Posts Tagged ‘Video’

France’s industrial metal duo SCARSET REBELLION is proud to reveal a new single, called ‘Orgasm Dissolution.’ Now available on the main digital streaming platforms, ‘Orgasm Dissolution’ is included in the band’s upcoming album Flesh Against The Void, set to be released on May 16th.

‘Orgasm Dissolution’ is a high-velocity assault of death metal fused with industrial chaos. Fueled by crushing, precision-driven riffs, relentless drumming, and raw, defiant vocals, the track captures the fury of a world collapsing under its own weight. This is the sound of revolution – a battle cry for those who refuse to be broken by corruption and lies. It’s about tearing down illusions, breaking chains, and finding strength in the wreckage.

Composed of 7 tracks for over 38 minutes of duration, Flesh Against The Void is a violent clash of death/thrash metal, industrial brutality, and synth-driven unease. SCARSET REBELLION sculpts an oppressive yet hypnotic sound – where metal grinds against metal, where analog screams in a digital world.

Imagine the mechanical aggression of Godflesh, the sharp grooves of Prong, and the dystopian intensity of Fear Factory, infused with the eerie pulse of synthwave.

Somewhere between the fury of extreme metal and the haunting echoes of electronic atmospheres. This is ”Flesh Against The Void” – a soundtrack for collapsing systems, digital ghosts, and the tension between past and future. Through crushing riffs, industrial beats, and ominous synth layers, the album immerses listeners in a retrofuturistic nightmare – a violent yet introspective journey.

Recorded & mixed by Evil Scar in Bayonne, Flesh Against The Void is both an assault and an introspection – a soundtrack for the end times, forged in metal and machine.

For those who refuse to be silenced. For those who scream with the machine.

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Australian post-rock band WE LOST THE SEA have announced details of their fifth studio album A Single Flower which is due for release on Friday July 4. They state:

"The world lay wrecked before us, a quiet ruin of things lost and things that never were. The mornings came like the grinding of old gears, a slow turning toward some unknowable purpose. And yet, in the stillness of despair, the nameless rose. Not for hope, nor for meaning, but because something in the marrow of our bones whispered that to rise was the only rebellion left."

A Single Flower follows five years after their fourth album TRIUMPH & DISASTER which was released just ahead of the pandemic and seemed to foreshadow the era of intensity which followed. It reached the Top 50 charts in Australia upon its released, and the band’s eventual tour in support of the record saw them sell out shows across Europe, the UK, Australia & Asia. The band’s breakout record was their critically-acclaimed 2015 album Departure Songs which featured the standout track ‘A Gallant Gentleman’ (featured in the Ricky Gervais series Afterlife). Departure Songs has amassed millions of streams worldwide and sold over 10,000 copies in physical formats.

Their new record features 6 tracks, among them the sprawling 10-minute epic ‘A Dance with Death’ for which a video has been released, filmed at Rancom Street Studios during the album recording sessions with producer Tim Carr. Watch the video now:

WE LOST THE SEA ‘A SINGLE FLOWER’ US TOUR JULY 2025

with special guests hubris

Tue 15 July – RBC @ Deep Ellum – Dallas TX

Thu 17 July – Masquerade (Purgatory) – Atlanta GA

Sat 19 July – Meadows – Brooklyn NY

Sun 20 July – Milkboy – Philadelphia PA

Mon 21 July – DC9 – Washington DC

Wed 23 July – Grog Shop – Cleveland OH

Thu 24 July – Post Festival, The Hi Fi – Indianapolis IN

Sat 26 July – Post Festival, The Hi Fi – Indianapolis IN

Tickets from welostthesea.com & birdsrobe.com

WE LOST THE SEA UK TOUR 2025

Thu 14 Aug – ArcTanGent Festival UK

Fri 15 Aug – ArcTanGent Festival UK

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For the first single from Marc Urselli’s Best of Ramones Redux that will be released parallel to the forthcoming MER Redux Series instalment Marc Urselli’s Ramones Redux, Canadian space metal legends VOÏVOD have teamed up with no less legendary Australian post-punk vocalist JG THIRLWELL (FOETUS) to pay a mind-blowing tribute to the most fitting RAMONES’ classic ‘Zero Zero UFO’. The original of the song was released on the US punk rockers’ eleventh full-length Brain Drain (1989).

