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Me Lost Me – the project of Newcastle-based artist Jayne Dent – delights in experimenting with songwriting, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. She ‘s now shared ‘Ancient Summer’, taken from This Material Moment (out 27th June via Upset the Rhythm), which she describes as “emotionally raw”, and deems it her most honest and vulnerable album yet.

About "Ancient Summer", Jayne comments that "This was the first song I wrote for the album and the first time I’d made a mesostic poem. Taking words from a tourism leaflet for Pont du Gard, a Roman Aqueduct and art museum near Nimes, France, I wrote this song that’s got so much wonderfully hyperbolic and excited language. It reflects quite well how I felt at the time of visiting, I was so moved to be swimming in a river in this beautiful valley under an ancient monument. It’s a song that comes from suddenly noticing your place in time and space, that feeling of being in communion with a past and a future, of being a part of something bigger than yourself. Visiting historical sites is one of my favourite things, and this is a bit of a love letter to the places that I’ve been lucky to visit over the years."

“The music video,” she says, “is a kind of nod to ancient Roman Spring/Summer festivals and the English folk traditions I grew up with, like May Day celebrations, Morris dancing and well dressings. In summer 2024 I worked on some music for a dance project with some incredible performers including Lizzie Klotz, Rosa Postlethwaite and Alys North, which was on the theme Abundance. The process was really beautiful, and I knew I wanted to work with them on this video because it had a similar theme and feeling, plus I knew I could trust them to throw themselves into whatever daft thing I suggested we do! Videographer Amelia Read joined us on Newcastle’s Town Moor to film us dancing and playing games, it was very collaborative and intuitive which was perfect, as I wanted the video for this song to be joyful and light (with a hint of folk horror elements going on too of course!)”

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Photo credit: Amelia Read Photography

From San Diego California Sledges is a four piece Alt-metal/Heavy-shoegaze band that blends genres like grunge, metal, shoegaze, emo/post-hardcore, and alternative to craft songs with catchy hooks and big riffs. The band’s goal is to create emotional/ heavy songs that you can sing along to.

Sledges is Philly Gomez (vocals and guitar), Alex Angulo (bass), Julian Romero (guitar), Mason Haidar (drums).

Sledges’ origin starts in mid 2020 taking place in the area of Chula Vista California. From the boredom and freetime during the pandemic Sledges started as a three piece and wasted no time writing original material. During 2020 Sledges recorded and released their first single ‘Melting Lives’ which helped them start playing shows in San Diego and grow a local fan base. The group recorded and released more singles throughout 2021-2023 and added a fourth member to play lead guitar. Some notable singles during that time include ‘Headwinds’ (2022) and ‘Disgusting’ (2023).

In mid 2023 Sledges began to record their EP Losing Pace with Mike Kamoo who engineered, mixed and mastered it at Earthling Studios. Losing Pace is a four track EP that is catchy and ambitious yet heavy. The group took inspiration from bands like The Smashing Pumpkins, Nothing, Sunny Day Real Estate, and Hum with its heavy but lush wall of guitars while adding their own flavor. Sledges experimented with acoustic guitars, melodic choruses, drum samples and My Bloody Valentine-esque leads. The group wanted to simply write strong songs that can stand on their own.

Singer/songwriter Philly Gomez says Losing Pace is about a period when he felt broken from the struggles of balancing life and in the process realizing you are falling apart. With heartfelt lyrics and contagious riffs, Losing Pace was released on May 2nd 2024. With great reception the EP led the band to get signed by the label Quiet Panic and open for larger bands like From Autumn to Ashes, and Ringo Deathstarr.

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Finnish progressive heavy psychedelic rockers Craneium have just released a music video for their latest single ‘The Flow of Time and Age’, marking their second track under the Majestic Mountain Records banner.

Leaning heavily into their signature riff-laden fuzz and heavy rock energy, the song delves into themes of mortality and the quiet urgency of time slipping away.

“Lyrically, we’ve often returned to the subject of mortality and the choices that shape your life. You only get one,” reflects guitarist Martin Ahlö.

“Another track that we decided to save for later on. We felt like it could stand as a single on its own. It started out with an acoustic intro that turned into something else completely when the bass-riff came along. Droning guitars and dreamy mellotron-melodies on top. It’s different but definitely Craneium.” Shares guitarist/vocalist Andreas Kaján.

When on tour we listen to the classic Pink Floyd track ‘Time’ a lot, and I think it is safe to say that ‘Flow of Time and Age’ is a not so distant relative, musically and lyrically,” adds Martin.

“Our new track dives into the weight of memory, the slow collapse of what we hold dear, and that urgent need to act before the moment slips away. It’s heavy, melodic, and it hits like a truth you weren’t ready to face,” concludes drummer Joel Kronqvist.

