Posts Tagged ‘Video’

CERESIAN VALOT release a visualiser for the next single ‘Valojuovat’ (‘Tracers’) taken from the forthcoming debut full-length Uumen (Depths). The first album of the Finnish heavy alternative band has been scheduled for release on May 23, 2025.

Wille Naukkarinen writes: “The new advance single ‘Valojuovat’ is one of the most recent songs that I wrote for Uumen and my personal favourite on this album”, the guitarist and main songwriter reveals. “I don’t have much to tell about the composition process, because this was one of those rare cases where the song basically wrote itself. The instrumental version was completed pretty quickly. It’s a mix of prog and melancholia, showcasing both our quieter and heavier side in a very melodic way. I recommend to listen to ‘Valojuovat’ with your eyes closed.”

Panu Perkiömäki adds: “This song has strong dystopic vibes”, the vocalist opines. “The key idea of the song is inspired by the writing of Albert Camus. It’s a song about wars and other manmade disasters. It is also a song about solving problems by changing the channel, if the news get too stressful. ‘Valojuovat’ does even contain some doubts about religions and their infallibility.”

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Helmed by Black and Cherokee composer and multi-instrumentalist Takiaya Reed, Divide and Dissolve will release their new album, Insatiable, on April 18 via Bella Union.

The 10 track album run the gamut of doom metal – from the ear-splitting depths of lead single ‘Monolithic’, to contemplative, softer moments on the aptly titled song ‘Grief’, released today. Like all of Divide and Dissolve’s music, Insatiable is almost entirely instrumental.

While the album’s sheer grandiosity represents an evolution in Divide and Dissolve’s sound, it also marks the very first time that Takiaya has ever lent vocals to a D//D song. On ’Grief’ her distorted voice echoes atop a vibrating bass tone, repeating the lyrics: “I don’t know what I’m supposed to do/ I’m so lonely without you.” Takiaya explains, “The voice is such a mysterious  instrument. This album feels different, and I wanted to honour that”.

The director of the music video, Sepi Mashiahof, adds; “The music video for ‘Grief’ is an ode to the feelings of empowerment, resistance, and sadness that Divide and Dissolve weaves into our bodies. It’s an expressionist diary made up of dissonant and revelatory memories. Grief eclipses everything around us, innocuously lingering in the functional movements of our daily lives, then aggressively literal in the reflective silence behind our eyes. Grief is inherent to our existence, knowing that a better world exists for all of us and its potential is boundless, yet we’re made to suffer the atrocities of greed and exploitation instead. We can honor Grief as a passage of life, but we must resist the forces that impose it as a numbness to injustice.”

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Divide and Dissolve live dates (so far):

18-05-2025 Desertfest London – London
30-08-2025 Supersonic Festival – Birmingham

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Photo credit: Brandon McClain @eathumans

METAMORPH has just revealed their new single – a gut-punch of emotion and power, ‘Crown of Shattered Glass’. The song is impossible to ignore—a warrior cry wrapped in razor-sharp gothic rock.

Margot Day’s bold vocals cut through a cinematic soundscape of pounding beats and darkwave edge, delivering a chorus that demands to be felt: “Shattered, shattered, I’m stronger than you know”. Every lyric carries the weight of a hard-earned victory. The shattered glass isn’t a weakness—it’s a crown. This is the sound of breaking free.
With sharp lyricism and relentless energy, this track transforms heartbreak into pure power, hitting hard and lingering long after the last note.

As the Wheel of the Year turns, METAMORPH unveils a new track every six weeks, each one an incantation of power, love, and defiance—all leading to a full METAMORPH album this fall.

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Shoegaze band Mondaze will release their second album Linger on 22 November via Bronson Recordings.

The opening track, ‘Lines of You’, showcases the recurring tension between presence and absence, reflecting how this internal struggle is ever-present in daily life. Haunted by lingering ghosts and memories that refuse to fade, Mondaze’s melancholy isn’t merely a stylistic element—it’s a deep exploration of the collective labyrinths faced by a generation longing for connection. It sounds as powerful as it is necessary in our times. There’s a strength that stems from reflection and observation.

