Posts Tagged ‘Gazpacho’

French progressive rock outfit HamaSaari have shared a stunning live performance video for ‘Frames’, one of the standout tracks from their acclaimed sophomore album Pictures, released earlier this year via Klonosphere.

Captured at the iconic Le Petit Bain in Paris during the band’s recent European tour supporting Norwegian progressive rock veterans Gazpacho, the video showcases HamaSaari at their most accomplished, translating the cinematic atmosphere of the studio recording into a powerful live performance. The footage was filmed by Pascal Van Beurden and edited by guitarist Jordan Jupin.

Reflecting on the experience, the band comment: “Le Petit Bain, floating on the Seine, is one of those Parisian venues with a soul all its own. Playing that stage, in that setting, felt like something special. That’s where we laid down ‘Frames’ that night, on our date with Gazpacho. We were already a week into the tour by then, well drilled, and it was their team, Pascal on sound and Jael on lights, who had our backs that night. It made for such a comfortable show. They even let us play one extra song, a gesture that really touched us. We’d also like to thank Lena Hemp (Uxcr Official / Hemp Prod) for capturing the footage and letting us loose in the edit room. And thank you to everyone who was there and shared that beautiful night with us.”

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Their latest album, Pictures, expands upon the foundations laid by their debut Ineffable, exploring themes of perception, memory, mythology, dreams, and the invisible boundaries between reality and imagination. Rich in atmosphere and emotional nuance, the album invites listeners to reflect on the images we choose to preserve, the stories we inherit, and the beliefs that shape who we are.

Fresh from touring alongside Gazpacho, HamaSaari will continue bringing Pictures to audiences across Europe throughout the year, with appearances at clubs and festivals in France, Germany, and the UK. Check out the confirmed dates below:

04.07 — Holzbunge, DE — Woodbunge Festival
16.07 — Lille, FR — High Voltage Bar
17.07 — London, UK — The Camden Club
18.07 — Abingdon, UK — Prog For Peart Festival
19.07 — Manchester, UK — The Peer Hat
21.07 — Middlesbrough, UK — Café Etch
22.07 — Nottingham, UK — Mist Rolling Inn
25.07 — Xanten, DE — Rhine Ent . Festival
29.08 — Tresboeuf, FR — La Charrue Festival
17.09 — Nantes, FR — Prog Night (la carriere)
14.10 — Lyon, FR — Rock N’ Eat
24.10 — Amiens, FR — La Filature

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For nearly twenty years, Gazpacho have reigned as the kings of atmospheric and affective art rock. That’s certainly no small feat, as the subgenre is full of wonderfully moody, ornate, and emotional artists; yet, none of them manage to achieve the same level of exquisite baroque resonance and hypnotically introspective weight as the Norwegian sextet. As a result, they never fail to provide awe-inspiring examinations of the human condition, and their latest observation, Fireworker, is no exception. It is undoubtedly among their greatest achievements, as well as one of the most profound pieces of music you’ll hear in 2020.

Listen to ‘Fireworker’ here:

 

Conceptually, the album follows the band’s tradition of blending grand philosophical quandaries, stimulating literary leanings, and haunting personal turmoil. In a way, it acts as the culmination of the themes and techniques that’ve decorated earlier collections, combining the fatalistic isolation of Night and Missa Atropos; the ill-fated narrative drama of Tick Tock and Soyuz; and the hefty theological/scientific contemplations of Demon and Molok. Beyond that, its central premise (that humanity has always been controlled by an infallible and omniscient creature determined to propagate at any cost) means that Fireworker comes across like the overarching umbrella under which all of its predecessors occur.

Keyboardist Thomas Andersen elucidates: “There’s an instinctual part of you that lives inside your mind, separate from your consciousness. I call it the ‘Fireworker’ or the ‘Lizard’ or the ‘Space Cowboy.’ It’s an eternal and unbroken lifeforce that’s survived every generation, with a new version in each of us. It’s evolved alongside our consciousness, and it can override us and control all of our actions.” In order to get us to do what it wants, he clarifies, the “Fireworker” will silence the parts of our mind that feel disgust or remorse so that we’re unable to stop it. The conscious part of our mind, Andersen notes, will actually “rationalize and legitimize” those thoughts and actions so that we never discover the beast behind-the-scenes. No matter how we feel about ourselves in terms of identity, accomplishments, and value, we’re all just vessels—or “Sapiens”—that the creature uses until it no longer needs us. “If you play along,” Andersen explains, “It’ll reward you like a puppy and let you feel fantastic; if you don’t, it’ll punish you severely.”