Posts Tagged ‘Single’

Oakland, California – based post-punk band, False Figure has just unveiled their new full-length album, Incarnate.

The themes across Incarnate remain familiar to the band’s legacy. Ranging from lamenting toxic interpersonal dynamics in ‘Favorite Game’, finding sobering respite within the chaos of an unsalvageable world in ‘Original Sin’, to a more immediate and explosive call to action in ‘Say Nothing’. There’s an undeniable flow to the songs on the record that don’t leave you lingering in the same feeling for too long.

Incarnate is an example of what modern post-punk could sound like while not being pinned to one particular repetitious theme. The tracks serve as a cathartic release for listeners, drawing from lived experiences that are universally shared. It is the intention of the band to speak to the inner world of its audience and connect in a meaningful way.

Check single cut ‘Flowers in Bloom’ here:

AA

Conceived in 2016 in the depths of San Francisco, False Figure exploded onto the bay area’s burgeoning modern deathrock scene as a loud and driving three-piece. Distinguishing themselves with tribalistic tom beats and screeching guitars ala Killing Joke, this became the hallmark to early releases as swirling feedback gave way to drippingly saccharine melody. Toying with a dichotomy of tension building verses only to be releases by lush melodic choruses. Andres Ruiz’s haunting vocals blend together a rich chemistry of melancholic, desperate crooning alongside guitars.  2022’s release, Castigations recorded in April 2-21 by Grammy winning engineer, Greg Wilkinson and mastered by Grammy winning engineer, Chris Dugan, saw the band take a step towards traditional gothic rock and further from traditional punk sounds while retaining their own alchemy.

In 2026 the band seeks to release the newest iteration departing headfirst into luscious early dream pop ecstasy while maintaining a deep beautiful melancholy radiating throughout the new album, Incarnate. With influences from the French cold wave scene, Spain’s La Movida and British shoegaze, this newest release includes an entirely new line-up with Keven DeFranco on second guitar and Kenan Hamilton on bass explore a deeper concept of what modern post-punk could sound like.

AA

545ae1ad-b3ec-05fc-bc01-6a5860e28be4

Electronic artist SINE (aka Rona Rougeheart) has released a new single entitled ‘Blood + Wine’ on Metropolis Records. Modern and club-ready, and featuring a vocal that is playful, frenetic and seductive, it is an upbeat dance track with bold electronic basslines accented by sub-bass drops. “Creating this song was about capturing the tension of chasing something that always feels just out of reach; the feeling of an endless pursuit,” states Rougeheart.

Her first totally self-produced song, ‘Blood + Wine’ also marks a key moment in the evolution of the SINE sound. “There was little time to focus on making my new album in 2025, as I was often away on US tours with Clan of Xymox, PIG and Nitzer Ebb,” she explains. “However, being around them taught me a lot. Once home, I started applying the knowledge I had absorbed, which led to this new track. It became a first real test of self-producing, and I was genuinely happy with the result. I’m really proud of the progress I’ve made.”

Mastered by Mark Pistel (Meat Beat Manifesto, Consolidated), ‘Blood + Wine’ remains true to SINE’s self-described ‘electronic boom’ style.

AA

Originally from New York but based in Austin, Texas, Rona Rougeheart blends dance beats, sub-bass, rhythmic synths and industrial elements. Her live show as SINE blends high-fashion aesthetics with synths, drumming and vocals, led by a strong female-fronted presence and cinematic visuals that entertain and empower.

She has collaborated with Adrian Sherwood, Meat Beat Manifesto, Clan of Xymox, Chris Connelly (Pigface, Revolting Cocks), Mark Pistel (Consolidated), Andee Blacksugar (KMFDM, Blondie), Xiu Xiu and the late Mark Stewart (The Pop Group).

A multi-instrumentalist, Rougeheart has been endorsed by Gretsch Drums, Gibraltar hardware and Roland.

AA

5ac7b96c3aa57e5755c1daa99dba874fbe644417

SINE | Rona Rougeheart photo by Bobby Talamine

The dark electronic/aggrotech act Dawn Of Ashes (DOA) have released a new single entitled ‘Viral Decay’ today. The second track to be issued from forthcoming new album Anatomy Of Suffering, it captures the ugliness, exhaustion and isolation of inner decay while fully embracing the classic DOA sound – harsh synths, aggressive rhythms and oppressive atmospheres – and paying homage to their genre’s old-school brutality.

