Posts Tagged ‘Svart Records’

The second single from The Lunar Effect’s upcoming third album Fortune’s Always Hiding was released yesterday. “’Settle Down’ is one of the songs we’re most proud of on the new record. Stripped-back and full of raw emotion, it carries a grunge edge that nods to the bands we grew up admiring, while still pushing our sound forward. It stands apart from some of our previous work, but for us, evolving is essential”, the band comments on the new single.

Watch the video for Settle Down here:

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The Lunar Effect were formed in London in 2017 by brothers Jon and Dan Jefford and later completed by vocalist Josh Neuwford, bassist Brett Halsey, and eventually second guitarist Mark Fuller. Since their arrival on the scene, they’ve carved out a reputation for crafting music that feels both familiar and original – a modern echo of grunge-soaked ’70s rock, fuzzed-out blues, and melancholic British soul.

Following the underground success of 2019’s Calm Before the Calm, the band signed with Svart Records and released the critically praised sophomore album Sounds of Green & Blue in 2024. After touring the album across the UK and Europe, they set their sights on album three, their most ambitious work to date. Fortune’s Always Hiding lands in October 2025; a brooding journey through loss, memory, and the weight of time. It marks a new era for the band – deeper, stranger, and more soul-baring than ever.

They don’t imitate the past, they channel its spirit through a warped, modern lens. From thunderous grooves and fuzz-soaked guitar riffs to intimate, fractured vocals, The Lunar Effect channel the unease of the modern world with a sound that refuses to sit still.

2026 promises more touring, more evolution, and no interest in standing still. For a band that’s never fit neatly into any box, The Lunar Effect continue building their own universe — one hypnotic, heavy track at a time.

Fortune’s Always Hiding is available on Svart exclusive Cream/Red/Orange marble vinyl, limited Transparent Green vinyl, Black vinyl, CD, and digital platforms on October 24th, 2025.

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The Lunar Effect were formed in London in 2017 by brothers Jon and Dan Jefford and later completed by vocalist Josh Neuwford, bassist Brett Halsey, and eventually second guitarist Mark Fuller. Since their arrival on the scene, they’ve carved out a reputation for crafting music that feels both familiar and original – a modern echo of grunge-soaked ’70s rock, fuzzed-out blues, and melancholic British soul.

Following the underground success of 2019’s Calm Before the Calm, the band signed with Svart Records and released the critically praised sophomore album Sounds of Green & Blue in 2024. After touring the album across the UK and Europe, they set their sights on album three, their most ambitious work to date. Fortune’s Always Hiding lands in October 2025; a brooding journey through loss, memory, and the weight of time. It marks a new era for the band – deeper, stranger, and more soul-baring than ever.

The first taste from the upcoming album was released today. “’Feed the Hand’ sets the tone for what’s to come, uncomfortable, deliberate, and heavy with implication. It reaches back with one hand, grabbing a handful of early 90’s alternative nostalgia to bring a high energy groove. With the other, it drags the listener through an unravelling; guidance twisted into obedience, time eroding memory from a feeling to a realisation. There’s weight here, but it’s not theatrical. It’s cathartic and satisfyingly powerful. A quiet reckoning fed by the band’s influences, serving up a whole new dish to the table.” the band comments on the new single. Watch the video for ‘Feed the Hand’:

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After three albums, the pieces of the puzzle fit, and Havukruunu, the favourite band of the sensitive and sorrowful returns with a vengeance to blur the line between the real and unreal. The sorrowful guitars of Stefa and Bootleg-Henkka draw threatening dark shadows on the wall, Kostajainen’s drumming bombardment pulses like embers of a dying fire in the hearth. All the while, Humö’s bass guitar is clanking and wailing like the icy wind rattling windows and banging walls, as Stefa roars and channels messages from the netherworld or preaches wisdom of ancient days, backed by a choir.