The video was directed by Clement Pelo, and it stars Yannis Beck and Benedicte Bonpunt.

Watch it here:

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The band have previously released two singles: album title track ‘Linger’, a song that explores memory and nostalgia. and ‘Son of the Rambling Dawn’, a track that creates an immersive experience with intricate layers, smoothly blending different influences to convey a modern sensibility.

Since forming in 2018, Italy-based Mondaze have defined themselves as “heavy shoegaze”, taking inspiration from bands like genre-giants Swervedriver and Ride, but also contemporary bands pushing through the limits of the genre like Nothing and Ringo Deathstarr. With Linger, they aim to amplify the melancholy tones of their frustration and rage. These sonic characteristics drove them to work with Chris Fullard (Idles and Boris) on mixing, and Maurizio Baggio (The Soft Moon, Boy Harsher) for mastering. The result is an album with roots, yet distinctly modern featuring arrangements that skilfully blend contemporary styles with dreamy and eerie atmospheres.

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Photo Credit: Andrea Fiumana

French psychedelic/prog-rock collective Djiin will have recently revealed a music video for a brand song of their forthcoming fourth full-length album Mirrors due out on May 3 via Klonosphere Records/Season of Mist.

The follow-up to 2021’s third album Meandering Soul was recorded, mixed and mastered by Peter Deimel at Black Box Studio and sees Djiin further honing their exciting and powerful blend of psychedelic stoner rock and 70’s progressive rock. Written during the last four years by Chloé Panhaleyx (Vocals/Electric Harp), Allan Guyomard (Drums/Backing Vocals), Tom Penaguin (Guitar/Backing Vocals) and Charlélie Pailhes (Bass/Backing Vocals), "Mirrors" is full of powerful and fuzzy riffs, twisted beats, psychedelic melodies and vocal incantations that invites listeners to embark on transcendental and magical journey. The use of the electric harp in this “classic” rock line-up adds a unique and surprising sonority that accentuate the band’s mystic and ritualistic universe.

Watch the intense ‘Blind’ here:

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Yesterday, I discovered that the company I work for by way of a dayjob not only has a nut-free floor in its primary office on account of allergies – I get it, the potential for anaphylactic shock and death is something that requires precaution – but it also has two floors where strawberries are prohibited, and another which is a banana-free zone.

I began to consider the practicalities. How do these people get to their designated floors safely? How do they even get to the office? What do they do about supermarket shopping? After all, strawberries and bananas are out there. In fact, they’re on the street in front of various greengrocers’ near me. While I was considering this, the new Melvins single landed in my inbox. It’s as if they had planned to provide the soundtrack to my contemplations.

Yes, Melvins have shared a second song from their forthcoming album, Tarantula Heart (April 19, Ipecac Recordings), with today’s release of ‘Allergic to Food’.

Check it here:

“The way we approached Tarantula Heart was different than any other Melvins’ album,” explains Buzz Osborne. “I had Dale and Roy Mayorga come in and play along with Steven and I to some riffs, then I took those sessions and figured out what parts would work and wrote new music to fit. This isn’t a studio approach we’ve ever taken. Usually we have the songs written BEFORE we start recording!”

“The majority of Tarantula Heart has dual drum parts,” adds long-time Melvins drummer Dale Crover. “Roy is an amazing drummer. We would discuss what we would do pattern wise, then we’d just go for it. Improvising riffs and trading off on drum fills.”

Recorded, mixed and co-produced by longtime Melvins’ collaborator Toshi Kasai, the album also features We Are The Asteroid guitar player Gary Chester. Gary and the Melvins’ history goes back to their days on Boner Records, with the guitar player formerly having been a part of the legendary band, Ed Hall.

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Pissed Jeans is sharing the Joe Stakun-directed official video for “Cling to a Poisoned Dream,” a bruising meditation of harsh truths, and a highlight from their excellent sixth album Half Divorced, out this Friday, March 1st, worldwide on Sub Pop.