“‘Viral Decay’ is a confrontation with inner darkness; not a glorification of death, but a sonic descent into mental corrosion,” explains DOA founder and frontman Kristof Bathory. “It explores the slow mental collapse caused by overwhelming despair and suicidal ideation. Through visceral imagery and repetition, it portrays a mind infected by hopelessness, emotional numbness and self-destruction, exposing the brutal reality of living inside a breaking mind.”

‘Viral Decay’ follows the recent ‘Penumbra (feat. Suicide Commando)’, a powerful collaboration with the veteran Belgian artist Johan Van Roy. Both songs are available on ‘Anatomy Of Suffering’, a new album by DOA out on 20th March. A darker, heavier, and more focused chapter in the group’s evolution, it brings together raw atmosphere with precision production and features some notable collaborations.

AA

a3571605974_10

MOON FAR AWAY impressively deploy their ability to write captivating acoustic songs with their new advance single ‘To Count Her Names’. The gothic folk duo’s new track is taken from their forthcoming new album Acou (‘Listen’), which is chalked up for release on March 13th, 2026.

MOON FAR AWAY comment: “A cold neo-folk hit in the best traditions of the genre — and the lyrical heart of the Acou album”, male vocalist and multi-instrumentalist Count Ash states. “Yes, grim folkers with long beards sometimes fall into sadness, too. This song features guitarist Roman Khomutsky from the famous Moscow black metal band Uratsakidogi.”

AA

Some of the richest music is also the hardest to categorise. With their fifth full-length Acou, MOON FAR AWAY embark on a musical exploration of the magical nature of sound. The band from the sub-arctic city of Arkhangelsk in Russia’s north is studying the mythological cycle of the universe by assigning certain sounds and musical styles that range from the archaic and folklore to liturgical, classical, and even experimental music to each stage of its existence.

MOON FAR AWAY were inspired by the finding that the world begins and ends in many ancient legends with a sound – from the utterance of a word to actual music or even the big bang of science. On Acou, which means ‘listen!’ in Greek, the word (lógos) and music (mousĭkḗ) are as fundamental to the fabric of the universe as the classical elements of earth, fire, water, and air.

MOON FAR AWAY have occasionally been referred to as “the heart of Russian gothic folk” or “The Russian Dead Can Dance£””, which are notions that still ring true regarding Acou. Their music appears to be both light and even dreamy on the surface, yet at the same time it comes with a dignity, gravitas and passionate seriousness that set these songs apart from simple pop; despite sounding captivating and melodic.

MOON FAR AWAY have already released four studio albums, a live album, several singles, and numerous collaborations since their inception in 1994. The band from the old Russian harbour city on the White Sea shore has also performed at multiple festivals across Europe. MOON FAR AWAY are taking their inspiration from the folklore and unique ancient heritage of their native lands in the North of Russia.

The North is obviously an area of harsh climatic conditions but also of intense human creativity that found its expression in rich poetry, music, visual culture, and wooden architecture. Unlike central Russia, there was no slavery in the North and to this day, this wide region preserves a most interesting and unique cultural heritage with roots reaching back into pre-Christian time.

MOON FAR AWAY have dedicated themselves to the preservation of local traditions, both musically and culturally. By combining traditional European culture with the soundscapes of the Russian North, and influences from classic to neofolk as well as modern technology, the music of MOON FAR AWAY offers a unique artistic expression where the East meets the West.

With Acou, MOON FAR AWAY present their richest and most complete album so far that will find old and new friends from a wide range of stylistic preferences that certainly include fans of DEAD CAN DANCE, ALCEST, WARDRUNA, and many others – although the unique band from Russia’s North does sound different from all of those mentioned above. There is only one way to find out: "Acou"! Listen!

AA

e369e934-4ab4-208c-326d-d68c336c47c7

No words… Just watch, and listen…

AA

OIF

Prague goth rockers, CATHEDRAL IN FLAMES have unveiled their new single & sylish video for the track, ‘Push The Fire’.

‘Push The Fire’ is a metaphorical story about picking up women. On the surface, it’s vampire kitsch; underneath, it’s classic seduction wrapped in promises of eternal love, right up to and beyond the grave. The seduction doesn’t really work out, though, so both of our heroes get angrier and angrier, and they end up more and more blood-soaked.

The initial inspiration came during long spring walks around the South Bohemian fish ponds when, above the melting ice there was nothing to see but raw, damp fog and flocks of crows. Musically, ‘Push The Fire’ is a return to the roots: a straightforward, fast goth rock’n’roll song with a chorus that hits you straight in the face. The bridge is a conspiratorial wink toward the band, The Mission and their single, ‘Severina’.

