Posts Tagged ‘Joyfultalk’

Constellation are releasing three stylistically diverse electronic albums throughout May and June: the dazzling polychromatic avant-jazz-driven Familiar Science by JOYFULTALK (out now); the psycho-geographic glitch-noise minimalism of Gap/Void by Automatisme & Stefan Paulus (out May 20th); and the pulsing corrugated mantric-alluvial Miracles by T. Gowdy (out June 3rd).

The Montréal label has shared a video from each of these fine albums. Check ‘Üble Schlucht’ from Gap/Void by Automatisme & Stefan Paulus here:

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Composer/producer Jay Crocker turns to exuberant noise-tinged polychrome electronic avant-jazz on his third JOYFULTALK album for Constellation.

Crocker revisits his early musical years as a jazz/improv guitarist in Calgary’s out-music scene of the 2000s, laying down new licks on Familiar Science alongside bass, synth, midi sequencing and stacked wordless vocals, while splicing and dicing additional guest recordings.

Features a virtual combo with contributions from percussionists Eric Hamelin (Ghostkeeper, Chad Vangaalen) and Chris Dadge (Lab Coast, Alvvays), horns and flutes from Nicola Miller (Ryan Driver, Doug Tielli) and archival tape of the late Calgary saxophonist-iconoclast Dan Meichel.

Listen to ‘Take it to the Grave’ here:

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Jay Crocker by Kyle Cunjak

Constellation Recordings – 12th November 2012

JOYFULTALK’s new a/v single ‘New Biology’ is the seventh entry in Constellation’s Corona Borealis Longplay Singles Series. ‘New Biology’ follows the acclaimed full album, A Separation Of Being released this past March, and includes an experimental film by JOYFULTALK’s Jay Crocker.  ‘New Biology’ is exclusive to Bandcamp and PWYC for the first week of release. JOYFULTALK’s Constellation digital discography is also on sale during this time. Proceeds from all these sales go 100% to the artist, as part of Constellation’s pandemic initiative for immediate artist support.

‘New Biology’ is an extended improvised piece with a focus on the exploration of “free” electronics.  For the past decade my practice has been working towards the construction of a portable electronic music system completely based on the principles of immediacy. I have tried to design a system where I can explore improvisations without ever being “cornered” by the system itself. A system that can be played and manipulated as easily as a guitar, saxophone, drums etc. I wanted to be able to play in time or with the absence of time to perform manipulations of stored sounds or constant recycling and reimagining of new sounds with no dead ends and only the limitation of creativity as an obstacle.

The visual aspect of the piece works along the same lines of improvisation. It is a meditation in  smudging, painting, glitching and pulsing analogue and digital strains into endless video streams of trans-configured consciousness. NEW BIOLOGY follows a loose narrative of moving from this physical manifestation of being to another. Bypassing linear time to be recast as something new.

Check ‘New Biology’ here:

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Canadian multi-media artist Jay Crocker presents what’s being pitched as his ‘third and most impressive Joyfulktalk album, a tour-de-force of modern composition systems music for electronics and strings. A Separation Of Being is based on Crocker’s mural-sized visual score artwork and his Planetary Music System of rotational interlocking notation. Channelling minimalism, Japanese environmental music, Maghrebian rhythmic modes and other numinous folkways, and featuring string arrangements performed by Juno and Polaris Prize winner Jesse Zubot (Tanya Tagaq, Destroyer). A Separation Of Being is translated from two-dimensional page to trans-dimensional aural life using an array of homemade instruments.

As a taster, Crocker’s shared the 9-minute track ‘Pixelated skin’, which you can check out here:

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(Photo Credit  Annie France Noel)