Lords of Hell smile approving as the flames of hatred and cunning of their beloved sons drowns a dying old world, and heart of the earth trembles the birth of new and weird. Havukruunu is the spirit of freedom, harbinger of oblivion, and it tells you: FLY, YOU FOOLS!

Witness Havukruunu’s majestic new video for the first single and title track of the upcoming album Tavastland on Svart’s YouTube channel now:

Havukruunu’s new album TAVASTLAND tells the story of a small, strange people.

TAVASTLAND tells how in 1237 the Tavastians rose in a rebellion against the church of Christ and drove the popes naked into the frost to die. TAVASTLAND reveals our fathers’ centuries old sins and lies of consolation. TAVASTLAND speaks of him, who has become a prisoner of his home, alienated from the land of the forest and is now afraid of the dark with all lights on, surrounded by his smart devices. TAVASTLAND tells about the freedom we lost. TAVASTLAND haunts its listener to the grave, and I will personally open that grave one bleak night and steal the fading light of your sempiternal soul.”, says Stefa.

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Photo: Heidi Kosenius

“I never intended to pick up with The Gates of Slumber ever again in 2014. While I did start the band and wrote most of the first album it was never intended to be a one man show.” -Karl Simon, 2024

Indiana’s True Doom Metal legends The Gates of Slumber return with a new album out on Svart Records on November 29th. The self-titled album is the band’s first full length offering since The Wretch from 2011. Check out the official video for the new single ‘Embrace the Lie’, an ode to the lying news media and political talking heads, from Svart’s YouTube page now:

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The Gates of Slumber was formed by Karl Simon in 1998. Various people were in and out of the group between 1998 and 2001, when the Blood Encrusted Deth Axe demo was recorded with Jamie Walters aka Dr. Phibes/Athenar (Boulder, Midnight) on drums and bass. In 2003 Jason McCash took over the bass duties and was a long-time member of the band until his untimely demise in 2014, after which Simon decided it was time to call it quits. That was until 2019 when the renowned metal festival Hell Over Hammaburg wanted to bring the band back on stage to perform at the festival’s 2020 edition. Simon reformed the band with its original member Chuck Brown on drums and Steve Janiak on bass and got back to work. “We’d been asked several times to play Hell Over Hammaburg. But there was no “we” to play. The germ of the idea started. We started re-learning songs from the first LP. It wasn’t too long into the rehearsals that we started coming up with new songs.”, states Simon.

After a reunion tour was finished, Covid kicked in to slow down the process. Half of the album was already written but the remaining half took its time, and the songs were left to stew in their juices. With bastard heavy songs honoring the Doom Metal greats Saint Vitus and Penance, straight forward bangers, lyrics inspired by the Black Death and John Carpenter’s The Fog, The Gates of Slumber is a truly crushing album and a must listen to any Doom Metal fanatic.

Having toured with Pentagram, Reverend Bizarre, Cathedral, Slough Feg, Earthride, and Weedeater in addition to getting praised by Decibel Magazine such as “The Gates of Slumber have quietly gone about the business of becoming one of the best heavy metal bands in the world.”, it’s safe to say The Gates of Slumber play some of the heaviest metal on this planet.

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The Swedish-Finnish speed and thrash metal quintet Obnoxious Youth’s new album Burning Savage will be out on October 18th and today marks the day of its second single release accompanied by a video.

“Ethereal Termination is an anti-Christian heavy metal switchblade. A 4-minute journey through all the disgusting sounds and weirded out minds of the Obnoxious Youth…. UH!”, declares Affe ”Phantasma” Piran, the vocalist of Obnoxious Youth.

Behold the divine destruction and witness the brand-new Obnoxious Youth video Ethereal Termination here:

The sperm of Satan’s cock AKA the Obnoxious Youth was born in 2005 in Uppsala/Sweden. But the fully fledged and perverted behemoth that stands before you today was an international collaboration brought to life in 2009 by John ”Zeke” Finne, Affe ”Phantasma” Piran and Frans ”Cult” Utterström. But today Edde ”Shit” Aftonfalk and Lukas ”Spine” Häger are added to the live lineup of the band.