‘Push The Fire’ is a fast, rhythmically-pulsing track driven by Gatsby’s bass and Barney’s tribal drumming and features a soaring chorus adorned with Ambra’s vocal acrobatics and Phil’s trademark growl. The sound was produced and mixed by Brett Carruthers of the Canadian band, The Birthday Massacre.

AA

04ba607c-dfab-b5cf-b9fc-1deee52249d0

Tampa-based death rock/goth artist SINISTER SHADOWS is proud to announce that his self-titled debut album will be available as CD and digital release on March 26th via The Doorway To label.

‘Sinister Shadows’ was created out of the love of death rock and goth rock from the Eighties and Nineties – bands like Bauhaus, The Cure, Sisters of Mercy, The Mission, and Nick Cave.

SINISTER SHADOWS‘ mastermind, Ryan Michalski (Idiot Robot, Ryan Cosmonaught), ran a video magazine called The Gothic Box in Tampa Florida years ago and went to such venues as The Orpheum and The Castle. SINISTER SHADOWS wants to bring back the darkness, romance and flair that has been long missed of this sound and movement.

Today you can have a foretaste of what you might expect from the album with ‘No one home but me,’ here available as a lyric video:

AA

Ryan Of Sinister Shadows, Photo by Ryan Michalski

US dream-pop duo Magic Wands have released a brand new single, ‘Wishing Well’. With an insistent rhythm and swirling guitars, plus a vocal that adds to its hazy atmosphere, the song sounds like an immediate post-punk meets shoegaze classic.

“The lyric came to me when I was a guest of a guest at a wedding one summer,” explains vocalist Dexy Valentine. “There was an obvious sense of excitement at the event, but I didn’t really know anyone there so I snuck off outside and sat by a wishing well fountain and started writing on a napkin. When we came up with the music for this song I thought these words would fit perfectly.”

Co-written and produced by Dexy with her partner Chris Valentine, ‘Wishing Well’ is the title song of an EP scheduled for late April. It follows the January release of ‘Sacred Mirrors’, a collaborative single with Psychedelic Furs guitarist John Ashton.

AA

78f5a760fb01f8feef8af985ac8fe18070f0e7de

MAGIC WANDS | photograph by John Charter

Këkht Aräkh will release Morning Star on March 27th, and the album finds him arriving at a truer, more refined version of himself. Recorded between Berlin and Stockholm, the album emerges from a period of intense personal and artistic growth, blending aggressive black metal passages with textured, immersive soundscapes that feel both intimate and vast. The lo-fi warmth of the tape Portastudio imbues the record with a tangible, analog immediacy, lending grit and character to every note while allowing drifting, melancholic melodies to linger.

Since its origins in Mykolaiv, Ukraine, Dmitry (a.k.a. Crying Orc), the sole mastermind behind the Këkht Aräkh project, has consistently sought to carve a distinctive path within black metal. Tracing back to 2014, his early experiments exposed the gaps he felt in the genre, culminating with his debut under the Këkht Aräkh moniker, Through the Branches to Eternity EP (2018), Night & Love (2018) and Pale Swordsman (2021), later reissued by Sacred Bones Records. Across these releases, Dmitry, now based in Berlin, established a signature contrast between ferocious, visceral black metal and delicate, introspective ballads: a dynamic that reaches new depth on Morning Star.

On the new single ‘Eternal martyr’, Këkht Aräkh partners with Bladee, who added vocals and co-wrote lyrics.  The collaboration may seem unlikely at first, yet it reveals an intuitive chemistry. Both artists share a commitment to world-building, emotional directness and carving a singular path outside their respective genres. Despite their different genres, Dmitry has long admired Bladee’s introspective lyrical style and saw how it could translate into black metal without disrupting the genre. Bladee’s own interest in black metal created a natural space for collaboration, and the project grew organically from their shared fascination with bridging their musical worlds.

About the track, Dmitry says, “Despite its simplicity, this song feels like an interesting musical and cultural experiment, a fusion of two worlds, or a bridge between them. On this track, and the record as a whole, I’m hoping to offer a new perspective for black metal: renewed, reframed for the present moment, more integrated in the modern music scene, but strongly faithful to the genre’s roots.

“I’m very grateful to Bladee for exploring this idea with me, bringing his unique vibe and making this beautiful collab happen, that makes perfect sense in the end.”

AA

kekht_arakh-duran1-990514014505143c

Photo credit: Duran Levinson