Posts Tagged ‘Bella Union’

Bella Union Records are thrilled to announce the signing of Tallies. The Toronto-based band are today sharing their captivating new single, “No Dreams of Fayres”, which is released via Bella Union (UK/EU), Kanine Records (US) and Hand Drawn Dracula (Canada). The new single marks the first new music from the band since their acclaimed self-titled debut that found fans at Clash, NYLON, DIY, CRACK, MOJO, Exclaim, Under the Radar and more. Listen to “No Dreams of Fayres” here:




Speaking about the new single, Cogan says: “’No Dreams of Fayres’ is a reflection of thoughts that I remember going through my mind when I stayed still in bed. Feeling as though staying still in bed was the only thing that would help the sadness – basically, disconnecting myself from family, friends, and having a life. Finding the way out of depression was hard but possible. ‘No Dreams of Fayres’ is also about the realization of letting yourself feel real feelings but not mistaking them for emotions. I had to learn to get a grip of what I wanted out of life and go for it with no self-sabotage – which was music, as clichéd as it sounds. It pulled me out of bed, physically and mentally.”

Tallies, who have previously opened for the likes of Mudhoney, Hatchie, Tim Burgess and Weaves, is made up of founding members guitarist Dylan Frankland and singer/guitarist Sarah Cogan, who are joined by drummer, Cian O’Neill. Tallies were recently announced to play at next year’s SXSW Festival in Austin and New Colossus Festival in New York.

Watch the video ere:

Bella Union – 1st April 2016

Christopher Nosnibor

Explosions in the Sky have long been more than merely synonymous with post-millennium post-rock: their early albums effectively set the template for virtually every other band in the field with their delicate guitar work and epic crescendos. It’s been five years since their last album, and ‘The Wilderness’ finds Explosions in exploratory form.

It’s epic, for sure, and it’s also brooding, nuanced, detailed. The title track has all of the standard ingredients and gets the album off to a gentle start. So far, so much business as usual.

But the album as a while feels far from formulaic, and it would be a stretch to align many of the tracks here to any genre other than progressive. There are bold, rumbling pianos and drums that roll like thunder as vast sonic vistas unfurl. But instead of the storm of crescendos, there are expansive near-ambient passages, flickers and bubbles of electronica

Urgent drumming underpins the moody ‘Infinite Orbit’, which actually feels like an intro passage to a latter—day Swans track and is one of a number of shorter tracks that point to a relatively concise album – in fact, only three of the nine pieces here extend past six minutes, with the dark and sombre ‘Logic of a Dream’ proving to be one of the most expansive tracks both in terms of duration and sonic reach.

Perhaps ironically, then, while it does feel like Explosions are striving to tread new ground, in abandoning the trademark dynamics that defined the post-rock genre, they’ve produced an album that lacks any sense of action. It’s pleasant, mellow, even. It doesn’t make you feel anything (yes, when I write ‘you’ I’m projecting my own experience as a listener onto you, the reader, both individually and collectively), and ultimately it’s bland and inessential. It’s a proggy post-rock album in an endless desert of proggy post-rock albums. A wilderness indeed.

Explosions in the Sky - Wilderness


Explosions in the Sky Online