Posts Tagged ‘video stream’

ELEPHANT TREE are having a party and they’re inviting everyone to hitch a ride and join in! September 2024 marks ten years since Magnetic Eye’s release of the beloved British stoner doom quartet’s first album Theia (2014), and in observance of that milestone, the label is proud to showcase three releases celebrating one of the label’s landmark bands.

Theia (Anniversary Edition) and Habits (2020) are presented as reissues without additional audio content, but in new physical formats. The former comes packaged with updated artwork and significantly expanded background content (see below for more details).

The third release entitled Handful of Ten is a new full-length containing brand-new tracks, demos, and b-sides, and includes two of the first new ELEPHANT TREE tracks in numerous years, recorded specifically for this compilation. All three albums have been scheduled for release on September 6, 2024.

As a first delicious taste from Handful of Ten, the Londoners release the video single ‘Try’. You can see the video here:

…and order the album here.

ELEPHANT TREE comment on ‘Try’: “This was really a cathartic exercise in playing something a little different, written with an initial cast-away attitude after a few pints on a sweltering summer’s day”, guitarist and singer Jack Townley writes on behalf of the band. “We don’t play faster songs often, let alone get space to add them to records. The subject matter is about someone conforming to try be a model citizen, not wanting to step out of line in fear of the repercussions. He tries his hardest to not express his alternate views while others around him conform and in the end it all boils over, leaving him feeling ‘forever lost’.”

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2nd August 2024 will see the return of Barbarian Hermit, Manchester’s leading purveyors of groove laden, stoner/doom metal.

Released on APF Records, Mean Sugar may just be the heaviest ever tribute to Northern life. Frontman Simon Scarlett comments,

“The album is about what we know, and that is the bitter-sweetness of growing up in a northern town. It’s a crude representation of what it is to be us these past few years: Lads catapulted against our will into manhood, at a time when everything is changing, and yet here we stay under the comforting and watchful shadow of the Pennine hills.

The north is an invigorating place, there’s a post-industrial beauty here unlike anywhere else. It’s also a tough place, precarious and on the edge. Sometimes we can feel powerless and unheard; our response to this, is to pick up guitars, make noise and hammer down a punishing rhythm.”

Written over a 3 year period, Mean Sugar is a cathartic creation, set against a back-drop that has seen people endure global pandemic, endless political turmoil, a cost of living crisis and war. During these times often the best coping mechanism is to go into a room with your friends and focus your energy on playing some very heavy and loud music.

Recorded by Joe Clayton at No Studio and mastered by Chris Fielding (Foel Studios), the album sees the return of original vocalist Simon Scarlett who helped craft the band’s debut ‘One’ EP, originally released in 2016 (and reissued on APF Records in 2021). First single ’Stitched Up’ was according to the band,  "one of the first songs we wrote as a full band after Si rejoined and it was one of those where everything clicks and it almost writes itself. It just fell out of us. It features not only one of the catchiest riffs we’ve ever written but also one of the heaviest and most disrespectful.  Lyrically the track is about perseverance. We are surrounded by disruption, things that trip us up, make us lose sleep and neglect our own fulfilment."

Watch the video now:

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Credit: Jay Massie

Ohio metal veterans Sea of Treachery, newly signed to Mutant League Records, are debuting ‘FEARBOMB,’ the second single which follows last month’s release of their label debut What’s Past Is Prologue.

Watch the video HERE:

Guitarist Christian McManama says, "Fear is a powerful motivator, and as a result it can sometimes lead to people doing the right things for the wrong reasons. FEARBOMB conceptually and lyrically is a meditation on both that notion, and how certain agents of the media and organized religion will drum up and capitalize upon people’s fears, doing their best to distill that emotion into something palpable that makes people feel more divided than we truly are."

Sea of Treachery’s summer tour with The Convalescence kicks off June 8th.

Tour Dates

6/8 – Toledo, OH @ Toledo Death Fest (w/Oceano)

6/10 – Fort Wayne, IN @ Pierre’s

6/11 – Des Moines, IA @ Lefty’s

6/12 – Sioux Falls, SD @ Bigs Bar Live

6/13 – Denver, CO @ The Rickhouse

6/15 – Jeffersonville, IN @ Wrong Side 812 (Knocked Loose Aftershow)

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the Jesus Lizard, undeniably one of the most iconic and influential bands to emerge in the late 20th century, return with Rack, their first new album since 1998’s Blue, on Sept. 13 via Ipecac Recordings.