The purpose of the band was to break boundaries and to return to the time when extreme music didn’t have any rules or regulations. When there was no ”death metal” or ”thrash metal”, when there was just ”metal” or ”punk”. Just channeling the most insane music that was humanly possible. Using methods that was founded in the 80’s, Obnoxious Youth fully enclose itself and gets swallowed by the power of extreme music and getting influences from a feeling rather than other bands. Taking the listeners back to a time when heavy music was something to fear.

In 2012 the band received a Manifest Award for the debut album The Eternal Void and has since then released two EP’s (Suck on The Cross, 2013 and Mouths Sewn Shut, 2020) and one more full length album Disturbing the Graves in 2017. They have established themselves as a fierce live band that leaves no one unaffected.

Members of Obnoxious Youth has played in or currently plays in bands such as Vorum, Undergång, Endtime, Reveal!, Morbus Chron, Century, Tøronto, Degial, Begravningsentreprenörerna,  Entombed and No Future.

In November 2024, Obnoxious Youth will be touring Europe in support of their new album Burning Savage starting off with a release gig together with Norwegian maniacs Nekromantheon at Hus 7 in Stockholm the 9th of November. More live shows to come during 2025: this is the just the beginning.

Svart Records release Obnoxious Youth’s new album Burning Savage 18th of October 2024 on black, transparent red and limited yellow/red/black marble vinyl versions – and of course on glorious CD. Pre-orders are now available on Svart Records’ webstore.

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Demon Head is proud to announce the release of Through Holes Shine the Stars on Svart Records. The album is the fifth full-length from the band that celebrated their first 10 years of existence last year, and it is undoubtedly another milestone on their tireless – and very own – path through the wilderness. It is a deeper, darker well of tones and melodies than before, while being significantly more extroverted than their last releases. All in the seemingly effortless, strangely catchy, and unique manner that Demon Head have become known for.

Bassist Mikkel Fuglsang reflects on the creative leap between this new material and their previous efforts: “Our first four records can be seen as the pillars creating a structure in order to reach the new level that this undoubtedly is forus.”

The eight songs were written collectively during several concentrated sessions from 2019–2022 and recorded entirely by the band themselves from October 2022 to March 2023 in their own studios in Copenhagen and the west coast of Ireland. Guitarist, vocalist and multi-instrumentalist producer, Birk Gjerlufsen Nielsen expands on the process: “This long and careful process has allowed us to reach a balance between structural precision and artistic expansion, melodic simplicity, and compositional depth. It feels like we’ve uncovered every possibility within each of these songs without losing track of the original nerve.”

In continuation of previous collaborations, Demon Head have mixed the album with the legendary engineer and producer Flemming Rasmussen (Metallica, Morbid Angel, Ensiferum, etc.) in Sweet Silence Studios. Vocalist and recording engineer Marcus Ferreira Larsen remarks: “Like any true master Flemming has created a direct and hard-hitting, transparent mix that does nothing but enhance what is already communicated in the compositions and the performance. He helped us place everything in the landscape that we’ve carved through recording everything ourselves once again.”

With a running time of 47 minutes, this is Demon Head’s most extensive work to date. Birk Gjerlufsen Nielsencomments on one of the songs: “’The Chalice’ opens with a discordant anthem that unbelievably enough combines the qualities of late Scott Walker with Europe’s ‘The Final Countdown’. It’s a good introduction to how Marcus and I have worked closely together on complimenting each other’s voices. It’s consistent that we sing together throughout the whole record. Between the two of us there’s a balance of equal parts raw charm and melodic desperation”.

