Archive for the ‘Previews and Editorial’ Category

Fast-rising Hull six piece Low Hummer have shared new single ‘Human Behaviour’ – the second preview of their much anticipated debut album ‘Modern Tricks For Living’ due September 17th on Dance To The Radio records.

A group of self-described ‘misfits from Hull’ – Low Hummer are one of Yorkshire’s most exciting new bands, throwing together classic indie songwriting, anthemic noughties garage rock and more than a little 80’s inspired synth sounds. A handful of much hyped singles in, the band are finally ready to release their debut album ‘Modern Tricks For Living’ and unleash their much discussed and seldom-seen ferocious live show out into the world.

With each new single finding the band played more and more heavily across BBC Radio 1 and 6 Music, featured in Spotify UK’s New Music Friday and lauded by tastemakers including NME, Dork and Under The Radar, Low Hummer announced in May that they would at last be releasing their debut album. Released on black vinyl, the album will also get a special ‘Dinked’ edition release – available through UK record stores pressed to 500 copies and almost immediately sold out.

‘Human Behaviour’ is the follow up to latest single ‘The People, This Place’ – this new offering lowers the intensity a little, bringing the effortless, rich and mellow vocals of Aimee Duncan to the fore over synth-led indie anthem. Written, demoed and recorded entirely during the album sessions at The Nave Studio in Leeds with producer Matt Peel, ‘Human Behaviour’ was one of the last songs added to the record by the band.

Low Hummer are a band endlessly fascinated with the world around them, with alienation, social isolation, manipulation and disinformation. All ideas that songwriter Dan Mawer has drawn from in his quest to settle these questions in his head through the band’s music. ‘Human Behaviour’ is no different and finds the songwriter battling with ideas of apprehensive thoughts, fleeting youth and the passage of time with typical depth and eloquence.

“Too cold to care, too old to feel brand new, the future’s hollow, ageing shadow

All beauty fades, young dreams of me and you, breathe shallow, ageing shadow

Cheek to cheek, hand in hand

In loving sorrow, this ageing shadow

I don’t know enough to be young”

Working on their debut album, the band set out to capture a true snapshot of their lives and the world around them. With the opportunity of hashing out ideas on the road taken away from them, Low Hummer began dissecting the tracks and piecing them back together on record, giving them the chance to explore their creative boundaries not just individually but as a group.

Released on 17th September, Modern Tricks For Living is available for pre-order now.

Low Hummer will be performing live throughout the rest of 2021, beginning with their biggest ever headline show to launch their debut album at The Social in Hull, before setting out to festivals including Reading & Leeds, Live at Leeds, Long Division and Gathering Sounds for the remainder of the year.

Full dates below. Check ‘Human Behaviour’ here:

Live Dates:

Gold Sounds Festival – Leeds – Sat 7th August

Reading & Leeds Festival – Reading – Friday 27th August

Reading & Leeds Festival – Leeds – Saturday 28th August

The Social – Hull – (Album Launch) – 24th September

Gathering Sounds – Stockton on Tees – 25th September

Long Division Festival – Wakefield – 25th September

Live at Leeds Festival – 16th October

Karma Weekender – Nottingham – 23 – 24 October

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The Metatrons have announced a string of UK tour dates, starting on 29th July in Bristol.

The Metatrons 2021 summer dates

The new album, Deconsruction by riot-pop band The Metatrons is available now through Chapter 22 Records.

"Deconstruction", their third album since their formation in 2011, takes the band to the heart of crunchy guitar pop music with very personal themes – from the joyful "(Who want their) Feet on the ground" to the not-so-subtle digs at those "in charge" in "Population 1" to the universal lifelong love of your favourite music reflected in "I hear you".

"We are really, really pleased to be working with Chapter 22 Records" says Simon Hinksman, guitarist and songwriter. "Their rosta of bands from the 80’s and 90’s were a big deal to us and the fact that they saw something in these new songs and that our band could be part of their family and sit alongside those iconic bands means a lot to us".

"We can’t wait for the album to be heard and get on the road with these new songs – they are energetic and noisy as well as very tuneful and catchy – a proper guitar pop record".

Check ‘Population 1’ from the new album, which can be ordered here, below:

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The Metatrons promo image

Ahead of the release of the first compilation on the NIM label – the snappily-titled Deprived of Occupation and Pleasure We Feast Aural Aggravation are immensely honoured to premiere ‘1010’ by Obviate Parade, the exploratory guitar vehicle for Paul McArthur of Damn Teeth.

With lyrics centred around Emily Dickinson’s 1010th poem, it’s a largely spontaneous cut, with all instruments and vocals recorded in a single take (albeit subsequently edited), it’s a magnificent balance of immediacy and controlled manipulation.

Don’t just take our word for it: get your lugs round it here:

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Dungeon synth pioneer, MORTIIS has announced the release of  Transmissions From The Western Walls Of Time – a live recording from 1997.

