Posts Tagged ‘video stream’

There are two kinds of heavy bands: the ones that make a lot of noise and the ones that drag you somewhere you didn’t know you needed to go. Cwfen (pronounced ‘Coven’) are the latter, and Sorrows is a record that doesn’t just crush – it haunts long after the final note.

The allure of Cwfen’s sound lies in contrasts: the glacial ferocity of Amenra, with the velvet-and-razor vocals of King Woman, and the rotting grandeur of Type O Negative. It’s as hypnotic as it is harrowing, but somehow even better than the sum of those parts.

Since emerging from Glasgow’s underground just 18 months ago, Cwfen have built a solid reputation, selling out shows and pulling growing audiences into their doom-laden fever dream. Released in October, the band’s debut single ‘Reliks’ was a hit with fans and critics, landing a spot on Kerrang!’s release of the week playlist. And rightly so. Their sound devours and delights in equal measure. And people are craving more.

"Cwfen have emerged from the darkest depths of the Caledonian underground with a beguiling blend of doom metal and gothic post-punk for those who like to live deliciously." – Kerrang!

About new album Sorrows – released on 30th May via New Heavy Sounds (Shooting Daggers, MWWB, Death Pill):

“We never set out to write an album. We were just four friends making music we wanted to hear. But then Sorrows emerged, and when it did, it pulled us into its orbit. We couldn’t ignore it,” says Agnes Alder, vocalist and rhythm guitarist for Cwfen. “When we stopped trying to fit into any one space, what came out was this beautiful mix of dark and light. Something visceral and cathartic.”

Sorrows lives in the space around doom where the weight of the riffs is matched by the weight in your chest, where the lyrics and the songwriting are as important as the music itself. Loud and crushing, yet sharp enough to stick in your head for days. It builds, burns, collapses, resurrects. Big on riffs, bigger on feeling. The kind of songs you carry with you. Agnes Alder bears her claws one minute, then whispers the next, as the band follows like a storm front, rising, breaking, drowning you in the weight of it.

The songs have range. From the guttural Penance to the lush Whispers, to the feral Wolfsbane and the insurrectionist Rite. It includes a long anticipated reworking of Embers and Bodies, the two self-recorded demos that launched them into the scene with a bang and that fans already adore. Intricate vocal arrangements, heavy and harsh guitars, a mix of atmosphere and heft, produced by the band alongside Kevin Hare at Deep Storm Productions, and mastered by James Plotkin. It punches above its weight for a debut.

Upcoming shows including UK tour dates with Faetooth:

16/03 – Audio, Glasgow – supporting Dopethrone

24/04 – Brudenell Social Club, Leeds – Strangeforms Festival

21/5  –  Audio, Glasgow – Supporting Castle Rat

22/5 – Legends, Edinburgh – Supporting Castle Rat

13/06 – Glasgow, Hug & Pint w/ Faetooth

14/06 – Huddersfield, Northern Quarter w/ Faetooth

17/06 – London, The Black Heart w/ Faetooth

18/06 – Manchester, Star & Garter w/ Faetooth

19/06 – Norwich, Arts Centre w/ Faetooth

20/06 – Ramsgate, Music Hall w/ Faetooth

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Restless Belarus expatriates DYMNA LOTVA release ‘Come and See’ (Ідзі І Глядзі), another lavish music video for the opening track from their current album, The Land under the Black Wings: Blood (Зямля Пад Чорнымі Крыламі: Кроў). This harrowing piece adds an accordion to black metal that is also prominently featured in the clip:

Video by Jancyk Kurcavy

DYMNA LOTVA comment: “We have never treated music videos as just another promotional tool”, enigmatic singer Katsiaryna ‘Nokt Aeon’ Mankevich declares. “We see every clip as a chance to explore the story and emotions behind a track even further through visual means. This video was originally planned for 2023, but due to many reasons, we are only able to reveal it now. Despite the long wait, its topics have become even more relevant as Plague, War, Famine, and Death have not gone away. These Four Horsemen have only moved closer towards all of us. Then again, just maybe these are actually Four Horsewomen.”

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Sydney’s sludgiest stoner outfit Amammoth has dropped a new single, ‘Among Us,’ from their forthcoming record, Distant Skies and the Ocean Flies, to be released via Electric Valley Records on February 21 on three vinyl variants and across digital platforms.

“Our second single ‘Among Us’ is a B-grade psychedelic, sci-fi adventure, kind of like ET on acid,” says Ammamoth about the track.