VOÏVOD comment: “One of the proudest moments of my life was when Joey Ramone gave a shout-out to Voïvod on stage in Montreal in 1994”, drummer Michel “Away” Langevin reminisces. "I’ve been a fan of the Ramones since their first LP, so you can imagine my excitement when Marc Urselli approached us to cover a song for this album. When he mentioned that collaborations were part of the concept, I immediately thought of JG Thirlwell who has been a good friend since the ’80s. While we could have recorded any of their songs, I’ve always dreamed of playing ‘Zero Zero UFO’. I was so excited about the opportunity that I might have played it a bit fast, making it challenging for Snake and Jim to fit every word in. Fortunately, Marc’s production really makes the track shine, and we’re thrilled with the final result. Enjoy!”

VOÏVOD have written metal history since their founding in Jonquière, Quebec in 1982. The Canadians starting out as a thrash band with strong hardcore punk leanings that was considered “experimental” or “progressive” right from the start. Their highly unique sound somehow survived multiple changes and shifts in style as well as changes in the line-up that have left drummer Michael “Away” Langevin as the remaining original member. There could hardly be a better choice for a homage to the RAMONES and the track ‘Zero Zero UFO’ than VOÏVOD. The Canadians were early adopters of a bizarre futuristic space style in artwork and lyrics, and they have already stunned the world with their daring and successful cover of PINK FLOYD’s ‘Astronomy Domine’.

Australian vocalist James George “JG” Thirlwell has become a most influential artist after moving to London, UK in 1978, where he founded FOETUS as the first of many musical projects with a broad stylistic range that includes post-punk, industrial, and trip hop. Under a variety of pseudonyms such as Clint Ruin and Frank Want, he collaborated with artists such as Marc Almond, THE THE, and Nick Cave among many others.

Check their rendition of ‘Zero Zero UFO’ here:

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Greek black metal visionary Spider of Pnyx has officially unveiled the latest video from his project FELL OMEN—a visual accompaniment to the crushing and evocative title track from his debut album, Invaded By A Dark Spirit, released last February 14th via True Cult Records.

The album marks the first official release under the Fell Omen name, but Spider of Pnyx is far from a newcomer. Known for his collaborations on acclaimed Mystras and Spectral Lore records, and a shadowy history in dungeon synth and martial industrial, this release brings together all facets of his sonic identity into one unrelenting, genre-defying force.

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Spider of Pnyx is also known in the visual arts world as Gilded Panoply, creating surreal and ornate cover art for black metal and dungeon synth artists. That same visual intensity is captured in this new video—bleak, arcane, and mesmerizing.

Recorded and mixed at True Cult Records HQ and mastered at Nidstang Studio, the album is a tour de force of multi-instrumental brilliance. Spider of Pnyx handles every aspect of the music, from vocals and guitars to hurdy-gurdy and drum machines, crafting a seamless blend of medieval fantasy, dark atmospheres, and a fiery mix of metal aggression with punk attitude.

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Philadelphia-based industrial sludge metal band WORST ONES has unleashed the new single ‘Vex’. The track is a crushing, no-holds-barred exploration of Americaʼs decaying ideals. Drawing from the bitter truth of the American Dream’s collapse, the track delves deep into the rise of fascism and the heartbreaking act of protest by soldier Aaron Bushnell, who self-immolated in protest of the war in Palestine.

Musically, ‘Vex’ fuses the raw aggression of ’90s hardcore with the sludgy weight of doom and the mechanical grind of industrial metal, drawing influences from the likes of Biohazard, Eyehategod, and Godflesh. A standout element of the track is the signature “sickness” – rhythmic noise loops that twist and churn alongside the brutal guitars and drums, creating a suffocating atmosphere of unease. It’s a track thatʼs as punishing as it is poignant, reflecting the chaotic, fractured state of the world today.

WORST ONES has explained the meaning of the song as follows:

“’Vex’ is an expression of disillusionment and resistance under the weight of a system built on lies. The lyrics question what freedom is when we live in a country that supports widespread oppression and death. There’s a sense of despair in the verses and searching for answers in the chorus but in the end the song turns into a statement of defiance and resilience.

