Christopher Nosnibor
Lorin Forster certainly isn’t lacking in ambition, or ideas. Her work-rate, be it new music, a tour, artwork, merchandise a side-project of some sort, has been quite remarkable in recent years, and since Weekend Recovery formed around five years ago to say she’s been keeping busy would be an understatement.
As a restless and energetic soul who’s accustomed to being constantly on the move, she’s not someone who waits for luck to happen, or who’s particularly well-suited to lockdown life, so I wasn’t surprised to learn she’s made busy with by far her biggest project to date in the form of a festival. It felt like something we should discuss properly. So that’s what we did.
AA: Let’s get straight to the headline here: you’re organising a festival across two major cities – London and Leeds – over two days in November 2021. What inspired Ghost Road Fest?
LF: Yes, so last year we played crocro land festival which was put together my bugeye’s Angela Martin and it was such an amazing experience.
Then during lockdown I saw This Feeling released a festival-esque lineup I think called Rewired. I’ve lost a lot of passion for music during lockdown, and thought do you know what, if we all sit here like I am feeling sorry for myself then nothing will happen, I’m not gonna retrain, I’m gonna be a creative and get creative!
That’s a really positive thing to have come out of a less than positive place, and it’s interesting you should mention losing your passion and feeling sorry for yourself. You’ve been a keen advocate of mental health, so what have you ben doing to manage, and is there any advice or experience you’d like to share about coping with lockdown, especially for musicians and artists like yourself?
You know I had this conversation with someone today doing this sort of thing is what has helped me cope with lockdown. To start with I was like, great this is the time off of gigging and stuff I’ve needed but very quickly I realised gigging is a big part of what attributes towards my happiness. So I needed to do stuff that distracts me – I work a full time job as well, but the minute I stop I feel a lot more doom and gloom so keep my mind busy and excited toward achieving something is what has kept me going.
The provisional lineup is impressive, and also features a fair few acts you’ve played with / alongside in recent years with Weekend Recovery. What were your selection criteria, and how easy was it to get the acts you wanted on board?
Thank you! I wanted to play with bands I look up to and respect, the hardest part was making that long list a short list, each venue has 9 acts, that’s it! The scene is so full of amazing bands, talent and wicked awesome people, it was harder to work out who didn’t quite fit than who I wanted, and that’s what it came down too, who fit best together for the line up, without it sounding too samey. There’s only been a couple of bands I couldn’t get on board, and that was more to do with super organised agents having sorted our tour schedules than anything else.
How did you go about selecting the venues?
I went to see Rifffest – presented by Brooders at the start of the year and Belgrave Music Hall and absolutely fell in love with the venue – I love the vibe, the cocktails and the food they serve. The staff are lovely – Joe from Superfriendz has been nothing but helpful – and that aside the stage is amazing!
London I went with Kolis – a good friend of mine Arno owns the venue – we’ve gigged there a few times and again has such a cool vibe – it’s really quirky and stylish – also it located right next to a tube station so super convenient for anyone wanting to come to the event.
You’ll be the first to admit that it’s an ambitious project, and 2020 has been the absolute worst. With everything having been postponed and repostponed, and live music in such a precarious state, is planning a festival now a bold move or madness?
Oh complete madness, I’m bonkers doing this, but I hope it’s a way to stimulate the underground music scene, because fuck me it’s taken a hit. The lineup I have is ambitious but amazing, and I’m sure it will sell well, especially as the venues are quite intimate considering the size of the headliners.
But I think if you don’t try you never will. So I thought yeah I wanna play/go to a festival next year, so I’ll make my own.
Can you tell us a bit more about the concept and overarching principles of Ghost Road Fest, and what sets it apart from other events?
We’re very focused on proportional representation, unfortunately I think this is an issue that’s still a bit overlooked. That’s not to say any of the acts were approached to tick a box, because honestly I’m in awe of who I’ve managed to book. But I want to offer opportunity for up and coming bands as much as established.
We’re also looking to offer opportunity for young people for disadvantaged back grounds who want to have experience in this sort of event; the other roles that make events happen not just the bands.
My business partner Alexandra and I have worked really hard to make everything as diverse as possible, from the crew to the acts to the partners of the festival. I’m really very excited.
Proportional representation is almost certainly still overlooked: the major festivals, Reading and Leeds, Download, Glastonbury, are all notoriously poor with their records of female headliners and on the bill in general, and often it feels like some inclusions are simply tokenismm. Why do you think this is, and what can be done about it?
I’d like to think anyone on any bill is there because they deserve to be rather than for tokenism (although I’m also quite naive and want to see the best in everyone) if it is the case and that it is to tick a box rather than because of inclusion or merit – I think people need to have a real hard look at their morals – I absolutely would like to think any bills I’ve been on have been because people like our music rather than I have a pair of boobs. But maybe organisers feel they have to to not upset people – which is sad because there are LOADS of bands with females in, or non-binary, or gender fluid people, who play fucking good music. I think there is still a really long way to go but baby steps are better than standing still.
Recent years have seen a small number of all-female festival lineups – Boudica Festival, Loud Women Fest, Native Festival in your home county of Kent: how do you feel about these from an inclusivity perspective – do they redress the balance or simply recreate the same problem in reverse?
You know I think they’re really great – they celebrate a minority of the industry, opportunities like this for women are really great! I’ve been quite lucky in that I’ve only experienced sexism a couple of times (a couple of times too many really, but compared to some…)
You’ve been a recording artist and a gigging musician for a while: you’ve managed to establish an admirable following with Weekend Recovery, and are also just embarking on a solo career, so what prompted you to branch out into management?
I sound like a right martyr but I enjoy helping people, watching them grow and feeling proud. I’ve grafted for years, paying my dues and I always wish I had the opportunity to have someone to badger and ask advice to skip a few steps almost, although those steps were the best lessons I learnt
It’s quite evocative – but why Ghost Road for the name?
It was actually a good friend of mine that came up with the name. I’m into really jarring imagery, I’ve worked under this name for a few years now, I also don’t think ghosts are always scary. I think they guide us for better or for worst.
Have you ever seen a ghost?
I haven’t! But then I haven’t ever not seen one – if that makes sense – I’m pretty open minded I’d like to think people are looking out for us when they pass over – so I guess that’s like a ghost
So what else have you got in the pipeline – that you can tell us about?
Well Weekend Recovery have our album out next year (finally) my solo tour coming up – I actually feel busier now than I did pre-lockdown if that was even possible!!
Ghost Road fest is scheduled for 6-7 November 2021 in London and Leeds. You can get updates via the Ghost Road website, as well as the festival’s dedicated Facebook and Instagram pages.
Aural Aggravation 
