Posts Tagged ‘single release’

Bearsuit Records – 31st October 2020

Christopher Nosnibor

Because life had been getting a bit predictable – y’know, with nothing happening but the same old same old, work / life at home / going nowhere schtick – it was without time to mix things up. A second lockdown and a new release from Bearsuit certainly fits the bill there, since after another half-arsed, muzzy bag of mumbling waffle from that tousle-haired tosser who probably couldn’t even give a straight answer to the question of whether or not he knew what a straight answer was, no-one really knows what the fuck’s happening, least of all half the government, a bewildering array of discombobulating sonic collage courtesy of Bunny & the Invalid Singers feels positively coherent by comparison.

This single – featuring a remarkably conventional A-side and B-side – comes as a taster of an album, The Flight of the Certainty Kids, scheduled to land in January.

Delicate, picked acoustic guitar that combines elements of classical and folk paves the way for a mellow, easy-listening vibe, with a meandering horn weaving its way across a slow, slouchy beat, and it comes on like latter-day JG Thirlwell compositions melting into Groove Armada. If that sounds like a curious and not altogether complimentary combo, think again: it’s a coming together of aspects of cinematographic vision and a breeziness of a bygone era, that bright, skippy 60s pop style with a subtle psychedelic twist. It’s mellow, and it’s well-executed, and lifts the listener towards a tranquil space.

It’s probably the distortion of history as played through the filters of 21st century retrospect – you know, all those ersatz Kodachrome-filtered scenes of joyful skipping around, weaving daisy chains and carefree living in microdresses, flares, flowing locks, beards and sideburns… How we idealise the past. The swinging 60s bypassed most of those there at the time, just as punk wasn’t the revolution that’s endlessly eulogised for the majority grinding away at day jobs or otherwise blissfully unaware in the suburbs. Nevertheless, a semi-fabricated 60s lounge and ultra-chill vibe is the main flavour of flipside ‘None of this Happened’, and maybe the clue is in the title: maybe it’s a wilful misremembrance, a distortion. It’s pleasant enough, of course, and perhaps appropriately, it all goes off in every direction toward the end, and we’re left in a sonic whirlpool of weird.

It’s another creative success for Bunny and Co, and augers well for the album, at least if you’re on the market for a full set of psychedelic pop strangeness.

AA

a0449135192_10

They’ve been knocking about for 15 years, and finally – finally – The Gaa Gaas are on the eve of releasing their debut album. Ahead of it, in a flurry of activity, they’re re-releasing 2010 single V.O.L.T.A.I.R.E. and have unveiled a video for ‘Statues’. Created by Texas-based video artist Laura Grace Robles, best known for her work with hip hop giant Rakim, and also Marcel Rodríguez-López of The Mars Volta, the eye-bleeding visuals are the perfect accompaniment to the wild, angular guitar blitz. Watch it here: