Christopher Nosnibor
I’m out on my second consecutive night of gigging and it feels like it used to in 2019, when I used to do this sort of thing all the time. Other things about this remind e of times past, too. It’s a fairly last-minute show, booked after a couple of dates in Scotland fell through, leaving Thank and tour buddies Fashion Tips with gaps in their schedule. Consequently, promotion has been a bit sparse and ticket sales have only been ‘ok’, attracting the kind of turnout that would look good in a 100-200 capacity venue, but perhaps not so good in a 350-capacity space.
Moving the bands to the floor instead of the stage really changed the dynamic, though, and it worked so, so well. Having a 100% solid lineup was what really made all the difference, though, with local guitar and drums duo Junk It being first up.
Having caught them supporting Part Chimp in the same venue back in November 2022 (how was it that long ago?), I’d dug their sound and seen potential. They’re now absolutely delivering on that early promise, and tonight they’re absolutely outstanding. The set beings with a squall of feedback (as does every song, and as often occupies the space between songs) and a mega thick grunge riff. The guitarist sports a beard, long hair, chunky boots and long flowing skirt, and carries it off well, flailing said hair wildly while blasting out hefty power chords.
Junk It
The drummer and guitarist share vocal duties on the wild ‘Strut My Stuff’, and the former struggles to stay on his stool during the set, leaping and half standing as he thrashes the fuck out of his kit, the nut flying off the cymbal near the end of the set. The chat between songs is awkward, but amusing, and the songs are pure power. They’re a pleasant, affable pair playing hairy, sweaty grunge, the songs often becoming two players screaming ‘aaaghahah’ over hefty guitar and pummelling drums, before bringing unexpected harmonies in the last couple of songs.
Fashion Tips, whose EP I covered a bit back, and was keen to witness live, emerge a lot less poppy and a lot harsher and noisier than anticipated on the basis of the recorded evidence, and the four-piece bring a spiky riot grrrl punk racket played hard and cranked up loud. With heavy synth grind and pumping drum machine and layers of feedback plus extraneous noise, their sound is in the region of Big Black meets Dr Mix meets Bis meets Selfish Cunt.
Fashion Tips
Singer / synth masher Esme verbalises my thoughts perfectly when she comments on how tonight’s show is reminiscent of The Brudenell circa 2006 – it’s that low-key, lo-fi, direct engagement, band on-the-floor-and in-yer-face making unfashionable noise simply because vibe that does it, and seeing the likes of That Fucking Tank and Gum Takes Tooth playing to small but enthusiastic audiences of oddballs stands as something of a golden age in my mind. You can never recreate the past, at least not purposefully, and to pine in nostalgia is to grasp at emptiness – but sometimes, thing just happen, and this so proved to be one of those things, by accident and by circumstance rather than by design. Fashion Tips were nothing short of blistering with their abrasive antagonism. Fucking hell indeed.
Between Fashion Tips and Thank, Daughters’ You Won’t Get What You Want was blasting over the PA, reminding me of one of the most incredible and intense live shows I’ve ever born witness to.
Steve Myles always looks like he wants to murder the drum kit and he looks seriously fucking menacing as he starts tonight’s set, face low and focused as he thumps hard. To return to the topic of vintage Leeds, my introduction to Thank was in December 2016, supporting Oozing Wound at – where else? – the Brudenell. It got me out of a works Christmas do, and stands out as a belter in the games room, which stood as the second stage then, and Thank, decked in neon running gear stood out as being demented, but also quintessential Leeds alternative. They’re still blazing that trail and have gone from strength to strength, supporting the likes of Big ¦ Brave and maintaining a steady flow of releases – and of course, hardly play any of the songs from those releases tonight, because, well, that’s how they roll. When they erupt it’s a fierce racket. The bassist wrestles noise from a bass with a very long neck. It’s jolting, and it’s hard.
Thank
The set is strung together by some mental banter, a rambling narrative that expands on a fictitious account of a dialogue between the band and the show’s promoter, Joe Coates, spanning several months. It’s amusing, and grows more surreal and more stupid as the set progresses – which is Thank all over. Amidst the endless slew of new material, there’s a song called ‘Woke Frasier’, the premise of which is…. if Frasier was woke. Of course. ‘Commemorative Coin’, old yet still unreleased, is a big tempo-changing beast of a tune, and encapsulates Thank perfectly – crazed, irreverent, and daft in the way only a northern act can be. Freddie is the perfect frontperson, balancing charisma with clumsiness in a way that’s charming and entertaining, but hits the mark when they go loud, too.
With three bands out of three delivering outstanding, and utterly full-on sets, you couldn’t ask for more on a Friday night – and pints for £3.50 is just a bonus. If you missed it, you missed out.
Aural Aggravation 