Birk Gjerlufsen Nielsen continues: “Songs like ‘Our Winged Mother’ and ‘Every Flatworm’ move effortlessly through heavy riffs, woodwind arrangements and tape-manipulated percussion sections that certainly pays homage to Conrad Schnitzlers work on Silvester Anfang of Mayhem’s Death Crush.

“Birks excellently executed – and frankly, wild – singing is humble but devastating in its emotion, and this voice finally takes a more front-stage place on this record”, Marcus Ferreira Larsen says.

On the lyrical front, Through Holes Shine the Stars is also a leap forward, as the lyrics are both more immediate and more poetic, reading like short stories but wrought out with a nerve that leaves no doubt as to the meanings these carry for the singers and the band. It seems that they could all take place tomorrow or in the distant future or past. The threads that emerge from the stories weave through moments of explosion, moments of grief, existential despair, and faint but adamantine hope.

The musical narrative ends with the two lengthy cuts ‘Frost’ and ‘This Vessel Is Willing’. Birk Gjerlufsen Nielsen: “’Frost’ is a many-faced exploration of known textures. It’s almost a celebration of the rhythmic music that’s inspired us through the years. It culminates in an epic double guitar solo between Anders M. Jørgensen (Slaegt, Scimitar) and – on this rare occasion – me. ‘This Vessel Is Willing’ is sort of an epilogue if you will. The composition is part improvisation, part rearranged collage work of a blown-out and late-night session we had with Adam CCsquele from Slaegt (and a thousand other projects) on drums. A friend of ours, Jim Slade, joined on bass clarinet and my brother Thor picked up some detuned guitar and used a bow on it. I took the whole thing back to Ireland and supported the dynamics with different tape-manipulation techniques and woodwind arrangements. Marcus’ vocals are pure prophetic desperation, and I think you can hear how it physically hurt him to strain to the extremes he went through in this performance”.

This unearthly conclusion makes it clear that the determined musical exploration that Demon Head have practiced since the very beginning is not yet over but might suggest that a new era has begun. Vocalist and lyricist Marcus Ferreira concludes on the collective drive behind the work on this record: “These eight new songs are like a prism of despair through which we try to convey a state of liminality, where moments of faint hope urgency rub shoulders with bursts of surreal and playful absurdity, all cast against the background of despair as void as the night sky through which these stars shine”.

Listen to ‘Every Flatworm’ here:

Demon Head · Every Flatworm

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Credit: Jeppe Wittus

Demon Head (dk/ie/se) – “Burning Arrows” tour

26.09 Montpellier, FR – Secret Place TAF

27.09 Barcelona, ES – Sala Upload

28.09 Auzas, FR -  L’Homme Sauvage Festival

29.09 Paris, FR – TBC

30.09 London, UK – New Cross Inn

01.10 Brussels, BE -  La Brasserie de la Source

02.10 TBC

03.10 Drachten, NL – Iduna

04.10 Aarhus, DK – HeadQuarters

05.10 Stockholm, SWE – FGT Geronimos

06.10 Copenhagen, DK – Pumpehuset: ‘Through Holes Shine the Stars’ release show w/ Spiracle & Scimitar

Malmö’s MISSILES have released a new single, ‘Living In A Nuclear Town’, from their upcoming album Weaponize Tomorrow (10th May 2024).

MISSILES explains the backgrounds of the new single, out today on Svart Records:

“’Living in a Nuclear’ Town was one of the last – if not the last – song to be finished before we started the recording process. It’s also one of the tracks that was finished first and saw few changes whilst others got a good beating. Lyrically, the song deals with the rough realities, both the ones reported and seen as well as the ongoing hidden waiting to happen”.

