Posts Tagged ‘Single’

Parisian fuzz fanatics Electric Jaguar Baby return to burn down the garage with Clair-Obscur, their wildest, heaviest, and most electrifying album to date, set to be released on September 5, 2025 via Majestic Mountain Records (Kal-El, Saint Karloff).

Today, the duo ignite another surge of fuzz-fueled energy with the release of their latest video, “Bring Me Down,” featuring a special guest appearance by Patrón.

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This follows the release of the raucous lead single ‘My Way’, and the recently premiered ‘Heroine’, which features guest vocals by Chris Jr. of Greek doom heavyweights Acid Mammoth, another fuzz-drenched bombshell from the upcoming LP.

Formed in 2015, the duo comprised of Franck (drums/vocals) and Antoine (guitar/vocals), have spent the last decade distilling garage, stoner, punk, psych, pop and grunge into pure fuzz-fueled chaos. Known for their explosive live shows and no-rules approach, they’ve shared stages with everyone from Sepultura to Death Valley Girls.
Now, “Clair-Obscur” marks their third full-length and most fearless outing yet. Recorded live and drenched in distortion, the album rips through 11 unfiltered tracks of raw sonic adrenaline, with killer guest appearances from Lo (ex-Loading Data) and Chris Babalis Jr. (Acid Mammoth).

With a new EU tour in the works and their amps permanently stuck at 11, Electric Jaguar Baby are revving hard into a new era and you’re invited along for the trip.

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The German dark electro-pop duo Rotersand have released a new single entitled ‘Sexiness Of Slow’. The second to be issued ahead of Don’t Become The Thing You Hated, their long-awaited new album out on 8th August, the song is a slow-burning club anthem that oozes tension and desire. With thick beats, seductive synths and an atmosphere so charged it could short circuit the dancefloor, it is electronic sensuality in its most powerful form.

Announced via its first single ‘Private Firmament (I Fell For You)’ Don’t Become the Thing You Hated sees the Hamburg based act (comprised of Rascal Nikov and Krischan Jan-Eric Wesenberg) return with an album that is as much a cultural critique as it is a musical statement. In a world increasingly defined by division, alienation and existential anxiety, the duo cast a sharp eye on the psychological toll of our times and issue a warning. The message is clear: in fighting what we oppose, we risk becoming it ourselves.

Musically, the album is a masterclass in synthesis, melding sonic sophistication with visceral emotional impact. Navigating seamlessly between intricate sound design and tightly constructed rhythmic frameworks, these are layered with melodic hooks that are as intellectually engaging as they are dancefloor-ready. The album soundscape is dark yet resolutely hopeful and explores a dynamic spectrum of styles, from propulsive electro with surgically crisp beats and brooding industrial textures to anthemic, almost dreamlike interludes. Each track reveals itself as a meticulously crafted entity, constantly surprising the listener yet never straying from its emotional nucleus.

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Industrial rock insurgents Jesus on Extasy are back – darker, heavier and more relentless than ever. Led by founding member Dorian Deveraux, the band has returned with an uncompromising sound that pushes their signature mix of industrial beats, searing guitars and raw emotion to the next level.

JoE have just dropped the heavy-hitting ‘Soul Crusher’ as a new single, with Deveraux stating that “it’s a post-breakup song dealing with the feeling of reality kicking in after you’ve basically mourned the loss of a loved one. You start to see them for what they really are and you start wondering if any of it was even real or if you’ve been gaslighted all along. I’d be lying (mostly to myself) if I told you the song isn’t autobiographical. It was written in the aftermath of a pretty dark period in my life and was an outlet to deal with the trauma.”

‘Soul Crusher’ offers a further brutal preview of the forthcoming new JoE album, Between Despair And Disbelief, out on 12th September via Metropolis Records. Giving fans a tantalising taste of their second coming with the single ‘Wide Awake’ in 2023, the band subsequently signed to the label to issue ‘Days Gone By’ in late 2024. Both were heavier, more intense and unapologetically aggressive than ever before. “It looks like the world is going to hell. We might as well deliver the soundtrack for that,” adds Deveraux.

JoE will tour Europe with Die Krupps in September, on which fans can expect an unrelenting live set packed with new material and reimagined classics, proving that their resurgence is built. With a harder edge and a fire that refuses to burn out, JoE fully intend to leave an everlasting mark on the alternative rock landscape.

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JESUS ON EXTASY | 2025 photo by Marina Päsler

Azure Emote unveil the noire video clip ‘Bleed with the Moon’ as the final advance single taken from their new full-length Cryptic Aura. The fourth studio album of the American progressive death alchemists has been chalked up for release on July 25, 2025.