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To celebrate the release, Craneium have also announced a new European tour, kicking off this June. Check out the  full itinerary below:
CRANEIUM – EUROPEAN TOUR 2025

5 JUNE – Copenhagen, DK @ Lygtens Kro (w/ Dunes, Grinding Eyes)
6 JUNE – Berlin, DE @ Pump Track (w/ Black Magic Tree, Zen Bison)
7 JUNE – Frankfurt am Main, DE @ Ponyhof (w/ The Black Cat’s Eye)
8 JUNE – Göppingen, DE @ Zille (w/ High Priest of Haze)
10 JUNE – Prague, CZ @ Sally O’Neals (w/ The Winter Sounds)
12 JUNE – Leipzig, DE @ Black Label
13 JUNE – Słupsk, PL @ Motor Rock Pub
14 JUNE – Łomża, PL @ Pub "Pod Ratuszem

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“I see too many echoes of the 1930s in what’s going on in the world, which I see as being extremely dangerous both for the country I’ve chosen to live in and the Western world in general,” says vocalist/bassist Vox (Mark Burgess) of Chameleons when talking about his band’s brand new single, ‘Saviours Are A Dangerous Thing’. 
Out today (29th May) via Metropolis Records, the song is taken from their recently announced and long-awaited album Arctic Moon.

“It was the last song to be completed for the album,” he continues. “I’m particularly pleased with the way it turned out, because it was our guitarist Stephen Rice who initially brought the rough idea to the table and we all then collaborated on it to produce the final song.”

Capturing Chameleons’ innate flair for crafting exquisite guitar textures and merging them with Vox’s tight grasp of melody and wordplay, ‘Saviours Are A Dangerous Thing’ harbours a dark message about the current political climate amid its thoroughly engaging sound. Further enforcing this theme, an accompanying video splices live performance footage with kaleidoscopic images of war and its effects, as well as the propaganda surrounding it, making for a compelling statement overall.

“The lyrics came to me quite quickly,” Vox explains. “They reflect what has been happening globally and how senior officials line up to kiss the rings of clowns who regard themselves as self-proclaimed kings rather than elected statesmen.”

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Portuguese death/thrash veterans Biolence  are set to return with their fifth studio album titled, Violent Obliteration, due out on September 1st, 2025 via a triple-label collaboration between Doomed Records, Raging Planet, and Selvajaria Records.

Recorded and produced at Darkhammer Studios, who also oversaw all sound and visual elements, Violent Obliteration is described by the band as their most cohesive, direct, and violent record to date.

“This upcoming album is possibly our most cohesive, direct, and violent to date, a nuclear bomb of Death/Thrash Metal, with our signature lyrical themes such as the horrors of war, biological and mass destruction weapons, greed, human corruption, and its destructive impact on the planet,” says the band.

The first taste of chaos arrives with the premiere of a lyric video for the track ‘Pit of Degradation’, a punishing preview of what’s to come, featuring blistering riffs, razor-sharp drumming, and an atmosphere soaked in menace.

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Pennsylvania-based artist Celeste Corsano presents her new single ‘Nightbird’, the dark side of the ying-yang, following her recently-released debut single ‘Sunlight Gazing’. An innovative singer-songwriter, Corsano is the latest artist to be added to the growing roster of the blossoming Montclair, NJ-based indie label Magic Door Record Label.

Corsano’s music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range — from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth.

“I live in a rural area. There’s nights when I can’t sleep, thinking about my living dreams, desires and worries… the noise and chaos of my circumstances and feelings crowd my mind. When that happens, I lie in bed and look out my window and see the shadows of trees, lightning bugs flash, and sometimes hear the cry of a fisher cat… so eerie and wild. I hear the call of an owl, or see a bird that’s been disturbed from its perch and fly to another spot. The sights and sounds become part of a message to me…. a nightbird… calling to me,” says Celeste Corsano.

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For the past year, Corsano has been working with renowned producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio, who produced, recorded, mixed and mastered this release, as well as several recordings to follow.

With Ketchem also on drums, this single also features fantastically notable guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) and keyboardist-bass player David Nagler of Nova Social (who has also played with Joan Baez, Aaron Neville, Rosanne Cash, Andrew Bird, Steve Earle and Yo La Tengo).

“I came to Ray Ketchem with iPhone recordings of my keyboard, voice, lyrics and a dream…. and for the next few months I traveled 1 1/2 hours one way to have one of the best times and learning experiences of my life. Ray was the producer, drummer and engineer for my songs, He created the fundamental groundwork and direction for Nightbird with his distinctive drum riff,” says Celeste Corsano.

“Besides my demo, the drums were a catalyst and inspiration for guitarist James Mastro and synth player-bassist David Nagler to create the full tapestry, against which I could express myself vocally when it came time to record my tracks. I remember feeling so elated and on a musical high watching and listening to Mastro record the tracks for ‘Nightbird’. Those hours are unforgettable. He was a part of the music, his entire body and expression connected to his guitar, rippling like water to its sounds. The guitar work expresses the lyrics so perfectly. It was very moving to watch.”

She adds, “David Nagler selected the coolest sounds and added so much to the attitude of this song. When the bass first comes into the song it sends chills. Working with Ray, James and David was such an inspiration. All three of them are so down to earth, personable and into the music. They are all legendary in the music realm and I’m so fortunate to have worked with them.”

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Swedish electronic environmentalists TWICE A MAN unveil a video clip with dark untertones for the catchy track ‘Second Field’ as the next advance single taken from their forthcoming new full-length The Coloured Breeze Is a New Dimension. The highly anticipated album has been scheduled for release on June 13, 2025.

TWICE A MAN comment: “The cogwheels of modern times are controlled by evil leaders without empathy”, Karl Gasleben states matter of fact on behalf of the band collective. “They grind us down and destruct our mental health. It is time to take back our dignity, nourish our inner dreams and connect them towards a more hopeful future. Are you ready to fight for what you believe in?”

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While the skies of the world are darkening, something powerful and resilient is pushing from below through the pungent springtime topsoil close to the City of Göteborg in Sweden. This sprout that is charged with organic and electric energy bears the name The Coloured Breeze Is a New Dimension. TWICE A MAN planted its seed with the song ‘Dahlia’, a ‘new’ track that was written to complement the compilation album Songs of Future Memories.

For three years, the Swedish dark electronic trio fertilised and nurtured the germ bud until it had taken firm root in their musical heritage and began to send offshoots to find new sonic spots beyond any previously built garden walls. The Coloured Breeze Is a New Dimension is an organic entity that creates something new by re-combining its musical DNA in various ways. As a result, its tracks blossom in many hues of electronic colours.

Based in Minsk, Belarus, two previous albums by alternative metal act Mission Jupiter have hinted at their potential to be one of the few bands from that territory to achieve lift-off worldwide. Having recruited powerhouse singer Kate Varsak prior to writing and recording their upcoming third album, Aftermath, the result is a set of dramatic, epic songs with modern production values that should see them soar.

‘Bittersweet (Love Song)’ is out now as the final single to be teased from the new album. “It is about a woman who thinks about her perfect man and visualises their romantic relationship”, the band explain. “She hasn’t found him yet, but already has butterflies in her stomach. What an inspiring feeling!” The song boasts a shimmering melody, a poignant lyric and a rousing guitar solo.

Four previous singles have paved the way for the new album, with ’Sometimes It Hurts’, ‘Human Nature’, ‘Self-Destruction’ and ‘Crippled Country’ all having been issued in recent months. Prog magazine praised the first of these as “a soaring slice of uplifting and dramatic melodic prog” and that ‘Human Nature’ “displays the far-reaching appeal of a band who mix atmospheric prog, the darker undercurrents of Cocteau Twins and up-tempo alternative metal.” Metal Talk described the same song as being “swamped by wonderful moods and melodies, all wrapped around a stunning female voice.”

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HEXVESSEL unveil a beautiful visualiser for ‘Mother Destroyer’ as the final advance single taken from the forthcoming new album Nocturne. The seventh full-length of the enigmatic black metal shapeshifters from Finland has been chalked up for release on June 13, 2025.

HEXVESSEL comment: “The song ‘Mother Destroyer’ is about cosmic fatalism, ecological grief, and reverence for a primal feminine force”, singer and songwriter Mat “Kvohst” McNerney reveals. “It is a hymn to the sacred and desecrated goddess. The Earth as origin and oblivion, womb and grave. In the heart of every star there is a darkness.”

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With their seventh full-length Nocturne, HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom.

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THE NORTHERN TERRITORIES present a new video single for their Lana Del Rey cover track ‘Say Yes to Heaven’, which appears on the acclaimed fourth full-length (‘Album of the Month’ in renowned German Orkus! magazine) of the Swedish melancholic synth duo, that is also being released and starts streaming in full today, on May 23, 2025.

THE NORTHERN TERRITORIES comment: “The video to our cover of Lana Del Rey’s ‘Say Yes to Heaven’ consists out of footage that we have lifted from our first ever video clip ‘Midnight Ambulance’, which we shot in Stockholm during the summer of 1994”, vocalist and multi-instrumentalist John Alexander Ericson explains on behalf of the duo. "We have not released an album in 25 long years and therefore it made sense to us to include these images as a nod to our past and as a reminder to ourselves and to others about how it all started.”

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After a record breaking hiatus of 25 years, THE NORTHERN TERRITORIES are back for good. The Swedish melancholic synth duo has used the time well to hone their musical prowess and to think hard about how they wanted their unique sound to come across in the present.

As a result of this intense thought process, the stunning album A Star in Orbit Still combines everything that made the band great and generated a dedicated and loyal following that eagerly awaited their return during all those years with a contemporary sound design. Channeling their trademark melancholy and Nordic knack for captivating melodies, THE NORTHERN TERRITORIES did not even shy away from covering LANA DEL REY’s iconic track ‘Say Yes to Heaven’ and to make it theirs.

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