WATCH the video for ‘Among Us’ here:

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This is the third single from NOISEPICKER’s 2nd album "The Earth Will Swallow The Sun", released on 21st March 2025. Noisepicker’s Harry Armstrong about the video: "Just like our music, all our videos are homemade, organic and completely free from ‘AI’. We create 100% of our art and stand by all of its flaws. And we have the scars to prove it! This video was filmed in London at the historic ruins of the Crystal Palace, which burned to the ground in 1936. The ruins are surrounded by some of the smoothest concrete in England, and contain much of the skin I lost learning to skate as a child. This video combines our love of noise and skateboards. An idea that was originally written off as logistically impossible – Somehow mounting all our equipment onto skateboards and capturing it like a live performance? Madness. But the seed had been sown, and we just had to try. The result is ‘Tomorrow Lied The Devil’. The bruises that cover our limbs tell the truth. Skate and create."

With more than a quarter of a century of noise making history behind him, singer and guitarist Harry Armstrong returns, alongside drummer Kieran Murphy, as Noisepicker and release their second album on March 21st 2025 via Exile On Mainstream Records.

Also known as the current bass player in Orange Goblin, you may well have caught Armstrong on countless festival line ups, experimenting with sounds in bands such as the hard rock of Blind River, the thrash metal of End Of Level Boss, the piano-led jazz rock of The Earls Of Mars, getting his stoner fix in Hangnail and Firebird (alongside Bill Steer and Ludwig Witt), the instrumental soundscapes of The Winchester Club, the death metal of Decomposed, and that’s just to name a few. Murphy has been earning merits in Cold Comforts and several other bands such as being the drummer for Paige Kennedy.

On a permanent search to constantly try “something else”, Armstrong has taken to writing, recording and mixing this new record himself, just to see if he could. Recorded in a rehearsal room, and mixed in his kitchen, it is an approach to music with a DIY ethic fully embedded in it’s heart.

Do not expect neat, polished, note perfect, carefully constructed opuses in this environment. Noisepicker are loud, abrasive and in constant flux, influenced by their love of all things doom, punk and blues. Come stare aghast at it. The album is released on vinyl with the CD bundled, No seperate CD release.

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Friday 28 February brought the new  Black Swan album from German post-punk / darkwave legacy band PINK TURNS BLUE , which is released on limited edition vinyl, CD and digitally via Orden Records. They simultaneously unveiled the video for the focus track ‘Can’t Do Without You’, a song about the increasing polarization of society, the counterproductive nature of dismissing opposing viewpoints, and a plea for unity and understanding in a world marked by division.

Watch the video here below… album review to follow…

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Formed in Minsk, Belarus, two previous album releases by alternative metal group Mission Jupiter have hinted at their potential to be one of the few acts from that territory to achieve lift-off worldwide. Having recruited powerhouse singer Kate Varsak prior to writing and recording their upcoming third album, Aftermath, the result is a set of dramatic, epic songs with thoroughly modern production values that should see them soar.

‘Self-Destruction’ has been released today as the latest single to be teased from the record. The heaviest and punchiest song by Mission Jupiter to date, the band explain that the story behind it is deeply personal and refers to a battle with mental disorder. “When you’re feeling down, it feels like the parasite living inside you has won, and you’re stuck in mental and physical discomfort forever. The only way to survive is to take a pill to ease the pain. We hope this song will resonate with our listeners on a profound level.”

’Self-Destruction’ follows the recent ‘Human Nature’, a song that Prog stated “displays the far-reaching appeal of a band who mix atmospheric prog, the darker undercurrents of Cocteau Twins and up-tempo alternative metal”, while Metal Talk described it as being “swamped by wonderful moods and melodies driven by guitarist Vlad Shvakel and drummer Eugene Zuyeu, all wrapped around a stunning female voice.”

Check it here:

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Long-serving Manchester UK Psychonauts The Speed Of Sound present ‘Eight Fourteen Monday’, a compelling highlight track from their mega-album trilogy A Cornucopia: Minerva, Victory, Bounty, released via Californian cult label Big Stir Records.

Arriving on the heels of their latest audio-visual trip – ‘Permafrost’, this song narrates the everyday experience of a dreary commute to explore themes of isolation, detachment, and the contrast between superficial politeness and genuine emotion, all while subtly referencing the devastating historical event of Hiroshima.

Since their formation in 1989, The Speed of Sound’s music has always been idiosyncratic and counter-intuitive, in search of something new. Creating music with lyrical bite, expanding their foundation of 1960s, punk and new wave influences, their dynamic and stylistic variation crossing borders and pushing boundaries at every opportunity.

“Light and spaciously airy, the music contrasts with the imagery of a dark and gloomy early Monday Manchester morning commute. The inevitable announcements of delays and cancelations say “we would like to apologise” rather than “we apologise”; a subtle difference with a totally different meaning. Everyone is wrapped in their own thoughts and staring at their phones, retreating internally to avoid thinking about the discomfort of the journey,” says frontman John Armstrong, further noting "Eighty years ago, as of August, the bomb fell above Hiroshima at eight fourteen on a Monday.”

With overlapping themes of independence – both culturally and artistically – each disc of the A Cornucopia trilogy has its own vibe and personality: Minerva is belligerence in musical form, Victory is a manifesto of artistic creativity and Bounty represents the fruits of artistic freedom, all taking place far from the grasping tentacles of the ‘music industry’.

A Cornucopia began with the band’s own love of the album format and a determination to make long-form music rather than merely produce a conveyor belt of unrelated singles. The interlocking themes of A Cornucopia are deliberately made for album listeners to enjoy, each disc being its own standalone entity while also forming part of the larger whole trinity.

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Photo by Shay Rowan

It seems like all of the bands of yesteryear are resurfacing in some form or another right now.

Indie rock duo The Bolshoi Brothers present their new single ‘Just a Girl’, previewing their debut eponymous album, set for release on March 21. The accompanying video is an appealing black and white visual vignette, filmed by Matus Foris and Vegas Storm and featuring Nova Clark as ‘The Girl’.

Now based in the USA, The Bolshoi Brothers is made up of Trevor Tanner and Paul Clark, both original members of legendary Beggars Banquet-signed 80s new wave band The Bolshoi. The two hadn’t recorded or played together since the band’s fateful breakup 35 years ago. Due to working on this album during Covid lockdowns, they recorded the tracks remotely from their respective home studios – Trevor in Florida and Paul in Seattle.

“Working with Trevor again after a significant hiatus was akin to find a little gate behind the bushes at the end of the garden that leads into a whole new world. Within days of passing rough musical ideas back and forth, we were making great music again, created at a time when the world was in lockdown, with a pandemic and all that comes with it, creating fear and confusion,” says Paul Clark.

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Yes, this is indeed different… no commentary – just check it out… recommended:

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‘On and On’ is the title track from On And On, the 3rd studio album from the post-genre power trio mssv featuring the legendary rhythm team of drummer Stephen Hodges (Tom Waits, Mavis Staples, David Lynch) and bassist mike watt (MINUTEMEN, fIREHOSE, Stooges) alongside the unique and iconoclastic guitar of its genre-bending bandleader, Mike Baggetta.

On And On features brand new songs that were written by Baggetta before their 58-show 2023 US tour and performed every night, recorded and produced by Chris Schlarb at BIG EGO Studio in Long Beach, CA immediately after. The album comes out on BIG EGO Records on 12” LP vinyl, digital download and streaming services on Friday, March 7, 2025 and features artwork by John Herndon (Tortoise). The digital versions feature eight separate, boundary-pushing tracks. The vinyl features these pieces joined with connecting passages into two continuous side-long movements, making for a trippy and experimental listening experience. I hope you’ll consider covering this release with an interview, feature, news story or album review. Feel free to repost this video

Featured in the works on this album is a band-improvised song and, on the vinyl issue only, six more band-improvised interludes. These improvised, then recomposed, instrumentals had their parts recorded separately by each member, then edited down, recombined and recomposed by Baggetta’. They serve as an important connective tissue between the songs on each side, turning On And On into an exciting and trippy psychedelic fever dream of a concept album. This serves to really bring out the story of On And On: at its heart it is an album where all the works combine to create an endless episodic journey through the temporal and seemingly fleeting nature of society, personality, music, and life and death on Earth, only to realize that all of these are also endlessly repeating.

Seven of the eight new songs feature vocals from Baggetta, now much more comfortable in his vocal role from the previous mssv album Human Reaction. The wordcraft heard here in On And On goes a lot deeper than his previous lyric writing, while still remaining wholly individual in its exploratory playfulness. The subject matter here, while being universally relatable, is rife with personal references, stories of his and the band’s friends and relationships, and one song “Despair & Hilarity” including lyrics written by one of Baggetta’s most important musical collaborators Steve Gigante (7 Year Rabbit Cycle, W-S Burn, THETEETHE).