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AZURE EMOTE comment: “Overall, ‘Bleed with the Moon’ is conceptually very simple and straightforward, but also one of the more personal songs on the album”, mastermind Mike Hrubovcak reveals. “Alcohol is a demon and I’ve named him Al-Kuhl. This analogy is based on my personal experiences and the lyrics are about getting possessed by this demon around a bonfire in the woods at night. I’m not trying to glorify excessive drinking here. I rather artistically convey the passion, euphoria, and physical and mental dangers of convening with such ‘spirits’ in the heat of the moment. I have a love/hate relationship with Al-Kuhl and I have learned that eventually it ends up taking much more than it gives. This song was written during such a night however, and even the album cover is a photo of a homemade skeleton that I made and burned in the woods along with a bottle and a bonfire.”

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In the wake of turning loose their fierce sixth album Devoid of Light on May 16, 2025, Dutch death metal veterans AntropomorphiA  unleash another sinister track as a new video single: ‘Funeral Throne’.

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AntropomorphiA comment: “No god will save humanity as this excrement cesspool of the world around us slowly spirals into chaos and war”, frontman Ferry Damen prophesies. “We embrace the flaming crown of the funeral throne: ad me venite mortui.”

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FÏX8:SËD8 present the hard-hitting track ‘New Eden’ as the first single taken from the forthcoming sixth album of the German dark electro act: Octagram has been scheduled for October 3, 2025.

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FÏX8:SËD8 comment: “The song ‘New Eden’ comes with an epic buildup that is almost reminiscent of 70s progressive rock – just executed with electronic means”, mastermind Martin Sane explains. “I am particularly happy how the lyrics turned out and also with my vocals that change style several times over the course of those 8:45 minutes until it all culminates in an epic finale. The length of ‘New Eden’ is also not accidental but rooted in an ambitious concept that structures the whole album. Each of the 8 songs on Octagram consists of several different parts and is 8 minutes long. They were not created as ‘extended editions’ of shorter tracks, but every song follows a meaningful dramatic composition, with huge introductions, changing drum patterns and time signatures. I went to great lengths to ensure that nothing appears just stitched together but rather comes seamlessly fused into one complete piece – and admittedly to even my surprise: it finally worked out!”

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Get ready to dive headfirst into the neon-soaked daydream of your wildest VHS-era fantasies—Sex-O-Rama is back with their latest single, ‘Inside Your Dirty Mind.’

Taken from their recent double LP, Invaders from the Pleasure Planet, the new single is a full-frontal sonic seduction: dripping with synth-laced sleaze and tongue-in-cheek swagger. A cinematic throwback through and through, the track channels the voyeuristic thrill of late-night cable TV and the pulpy punch of vintage softcore scores—with a wink, of course.

“Inside Your Dirty Mind” captures everything that defines Sex-O-Rama’s signature “Porn-Funk” aesthetic: campy, cool, and completely uninhibited. A love letter to the decadent, neon-flooded excess of ‘80s softcore soundtracks, it fuses nostalgia with fresh production and sly social satire.

The mastermind behind the madness, Carvin Knowles, describes the music as a deliberate rebellion against classical constraints. “We wanted to make music that was free—groovy, dirty, unpretentious,” says Knowles. “’Inside Your Dirty Mind’ is about those taboo thoughts everyone has… and the freedom that comes from embracing them.”

Their return in 2025 marks a new era for the cult heroes of sleaze-funk. After stirring up controversy in the late ‘90s with their film placements and provocative sound, Sex-O-Rama’s resurgence is nothing short of intergalactic. Invaders from the Pleasure Planet features remastered cult classics and brand-new tracks that take listeners on a journey through laser-lit bedrooms and outer space discotheques.

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After years of gestation, hibernation, and (probably) procrastination, Norwegian punk outsiders Haraball are back with Fear of the Plow, their most unhinged and gloriously unpredictable album to date. The first taste, lead single ‘Prison Cheese’, is out now on all major digital platforms.

The band had this to say about the single: “’Prison Cheese’ is about volunteering as a gravedigger, helping the local village idiot sort the corpses “correctly”. It’s a morbid tale, but also a celebration of high quality gardening tools and the joys of manual labour.”

