Posts Tagged ‘Stream’

Alternative rock artist The Quality of Mercury presents his sophomore album The Voyager, an adventurous journey that explores different terrains and sensations: exhilaration, anxiety, longing and introspection, highlighted by focus track ‘Radiate’.  Nine years since his debut Transmission album, he is finally back with new music that is both anthemic and accessible, cinematic and catchy – a perfect blend of muscle and melody.

The Quality of Mercury is Pennsylvania-based artist Jeremiah Rouse, who handles everything from writing and performing to engineering. Previewed by the singles ‘Heaven’s Gate’ and ‘Ganymede’, this groovesome, graceful and grand music with space-rock atmospherics speaks to our deep need for connection. His ongoing search for meaning is woven into songs that range from bursts of excitement to moments of quiet reflection.

The Voyager album is born from a deep place of longing — for connection, for meaning, for something beyond the surface of everyday life. It’s about the desperation we often feel when distance, whether emotional, spiritual, or physical, gets in the way of our need to connect truly,” says Jeremiah Rouse.

“At this point in my life, I’ve realized that relationships, both human and spiritual, are at the center of everything. These songs reflect that realization. They’re part confession, part exploration, part quiet hope. They come from nights of questioning, moments of stillness, and the constant ache for something more meaningful. I made this album in hopes that someone, somewhere, would feel a little less alone in their search for purpose, presence, and peace. If The Voyager helps you feel a little less alone in your search, then it’s done what I hope it would.”

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Combining vintage metal codes, electronic music, and modern musicianship, Holosoil is an atypical newcomer to the prog scene. Formed out of the ashes of a previous outfit, the Berlin/Helsinki-based quartet bring their unique sound and style to InsideOutMusic.

Technical but never scholar, raw and mature, fearless to explore and borrow the codes of numerous genres, HOLOSOIL follows the likes of artists like Björk, The Mars Volta, Muse and Tool.

You can get your first taste with their debut single ‘Look Up’, a raw 3-minute display of energy and technicality, marking the band’s first ever release.

Watch the video here:

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HOLOSOIL, formerly known as R3VO, is a band founded in 2019 by Victor Nissim (bass) and Jan Kurfürst (guitar), later joined by Altaïr Chagué (drums). The name change occurred after Emelie Sederholm joined the band as lead vocalist, following the departure of Eleonara Barbato. Although most of the band members are based in Berlin, Germany, Emelie lives in Helsinki, Finland while Victor and Altaïr are both French. The result is a gathering of eclectic musicians, manufacturers of a freaky, explosive and sophisticated sound.

Signed to InsideOutMusic in 2023, the formation was previously featured as R3VO in Metal Hammer magazine, performed at Euroblast Festival 2023 and was notably approached by Trinity Music to open for Scottish band Vukovi.

The release of 3 additional singles will lead up to HOLOSOIL´s debut EP, out in 2026.

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Italian masters of doom Novembre are back today with the second single from their new album Words Of Indigo, set for release on Peaceville on 7th November. Speaking about the new track, titled ‘House Of Rain’, songwriter Carmelo Orlando shared –

“The moment the main motif of ‘House Of Rain’ poured out, I knew we had something special. It’s not the kind of theme you stumble upon every day. It’s an instant sing-along and had to be handled with special care if we didn’t want it to go to waste on a two-bit tune. That’s why we decided to put extra effort into putting this track together. Once it was done, I felt it needed another vocal line an octave higher to go along with mine. That’s where the idea of female vocals came in. Luckily, one of my all-time favourite singers, Ann-Mari Edvardsen, ex-singer of the Norwegian legends The 3rd and the Mortal—with whom we had already collaborated years ago on the album Novembrine Waltz—had just moved to my hometown in Sicily. It only felt natural to give her a call and suggest a second collaboration, which, to my surprise, she happily accepted. So I flew back to Sicily to meet her in a studio, and that’s where the magic happened.

Then the band was phenomenal, the rhythm section thundering ahead like a train, and the central solo lifted the piece to soaring heights.

And like something out of a fate-driven novel, it all came together—Ann-Mari, my return to the old country—and the lyrics could only be about an old house, the houses we leave behind, and the silence they must have carried all those years without us kids tearing through its rooms. Do they miss us? Do they feel lonely?”

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thumbnail_NOV-BAND credit Giacomo Mearelli

Novembre by Giacomo Mearelli

‘The Preacher’ is the new single from Gothenburg’s Hollow Ship, recorded and produced together with tape wizard Don Alsterberg. Leaving the noisy compressed sound that defined their acclaimed debut LP Future Remains behind and entering a rich new sonic texture while unmistakably still the heavy hitting Hollow Ship.

‘The Preacher’ arrives after a summer during which the band found themselves topping Spotify’s viral charts in the US, UK, their native Sweden and many other territories with ‘Magic Mountain’ from the cult classic Future Remains. With the band set to head out on tour in Europe later this year ‘The Preacher’ also serves as a first taste of new music with their second full-length due next spring.

‘The Preacher’ arrives together with a video by Freddy Wallin and is out now digitally via PNKSLM Recordings.

    

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LIVE

Nov 7 – Berlin, DE – Neue Zukunft

Nov 8 – Brno, CZ – Metro Music Bar

Nov 9 – Prague, CZ – Café V Lese

Nov 10 – Vienna, AT – Arena

Nov 11 – Weimar, DE – C. Keller

Nov 12 – Amsterdam, NL – Nachbar

Dec 2 – Hannover, DE – Glocksee

Dec 3 – Hamburg, DE – MS Stubnitz

Dec 4 – Düsseldorf, DE – Ratinger Hof

Dec 5 – Rouen, FR – Le 3 Piéces

Dec 6 – Paris, FR – Le Mécanique-Ondulatoire

Dec 7 – Nijmegen, NL – De Onderbroek

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Hollow Ship

Italy-based melancholic ambient artist ATMAEN has released the song ‘Beyond The Veil’, taken from the artist’s new EP Lullabies From The Dark Ether, out on December 12th via Inertial Music. This latest work is meant to be a bridge to cross the line between being awake and falling asleep.