A preview of the 11-song album arrives today with the release of ‘Hide & Seek,’ a track David Yow describes as “a perky ditty about a witch who can’t behave, and it’s got nearly as many hooks as a Mike Tyson fight.” An accompanying video captures the foursome of Duane Denison, Mac McNeilly, David Wm. Sims, and Yow as they recorded the “ditty” with Producer Paul Allen at Nashville’s Audio Eagle Studio.

Check ‘Hide & Seek’ here:

“There are definitely some references to the past,” Denison says, in reference to the album, adding, “but it’s more as a point of departure: We don’t stay there.”

the Jesus Lizard reconvened in 2009 for a finite number of shows, and have spent the intervening years as both friends in close contact with one another, and touring bandmates. “We literally only made the record because we thought it would be fun to make the record,” Sims shares. With McNeilly highlighting the strong relationship amongst the musicians: “We are bonded by the music we make, and also by the respect we have for each other.”

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The band has also announced tour dates, stretching well in to 2025, with more performances to come:

June 6  Nashville, TN  Third Man Records  SOLD OUT

June 8  Pomona, CA  No Values

June 9  Garden Grove, CA  Garden Amp

September 7  Raleigh, NC  Hopscotch Music Festival

October 13  Las Vegas, NV  Best Friends Forever Music Festival

October 31  Dallas, TX  Longhorn Ballroom

November 1  Austin, TX  TBA

December 9  Pittsburgh, PA  Stage AE

December 11  Brooklyn, NY  Brooklyn Steel

December 12  Boston, MA  Roadrunner

December 13  Philadelphia, PA  Union Transfer

December 14  Washington, DC  Black Cat

December 18  Atlanta, GA  Variety Playhouse

January 7  Glasgow, UK  QMU

January 8  Manchester, UK  Academy 2

January 9  Leeds, UK  Brudenell Social Club

January 10  Bristol, UK  Fleece

January 11  London, UK  Electric Ballroom

January 12  Brighton, UK  Concorde 2

January 14  Belfast, UK  The Limelight

January 15  Dublin, IE  Button Factory

May 2  Solana Beach, CA  Belly Up Tavern

May 3  Los Angeles, CA  The Fonda Theatre

May 5  San Francisco, CA  The Fillmore

May 8  Portland, OR  Revolution Hall

May 10  Seattle, WA  Neptune Theatre

InsideOutMusic is proud to announce the signing of Italian instrumental, prog-metal fusionists Asymmetric Universe to a new worldwide deal. The band, formed by brothers Federico Vese & Nicolò Vese, are also pleased to launch a brand new track titled ‘Don’t Go Too Early’, and you can watch the video for that here:

The band comment:

We are so excited to join such a big family as InsideOutMusic! Being part of a team with legendary artists and bands that we’ve been listening to since we started studying music, is a dream come true!

Our new single, “Don’t Go Too Early”, is a mixture of fusion-jazz, aggressive progressive metal, wind quartet arrangements and an avant-garde string quartet orchestration, that brings a unique colour to complex yet catchy music. We can’t wait to share with you all the music we are already working on!”

Freddy Palmer, InsideOutMusic, adds: “Asymmetric Universe are a perfect example of the kind of exciting, instrumental guitar music making waves right now, and we couldn’t be more thrilled to add them to the label’s roster, and be a part of their bright future.”

The band are currently confirmed to support Plini & Haken in Milan, Italy on the 5th July, as well as playing Arctangent Festival in the UK on the 16th August alongside Meshuggah, Animals As Leaders & many more.

Formed in 2018, with the goal of pushing the limit of modern prog and fusing disparate genres, they combine metal with jazz & ambient music, alongside chamber orchestration. In 2023, the band released their second EP ‘The Sun Would Disappear As I Imagined All The Stars’, which was mixed by Forrester Savell and mastered by Ermin Hamidovic. They also embarked on their first European tour as support to Australian progressive metallers Ne Obliviscaris, as well as opening for Caligula’s Horse in Italy.

Both brothers are mostly self-taught musicians, who have been heavily involved in composition and orchestration, as well as music production.

Federico has composed music for as wide ranging places as Radio Montecarlo (one of the biggest Italian radio stations), as well as one of the largest Italian amusement park Mirabilandia. He is a metal/rock producer and this background influences his work as a composer in the video game industry. He is also a professional music and guitar teacher with online students from different parts of the world.