The members of MISSILES are no new kids on the block. Coming from punk, rock, and metal, as well as surf and rather diverse backgrounds, they all answered to the call of their good friend Gabriel Forslund – sincerely interested in doing something new and exciting together. The band’s trajectory began with a 7" single released by the Swedish label Fetish in 2016. Initially viewed as a project, MISSILES have organically evolved into a fully dedicated band with a laser-guided focus, causing shock waves in the underground with their jet-fuel genre-clash. Combining abandoned sounds with new inventions on Weaponize Tomorrow, MISSILES promises to both pat you on the head and stab you in the back, delivering a unique blend of post-punk with a touch of goth rock.

Listen to ‘Living in a Nuclear Town’ here:

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MISSILES claim their debut is a one-of-a-kind album, truly a loved bastard. Weaponize Tomorrow will appeal to those who enjoyed the certain “je ne sais quoi” found in the New Wave movement, a line of thought that is liberating to hear today when artists go to the bank with a genre description. MISSILES couldn’t be bothered; it’s rock, it’s pop, it’s punk, it’s je ne sais quoi. Hard to pin down, but undeniable to freak out to, Weaponize Tomorrow is a high yield blast wave that will leave MISSILES hot on the tongues of those looking for a sudden and dramatic, incendiary kick. A gut smashing future shock that will resonate across diverse musical landscapes, Weaponize Tomorrow will be the perfect atomic cocktail for fans of Wipers, Dead Moon, The Birthday Party, The Gun Club and even modern iconoclasts Molchat Doma and Beastmilk.

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Pic: Thomas H Johnsson

Dutch artist and Nordic folk pioneer Kati Rán presents the new single ‘Stone Pillars’ together with the news of her signing to Svart Records, based in Finland, for the 2024 release of her long awaited 13 track full length album SÁLA.

The track “Stone Pillars” written and performed by Kati Rán, explores new prophecies, stone circles, and the hand of the spinning Fates. Lyrically, “Stone Pillars” hints at the Icelandic oldest counsel tradition of the Allting, old Nordic Gods, and a prophecy by a female seer. With Norwegian metal vocalist extraordinaire Gaahl (Gaahl, Wyrd, Wardruna) and Mitch Harris (Napalm Death) on backing vocals, Icelandic choir, and the resurrection of a rare lava stone marimba (Sígur Rós, Steindór Andersson) the new single “Stone Pillars” by Kati Rán is deeply set in a Nordic landscape, as the 1st single of the new album “SÁLA” (24th May 2024).

Kati Rán is known for her collaborative audio work for Netflix’s tv series VIKINGS: VALHALLA, films and work for videogames, her stage appearances with Wardruna, Myrkur and Gaahl’s Wyrd to name a few, and her previous releases of the successful album; and Nordic dark folk tracks “Blodbylgje” and Icelandic track “Unnr | Mindbeach”; that run millions of streams and gathered a tightly knit Nordic Folk music loving audience around her.

Kati Rán elaborates: ”Signing to Svart Records was for me the most natural next step to collaborate and release my music with long-standing expertise in bringing out amazing artists and vinyl for true music connoisseurs, and to be able to bring my audience a full experience to enjoy my new Nordic Dark folk album SÁLA (Old Norse for both “sea” and “soul”). My album SÁLA has been tenuously crafted and produced together with Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar) and is curated of sorts by my many years of writing, researching and travelling the Northern landscapes; taking on board with me incredible artists, sounds, musicians and producing it together closely with Jaaniand also Christopher Juul (Heilung) to breathe the Nordic soul into the heart of this album. It’s exciting to open the gates to SÁLA with the release of STONE PILLARS. It embraces our most vulnerable side, questions our mind, and attempts to resurrect, or reposition ourselves through spinning with the Fates. It dips right into the heart of things”.

Kati Rán’s new album SÁLA will be released 24th of May 2024 on Svart Records.

Listen to ‘Stone Pillars’ here:

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The members of MISSILES are no new kids on the block. Coming from punk, rock, and metal, as well as surf and rather diverse backgrounds, they all answered to the call of their good friend Gabriel Forslund – sincerely interested in doing something new and exciting together.