Lullabies From The Dark Ether is music that flows gracefully in the quiet darkness of the night, like an owl flying silently, lifting the veil between the world of daylight and the world of dreams. Otherworldly soundscapes create the frame within which soulful melodies unfold. Wordless vocals seem to come from a different dimension. They flow and blend with the synth sounds, creating a rich evolving sound tapestry, to drift into dreams as wide as the universe. Some songs also feature a beautiful heavily processed piano that sounds like it’s coming from another world, yet speaks directly to the listener’s soul. A gentle invitation to feel lighter, to let the mind dissolve in the night sky, to let the spirit roam free and blend with the vastness of space.

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ATMAEN is a project created by Valentina Buroni. She’s a singer, a songwriter, and a researcher in the field of sacred ritualistic chanting and of self-transformation through sound and music. Her songs are prayers, invocations to the spirits of nature, sacred chants to connect with the spiritual dimension, medicine chants, sonic journeys and meditations to expand the consciousness. She creates dreamlike, magical, otherworldly atmospheres in her songs. She is influenced by Celtic music, folk music from Western Europe, ritualistic chants of contemporary indigenous cultures, electronic music, ambient music and movie soundtracks.

Valentina is trained in early music singing, modern singing, Irish traditional singing, overtone singing, Gregorian chant singing. She also plays the frame drum. She is a dance therapist and a professional holistic operator with more than 20 years of experience in the use of voice and singing for personal growth and well-being.

She has released 7 full-length albums with different music projects (Dragonheart Records, Standing Stone Records, Inertial Music) ranging from heavy metal, to electro-acoustic ambient, to world folk music. She has played big festivals like Triskell Celtic Festival, Nomad Dance Fest, and Wave Gotik Treffen.

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ATMAEN Photo 2 by Roberta Lo Schiavo

ATMAEN by Roberto Lo Schiavo

The catalogue of material released by Papillon de Nuit, the ever-shifting, ever-evolving musical project of Stephen Kennedy, continues to expand with the release of single number eight.

Kennedy’s approach to the project is both interesting and unusual, with each song recorded at a separate session, often not even fully-formed in terms of writing and arrangement beforehand, and realised with various guest musicians and vocalists. Retuning once more to Young Thugs studio in York, ‘The Pilgrim’s Arc’ again sees Stephen handle a considerable range of duties, from drums to grand piano and providing spoken and sung vocals, as well as writing and arranging the song itself, while joined by Michalina Rudawska (cello) and Karen Amanda O’Brien (spoken word).

The Exceptional Mr Hyde make a guest appearance here, providing ‘menacing spoken word’, while Steve Whitfield  added bass and guitar, as well covering production work

The result is a striking, dramatic, percussion-driven piece with some chunky bass, and layered vocals creating an almost schizophrenic mutter behind a soaring melody.

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Based in the Texan city of San Antonio, darkwave/synth punk artist Night Ritualz (aka Vincent Guerrero IV) weaves deep Latin influences into his songs, blending English and Spanish lyrics with music that combines atmospheric soundscapes suffused with pulse-pounding beats to tell stories that are both deeply personal and universally relatable.
New single ‘Brown Skin’ is the first track to be teased from a new album out in early 2026. An unapologetic expression of identity, struggle and survival, the song blends personal storytelling with social commentary, confronting feelings of displacement, family separation and the weight of heritage. The song lyric is sharp and direct, carried by a vocal delivery that makes every word hit like a protest chant.

“This song is about resilience – working hard every day, facing systems that try to erase you and still standing strong with pride in where you come from,” explains Night Ritualz. “The repetition of the hook and the outro were designed to channel frustration into power, making it both deeply personal and universally relatable.”

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Ahead of the release of her forthcoming self-released, crowdfunded album, Mosswood – which we absolutely love – minimal electronic pop artist Mayshe-Mayshe has released a third single by way of a taster.

‘Little Yeah Whatever’ encapsulates the spirit of Mayshe-Mayshe perfectly – subtle, understated, shy-sounding, but with an unexpected strength at the core.

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Hailed as a “hardcore Toxic Holocaust,” Wellington’s BRAINWAVE have just released ‘Lost My Way’, a ferocious new single from their upcoming debut full-length Ill Intent, due out October 22, 2025.

“’Lost My Way‘ channels the rage of feeling disorientated and directionless, of not achieving your potential and the sense that every way forward is blocked. It’s extremely personal, but in our atomised modern world, it’s also a sentiment that everyone has felt at some point,” says vocalist Rob Thompson.

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  Brainwave

OMEN CODE unveil the new track ‘Ultra Fear’ as the next single lifted from their forthcoming debut album Alpha State, which has been scheduled for release on December 5, 2025.

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OMEN CODE comment: “I had orginally planned to use ‘Ultra Fear’ for my previous music project”, mastermind Kevin Gould reveals. “The pace is quite low key again, but the sequence layers fill it out nicely. The lyrics have an abstract but also quasi religious feel. Back then, I had put some angry, shouted vocals over the track. Then Agi came along and did his ‘new vocalist’ thing. He basically rescued the track. We wanted the chorus to have a distant and alien tone so used a lot of treatments and vocoder. There is nothing like a machine telling you that ‘God is near’.”

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Ultra Fear