Nicolò has composed pieces for various orchestral organisations (two pieces were performed in the latest symphonic season of Orchestra Sinfonica of Sanremo and one performed at Rome Jazz Festival in 2021 with a big band), worked as a composer in many Musicals and he is currently working in the video game soundtrack industry (also as a sound designer), ranging from indie games to bigger productions. He also professionally teaches composition, orchestration and adaptive music techniques for video games.

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First they were Omnibael, then they were Omnibadger, and now Omnibdgr… but under whatever moniker they operate under, they make interesting noise. And for that reason, we’re proud to present ‘The Last Remaining Punk Band’ by Omnibdgr from the forthcoming split release from Omnibdgr and Ye Woodbeast, which you can check out here:

Opening with an atmosphere that feels like a clammy version of the N64 Goldeneye music, Ye Woodbeast and Omnibdgr’s forthcoming split comes with a sense of dread that draws a common thread between the two sides of the 12". Heal Thyself is a murky, dub-inflected pulse that calls out to the dregs of society, and ‘At the Mercy of the Flea’ continues into further depths of nightmarish gloom with voices speaking out from shadowy corners. Track 3, the driving ‘Tony Lazarus’ is a character exploration that straddles psych-rock and desert blues. The textural complexity that Woodbeast fans love is still very much present, but some of the brighter, pop playfulness found on releases like ‘Music to Sink Ships to’ has drifted towards a darker, but tighter, pulse. This works fantastically in tandem with their lyrics which still continue along the band’s "usual obsessions: death, god and all the cunts we hate".

Side 2 is the domain of Omnibdgr. The duo ramps up the dread even more with 4 tracks of drones and gut-punch industrial noise rock. Feverous Earth opens their offering with 3 minutes of subtly textured drone that conjures images of abandoned container ships and space hulks. ‘Heavy Mist Pounded Our Eyes’ is a mechanical array of looping drum-machines, black metal vocals and samples about dopamine – sounding like huge, rusting wheels rotating and grinding. Finally, a discernible human voice (Jase Kester) emerges on ‘The Last Remaining Punk Band’ for a snotty, riff-led assault. The vocals move back into the machine for the final track, which is a relentless wall of drums and murky noise.

If you hadn’t guessed it yet, this is a dark, brooding release that showcases both bands at their bleakest. Within this, though, is a vast array of sonic approaches, smart songwriting and a clever juxtaposition of industrial and human unease. As the release slowly unfurls, the journey remains full of surprises at every turn. Don’t look behind you.

(Words by Nick Potter)

Out on 28th June 2024 via Dead Music Club as a lathe cut 12”.

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Sweden-based industrial/dark ambient artist ULVTHARM has released his second opus “7 Uthras” on May 3rd via Cyclic Law. The album is available as digisleeve CD (limited to 300 copies), black vinyl (limited to 200 copies), and red & black marbled vinyl (100 copies).

An official video has been released for the song ‘Sinners Will Inherit The Earth’. The video displays a female character – interpreted by the actress Emelina Rosenstielke (Feed) – sitting in a colorless room and in the center of a target painted on the floor. The character, who embodies modern civilization, is apparently afraid of the risks she may incur. Ulvtharm’s arrival on the scene and the subsequent initiation of a ritual reveal the true identity of the character, as well as of our civilization – thirsty for blood and personal success. We are all sinners on this Earth.

Watch it here:

“7 Uthras” is the second release from MZ 412 co-founder Jouni Ollila. Ulvtharm is painting his world as a sprawling, post-apocalyptic industrial wasteland, where humanity clings to survival in the shadows of monolithic factories and decaying cities. Skies choked with ash, and a sun that seldom breaks through the omnipresent smog. Within this landscape, the Seven Uthras exist not as beings of benevolence, but as ancient, god-like entities that emanate from the darkest depths of the earth, commanding forces beyond human comprehension. 7Uthras serves as a sonic gateway to otherworldly realms, offering a glimpse into the abyss that challenges and expands the listener’s perception of the known universe.

The artist masterfully blends the essence of dark industrial soundscapes with layers of mystical ambiance, creating an immersive experience that is both deeply unsettling and profoundly enlightening. This new album is not just an exploration of sound but a journey into the soul of its creator, exploring the chaos and darkness within his imagination. ULVTHARM’s deeper vocal experimentations are weaving a narrative that is both personal and universal. The album’s blend of dark, martial, pulsating rhythms and ambient organic soundscapes invites us to confront the death and ruins of our world. As each track unfolds, we will be drawn deeper into a narrative of chaos and transformation, where the end of one world signifies the birth of another. “7 Uthras” is not just an album; it is a ritualistic journey that seeks to unlock the ancient doors of perception and embrace the darkness as a path to enlightenment. All hail the Serpents, all hail the Seven Uthras!