The opening line “Wasted life is on us, covered all up in flames” addresses the heinous amount of people killed in war and how “the powers that be” utilize new types of bombs that don’t even leave behind a body, literally covering it up.

The lyric “Do you really believe the reaper will bring peace” challenges the concept that violence and killing would bring peace. It questions the false idea that through war or death there can be an end to suffering.

The final lines “They want to destroy us, but we can’t be beat" reaffirm that despite everything, resistance is still possible and even inevitable to triumph. It’s a defiant statement in the face of a system designed to crush individuals, but where the refusal to give up remains unbroken. I wanted to end the song with a statement of positivity and strength.

The story of Aaron Bushnell, who self-immolated in protest of the war in Palestine, deeply resonated with me. He was someone who joined the US Army, maybe out of ignorance or patriotism, only to feel betrayed by what he was asked to do. His act of protest was a refusal to be complicit in a system that had deceived him, and that sense of betrayal and defiance is something Vex reflects. It’s a statement of refusal in the face of violence, war, and manipulation.

As a Syrian American, these themes aren’t just abstract ideas to me. I’ve experienced how propaganda shapes people’s perceptions, how violence is justified in the name of power, and how the most vulnerable are always the first to suffer. I wrote the lyrics with a universal approach to the words because it’s not just now, it’s about the cycles of control, war, and resistance that keep repeating. This song is my way of expressing frustration, grief, and the refusal to be silenced.”

‘Vex’ is accompanied by a lyric video – watch it here:

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Worst Ones band photo

New York Sharkcore punks ChumHuffer are back with a new track, ‘Burning,’ from their highly anticipated 7” release, Slaughterhouse Five. Fueled by raw energy and an unrelenting sonic assault, ‘Burning’ is a relentless dive into the struggles of stagnation and the battle for clarity in a chaotic world.

With lyrics that cut deep—“Burning in my head / Voices take control”—the song encapsulates the frustration of being stuck in a cycle of repetition, yearning for progress but feeling the weight of the past. The band’s signature mix of searing riffs, pounding drums, and anthemic vocal delivery make ‘Burning’ a must-hear for punk fans stuck in a rut or recently escaped from one.

“The song is about fighting the loop of insanity, realizing when you’re stuck in the same patterns and the frustration of breaking free,” says Shawn Refuse, singer. “It’s a reflection of personal battles but also speaks to the collective experience of anyone who feels trapped by their circumstances.”

ChumHuffer has built a reputation for delivering aggressive, thought-provoking punk anthems, and Slaughterhouse Five promises to be no exception. The 7” release will feature tracks that capture the band’s hardcore punk sound infused with metal and surf riffs.

Slaughterhouse Five will be available May, 2025 via their personal label DWY Records, and fans can get their first taste with ‘Burning’ streaming March 28th now on all streaming platforms.

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Nordic noise-rockers Barren Womb are back with a brand-new video for ‘Bug Out Bag,’ taken from their critically acclaimed fifth album Chemical Tardigrade, which got a  thumbs up from us here at Aural Aggravation.

The video premiered at Decibel Magazine, who praised the band’s sound as “angular and pulsating electronic rock/noise/hardcore that lands somewhere between Refused, Daughters, and NoMeansNo on one end, and the ‘Bigs’ (Business and Black) on the other.”

A chaotic burst of gritty visuals and manic energy, the video perfectly mirrors the band’s twisted blend of punk defiance, sludgy grooves, and raw minimalism. Watch it now here:

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Their latest LP, Chemical Tardigrade (Fucking North Pole Records / Blues For The Red Sun), dives deeper into melodic and emotional territories without losing their unhinged core. Tracks like ‘Campfire Chemist’ and ‘Dung Lung’ showcase their evolution while retaining the band’s punchy edge and signature offbeat humor (‘D-Beatles,’ anyone?).

And they’re taking it back on the road with the newly announced More Chemicals 2025 European tour, check out the confirmed dates below.