Continuing to explore the seemingly endless depths of Hodges’ and watt’s musicianship and skill over the many tours and albums in mssv has grown an instantly identifiable sound from Baggetta’s songwriting for this band. But the trust that has formed between them, that comes from long-running musical partnerships, has also made it possible for mssv to explore more interesting ways to incorporate improvised music into the lives of their songs, innovating their music in new ways while still keeping the fearless nature of each musician and this band fully intact. On And On skillfully combines all of these elements into a newly evolved lens for the music of mssv, deftly displayed in this album as a high concept love letter to everyday life.

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mssv HARU tour

mar 13 – thu – san pedro, ca – the sardine

mar 14 – fri – costa mesa, ca – the wayfarer

mar 15 – sat – joshua tree, ca – giant rock meeting room

mar 16 – sun – phoenix, az – cibo

mar 17 – mon – silver city , nm – whiskey creek zocalo

mar 18 – tue – albuquerque, nm – guild cinema

mar 19 – wed – albuquerque, nm – guild cinema

mar 20 – thu – lubbock, tx – co-opt

mar 21 – fri – oklahoma city, ok – resonant head

mar 22 – sat – dallas, tx – the wild detectives

mar 23 – sun – san antonio – the corn pound

mar 24 – mon – houston, tx – continental club

mar 25 – tue – baton rouge,la – mid-city ballroom

mar 26 – wed – jackson, ms – end of all music

mar 27 – thu – birmingham, al – saturn

mar 28 – fri – tallahassee, fl – the bark

mar 29 – sat – orlando, fl – will’s pub

mar 30 – sun – gainesville, fl – loosey’s 

mar 31 – mon – savannah, ga – el rocko lounge

apr 1 – tue – charlotte, nc – snug harbor

apr 2 – wed – greensboro, nc – flatiron

apr 3 – thu – washington, dc – pearl street

apr 4 – fri – philadelphia, pa – solar myth

apr 5 – sat – Kingston, ny – tubbys

apr 6 – sun – new york, ny – mercury lounge

apr 7 – mon – east providence, ri – myrtle

apr 8 – tue – keene, nh – nova arts

apr 9 – wed – winooski, vt – the monkey house

apr 10 – thu – syracuse / ithaca, ny – TBD

apr 11 – fri – buffalo, ny – mohawk place

apr 12 – sat – pittsburgh, pa – mr smalls funhouse

apr 13 – sun – cleveland, oh – beachland tavern

apr 14 – mon – columbus, oh – ace of cups

apr 15 – tue – Indianapolis, in – state street pub

apr 16 – wed – chicago – hideout

apr 17 – thu – madison, wi – gamma ray

apr 18 – fri – st paul, mn – turf club

apr 19 – sat – iowa city, ia – gabes

apr 20 – sun – kansas city, mo – recordbar

apr 21 – mon – omaha, ne – reverb lounge

apr 22 – tue – wichita, ks – fisch haus

apr 23 – wed – eureka springs, ar – chelsea’s

apr 24 – thu – tulsa, ok – the shrine

apr 25 – fri – amarillo, tx – golden light

apr 26 – sat – Santa Fe, nm – cocoon

apr 27 – sun – flagstaff, az – orpheum theater

apr 28 – mon – las vegas, nv – the griffin

apr 29 – tue – bakersfield, ca – bakersfield sound co.

apr 30 – wed – sacramento, ca – torch club

may 1 – thurs – arcata, ca – miniplex

may 2 – fri – san francisco, ca – bottom of the hill

may 3 – sat – los angeles, ca – zebulon

may 29 – thu – brighton, uk – prince albert

may 30 – fri – ramsgate, uk – ramsgate music hall

may 31 – sat – southampton, uk – suburbia

jun 1 – sun – cardiff, uk – psych & noise fest

jun 2 – mon – liverpool, uk – acoustic room coffee

jun 3 – tue – manchester, uk – gulliver’s

jun 4 – wed – glasgow, uk – òran mór

jun 5 – thu – belfast, uk – voodoo

jun 6 – fri – waterford, ie – bank lane

jun 7 – sat – kilkenny, ie – cleeres

jun 8 – sun – dublin, ie – the grand social

jun 10 – tue – newcastle, uk – cluny 2

jun 11 – wed – hebden bridge, uk – trades club

jun 12 – thu – bristol, uk – exchange

jun 13 – fri – reading, uk – face bar

jun 14 – sat – london, uk – the lexington