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Dawn Of Ashes is a Los Angeles-based group whose very name brings to mind ‘the beginning of the end’. Formed in 2001, DOA have broken ground across multiple genres, from aggrotech/terror EBM to industrial/extreme metal, producing a unique hybrid of dark electro and metal styles. This fusion of terrifying soundscapes with brutal, relentless rhythms forms the foundation for the lyrical themes of founder and frontman Kristof Bathory, which explore concepts of horror, anti-monotheistic religion, misanthropy and the negative aspects from emotional abuse.

DOA have recently issued a new album entitled Reopening The Scars that was preceded by the single ‘Anhedonia’, a video for which has just been made available. Bathory describes the song as “a glimpse into the dark abyss of the subconscious. We are explorers into the often unspoken, dark and cruel reality of mental anguish, torment and depression,” adding that “there are various circles of Hell when it comes to emotional suffering. Depression is a place that can cripple the mind in so many different ways. Anhedonia is the state of depression where nothing matters anymore, and you become paralysed by your own self punishment.”

Reopening The Scars is DOA’s first album for Metropolis Records since returning to their former label home in late 2023. “It is a continuation from our previous album, Scars Of The Broken,” Bathory has previously stated. “It goes down a darker hole into a place where each lyrical topic touches on the struggles of self-destructive behaviour. Pain and suffering dictated the writing process and created the sounds of emotional hell.”

As for the music that DOA is now creating, Bathory concludes that “after all these years dabbling in dark electronic music as well as industrial and extreme metal, we have found a unique style that complements each genre as one. DOA is neither one or the other in a separate category. The music and lyrical content speaks for itself under a form of darkness that fits for all people who enjoy various types of aggressive music. Reopening The Scars defines that in a perfect form.”

Watch the video here:

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Darkwave band, DICHRO has just unveiled their latest single & video, ‘Mercy’ from the forthcoming full-length album due out in August via Distortion Productions. The song carries a message that we should have mercy not just in our every day encounters, but free one another from judgement for choosing how to believe, if we believe, and what we believe. If we can start seeing one another with empathic eyes and hearts, perhaps we can rid our global atmosphere of so much fear and uncertainty. ‘Mercy’ is an outreach piece.

Says vocalist, Charmaine Freemonk: “We are reaching out to ask that everyone calm down a bit, take a breath, and be more conscientious of our actions. It is a heartfelt plea that we consider whether we are helping or harming one another, practice empathy, and if we cannot help, to at least not harm."

Check ‘Mercy’ here:

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Pagan Synth duo, ESOTERIK have just unveiled their new single, ‘Hero’.

For the new single, ESOTERIK explores the beauty in evolution and transformation. The hero’s journey is one of introspection with an effort to shed light on the flaws that stifle forward progress. But this process can also lead to rumination without the balance of right action. There comes a point in every hero’s journey where they feel as though they aren’t ready to take on the momentous call to duty that lies ahead of them. But it soon becomes clear that a path less-followed is the only option left.
The trial by fire truly cleanses the mind of all doubt giving way to an unfounded strength and focus to achieve their purpose.

Diving headfirst into one of the more well know archetypes, the ‘Hero’ is front and center in their new single. The listener will immediately notice a more guitar-oriented arrangement which is a slight departure from recent releases, although still retaining the band’s synthpop formula.  Like a melodic freight train going full throttle, this track is steady in propelling the hero into uncharted territory.

Watch the promo clip – or visualiser, if you will – here:

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Founded in 2013, US Dark Pop outfit, ESOTERIK, have steadily evolved into what fans have lovingly coined as Pagan-Synth. The band, comprised of Allison Eckfeldt and Brady Bledsoe, is known for their heady potion of soundscapes that highlight the melodic side of 80’s synthpop alongside the intensity of rock sensibilities. With lyrical content that explores the human condition and how we experience life with senses known and unknown, each compassion beckons the listener towards deep exploration of shadow and light. Their last release, Alchemy, has been described as ‘an album which has mystical folk tendrils, spliced together with electronic synths and rhythms. It is beautiful and danceable with a spiritual center, calling back to a time when our ancestors were more in-tune to the world they walked in and the earth was far more listened to.’

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