Next week, Pissed Jeans will appear on The Best Show with Tom Scharpling on March 5th and will also host an hourlong takeover of NTS Radio on Friday, March 8th (5pm GMT).

Watch the video here:

The twelve songs on Half Divorced skewer the tension between youthful optimism and the sobering realities of adulthood. Pissed Jeans’ – Matt Korvette (vocals), Bradley Fry (guitar), Randy Huth (bass), and Sean McGuinness (drums) – notorious acerbic sense of humor remains sharper than ever as they dismember some of the joys that contemporary adult life has to offer.

Half Divorced was produced and mixed by Pissed Jeans and recorded by Don Godwin with assistance from Mike Petillo at Tonal Park in Takoma Park, Maryland, and mastered by Arthur Rizk (co-producer and mixer for Why Love Now).

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Skate punk band Totally Slow infuses melodic hardcore with a creative surf vibe and a 90s basement punk ethos. Their music is a blend of razor-sharp hooks and left-leaning politics, delivered amidst a wall of guitars. Eddie Sanchez (Night!Night!, Solar Halos, The Love Language) has recently joined on bass, completing the current lineup which includes Andy Foster, Chuck Johnson, and Scott Hicks.

Having shared the stage with various acts, from Agent Orange to Laura Jane Grace to Man or Astroman, they bring a diverse musical experience to their audience.

In celebration of their fourth LP, the band unveils the melodic punk anthem ‘Future Burns.’

Check it here:

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Hot on the heels of their acclaimed EP Hex Domestic, Dragged Up release their new single ‘Missing Person’ on Rare Vitamin Records on 2 February, as digital, super-limited CD and cassette.

The single is taken from the band’s forthcoming album, High On Ripple, which will be released in April by Cruel Nature and Rare Vitamin Records.

Check the video here:

Missing Person was recorded by Robbie Wilson (The Kundalini Genie) and Chris Geddes (Belle and Sebastian), mixed by Tommy Duffin (The Cosmic Dead) and mastered by Sam Smith at Glasgow’s legendary Green Door Studio. The flipside is the a dub-dirge remix of the title track, entitled ‘Machine Person’.

Dragged Up are an off-kilter psych-garage proto-grunge band with a spoken word element, founded in late 2018 by Eva Gnatiuk (Violent Butlins) with Simon Shaw (Trembling Bells) and writer Lisa Jones. Chas Lalli (Vom) and Stephen Mors (The Owsley Sunshine) joined in 2019 and 2022 respectively.

Upcoming live shows (more to be added):

Feb 3rd – The Ferret, Preston (daytime)

Feb 3rd – The Source Collective, Carlisle (evening)

March 8th – Summerhall, Edinburgh (with Amateur Cult)

April 11th – Stereo, Glasgow (supporting House of All)

May 2nd – The Ferret, Preston

May 3rd – Big Hands, Manchester

May 4th – The Underground, Bradford

May 5th – Museum Vaults, Sunderland

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(Click image to listen / purchase both tracks on bandcamp)

It’s been quite the year for Argonaut, as they land the final instalment for 2023 for their ‘open-ended’ album project Songs from the Black Hat, they started back in October of 2022, and which has seen them release a single a month this year, and despite being reduced to a three-piece due to geographical disparities, they’ve maintained their momentum.

One major benefit of doing everything DIY is having no constraints or dictations, and an open-ended album doesn’t have to conform to any rules of cohesion or length, and ‘Christmas No. 1’ is a bit different from the rest of the album to date – namely it’s an overtly Christmas song, replete with a soft-focus, shimmery, tinsel-draped video.

‘Musically channelling all the classic Christmas songs (6/8 timing, jingle bells, key change, anthemic coda singalong!) and lyrically tracing Lorna, Nathan and Deb’s first London Christmas to our last. Please download for free, play alongside Wham Shaky and Macca and have a number one Christmas and a punk rock new year!’

Watch the video here – best enjoyed with a glass of port, or maybe Bailey’s if that’s your thing:

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