Lybes Dimem – Syncleft Chronem

Posted: 9 September 2018 in Albums
Tags: , , , , , , ,

SVS Records

Christopher Nosnibor

This one positively explodes in the opening moments: a swirling black hole of noise that eviscerates the senses and assaults the eardrums with such ferocious force and excruciating volume that it feels like the end. The actual, living end.

Yet again, I find myself scrabbling for the press release while questioning the benefit of being told about the origins, mechanics or methodology behind the work. And so I find myself research one-line, and discover the visuals which accompany the audio, and begin to develop a real appreciation of the multimedia vision of Lukas Rehm, operating as Lybes Dimem for the purpose of the Syncleft Chronem project, a work which celebrates error and explores the relationship between various input stimuli and cognitive frictions. It’s complex, but can be readily reduced to the experience itself.

The visuals intensify the experience, but the sonic experience alone is intense and brings a blistering sensory overload. Syncleft Chronem is loud, attacking. Uncomfortable. Placing the album isn’t easy but then, it’s not entirely necessary: as a barrage of electronic noise with beats, it’s a work which assaults the listener from the outset with its sonic intensity, a combination of dense walls of noise, abrasive textures and tones, and sheer volume. How do you feel? I’m feeling tense, but excited, exhilarated as this racket assails my ears. Rehm clearly isn’t making music to win friends or influence people. He’s generating sound to see what it sounds like and how it feels.

Sometimes, you simply don’t need words. On ‘Saas’, there are threats of dancefloor-friendly beats for an industrial night as booming 4/4 bass thumps start up – but they halt abruptly, and the whole thing fractures and fragments. Everything halts before it hits a stride, everything jolts and shudders. Everything is too loud to hear properly.

Syncleft Chronem is brutal, in the sense that it affords no respite, no pause for thought. And nor should there be an apology for this: as with the best art, its intensity sustains fever pitch, is uncomfortable, feeds tension to the point of perspiration and palpitation. It hurts.

AA

LYBES-DIMEM_SYNCLEFT-CHRONEM-front-cover-woskin

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