Following up 2019’s Hypno, this new record dives deeper into the sonic identity Haraball stumbled upon by accident and then decided to keep: a volatile blend of hardcore, 60’s psych-rock, post-punk, and whatever else they had lying around that didn’t make them cringe. Somehow, the result is even darker, rawer, and yes, uglier than before. But not without the occasional accidental beauty.

“This time, parts of it almost sound pretty,” the band admits. “Some might even say it sounds mature. And we’ll just have to live with that.”

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Photo by Kimm Saatvedt

5th June 2025

Christopher Nosnibor

It may seem hard to believe, but there is music beyond Glastonbury at this time of year, and it may seem even harder to credit, but more than ten acts played the festival. And because right now, it seems there’s nothing but wall-to-wall debate over Bob Vylan’s performance, I feel more than ever that my job here is to focus my energy elsewhere. The only thing I will say on the matter is that it’s staggering just how vehement the criticism has been of the band in the media and by the government, when criticism of the perpetrators of genocide has been largely non-existent. The statement on the stage backdrop makes the point perfectly: “Free Palestine. The United Nations have called it a genocide. The BBC calls it a ‘conflict’.” And yet, I’ve observed countless couch warriors calling Bob Vylan ‘opportunists’ and ‘attention seekers’.

And this is where we land with ‘What You Made Me Do’, the new single by female-fronted grungy alt-rock four-piece Shallow Honey. Not because it’s a political song – it isn’t – but because it’s a song that comes from that breaking point where something just gives. Because normal dialogue simply has no effect. When the only way to get someone to listen is by going to an extreme.

I am screaming for attention

finding all the words

the words that can offend you.

Rai, Shallow Honey’s vocalist, describes the meaning behind the track: “WHAT YOU MADE ME DO is a track about when you have been calmly expressing your feelings and frustrations to someone over a long period of time, yet have not been heard. After a while of repeating yourself and trying to meet them where they’re at with nothing back – you will snap! Like holding a beach ball under water – you can only push it down for so long. It feels good to let go – but it’s also really scary and sobering”.

It’s indubitably relatable for most of us – and for those who it’s not relatable, it’s likely because you’re the one who’s given to endless stonewalling, the shit who will act surprised, dumbfounded, offended, and then suggest that this is an overreaction from someone who’s being sensitive or whatever.

‘What You Made Me Do’ is appropriately fiery, with driving guitars to the fore in what is a solid rock tune that would could have come from that early ‘90s golden age of grunge. But Rai’s vocals, while, strong, bring melody, with a tone reminiscent of Gwen Stefani, giving the song an instant accessibility – without diluting the power of the sentiment.

B-sides ‘Aim Low’ and ‘Start the Ride’ are both of a similar quality, with guts and a raw energy that’s completely compelling.

In short: this is good stuff. Dig it. More soon, please.

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Ani Glass announces the release of ‘Phantasmagoria’ on the 4th of July, the lush first single and title track from her forthcoming second album.

In February 2020, just before the release of her debut album Mirores, Ani Glass (Cardiff-based artist Ani Saunders) was diagnosed with a rare benign brain tumour. The diagnosis marked the beginning of a personal journey that shaped her second album, Phantasmagoria (released on the 26th of September), a lush, introspective concept album that delves deeply into her experience of navigating life with this diagnosis. With lyrics in Cymraeg (Welsh), Kernewek (Cornish), and English, as well as some BSL woven into her live performances,  Phantasmagoria brings together all languages and mediums at Ani’s disposal to express a poignant time in her life.

Opening single ‘Phantasmagoria’ weaves themes of water and sleep into a beguiling sonic landscape layered with mystical ethereal vocals invested with a restless need for stillness and comfort. Lush instrumentation is underpinned by synth pulses played by co-producer Iwan Morgan and swirling flutes played by Laura J Martin. “I’m the prophet of sleep and silence/Phantasmagoria/We’ll rest until summer” Glass sings touchingly, in the arms of chiming classical textures, there are echoes of early Goldfrapp or the enveloping vocal swoops of Enya. Yet, it’s a moment of warm, transcendent beauty and comforting self-realisation. Now we rest, the storm will pass.

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Crafting a elegantlly drawn sonic world underpinned by electronica, samples and synth pulses yet informed by the spirit of Arthur Russell who inspired her to learn the cello, Glass crafts her most personal and inspirational work yet, she stretches her sonic tapestry with live instrumentation and innovative vocal performances, that push into the realms of the avant-garde and forward-looking pop, Phantasmagoria fascinates and invigorates at every turn, revealing intricate and innovative details with every listen.

The single Phantasmagoria is out on the 4th of July and her new album is released on the 26th of September.

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