, is dark & eclectic blackened heavy metal, shrouded in traditional eastern influences, and marks the latest chapter in the Sigh legacy, which includes some of the band’s heaviest and darkest material for some years; a fine hybrid of at times primitive black metal akin to early influences such as Celtic Frost amid more epic melodic heavy metal riffing and solos. It will take you on a journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career. Highlighting that Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots.

The word "Shiki" itself has various meanings in Japanese such as four seasons, time to die, conducting an orchestra, ceremony, motivation, colour. The two primary themes for the album are "four seasons" and "time to die". The concept and artwork is based around a traditional Japanese poem, and on ‘Shiki’ Mirai explores how at this stage of life he himself is going through Autumn, with Winter coming soon, and so empathises with the contrasting sentimental feelings from watching cherry blossoms (a symbol of spring) in full bloom.

Joining Mirai and Dr Mikannibal for this release are Frédéric Leclercq of Kreator, plus US drummer extraordinaire, Mike Heller of Fear Factory and Raven, along with an appearance by longtime member Satoshi Fujinami on bass. ‘Shiki’ was recorded across multiple studios, and mixed and mastered by Lasse Lammert at LSD studios in Germany. The album utilises a whole host of instruments to give further texture and dynamics to the compositions and eerie atmosphere, incorporating traditional oriental instruments such as the Shakuhachi & Sinobue flutes.

California darkwave duo, Male Tears has just unveiled their latest single, ‘Deal3r’. The song plays into the themes of an upcoming record that speaks on the abuse and hypocrisy of city night life.

‘Deal3r’ tells the story of the ultimate example of ‘style over substance.’ It’s the tale of an important person; a ‘legend’ embraced by the ‘scene’. But beneath the ‘image’ and artistic craft, lies an individual empty and shallow; a hypocrite and drug dealer whose true identity was hidden under the skin of the community.

The song is intended to be an aggressive dance-pop track pulling from darkwave and EBM influences. Filtered through the lens of 90’s pastiche and acid house, ‘Deal3r’ is a departure from the band’s established 80’s new wave sound.

Watch the video here:

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27th July 2022

James Wellls

Gasoline Thrill, have been building things nicely, and snagging James Lerock Loughrey, who, in addition to his renowned work with Skindred, Sumo Cyco also recently worked on the number one rock album by The Kut to record their latest single was a nice move, as was scoring Amir Khan to film direct, and edit the accompanying video.

They’ve been around since 2011 and have a path littered with rave reviews, particularly for their live shows, but after time out for pregnancies and with another inevitable stall due to the pandemic, they’re back all guns blazing with ‘Once’.

It’s a gritty, gutsy grunger that pulls no punches, and instead hits headlong and hard. It’s got the rawness and angst of Hole and L7 at their best, and yeah, it’s a thrill alright, and it’s fiery, too.

Sometimes, it feels a bit pointless to write about music, especially when it simply grabs you by the throat and punches you in the gut. As a music reviewer, that makes life hard. But FUCK… you know the sound of asses being kicked. You know the sound of fury. You know the sound of taking no shit. And this is it, and I’ll tell you only once – hear this, suckers!

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Swedish crust/death-metal unit Industrial Puke featuring members of Burst and Rentokiller will release their debut EP  “Where Life Crisis Starts” on September 16 via Suicide Records.

Linus Jägerskog from Burst and Jens Ekelin from Rentokiller started Industrial Puke out of their common love for Disrupt and Dismember, along with a pressing need to make music for imminent affect release.

After a long period of writing, finding band members and recording, the debut single “Mental Taxation” was released in June of 2022. The single spawned a partnership with Suicide Records for the release of their debut EP “Where Life Crisis Starts” in September and a full-length album titled “Born into the Twisting Rope” is already set for release in late spring of 2023.

The EP is a direct bombardment of crust, death metal and hardcore minced down to four relentless songs about failing yourself and the men that fail the world.

Showing the band performing in a field with no audience, which we’ll pas no comment on, you can watch the video for ‘Mental Taxation’ here:

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Yuss! It’s been a while since Australian duo Mannequin Death Squad gave us new music, but on the brink of an extensive UK tour, they’ve slammed down another slice of grungy, adrenaline-fuelled pink rock in the shape of ‘Super Mental Psycho.

It’s a corker – but don’t just take our word for it: check it here:

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