The band’s trajectory began with a 7" single released by the Swedish label Fetish in 2016. Initially viewed as a project, MISSILES have organically evolved into a fully dedicated band with a laser-guided focus, causing shock waves in the underground with their jet-fuel genre-clash. Combining abandoned sounds with new inventions on Weaponize Tomorrow, MISSILES promises to both pat you on the head and stab you in the back, delivering a unique blend of post-punk with a touch of goth rock.

MISSILES claim their debut is a one-of-a-kind album, truly a loved bastard. Weaponize Tomorrow will appeal to those who enjoyed the certain “je ne sais quoi” found in the New Wave movement, a line of thought that is liberating to hear today when artists go to the bank with a genre description. MISSILES couldn’t be bothered; it’s rock, it’s pop, its punk, it’s je ne sais quoi.

Hard to pin down, but undeniable to freak out to, Weaponize Tomorrow is a high yield blast wave that will leave MISSILES hot on the tongues of those looking for a sudden and dramatic, incendiary kick. A gut smashing future shock that will resonate across diverse musical landscapes, Weaponize Tomorrow will be the perfect atomic cocktail for fans of Wipers, Dead Moon, The Birthday Party, The Gun Club and even modern iconoclasts Molchat Doma and Beastmilk.

Their inaugural album, Weaponize Tomorrow is out on May 10, 2024, under the banner of Svart Records. Witness the album’s opening track ‘Dead Summer Moon’ here:

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Missiles promotion 1 color.

Credit: Johan Snell

For 14 years Throat have been the sonic equivalent of forcing a square peg into a round hole; often abrasive, causing utmost irritation at times and on a rare occasion a feverishly pleasant dose of brooding darkness in one’s otherwise dull existence.

The peg now fits. We Must Leave You sees Throat dropping pegs of all shape and size through the same hole. The last confines of musical genres are behind them, resulting in an album which can be regarded as the easiest listening Throat has ever presented or simultaneously their most difficult and puzzling work to date.

“’Tiny Golden Murder’ stands as the life and death of the party on We Must Leave You. Already proven to be a floor filler on a few live occasions, it’s easily the closest Throat has ever come to a rock anthem. On the other hand, the refrain “Terminate us all” can be a sharp pill to swallow for the average party people. For Throat, that’s where the real party begins. It’s a last call for alcohol and a last call for everything”, band announce.

Listen here:

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Thematically what we have here is a breakup album. Never ones for thinking small, Throat breaks up with the world. Enough is enough. Bring back lockdown. No need for petty social commentary on how the world is burning. Let it burn. Throat is already walking away and it remains to be seen where they end up next. If anywhere.

Breakups always require dramatic music, and We Must Leave You more than fits the purpose. Throat have already hinted at new directions and new sounds on their previous two albums, but here it all breaks loose. Rooted in the same heavy, dark rock sound as always, but a touch of gothic drama from the 80s has been injected to the band’s sonic palette which obviously means a few deeper shades of black. The noise and dissonance remain, but this time it all has been dipped in honey and black grease paint.

We Must Leave You was written over a few years’ time and finally recorded in 2023 at Tonehaven Recording Studiowith Tom Brooke and the band’s own Amplified Human Audio. Once again, Andrew Schneider mixed the album at Acre Audio and Carl Saff handled mastering duties at Saff Mastering. Photography by Dorota Brzezicka and design by Stefan Alt of Ant-Zen.

Bring back lockdown. Bring back isolation. Heaven Hanged sums up these sentiments that are some of the key elements on We Must Leave You. We’re breaking up with the world. It’s not us, it’s you. No, we can’t stay friends. Musically Heaven Hanged offers a glimpse of the album going from morose and goth-tinged sound to more hysterical dark rock ruckus. Our intention has never been to keep treading the same tracks, so the direction of progress evident on the last few releases has brought us to We Must Leave You.

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Throat photo by Aleks Talve