MORE CHEMICALS 2025
01.05 – CZ Pilsen, Družba
02.05 – DE Leipzig, Zwille
03.05 – DE Bielefeld, Drum Hard
04.05 – BE Licthervelde, PrintbaAr
05.05 – FR Strasbourg, Le Local
06.05 – BE Antwerp, Antwerp Music City
07.05 – DE Osnabrück, Bastard Club
08.05 – DE Braunschweig, Spunk
09.05 – DK Odense, Ilter Festival
10.05 – NO Oslo, Desertfest Oslo
16.05 – NO Trondheim, Pøbelrock
26.07 – NO Hønefoss, Malstrømfestivalen
01.08 – NO Horten, Kanalrock
03–06.09 – SE Örebro, Live at Heart
18.09 – FI Turku, TBA
19.09 – FI Tampere, TBA
20.09 – FI Helsinki, TBA

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CERESIAN VALOT release a visualiser for the next single ‘Valojuovat’ (‘Tracers’) taken from the forthcoming debut full-length Uumen (Depths). The first album of the Finnish heavy alternative band has been scheduled for release on May 23, 2025.

Wille Naukkarinen writes: “The new advance single ‘Valojuovat’ is one of the most recent songs that I wrote for Uumen and my personal favourite on this album”, the guitarist and main songwriter reveals. “I don’t have much to tell about the composition process, because this was one of those rare cases where the song basically wrote itself. The instrumental version was completed pretty quickly. It’s a mix of prog and melancholia, showcasing both our quieter and heavier side in a very melodic way. I recommend to listen to ‘Valojuovat’ with your eyes closed.”

Panu Perkiömäki adds: “This song has strong dystopic vibes”, the vocalist opines. “The key idea of the song is inspired by the writing of Albert Camus. It’s a song about wars and other manmade disasters. It is also a song about solving problems by changing the channel, if the news get too stressful. ‘Valojuovat’ does even contain some doubts about religions and their infallibility.”

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Helmed by Black and Cherokee composer and multi-instrumentalist Takiaya Reed, Divide and Dissolve will release their new album, Insatiable, on April 18 via Bella Union.

The 10 track album run the gamut of doom metal – from the ear-splitting depths of lead single ‘Monolithic’, to contemplative, softer moments on the aptly titled song ‘Grief’, released today. Like all of Divide and Dissolve’s music, Insatiable is almost entirely instrumental.

While the album’s sheer grandiosity represents an evolution in Divide and Dissolve’s sound, it also marks the very first time that Takiaya has ever lent vocals to a D//D song. On ’Grief’ her distorted voice echoes atop a vibrating bass tone, repeating the lyrics: “I don’t know what I’m supposed to do/ I’m so lonely without you.” Takiaya explains, “The voice is such a mysterious  instrument. This album feels different, and I wanted to honour that”.

The director of the music video, Sepi Mashiahof, adds; “The music video for ‘Grief’ is an ode to the feelings of empowerment, resistance, and sadness that Divide and Dissolve weaves into our bodies. It’s an expressionist diary made up of dissonant and revelatory memories. Grief eclipses everything around us, innocuously lingering in the functional movements of our daily lives, then aggressively literal in the reflective silence behind our eyes. Grief is inherent to our existence, knowing that a better world exists for all of us and its potential is boundless, yet we’re made to suffer the atrocities of greed and exploitation instead. We can honor Grief as a passage of life, but we must resist the forces that impose it as a numbness to injustice.”

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Divide and Dissolve live dates (so far):

18-05-2025 Desertfest London – London
30-08-2025 Supersonic Festival – Birmingham

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Photo credit: Brandon McClain @eathumans

METAMORPH has just revealed their new single – a gut-punch of emotion and power, ‘Crown of Shattered Glass’. The song is impossible to ignore—a warrior cry wrapped in razor-sharp gothic rock.

Margot Day’s bold vocals cut through a cinematic soundscape of pounding beats and darkwave edge, delivering a chorus that demands to be felt: “Shattered, shattered, I’m stronger than you know”. Every lyric carries the weight of a hard-earned victory. The shattered glass isn’t a weakness—it’s a crown. This is the sound of breaking free.
With sharp lyricism and relentless energy, this track transforms heartbreak into pure power, hitting hard and lingering long after the last note.

As the Wheel of the Year turns, METAMORPH unveils a new track every six weeks, each one an incantation of power, love, and defiance—all leading to a full METAMORPH album this fall.

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