Very few audio documents exist of the handful of shows MORTIIS did in the    90s, and this is one of the few we were able to dig up. This recording was captured by an unknown person, bringing a video camera or cassette recorder to the show. The show was at the Transmission Theatre, now defunct, in San Francisco, November 12, 1997.

Transmissions From The Western Walls Of Time was released on limited edition classic black vinyl, and a strictly limited edition silver vinyl, which is now sold out. Both vinyl versions include an A2 sized poster. It is also available on Digipack CD.
The silver vinyl, was offered to members of the Fan Club/Patreon group Cult Of Thee Black Wizards which is a subscription based Fan Club style group. Membership includes free download of around 40 releases, studio updates, priority ordering of limited edition releases, exclusive merchandise, a monthly/bi-monthly video chat for members only (via a private members only Facebook Group).

Click the image for links:

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Christopher Nosnibor

13x is less of musical project and more of an experience. As such, the katt13x website, the platform of the proudly transgender antiscene artist is a brain-melting labyrinth of sound and image that has a William Gibson-esque retro-futurist vibe that screams cyberpunk while searing your retinas with wildly oversaturated images that often render what’s being presented barely distinguishable.

The EPK video is, without doubt, a perfect summary of everything, as raw, bleeding primary tones melt and glow radioactively through a selection of appropriated snippets and other spliced scenes that takes Burroughs’ cut-up technique to the height of early noughties simplism to create something disorientating, disturbing.

Remember when the Internet was considered scary, because it contained the worst and more terrifying shit, from images from murder scenes and people being hit by trains (the original traingirl video was a blur, but a sickening one)? Pages like gruesome.com seemed extreme, and the porn explosion that was so concerning to many consisted of just so-many thumbnails and low-res .JPEGS of barely 50K because dialling up on 14K modems at a penny a minute, that kind of prurience was actually a fucking luxury. 13x takes us back to a time before YouTube, when eBay and Amazon were in their nascency, and we had Yahoo! Auctions and most people accessed the Internet and email having installed AOL with a free 3.5” floppy disc passed on to them by a friend who’d bought a magazine from WHS.

I’m reminded of Stewart Home’s original Spacebunny-designed website, which was a primitive-looking affair, neon-green text on a black background, and every word was an internal hyperlink. Not because 13x looks like it, but because it’s a reminder of when the Internet was inventive, was crazy, because there were no riles and there was no corporate involvement. No-one really policed the Internet, but then, kids were safe because the fact was, no-one even had Internet. But it was then future, and those who were present were pulsating to race headlong into cyberspace, whatever that was. And this takes us back to the time when we were on the cusp, and is accompanied with a period soundtrack, of sorts.

That soundtrack is an array of glitching, overdriven technoindustrial noise propelled by harsh, smashing snare crashes and squelching, wet fabric thwacking deadened bass beats define the abrasive, disorientating sound. Abrasive soundclashes, with squalls of noise and shards of feedback flare and blare over woozy undulating basslines and retro blippy 16-bit game mzk.

The sound and visuals in combination are an extreme and intense experience, where everything goes off in your face all at once, and it’s magnificent: dizzying, overwhelming, uncompromising, and one that doesn’t just touch, but assaults the sense from all sides at once.

Canadian DJ & Multi-Instrumentalist JHNN has unleashed his highly-anticipated new album, StereoTYP.

StereoTYP is a personal dark album redefining the definition of what it means to be a walking "StereoTYP" who enjoys different kinds of music.

As a taster, he’s unveiled the video for ‘Heroin’: check it here:

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JHNN says regarding the album, "Basically the album was made from 2016 – 2020 and it’s about my biggest pet peeve of society which is the existence of StereoTYPs. It only scratched the surface of what I like to talk about; what it means to be a black man who just likes, is not afraid of experimenting, and making synth pop without being too expressive. I wanted to have fun as well and I wanted to get the point across. I also wanted to show all my sides of trying to cope like in the song "Darkness Will Always Be There", the fact that all the people in power won’t matter; "Children Are The Future", dealing with being anxious "The Warning/Warfare" and some views on religion "Greatest Lie."

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Sometimes, an image is enough.

This…

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Long Division ​have confirmed the first wave of guests for this year’s festival, now scheduled for the weekend of September 25th rather than it’s usual occurrence in early June. Having made the decision to move the Wakefield festival to give them the best chance of staging it in a safe manner, Long Division’s organisers are now optimistic about the festival going ahead following the UK government’s roadmap towards easing Covid-19 restrictions. Consisting mostly of artists who were originally scheduled to play the festival in 2020, this initial lineup will be added to over the coming months.

At the forefront of the announcement are Sunderland indie stalwarts ​The Futureheads​, renowned beatboxer and comedian​ Beardyman​, lo-fi psych-punk duo​ The Lovely Eggs​, the Manchester post-punk collective ​Brix & The Extricated​ (featuring the ex-Fall members Brix Smith Start and Steve Hanley), and ​Lanterns on the Lake​ who released their Mercury-nominated latest album on Bella Union last year. Joining them are The Wirral’s ​She Drew The Gun​, Scottish singer-songwriter and Idlewild frontman ​Roddy Woomble​, and London-duo ​Peggy Sue​, along with Beans on Toast​, ​Too Many T’s​, ​Big Joanie​, ​Hands Off Gretel​, ​Langkramer​, ​Katie Spencer​, ​Jodie Nicholson​ and ​Mt Misery​.

