18th June 2026
Christopher Nosnibor
The other day, my daughter came home from school complaining – not for the first time – about her English class, in which she’d been given ten minutes to come up with an idea for a story, and to plan the opening two paragraphs, and then perhaps another twenty to write the aforementioned paragraphs. She makes the same complaint about art and music lessons. “They expect us to write a song, with chords and a melody in fifteen minutes,” she moans. “Doing creative stuff just doesn’t work like that, Dad. How do they not know this?” She’s absolutely right. This is essentially where the distinction lies between making content and creating art, and artists all have different methods and work at different rates, often even between different projects. Sometimes, the thing just flows and – boom! It’s there. Other times, however, something just doesn’t quite click, and all the fiddling in the world doesn’t do it.
Ally The Truth, the new single from Devon-based alternative rock band Gravity Machine is, as they put it, ‘a track with a long gestation’. In fact, it began life in 2020, the same year they released their debut album, Red. There have been a few single releases since then, but it’s only now that they finally unveil this ‘epic tale of a relationship moving from curiosity to joining to fighting to resolution before finally hitting the universal truth of love and connection.’ That’s clearly the description of a work of art rather than mere content, and so it is that ‘Ally the Truth’ is epic in every sense, and not only in terms of its seven-minute duration.
It builds from an elongated drone with clattering drums reverberating in the distance, with a value lick of New Age vibes creeping around the edges before, suddenly, the song itself bursts in from nowhere, and we find ourselves in the midst of a sweeping amalgamation of alt-rock, psychedelia, and folk – a bit All About Eve, but also (yes, this is a bit of an obscure one, even for fans of 90s alt rock) a bit Eight Story Window (which is one way of saying, you should probably explore their album, too). It’s airy, atmospheric… and there are layers, and layers, and stages and stages – and with each segment, they step things up, until just a couple of minutes in, we’re being spun through a sandstorm of kaleidoscopic rock, before, later – much later – we find ourselves being escorted, gently, back down from the summit of the crescendo on a rippling piano and a chorus of voices. Such is the drama and dynamic of the song that it’s easy to lose the thread of the narrative – which means that you just have to go back and explore it all again. What a chore!
It’s not hard to grasp why this song took so long to reach its final version: ambitious would be an understatement. It’s compelling, immersive, atmospheric, exciting, and there is just so much happening. And all of it’s good.
AA
Photo: Adriana Banari
Aural Aggravation 