With the first Long Division event dating back to 2011, the award-winning festival celebrates their long-running status this year with their 10th edition. An occasion which has grown over the years to become one of the most anticipated cultural events in the Wakefield calendar, Long Division draws droves of music lovers to the area from much further afield.

Committed to a wider role in providing support and opportunities to the city, Long Division have also been planning a number of important initiatives that will run alongside the festival (and throughout the year), including the introduction of a free-to-hire City PA system for Wakefield arts events, and securing additional funding to form the Wakefield Live Music Consortium to support a wider scheme of live music curation in the city. Beyond this, Long Division are also working on bringing a dedicated rehearsal space to Wakefield city centre, alongside a new education programme that will work with up to 100 young people throughout the year, earning them qualifications whilst supporting them in forming new bands and organising events. With all of this combined, the hope is that these efforts will hugely benefit the music offering of Wakefield in a wide sense.

Dean Freeman, Founder / Director, Long Division:

“It’s such a strange mix of emotions to ‘be back’ with another lineup announcement. It honestly felt like the early days again, where it was exciting just to design a poster and see those names laid out, ready to share with the world. We want to give people the best possible Long Division we can. Not the biggest ever, but one that celebrates not just our ten years, and not just the return of live music but also the power of community. People being together – even if it’s with 1 metre gaps and masks and sanitising their hands every 30 minutes. Even if half the audience is watching via a stream. It’s going to be great!

This year audiences need to put their faith in their promoters, in their festivals, and they need to buy tickets. For Long Division refunds will always be available should the worst happen. And I know that finances may be stretched. But at Long Division that £30 for a ticket goes so far and enables so many artists to perform. Grassroots festivals like this (there are many more) are an essential part of kickstarting this insane machine called live music. We’d love you to join us in Wakefield this year!”

Tickets and more are available at the Long Division website.

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Yes Sisters and Brothers, it’s been a whole year since our Prime Minister BoJo made his “Stay At Home” announcement! One day later The Urban Voodoo Machine main man Paul-Ronney Angel (P-R) took to the stage in his East London living room with fellow musician and partner Ane Angel to entertain a locked down community starved of live music.

The show was a storming success and a weekly engagement was born. Throughout the year P-R and Ane have delivered a bourbon-soaked foot stomper of a show every Saturday night featuring Urban Voodoo classics and freshly written tunes making comment on the pandemic. Social distancing permitting, guests have been invited to perform, including Rat Scabies of The Damned, Tomirae Brown (widow and backing singer of James Brown), Jim Jones (Jim Jones Revue) and various members of The Urban Voodoo Machine themselves over the year.

Be sure to tune into The Urban Voodoo Machine’s facebook page this coming Saturday at 8pm and every Saturday till this pandemic’s beaten (Anniversary show / Episode 53 is Sat 20th Mar) – each week is special and who knows what’ll happen!

· Dress code: Black ‘n’ Red

· Streaming Link: facebook.com/TheUrbanVoodooMachine

Other dates for the diary include Paul-Ronney Angel’s debut solo album London Texas Lockdown out in June and The Urban Voodoo Machine’s new studio album $nake 0i£ €ngine released in September.

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Having talked with Lori Forster just a few weeks ago about her plans for a new, curated festival straddling London and Leeds in 2021, things have moved on apace at Ghost Road Fest HQ, with the announcement of the first four acts and the release of a batch of super-discounted, super-early bird tickets… and here’s where things start to get exciting.

Announced so far:

The Virginmarys (London only)

SHEAFS (Leeds only)

Weekend Recovery (London and Leeds)

SNAYX (London and Leeds)

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The Virginmarys are clearly major draw for the London show, being a well-established and respected live act with a solid and swelling fanbase, and running parallel, SHEAFS are very much a band on the up, having been booked to support The Slow Readers Club on their next tour when it finally happens. This is a big deal, and the chances are that with exposure like that, SHEAFS will be laying considerably larger venues before long. This makes the opportunity to see them likely to be pretty special.

But the measure of any festival is the depth of the lineup, and the early signs are that Ghost Road Fest is packing the lineup with quality all the way, with SNAYX playing both London and Leeds. The crunchy bass / guitar alt-rock duo sold out their last show before lockdown in March and again, after a string of high-profile support slots have shown they’ve got game.

Weekend Recovery have been AA regulars for an age, and they just kick ass harder the further on they go. Stripped back to an ultra-dynamic power trio with the immensely talented Loz Campbell now on bass, and a new album out early next year, they threaten to be explosive while playing both the London and Leeds shows.

With November a safe enough distance away, this looks like being a belter already.

Tickets and updates are available here.

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